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Johnson, Robert
Delta Blues Legend
Charly Rec. CD BM 13-2 CD
Bookseller reference : 52866
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Johnson, William W.
The Gramophone Book: A Complete Guide for All Lovers of Recorded Music
Acceptable paperback. Heavy foxing to cover, page block, front pastedown and endpapers. Creasing and wear to edges and corners, small open tear to spine foot. However, pages are well bound, and content is clean. Minor pencil marginalia noted. CN Used
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Johnson,; Jack; Dick Schapp ; the Lampman
Jack Johnson is a Dandy: An Autobiography
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind, page block is a little warped. 262 pages with lots of large b&w photos, including one kissed by Salvador Dali. Dust jacket has edge wear, scuffing, library stickers. Jack Johnson was the first black heavyweight champion, was a world traveller, a music hall performer, a prisoner at Leavenworth, a matador in the bullrings of Spain, a speed demon, a connoisseur of the arts and women, and a Renaissance man at the turn of the 20th Century. He held the title for seven years against the widespread popular demand for a new "white hope"..
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Johnson,Tom. Tilbury,John. Curran,Alvin. Franceschini,Romulus. Klucevsek,Guy. Rudhyar,Diane, et al.
Soundings Twelve. ( A musical anthology ) .
<br/> TITOLO: Soundings Twelve. (A musical anthology). <br/> AUTORE: Johnson,Tom. Tilbury,John. Curran,Alvin. Franceschini,Romulus. Klucevsek,Guy. Rudhyar,Diane, et al.<br/> CURATORE: Edited by Peter Garland. <br/> EDITORE: Soundings Press<br/> DATA ED.: 1982,<br/>
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Johnstone, H Diack (ed)
Musica Britannica: A National Collection of Music: LXXXII: Maurice Greene: Phoebe: A Pastoral Opera
London: Stainer and Bell 2004. No dust jacket. Hardcover. Very good condition. One or two minor marks on front board and spine. Contents are clear throughout. AF. hardcover. Very Good/No Dust Jacket. Used. Stainer and Bell Hardcover
Bookseller reference : 458886 ISBN : 0852498810 9780852498811
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Johnstone, H Diack (ed)
Musica Britannica: A National Collection of Music: LVIII: Maurice Greene: Ode on St Cecilia's Day: Anthem: Hearken Unto Me Ye Holy Children
London: Stainer and Bell 1991. Paperback. Very good condition. Minor wear on covers and spine. Creasing on lower leading corners of front cover and FEP. Contents are clear throughout. AF. paperback. Very Good/No Dust Jacket. Used. Stainer and Bell Paperback
Bookseller reference : 458876 ISBN : 0852497830 9780852497838
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Johnstone, Arthur Edward
Instruments of the modern symphony orchestra and band; a pictorial and explanatory guide for music lovers, by Arthur Edward Johnstone. Rev. and augm. ed., by Dr. Edwin J. Stringham
54p. Pamphlet Good condition, covers detached
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JOHNSTONE, Arthur Edward.
Instruments of the modern Symphony Orchestra and Band. Second Revised and Augmented Edition.
New York, Carl Fischer 1948, 225x150mm, 102pages, paperback.
Bookseller reference : 53098
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Johnstone, H. Diack (ed.)
Musica Britannica: A National Collection of Music: LVIII: Maurice Greene: Ode on St Cecilia's Day: Anthem: Hearken Unto Me, Ye Holy Children
Paperback. Very good condition. Minor wear on covers and spine. Creasing on lower leading corners of front cover and FEP. Contents are clear throughout. AF Used
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Johnstone, H. Diack (ed.)
Musica Britannica: A National Collection of Music: LXXXII: Maurice Greene: Phoebe: A Pastoral Opera
No dust jacket. Hardcover. Very good condition. One or two minor marks on front board and spine. Contents are clear throughout. AF Used
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Joint Venture
Unanständige Lieder (Live)
Ahuga, 1996. 07134-2 CD CD
Bookseller reference : 54683
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Jolanda
LE DONNE DEI POEMI DI WAGNER.
2da edizione con preludio di Corrado Ricci. Un volume (20 cm) di 111 pagine. Firma all'occhiello). Brossura editoriale (mancanza di 2 cm al dorso).
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JOLAS (Eugène).
Le Nègre qui chante. Chansons traduites et introduction par Eugène Jolas.
Paris, , Editions des Cahiers libres, , 1928 ; in 8° , broché. EDITION ORIGINALE. Blues et gospels traduits en français dont certains très célèbres tels “sometimes I feel like a motherless child”... 1/500 exemplaires numérotés sur Outhenin-Chalandre.
Bookseller reference : 35502797
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JOLAS, Eugène.
Le nègre qui chante.
Paris, Editions des Cahiers Libres 1928, 195x145mm, 85pages, broché. Exemplaire sur papier Outhenin-Chalandre numéroté 160/500. Bon état.
Bookseller reference : 38285
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JOLAS. (Eugène).
Le Nègre qui chante. Chansons traduites et introductions par..
, Paris, Cahiers libres, 1928; in-8, couv. bleue impr. EDITION ORIGINALE. Blues et gospels traduits en français dont certains très célèbres tels “sometimes I feel like a motherless child”... 1/500 exemplaires numérotés sur Outhenin-Chalandre. Dos insolé, premier plat passé.
Bookseller reference : 35601769
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JOLIGEON Laure - THIVET André - SAURALY-THIVET Andrée
La brouette d'amour. Comédie musicale en 3 actes et 5 tableaux.
Couverture rigide. Broché. 183 pages. Quelques rousseurs.
Bookseller reference : 126593
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JOLIVET André
Ludwig Van Beethoven. Planches hors-texte.
Broché. 198 pages. Mouillure à la jaquette.
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JOLIVET Hilda
Varese. Photos hors-texte.
Broch?. 206 Pages.
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Jolivet, André, French composer (1905-1974).
"3 Croquis pour piano" (K 58a). Autograph musical manuscript signed. Paris, June 1932.
Folio (ca. 275 x 327 mm). 11, (5), 2 pp. In ink and pencil on staved paper with 6 systems of 2 staves, as well as 24 staves respectively. In contemporary red wrappers with handwritten cover-title. Unpublished manuscript of the piano cycle comprising three compositions titled "Défilé" (marked "Modéré, mais bien cadencé"), "Soir" (marked "Lent"), and "Poursuite" (marked "Vif"). The first two went on to be arranged for harmonic orchestra in 1935 and 1936, and were subsequently published under the title "Soir et Défilé" in 1937 (Éditions Sociales Internationales). Jolivet had already orchestrated "Soir" for the small orchestra of Marius-François Gaillard in 1935. The cycle premiered at the Société Nationale on 25 February 1933, performed by the pianist Monique Haas. - The first two "croquis" bear numerous annotations for orchestration in crayon and pencil; "Défilé" is crossed out in blue crayon. Following the 11 pages of the "croquis" is a revised version of "Défilé" (3 pp.) as well as a pencil draft for an orchestration of the same for small orchestra (title-page and 2 numbered pages). - With 5 stamps of the "Société des auteurs, compositeurs & éditeurs de musique", dated 18 July 1932, as well as one stamp of the "Commission d'examen des bulletins". Wrappers loose, some slight marginal tears. Kayas, André Jolivet (Paris, 2005), pp. 235f. Hilda Jolivet, Avec André Jolivet (Paris, 1978).
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Jolivet, André, French composer (1905-1974).
"Sonate pour piano et violon" (K 57). Autograph musical manuscript signed. Paris, spring 1932.
Folio (ca. 275 x 327 mm). 12, 5, 13-37, 15 pp. Ink on staved paper by Néocopie Musicale with 3 systems of 4 staves, as well as 10 staves respectively. In contemporary red wrappers with handwritten cover-title. One of Jolivet's first major works, which remained unpublished until 1989 (Salabert), described by the French violinist and leading interpreter of Jolivet's works, Devy Elrih (1928-2012), as "embracing a new musical language, and a reinvention of notation for violin and piano, as well as the relation of the two". Elrih goes on to characterize the composer's intention to "express himself free of any references to earlier works in this domain [...] as a 27-year-old man, full of life, lyricism and determination". - The sonata, with a duration of 13 to 15 minutes (as noted by Jolivet at the head of the manuscript), comprises three movements: "Ramassé", "Librement", and "Bousculé". The first movement also appears in the prelude of the 1930 work "Prélude et Grave pour violon et piano", revised in 1932 (K 44). Following the first movement (pp. 1-12), the second movement (pp. 13-17) was crossed out in crayon, page 13 bearing the note: "Refait: voir ondes, no. 1 des 3 poèmes pour ondes", referring to the 1935 composition "Trois Poèmes pour ondes Martenot et piano". The revised version of the second movement (paginated 1-5) is inserted between the first movement and the crossed-out second movement. The third movement comprises pp. 18-37. In the 15-page part for violin adjacent to the piano score, the second movment (pp. 6-7) is also crossed out. The violin part includes fingerings added in a different hand. - Analyzing the piece, the musicologist Lucie Kayas concludes that "the whole sonata produces a feeling of heterogeneity of the consecutive tonal, modal and dodecaphonic keys, as if, in contrast with the manner shown by the polytonal works of Jolivet's early youth, an idea of collage prevailed, now through juxtaposition rather than mere simultaneity". - The first movement was performed at the Société Nationale on 2 December 1933 by Gisèle Kuhn and Raoul Visa, while the complete sonata premiered at the Société Nationale on 9 February 1935 with André Huot (violin) and Olivier Messiaen (piano). - With three stamps of the "Societé des auteurs, compositeurs & éditeurs de musique", dated 26 June 1934 (one rather faded), as well as one stamp of the "Commission d'examen des bulletins". Several corrections and annotations in crayon and pencil. Wrappers with several small flaws; spine rebacked with tape. Kayas, André Jolivet (Paris, 2005), pp. 115-117.
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JOLLET JEAN CLEMENT
Jeux de rythmes ... et jeux de cles N°1 - playing with rythms and playing with clefs - juegos de ritmos y juegos de claves - spiele mit rhythmen und spiele mit schlusseln - jogos de ritmos e jogos de claves - collection Formation musicale Solfege
GERARD BILLAUDOT EDITEUR. 1995. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 54 pages - nombreuses partitions - en francais, anglais, espagnol, portugais, allemand et grec - annotation au crayon à papier en page de titre. . . . Classification Dewey : 780-Musique
Bookseller reference : RO20266769 ISBN : 43060420
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JOLLET, Jean-Clément.
Jeux de rythmes... et jeux de clés. Volume 1 : IM1 (Débutant 1).
Gérard Billaudot, éditeur, collection "FMS", sans date. Un fascicule in-4°, agrafé.
Bookseller reference : 19390
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Jolson, Al; De Sylva, Bud; Meyer, Joseph
California Here I Come: Sheet Music for Piano and Voice with Ukulele Chords
New York: M. Witmark & Sons 1924. Book. Good. Sheet Music. First Edition. 4to - over 9¾" - 12" tall. 6 pages. Fantastic color cover art and photo of Al Jolson who sang this song 'with great success' in the Broadway musical "Bombo". Unmarked with moderate wear. An attractive vintage copy. M. Witmark & Sons Paperback
Bookseller reference : 563H3921
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Jolson, Al; Rose, Billy; Dreyer, Dave; Breen, Singhi
Four Walls: Sheet Music for Voice and Piano with Ukulele Arrangement
USA: Irving Berlin Inc. 1927. Sheet music. Good. Paperback. First Edition. Folio - over 12" - 15" tall. Illustrated front cover includes inset photo of Herbert Gordon. Average wear. Coverfold partly open. Store stamp upon front cover. A worthy vintage copy. Irving Berlin, Inc. Paperback
Bookseller reference : 812G1877
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Joly Pierre, Cardot Véra
Célébration du visage
Morel Robert Cartonnage d'éditeur 1966 In-16 carré, 15 x 14 cm., cartonnage toile de l'éditeur, vignette contre collée sur le premier plat, non paginé, suite de photographies noir et blanc consacrée à Georges Brassens, accompagnées de quelques pages de texte ; dos un peu insolé, bel état Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : lu2542
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Jomini Micheline (ill.):
La fête aux chansons.
Fournitures et Editions scolaires du Canton de Vaud, 1983. In-8, cartonnage couleurs. Illustré à chaque page par Micheline Jomini. Tampon de possesseur sur garde.
Bookseller reference : 16869
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JOMMELLI Niccolò
Sonate per due traversieri e basso continuo
brossura; coll. "Archivum Musicum. Flauto traversiere" vol.18; copia anastatica; London s.d. (1753); 3 voll. in custodia di cartoncino; introd. di Marcello Castellani; esemplare molto buono
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Jon Anderson e Stevie Howe
The remembering
Jon Anderson e Stevie Howe The remembering. , Music Corp 1973-1981, Copertina: plastificata con anelli, leggermente ingiallita. Dorso: ingiallito e leggermente sporco. Taglio: leggermente ingiallito. Pagine testo: ingiallite in modo molto lieve. Margini delle pagine: leggermente ingialliti. Buono (Good) . <br> <br> <br> 235<br>
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Jon Bon Jovi.
Blaze of Glory.
<br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Blaze of Glory. <br/> AUTORE: Jon Bon Jovi.<br/> CURATORE: Trascrizioni musicali a cura di Rinaldo Prnadoni.<br/> EDITORE: PolyGram Edizioni Musicali<br/> DATA ED.: 1990,<br/>
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Jon J. Conrad
Fare Spot Come produrre un telecomunicato pubblicitario
Brossura, formato 15x23, pagine 157, illustrato in nero e colori, ottime condizioni - 38251
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Jon Meacham, Tim McGraw
Songs of America Patriotism, Protest, and the Music That Made a Nation
Ottimo stato, sovraccoperta originale illustrata in carta patinata, elementi della grafica in rilievo, grafica Michael Boland, fotografia: Danny Clinch, minimi segni d'uso, coperta illustrata in cartone rigido patinato, stessa grafica della sovraccoperta, taglio concavo con lieve macchia, pagine, in carta patinata, ottimamente conservate. Presenta doppio frontespizio illustrato, testo posto su una e due colonne, illustrazioni in b. e n. ed a colori. I.a edizione. Numero Pagine 302 USATO
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Jona E
Le canzonette che fecero l'Italia
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JONA EMILIO.
Le canzonette che fecero l'Italia.
Cm. 22,5, pp. 222 (2). Con 74 incisioni di legno nel testo. Legatura edit. in piena tela con titoli in oro al dorso e sovracoperta in acetato. Entro custodia in tela edit. con illustrazioni ai piatti. Ben conservato.
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JONA, Emilio
Le canzonette che fecero l'Italia scelte e commentate da Emilio Jona
219 p. con la riproduzione in facsimile di circa 70 "fogli volanti"; 23 cm. Legatura editoriale con sovracoperta trasparente e cofanetto illustrato. Ottimo
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JONA, Emilio - LIBEROVICI, Sergio
L’ingiustizia assoluta. Cantata drammatica per attori, gruppo folk e bande musicali.
Rimini-Firenze, Guaraldi Editore, 1974. Volume N. 2 della Collana: Politica culturale. A cura della Regione Toscana - Dipartimento Istruzione Cultura. Testi e documenti del Teatro Regionale Toscano. In 8vo (cm. 21,5); cop. originale illustrata, con titoli al piatto e al dorso; pp. 172, (4). Con numerose illustrazioni in bianco e nero ed esempi musicali nel testo. Ottima copia. Axg
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Jona, Emilio; Liberovici, Sergio
Canti degli operai torinesi dalla fine dell’800 agli anni del fascismo.
Tela c/sovraccoperta, cm20x28, pp XLVI 561 (1); illustrazioni in nero, spartiti. Privo della cassetta originariamente allegata.
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Jona, Liberovici, Castelli, Lovatto
Le ciminiere non fanno più fumo. Canti e memorie degli operai torinesi.
Cm. 15x21.5, pp. XXI 728+ CD con 41 canti popolari, rilegato in piena tela con sovraccoperta illustrata. Ottimo.
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Jonah Silas
Chansons folks
Le mot lame 2019 in12. 2019. Broché.
Bookseller reference : 100129521
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Jonas, Oswald
Introduction to the Theory of Heinrich Schenker Einfuhrung in Die Lehre Heinrich Schenkers; The Nature of the Musical Work of Art.
New York Schirmer Books 1982 hardcover. Illustrated with 231 music examples. Translated from German and edited by John Rothgeb. -- Hardcover. Condition: near fine no jacket issued. ISBN 0028731204 Schirmer Books hardcover
Bookseller reference : 38256 ISBN : 0028731204 9780028731209
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Jonasz Michel:
Les hommes sont toujours des enfants.
Warner Music, 2011. CD inséré dans un étui in-8 carré et accompagné des paroles sur feuillets volants illustrés.
Bookseller reference : 22046
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Jonata Roberto
Shape. Original compositions per solo piano
br. Raccolta di spartiti per pianoforte: Sphere, Red Shape, Across The Line, Circle In The Sky, Ray, In A Dream, Athena, Symmetry, Behind The Wall, Through The Dark.
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Jonathan Bigot
"Stop 50 - La chronique des tubes de ""Liberation"" ou Les tribulations d'un veritable enfant du rock au paradis du show-biz"
LA SIRENE. 1993. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 103 PAGES - Nombreuses illustrations couleur et noir/blanc, dans et hors texte - Préface de Yves Simon. . . . Classification Dewey : 780-Musique
Bookseller reference : RO20279757
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Jonathan Cott
Conversations avec Stockhausen
J.C.Lattès 1979 in8. 1979. Broché.
Bookseller reference : 100154030
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Jonathan Cott
Conversazioni con Glenn Gould
formato 20X12,5. Brossura editoriale con sovraccoperta pagine 93. Bella copia
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Jonathan Cott
Conversazioni con Glenn Gould
Jonathan Cott Conversazioni con Glenn Gould. Milano, Ubulibri 1989, 93 pagine 21 cm Trad. di Marco Gioannini. Brossura con sovracop., aloni alla sovracop. (vedi foto) e lievi fioritale alle prime ed ultime carte Buono (Good) . <br> <br> <br> 8877480874
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Jonathan Cott
Giorni memorabili. Conversazioni con John Lennon e Yoko Ono, Roma, Arcana Edizioni, 2013
Traduzione di Rapetti G. Roma, 2013; br., pp. 237, ill., cm 15x22,5. (Musica). italiano 88-6231-31 Musica br.
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Jonathan Kelleman
White Strings Attached The Art and Beauty of Vintage Guitars
Prima edizione, presentazione di Andy Summers e Jesse Kellerman, fotografie di Jonathan Exley, testo inglese, rilegato, tela, sovracoperta, formato 27 x 32, pagine 346, illustrato a colori, ottime condizioni - 47370
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Jonathan Kirby ; Robbie Busch ; Julius Wiedemann
Rock Covers. 40th Ed.
, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.11 kg, 512 pages, Edition: English, French, German. ISBN 9783836576437.
Bookseller reference : 61369
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Jonathan Willis
Church Music and Protestantism in Post-Reformation England: Discourses Sites and Identities St Andrews Studies in Reformation History
Routledge 2010. First edition. Hardcover. Near fine/Near fine. Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period and music was one of the most prominent powerful and emotive elements of religious worship. But in large part traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice such as the congregational singing of psalms in meter. This book marks a significant advance in that area combining an understanding of theory as expressed in contemporary religious and musical discourse with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses' 'Sites' and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches before shifting its attention to the people of Elizabethan England and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues and by reintegrating music back into the Elizabethan church we gain an expanded and enriched understanding of the complex evolution of religious identities and of what it actually meant to be Protestant in post-Reformation England. 294pp including index. Routledge hardcover
Bookseller reference : 2432 ISBN : 1409400719 9781409400714
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Jonathan Wainwright/ Peter Holman/ NATIONAL EARLY MUSIC ASSOCIATION CONFERE
From Renaissance To Baroque: Change In Instruments And Instrumental Music In The Seveteenth Century
Ashgate Pub Ltd 2005. Hardcover. New. illustrated edition. 321 pages. 9.50x6.50x1.25 inches. Ashgate Pub Ltd hardcover
Bookseller reference : x-0754604039 ISBN : 0754604039 9780754604037
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