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Lamoureux, Charles, Dirigent und Violinist (1834-1899).
Eigenh. Brief mit U. („Ch. Lamoureux“). Paris, 14. XII. 1883.
1 S. auf Doppelblatt. Gr.-8vo. An den Komponisten Léo Delibes (1836–1891) mit der Mitteilung, daß er bei den Konzerten am 16. und am 23. dessen Orchestersuite „Sylvia“ zu Gehör bringen werde, wozu er ihn hiermit auf einen Logenplatz einlade: „Je ferai entendre à mes concerts du 16 et du 23 de ce mois votre suite d’orchestre de Sylvia. Je vous adresse une bonne loge pour le concert de Dimanche prochain; je serai très heureux si vous voulez bien en profiter pour venir écouter votre œuvre [...]“. – Durch sein Schaffen trug Charles Lamoureux dazu bei, „in Frankreich das Verständnis für die klassische Musik zu verbreiten, setzte sich aber auch für die Werke der Zeitgenossen Saint-Saëns, Lalo, Franck, Chabrier, d’Indy und Paul Dukas ein. Seine Konzerte wurden gleichzeitig zum Mittelpunkt des Wagnerismus in Frankreich. Lamoureux war es, der am 3. Mai 1887 die erste französische ‚Lohengrin’-Aufführung im Eden-Théâtre organisierte und dirigierte, ebenso 1899 die achtzehn Aufführungen von ‚Tristan und Isolde’ im Nouveau Théâtre [...] Lamoureux war ein großer Dirigent, dessen Aufführungen sich durch bemerkenswerte Präzision und Sicherheit auszeichneten und schlechthin vollendet waren“ (MGG VIII, 148f.). – Auf Briefpapier mit gedr. Briefkopf der „Société des Nouveaux Concerts“. – Stellenweise gering knittrig.
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Lamoureux, Charles, Dirigent und Violinist (1834-1899).
Eigenh. Brief mit U. („Ch. Lamoureux“). Paris, 5. VII. 1894.
2 SS. auf Doppelblatt. Kl.-8vo. An einen Monsieur Schurmann, wohl Edwin Schurmann, der Impresario von Adelina Patti und Eleonora Duse, mit der Mitteilung, daß er für 100 Francs zuzüglich Reisekosten gerne mit seinen Musikern die Reise nach Bukarest antrete: „J’accepterai volontiers d’aller à Bucharest[!] au mois de Décembre prochain avec mes chefs des pupitres […] Pour cela (Boucharest[!] est bien loin) je demanderai dix mille francs, et, en plus, le voyage aller et retour payé pour moi et mes artistes [...]“. – Durch sein Schaffen trug Charles Lamoureux dazu bei, „in Frankreich das Verständnis für die klassische Musik zu verbreiten, setzte sich aber auch für die Werke der Zeitgenossen Saint-Saëns, Lalo, Franck, Chabrier, d’Indy und Paul Dukas ein. Seine Konzerte wurden gleichzeitig zum Mittelpunkt des Wagnerismus in Frankreich. Lamoureux war es, der am 3. Mai 1887 die erste französische ‚Lohengrin’-Aufführung im Eden-Théâtre organisierte und dirigierte, ebenso 1899 die achtzehn Aufführungen von ‚Tristan und Isolde’ im Nouveau Théâtre [...] Lamoureux war ein großer Dirigent, dessen Aufführungen sich durch bemerkenswerte Präzision und Sicherheit auszeichneten und schlechthin vollendet waren“ (MGG VIII, 148f.). – Auf Briefpapier mit gedr. Briefkopf der „Concerts Lamoureux“.
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Lamoureux, Charles, French composer and violinist (1834-1899).
2 autograph letters signed. Paris, 17 Sept. 1896 and 31 Dec. 1898.
8vo. Together 3 pp. The letter from 1896 to the musicologist Jacques-Gabriel Prod'homme, thanking him for a copy of his book on Berlioz's "La Damnation de Faust" and for a favourable article on Lamoureux: "Je viens vous remercie de m'avoir envoyé votre très intéressant et remarquable volume sur 'La Damnation de Faust' de Berlioz et la notice que vous avez publiée sur moi dans l'Enclos du mois de Juillet 1895. Je tiens à vous dire que je suis très sensible à votre gracieuse pensée et profondément touché de votre bienveillance". - The second letter to the music publisher Carl Enoch, concerning the upcoming stage premiere of Emmanuel Chabrier's unfinished last opera Briséïs. Lamoureux had conducted the first concert staging of the piece in 1897 and expresses his joy that it will soon be staged at the opera, mentioning the flutist Paul Taffanel and the opera director Pedro Gailhard as being involved in the project. He also mentions that Chabrier's widow "essentially thinks that it is she who directs the piece", as she is "the interpreter of the feelings of her poor husband". Briséïs premiered on 8 May 1899 at the Paris Opera, a few months later than Lamoureux had expected. The interesting letter in full: "J'apprends avec plaisir par plusieurs personnes, que les études de Briséïs à l'opéra sont commencées, et que l'on espère passer en Janvier. Je voudrais en causer avec vous. Malheureusement je suis encore cloué dans mon lit et dans l'impossibilité de sortir. Pouvez-vous me dire si Taffanel suit les répétitions au piano ? Vous savez que Mme Chabrier tient essentiellement à ce que ce soit lui qui dirige l'ouvrage. Elle est, en cela, l'interprète des sentiments de son pauvre mari. Mr Bertrand doit se souvenir, du reste, que je lui dit lorsque j'ai eu l'occasion de le voir avec vous, et Mr Gailhard, lui-même, ne doit pas avoir oublié que cela a été convenu dans les entrevues que nous avons eues avec lui dans le cabinet directorial de l'Opéra [...]". - Minor foxing. The letter from 1898 with traces of former mounting.
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Lamoureux, Charles, French composer and violinist (1834-1899).
Autograph letter signed. No place, "Dimanche matin".
8vo. 1 page. To a friend inviting him to join his meeting with the Austrian composer and pianist Adalbert von Goldschmidt (1848-1906), whose oratorio "Sieben Todsünden'" Lamoureux conducted at its Paris premiere in 1885: "J'ai donné rendez-vous à Mr. Goldschmidt chez moi ce matin à 10 heures. Pouvez-vous me faire le plasir de vous y trouver? [...]". - On stationery with embossed monogram.
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Lamoureux, Charles, French conductor and violinist (1834-1899).
Autograph letter signed. Paris, 9. X. 1893.
8vo. 1 page. To the cellist and conductor Achille Kerrion (1868-1939), whose letter dismayed him somewhat, considering what Lamoureux had said to him and his colleagues on the Saturday past, which Kerrion, who is now in doubt as to Lamoureux's affection, seems to have misunderstood - doubts he hopes to dispel by inviting him to attend a rehearsal that morning: "Je n'ai pu trouver le temps de répondre à ta lettre qui m'a fait un peu de peine, surtout après ce que j'ai dit, à toi et à tes collègues violoncellistes à la répétition de Samedi. Tu n'as donc pas compris et tu doutes de ma sympathie pour toi? c'est mal. Viens donc répéter tranquillement ce matin, tu sais bien que je t'aime beaucoup et que je ne t'estime pas moins [...]". - On headed stationery of the "Concerts Lamoureux", the orchestral concert society founded by Lamoureux in 1881. - Remnants of a strip of paper mounted on verso.
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Lampe J. Bodewalt
SHEET MUSIC Watermelon Club
Chicago: Lyon & Healy 1907 <br /> <br />. Sheet_music. Color illustrated wraps. Very good. 6 pages. 33 x 27 cm. Cover lightly rubbed interior crisp and clean <br/><br/> Lyon & Healy paperback books
Referentie van de boekhandelaar : 1462
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LAMPE (Friedrich Adolph)
De cymbalis veterum.
Trajecti ad Rhenum, Ex Bibliopolae Guilielmi a Poolsum, 1703. In-12, (32)-405-(43) p., plein vélin d'époque, frontispice, (10) planches hors-texte. / 12mo, (32)-405-(43) p., full vellum, frontispiece & (10) plates.
Referentie van de boekhandelaar : 7000
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Lampe, Aad:
Waarom? Tekst: Leo de Vos. Opgenomen op Decca platen door Winny Dobber
3 p. 4°. Rg met 2 perforatiegaten.
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Lampe, Friedrich Adolph.
De cymbalis veterum libri tres. In quibus quaecunque ad eorum nomina, differentiam, originem, historiam, ministros, ritus pertinent, elucidantur. Cum figuris aeneis. [Utrecht], Willem de Poolsum, 1703.
(28), 405, (32) SS. Mit 26 Kupfertafeln (5 gefaltet). - (Beigebunden) II: Alstorphius, Johann. Dissertatio philologica de lectis subjucitur ejusdem de lecticis veterum diatribe. Amsterdam, Jan Wolters, 1704. (20), 334 SS., 1 w. Bl., (22) SS., l. w. Bl. Titel in rot und schwarz gedruckt. - (Beigebunden) III: Claudius, Johann Jakob. Dissertatio de salutationibus veterum, cui addita est diatribe de nutricibus et paedagogis. Utrecht, Jan Visch, 1702. (24), 236, (44) SS. Titel in rot und schwarz gedruckt. Pergamentband der Zeit auf 3 durchzogenen Bünden mit hs. Rückentitel und übergreifenden Deckelkanten. 12mo. Seltene Erstausgabe mit allen Kupfern (die Bibliographien weichen darin erheblich ab). Der Detmolder Theologe F. A. Lampe (1683-1729) verfasste dieses Werk über Arten, Formen und Gebrauch des Beckens, der Tschinellen und des Glockenspiels in der Antike schon als Gymnasiast. Die außerordentlich günstige Aufnahme bewirkte dann den späteren Abdruck in Biagio Ugolinos "Thesaurus Antiquitatum Sacrarum". - Hübsches, gut erhaltenes Exemplar. RISM (écrits impr.) S. 476. Eitner VI, 29. Hirsch I, 300. Fétis V, 182 f. Gregory/Sonneck S. 145. Weckerlin S. 168. Scheurleer I, S. 328. Charbon (Haags Gemeentemuseum) S. 77. Nicht in Wolffheim und Barclay Squire.
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Lampe, J Bodewalt: Compiler
Remick Orchestra Folis No. 21 Twenty-One: Containing the Season's Most Popular Fox Trots One Steps and Waltzes
New York: Jerome H. Remick & Co. 1920. Book. Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 48 pages. Circa 1920. Contains piano music and lyrics for the following songs: La Veeda; Hold Me; Venetian Moon; Darktown Dancin' School; Don't Take Away Those Blues; In Gay Havana; In Your Arms; I'll Be With You When the Clouds Roll By; I've Made Up My Mind; I'm Always Falling in Love; Just Like a Gypsy; Japanese Sandman; Molly Malone; The Cuddle-Uddle; Give Me a Smile and a Kiss; The Hen and the Cow; All I Have are Sunny Weather Friends; When It's Moonlight on the Swannee Shore; Molly Malone; Hiawatha's Melody of Love; When He Gave Me You Mother of Mine; My Isle of Golden Dreams; Your Eyes Have Told Me So. Unmarked. Small taped repair to fore-edge of front cover. Binding intact. A sound copy of this wonderful compilation of popular American music from early last century. Jerome H. Remick & Co. Paperback
Referentie van de boekhandelaar : 108c8639
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Lampe, J Bodewalt (compiler and editor)
The Star Dance Folio No. 17a for Piano Solo
New York: Jerome H. Remick & Co. 1916. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 64 pages. Circa 1916. "Containing the season's most popular songs especially arranged in the newest dance forms; fox trots one steps waltzes rags." - from front cover. Songs include: And They Called it Dixieland; An Old Fashioned Garden in Virginia; Bo-Peep; Chin-Chin Open Your Heart and Let Me In; Come Back to Arizona; In Honeysuckle Time; I'm Looking for a Girl Like Mother; Izzie Get Busy; Kangaroo Hop; The Murray Walk; Sail on to Ceylon; They Didn't Believe Me; There's a Little Bit of Irish in Sadie Cohn; You'll Always Be the Same Sweet Baby; You're Like a Beautiful Song; Everybody Loves to Dance; In the Valley of the Nile; I Want You Georgia; My Dreamy China Lady; Nay Nay Pauline; No One But You Dear Old Dad; Red Raven Rag; She's Good Enough to be Your Baby's Mother; Susquehanna Sue; That Midnight Frolic of Mine; You'll Find a Little Bit of Ireland Everywhere; I Learn'd to Love you in Dreamland; Love Comes a-Stealing; Souvenir Waltzes; Tinkle Bell. Taped repairs to binding. Somewhat above-average external wear. Still a worthy copy of this wonderfully nostalgic compilation. Jerome H. Remick & Co. Paperback
Referentie van de boekhandelaar : 108c8486
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Lampe, J. Bodewalt, Editor
Popular Scots Songs for Alto, Baritone, and Bass Voices
Ex-library copy, with the usual stamps and markings. Interior pages clean and unmarked except for contents page. Hard library cover in red. One page with a tear, and some soiling at corners. Soft cover, acid paper yellowing and breaking off at corners. Traditional songs in arrangements for high voice with simple piano accompaniment. An interesting plus is that each vocal part is also notated using movable do syllables, for the cognoscenti who believe in that type of solfege. 82 pages.
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Lamping, Willy / Iffland, Maja, deutscher Musiker (1880-1951).
Photographie mit eigenh. Beschriftung und U. Karlsruhe, 9. VII. 1905.
170:120 mm. Holzrahmen. Das Bild zeigt die Schauspielerin und Sängerin Maja Iffland gemeinsam mit dem Cellisten Willy Lamping umringt von vier seiner Schüler. Auf der Rückseite Lampings Vermerk "Maja Iffland. Zur Erinnerung an den 9. Juli 1905 Karlsruhe".
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LAMY, G.
Chansons de la Pavane. Série verte (chansons de taverne et de bonne chère).
1 Volume seul. Rouen, Wolf, sd, in-12 broché, non coupé.
Referentie van de boekhandelaar : 3101
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Lanapoppi (A. )
Un certain Da Ponte
Liana Levi 1991 In-8 broché 22 cm sur 14. 496 pages. Très bon état d’occasion.
Referentie van de boekhandelaar : 11000
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Lanapoppi Aleramo
Lorenzo Da Ponte Realtà e leggenda nella vita del librettista di Mozart
8vo. Cartonato editoriale. Prima edizione.99 fotografie ed immagini a colori e in b/n fuori testo. Saggi Numero di tavole: pp.465
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LANAPOPPI Aleramo
Un certain Da Ponte. Traduit de l'italien par Denis Authier.
Broch?. 496 pages.
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LANARO (Luigi)
La liuteria classica e il liutaio moderno.
1974 Padova, edizioni G. Zanibon, 1974. G. In-8 broché, 230 pages. 34 figures in texte et 2 planches hors-texte en couleurs dépliantes.
Referentie van de boekhandelaar : 3871
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Lancaster, Richard
San Francisco You're the Town for Me
Ryland Music Pub. Co. Near Fine. 1947. Softcover. Minimal soil to white back cover. ; Illustrated cover reproducing panoramas of San Francisco 1847 & 1947 with photograph of Mayor Elmer E. Robinson. Signed "Complementary Copy Betst Wishes from Richard Lancaster . . . 1948. ; Sheet Music; 4to 11" - 13" tall; 5 pages; Dedicated to his honor Elmer E. Robinson over title. Apparently created for a San Francisco centennial. Appears to be very scarce none found on WorldCat on the marke or in any price histories consulted. An eminently frameable piece of San Francisco history. ; Signed by Author . Ryland Music Pub. Co. paperback
Referentie van de boekhandelaar : 10779
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Lancaster,E. L. Renfrow,Kenon D.
Alfred's Group Piano for Adults: Student Book 2.
Alfred's Group Piano for Adults, Book 2 is designed for non-keyboard music majors with little or no keyboard experience. Upon completion of the course, students will have a strong grasp of functional skills, keyboard technique and musical styles. The text is easy to use, containing 30 units, each designed to be completed in one week. It is fully supported by CDs and MIDI disks with over 500 accomp <br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Alfred's Group Piano for Adults: Student Book 2. <br/> AUTORE: Lancaster,E. L. Renfrow,Kenon D.<br/> CURATORE: Piano, Alfred's Group Piano for Adults.<br/> EDITORE: Alfred Publishing Co.<br/> DATA ED.: 1996,<br/> COLLANA: Coll.Alfred's Group Piano for Adults,14751.<br/> EAN: 9780882847009
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Lance Dann; Spinelli Martin
Podcasting, Roma, Minimum Fax, 2021
Traduzione di Molica. Roma, 2021; br., pp. 432, cm 12x24. (SuperTele. 18).
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Lancellotti Arturo
Gioacchino Rossini 1772-1868
1 18,3x12,8 cm., in brossura, pagg. (8), 232, 16 tavole in nero fuori testo, prima edizione, in italiano, buone condizioni.
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LANCELLOTTI ARTURO
LE VOCI D' ORO
In-16, cart., pp.361, riparaz. non prof. alla cerniera ma molto buono
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LANCELLOTTI Arturo -
Le voci d’oro.
Roma, Palombi, 1953, 16mo (cm. 19,5 x 13) rilegato in mezza tela recente, pp. (8)-407 con 23 tavole fotografiche fuori testo. Terza edizione riveduta e ampliata.
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LANCELLOTTI, Arturo
Le voci d'oro
361 pagine con 25 tavole fuori testo; 18,5 cm. Brossura editoriale. Copertina legg. brunita e con piccole abrasioni, altrimenti buono. Dalla Malibran ad Adelina Patti, da Scialiapin a Gigli
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Lancellotti, Arturo
Le voci d'oro
Lancellotti, Arturo Le voci d'oro. Roma, Palombi 1942, 361 p., [25] carte di tavole ; 18 cm. Molto buono (Very Good) Normali segni del tempo ai piatti del volume, peraltro in ottime condizioni. <br> <br> <br> <br>
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LANCELOT Michel
Je veux regarder Dieu en face. (Le phénomène hippie). Photographies hors-texte.
Broché. 255 pages.
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Lancelot, Layne
Blow `Way (2 CD)
Cree Records, 2017. Auflage: Digipack 2 CDs CD
Referentie van de boekhandelaar : 35662
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LANCELOT, M.
ANTON BRUCKNER.- L'homme et son oeuvre, Catalogue des oeuvres, Discographie/
in-12 carre, 191 pages, illustrations, broche, couv. ill. Ex-libris en page de garde. Bel exemplaire. [WE-2][FL-10*]
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LANCEN Serge
Marche Militaire, pour Trompette UT ou Si Bémol, et Piano.
BOOSEY & HAWKES. 1969. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages, dont 4 de partitions.. . . . Classification Dewey : 781.599-Musique militaire
Referentie van de boekhandelaar : RO80080405
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Lancia Adamo Massimo
Padre Vincenzo Brugnoli. Musicista e compositore. Con CD Audio, Pellezzano, Dottrinari, 2016
Pellezzano, 2016; br., pp. 56, cm 16x16.
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Land, Harold
LP: HAROLD LAND QUINTET THE FOX RARE FIRST UK MONO PRESS 1961 NM-/VG
United Kingdom: Vogue Records. Near Fine in Very Good dust jacket. 1961. Non-Book. Label: Vogue Records LAE 12269 / Format: Vinyl LP Album Mono / Country: UK / Released: Jul 1961 / Genre: Jazz / Style: Hard Bop / Condition: The disc is as close to Mint as possible! The sleeve has a stain along the back edge as can be seen in the photograph. A very scarce album. ; 12" . Vogue Records unknown
Referentie van de boekhandelaar : 19228
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LANDAMMANN, H. / BIBER, W. / MUHEIM, H. / BAUMANN, M. P. / GEISSER, R. / ZURFLUH, K. / ZWYER, A.:
Die Geschichte der Blasmusik im Kanton Uri.
Urner Kantonalen Musikverband zu seinem 50-Jahr-Jubiläum, 1981, in-4to, 79 + 48 S., reich und s./w. ill., Original-Pappband.
Referentie van de boekhandelaar : 124247aaf
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Landau, H.J
Neuer deutscher Hausschatz f. Freunde d. Künste u. Wissenschaften. 4. Aufl.
Prag, Selbstvlg. 1864. 1230, 399 S. Hldr. Stellenw. gering braunfleckig.
Referentie van de boekhandelaar : 625941
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Landau, Sigalit \ Goss, David [Ed. and Intro.] \ Adi, Einat; Asher, Ami; Flantz, Richard [Tran.]
Sigalit Landau: Salt Years
27x19.5 cm. 397 pages. Hardcover. Cover edges slightly rubbed. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Landau, Suzanne [Ed.]
Contemporary Art in the Israel Museum, Jerusalem
28x24 cm. 311 pages. Softcover. Cover edges and corners slightly wrinkled. Spine edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Landau, Suzanne [Ed.]
Life-Size: A Sense of the Real in Recent Art [IN HEBREW AND ENGLISH]
IN HEBREW AND ENGLISH. 30X23 cm. 195+61+unnumbered pages. Softcover. Cover edges slightly chafed. Library copy with usual signs. Else in good condition.
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LANDAUER Bella C.
Some aeronautical music from the Collection of Bella C. Landauer.
Paris, Privalety Printed, 1933. In-5 pages (Introduction), 23 planches, cartonnage illustré d'une vignette. One hundred copies printed.
Referentie van de boekhandelaar : AEROS211
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LANDECK Beatrice.
Echoes of Africa in Folk Songs of the Americas Instrumental Arrangements by Milton Kaye. English Version of Foreign Lyrics by Margaret Marks. Drawings by Alexander Dobkin
diverse illustrazioni n.t.
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Landhäusser, Otto
Im fröhlichen Kreis. 27 Singspiele und Tanzreigen / mit allen Strophentexten / mit Tanzanleitungen. Mit 21 Bildern auf Kunstdrucktafeln.
Karlruhe, Braun., 1930. 8°. 77 Seiten, 2 Blätter Verlagsanzeigen. Frakturdruck. Illustrierter Originalkarton. (Vorsatz randfleckig und mit Namen). - Ansonsten ein sehr gut erhaltenes, frisches Exemplar ohne Eintragungen. 2., umgearbeitete und erweiterte Auflage.
Referentie van de boekhandelaar : 9852AB
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LANDI F.
Sei duetti a due soprani per cembalo dedicati al Nobil Signore il Signor Commendatore F. Luigi De Requesens dall'ab.e Filippo Landi fiorentino.
[Prob. Firenze, s.n.t., fine del XVIII sec.], in-4 grande formato album, nato senza brossura, frontespizio in calcografia + 11 pp. di musica notata, anch'esse incise in rame. Bella cornice decorativa (putti con strumenti musicali e elementi fitomorfi) sul front. Ottime condizioni. Raro: un solo esemplare censito in ICCU.
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Landi, Camilla, Sängerin (geb. 1866).
Eigenh. Albumblatt mit U. St. Gallen, 13. XII. 1897.
1 S. Qu.-8vo. Camilla Landi konzertierte in den 1880er und frühen 1890er Jahren äußerst erfolgreich mit dem Orchestre Lamoureux.
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Landi,Michela.
Per un’organologia poetica. Gli strumenti musicali nella poesia francese romantica e simbolista. Tomo I: Aerofoni e cordofoni.
Il presente studio, articolato in due volumi, è parte di un’ampia ricerca dell’Autrice sulla questione del rapporto tra musica e poesia all’epoca in cui tale questione occupò il dibattito culturale francese ed europeo: l’Ottocento romantico e simbolista. L’Autrice si sofferma adesso sulla presenza degli strumenti musicali nell’immaginario poetico e sottolinea il valore simbolico e cognitivo che as <br/> TITOLO: Per un’organologia poetica. Gli strumenti musicali nella poesia francese romantica e simbolista. Tomo I: Aerofoni e cordofoni. <br/> AUTORE: Landi,Michela.<br/> EDITORE: Olschki<br/> DATA ED.: 2008,<br/> COLLANA: Coll.Accademia toscana di scienze e lettere «La Colombaria»,Serie Studi,242.<br/> EAN: 9788822257437
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Landini Carlo Alessandro
L'orecchio di Proteo. Saggio di neuroestetica musicale. Ambiguità, trappole cognitive, strategie decisionali
br. Nella musica è possibile scorgere, assicura Proust, "tutto un mondo di possibilità e combinazioni". In un noto passo della Recherche il Narratore spiega che ogni parola potrebbe trasporsi in un linguaggio altro da quello originale e che anche "un universo unicamente udibile potrebbe essere non meno vario dell'altro", quello reale, sottoposto al vaglio di tutti i sensi. Se è vero che l'universo dei suoni è "non meno vario" di quello delle persone, delle cose e dei nomi che le designano, ciò avviene - anche, ma non solo - in virtù del calcolo combinatorio che permette di individuare, all'interno di una forma musicale qualsiasi, eventi e valori potenzialmente infiniti per poi ricombinarli in base a una varietà, essa pure infinita, di intervalli, di frammenti di melodia, di accordi (nonché di attese riferite ad un retorica discorsiva che varia da persona a persona, da caso a caso). In questo volume si passano in rassegna le diverse modalità in base a cui è possibile estendere la categoria dell'ambiguità al più vasto ambito musicale.
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LANDINI Francesco, ROSSINI Gioacchino
Poesie musicali inedite ed anonime del secolo XIV
In 8, pp. 15 + (1b). Br. ed. decorata. Pubblicazione per le nozze di Giuseppe Contin, 'violinista celebrato in Italia e fuori' con Iginia Arcari contente alcune poesie anonime musicate da Francesco Landini, detto il cieco di Firenze, e da Andrea da Firenze trascritte da un codice fiorentino mediceo laurenziano. In appendice due lettere di Gioachino Rossini.
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Landini Giancarlo. Gilardone Marco
Dal labbro, il canto. Il linguaggio vocale delle opere di Verdi, Torino, Edizioni Omega, 2001
Torino, 2001; br., pp. 346, ill. b/n, cm 17x24. (Scientifica).
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LANDON & NORWICH
Cinq siècles de musique à Venise
Jean Claude Lattès 1991 In-8 reliure éditeur sous jaquette, 198 pp. illustrations en noir & couleurs
Referentie van de boekhandelaar : 2696
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LANDON ( Dir.)
Dictionnaire Mozart
Jean Claude Lattès 1990 in-8 relié sous jaquette et coffret, 650 pp., illustrations en noir. Complet du CD joint.
Referentie van de boekhandelaar : 2701
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LANDON H. C. ROBBINS (sous la direction de )
DICTIONNAIRE MOZART
P., Lattès,1990. In-8 relié toile avec jaquette et étui, 653 pages, quelques illustrations.
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LANDON H. C. ROBBINS - NORWICH JOHN JULIUS
VENEZIA CINQUE SECOLI DI MUSICA
26056 LANDON H. C. ROBBINS - NORWICH JOHN JULIUS VENEZIA CINQUE SECOLI DI MUSICA . , RIZZOLI 1991 , 4° - leg. tela con sovracoperta ill. - pp. 199, illustrato in nero e colori, ottime condizioni
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