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(Chansons)
Chansonnier des graces pour 1815
A Paris, chez F. Louis, 1815. In/16 reliure demi-chagrin bordeaux, dos à nerfs à fleurons et titre dorés, frontispice et vignette de la page de titre par Chasselat, xx f. dont calendrier, 299 p., 48 planches de chansons in-fine (40 airs).
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(Chavez, Carlos; 1899-1978). Gara, Emmerich
A LIVELY BLACK & WHITE PORTRAIT OF THE MEXICAN COMPOSER & CONDUCTOR CARLOS CHAVEZ REHEARSING ON AN OUTDOOR STAGE IN FRONT OF SCAFFOLDING.
Ellenville NY Summer 1956. 1956. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the Mexican composer and conductor Carlos Chavez conducting from a crude podium set up in front of scaffolding. Depicted in three quarter profile from the hip up Chavez leans forth with furrowed brow while conducting with his hands. Attired in a white sweater tucked into his pants with a colorful scarf tucked into his sweater the conductor is posed in front of the white tarps punctuated with colorful lines which drape the background. Scaffolding rises up from behind Chavez at right of the image. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso of the photograph. Signed by Gara in pencil on the verso. Fine. <p>The Mexican composer and conductor Carlos Antonis de Padua Chavez y Ramirez 1899-1978 was a music theorist educator as well as a journalist. He founded the Mexican Symphony Orchestra and was also its director. Influenced by Mexican culture his second symphony the highly popular "Sinfonia India" uses native Yaqui percussion instruments. He conducted the Symphony of the Air at the Empire State Music Festival held in Ellenville New York in July 1956.<p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. (Ellenville, NY, Summer), (1956). unknown
Référence libraire : 27785
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(CHIGI ZONDADARI Flavio)
RIFLESSIONI FATTE DA EUCHERO PASTORE ARCADE SOPRA ALLA MAGGIOR FACILITA’, CHE TROVASI NELL’APPRENDERE IL CANTO. Con l’uso di un Solfeggio di $1dodici Monosillabi$2, atteso il frequente uso degl’accidenti, introdotto molto posteriormente alla primiera istituzione del Solfeggio di $1sei monosillabi$2.
In-8 p. (mm. 210x155), brossura muta coeva, pp. 16, cc.nn. 8 (l’ultima è bianca); con 2 tavole inc. in rame fuori testo di cui 1 riporta i suoi “dodici Monosillabi”: ut, pa, re, bo, mi, fa, tu, sol, de, la, no, si. "Prima ed unica rarissima edizione", con “correzioni fatte a mano e forse dal medesimo autore”, come su ICCU dichiara anche la Biblioteca Musicale di Bologna “per tutti gli esemplari da noi veduti”. Sotto il nome di Euchero, della Accademia dei Pastori Arcadi, si cela il Marchese Flavio Chigi Zondadari di Siena (1714-1769). Cfr. Fetis “Bibliogr. générale de la musique”,III, p. 51. Esemplare su carta distinta, ben conservato.
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(Collectif)
ARS MUSICA, L'HARMONIE du MONDE
Un ouvrage de 144 pages, format 220 x 260 mm, illustré, broché couverture couleurs rempliée, publié en 2023, Silvana Editoriale, bon état
Référence libraire : LFA-126732140
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(COLLECTIF)
BERLIOZ
Paris Réalités Hachette 1973 in 8 (24,5x16) 1 volume reliure skivertex marron de l'éditeur, jaquette illustrée en couleurs, rhodoïd, 269 pages [1], avec de nombreuses illustrations en noir et blanc et en couleurs. Auteurs: Henry Barraud, Maurice Fleuret, Bernard Gavoty, Antoine Goléa, Harry Halbreich, Maurice Le Roux, François-Bernard Mache, Claude Samuel, Marcel Schneider. Collection ''Génies et Réalités''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Référence libraire : 32949
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(COLLECTIF)
Charles Koechlin 1867-1950 "Koechlin par lui-même" (texte inédit)
La Revue Musicale 1981, in4 (26,5 x 19,5 cm) broché, 84 p. (bel exemplaire non coupé) Sur bon papier. Témoignages et études sur le compositeur.
Référence libraire : 52319
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(COLLECTIF)
Claude Ballif compositeur de l'été
La Revue Musicale 1984, in-4 (26,5 x 19,5 cm) broché, 91 p. (bel exemplaire non coupé, avec envoi de Ballif) Petit recueil d'études et de souvenirs, publié à l'occasion du Festival Estival de Paris 1984 qui rendait hommage à ce compositeur (1924-2004) qui fut proche de Missaen.
Référence libraire : 52327
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(COLLECTIF)
JEAN-SEBASTIEN BACH
Paris Réalités Hachette 1963 in 8 (24,5x16) 1 volume reliure skivertex de l'éditeur, rhodoïd,.298 pages [3], avec de nombreuses illustrations en noir et blanc et et en couleurs. Ont collaboré à cet ouvrage Marcel Brion, Georg von Dadelsen, Antoine Goléa, Luc Marcel, Carl de Nys, Georges Piroue, Claude Samuel, Hermann Scherchen, Victor Tapié. Collection ''Génies et Réalités''. Bel exemplaire
Référence libraire : 5493
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(COLLECTIF)
L' INITIATION À LA MUSIQUE À L' USAGE DES AMATEURS DE MUSIQUE ET DE RADIO. Comprenant un Précis d'histoire de la musique, suivi d'un Dictionnaire des oeuvres, d'un Lexique des termes et de chapitres variés
Paris Editions du Tambourinaire 1935 in 8 (20,5x15,5) 1 volume reliure demi chagrin rouge, dos à nerfs, couverture illustrée conservée, V et 399 pages [1], avec des illustrations en noir et blanc, et en couleurs, dont hors-texte. Avec la collaboration de M. Emmanuel, R. Hahn, P. Landormy, G. Chepfer, Panassié, Vuillermoz, Sordet, Yvain. Ouvrage réalisé à l'initiative de la Cie Thomson-Houston et Ducretet. Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request )
Référence libraire : 41844
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(Collectif)
Les 100 ALBUMS les PLUS VENDUS des ANNEES 70
Un ouvrage de 224 pages, format 150 x 130 mm, illustré, relié cartonnage couleurs, publié en 2007, Editions White Star, bon état
Référence libraire : LFA-126745809
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(COLLECTIF)
MOZART
Paris Hachette 1970 in 8 (24,5x16) 1 volume reliure skivertex de l'éditeur, 251 pages, nombreuses illustrations en noir et blanc et planches en couleurs contrecollées. Collection ''Génies et Réalités''. Bon exemplaire
Référence libraire : 16890
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(Corbaz, Louis):
Recueil de chants religieux à trois voix à l'usage des écoles primaires.
Lausanne, Lith. de Spengler et Cie, s.d. (1834), in-8vo, 37 p. (p. de titre bruni, avec vignette) + 1 p. (table), (écriture musique + textes), nom ms. sur titre -A Marie Rouge le 30 Janvier 1834- sans couverture.
Référence libraire : 133019aaf
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(COLETTI Agostino Bonaventura)
Codro re d'Atene. Componimento per musica nella celebre funzione delle Tasche della ser. Repubblica di Lucca l'anno 1726.
16°, pp.19-1 b., bella vignetta allegorica al front. con figura muliebre della Giustizia, tra 2 ghepardi e stemmi di Lucca, testatine e capilett. xil. Cop. posticcia. A.B.Coletti (Lucca 1680-Venezia 1752) "dopo aver esordito in campo operistico, presentandosi al pubblico con Prassitele in Gnido (dramma pastorale, rappr. al teatro Manfredini di Rovigo il carnevale dell'anno 1700)... cominciò a dedicarsi al genere sacro e religioso scrivendo, per le funzioni ecclesiastiche delle Tasche di Lucca, la cantata Bruto e Cassio... A questo primo componimento seguirono, sempre per le funzioni delle Tasche, Muzio Scevola..., Codro re d'Atene (testo d'ignoto, terza giornata 1 726) e Timoleonte,cittadino di Corinto (testo d'ignoto... 1729)..." (cfr. Diz. Biografico degli Italiani - Vol.XXVI).
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(COLETTI Agostino Bonaventura)
Timoleonte cittadino di Corinto. Componimento per musica nella celebre funzione delle Tasche della ser. Repubblica di Lucca l'anno 1729.
16°, pp.19-1 b., stemma di Lucca xil., cop. posticcia. Lievi arross. A.B.Coletti (Lucca 1680-Venezia 1752) "dopo aver esordito in campo operistico... con Prassitele in Gnido (dramma pastorale, rappr. al teatro Manfredini di Rovigo il carnevale dell'anno 1700)... cominciò a dedicarsi al genere sacro e religioso scrivendo, per le funzioni ecclesiastiche delle Tasche di Lucca, la cantata Bruto e Cassio... A questo primo componimento seguirono, sempre per le funzioni delle Tasche, MuzioScevola... Codro re d'Atene (testo d'ignoto, terza giornata 1726) e Timoleonte, cittadino di Corinto (testo d'ignoto, terza giornata 1729)..." (cfr. Diz. Biografico degli Ital. - Vol.XXVI).
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(Collectif) Conservatoire Royal de Musique de Bruxelles
Annuaire du Conservatoire Royal de Musique de Bruxelles. Annuaire pour 1877 - Annuaire pour 1907-1908. 1re Année - 31me Année.
Gand Gent and Bruxelles: Typographie C. Annoot-Braeckman later on Hoste resp. Muquardt later on Ramlot 1877-1907. 31 Années annals in 28 vols. Vol. 1-26 uniformly bound in red publisher's cloth gilt uncut only tear in frontcover vol. 1; a few vols. sl. dust-soiled vol. 27-28 original printend wrappers few sl. imperf. uncut. With 13 portraits annotated music in text and illustr. of instruments. - Only the pages facing the end-papers browned otherwise nice set printed on handmade paper. Each volume about 200 pages with the subjects "Agenda Calendrier Ephémérides musicales" "Actes Administraives" "Concerts" "Variétés" and i.a. in 10 volumes parts of the "Catalogue du Musée" of about 50 pp. with illustrations of instruments from the whole world. Some other subjects: "Musique vocale en Italie" "Notice sur le manuscrit 1704 de la Bibliothèque" With annotated music i.a. 1 folding leaf etc. Typographie C. Annoot-Braeckman, (later on Hoste) , resp. Muquardt (later on Ramlot) hardcover
Référence libraire : 41635
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(CONCANEN, Alfred, illustrated by) JS Lyons, words by, and WF Taylor, music by J S W F
Sheet music: My Mate and I.
London: Willey & Co no date. Softcover. Good. Sheet music. Cover illustration by Alfred Concanen. Folio. Two nested bifolia making eight pages. Bifolia sewn together trimmed along the top and bottom likely to better fit within an album dampstain along the bottom of the back cover affecting the verso still a complete and good or better copy. For voice and piano. Plate imprint "W & Co. 1038." OCLC locates only a single holding Cambridge University. Willey & Co unknown
Référence libraire : 616486
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(CONTESTABILE Emma).
Emma Contestabile pianista, Eleonora Angeli soprano. Collaboratore al pianoforte Michele Minucci. XXIV° Concerto di Musica da Camera "Amici della Musica": Sala Bianca di Palazzo Pitti, 3 Aprile 1943, ore 16,30. (Programma: G.B.Pergolesi, N. Piccinini, J. Brahms, G. Martucci, A. Casella, G. L. Tocchi, R. Strauss, R. Schumann, F. Chopin).
Firenze, E. A. Teatro Comunale (Tip. A. Vallecchi), 1943, in-8, br. editoriale, pp. (12). Programma di sala con note illustrative di Adelmo Damerini.
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(Contini, Stefano, Hrsg.)
Zoran Music. Incisioni.
Venezia, Galleria Contini, 1991. 123 S. mit zahlr. teils farb. Abb. 4°. OPp. (kl. Gebrssprn.).
Référence libraire : 16532
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(Country Music) Rainwater, Marvin
Collection of Marvin Rainwater fan club material
1955. Contents docketted "Aug 28 1955" by the previous owner. Fine. Chief" Marvin Rainwater - he was 25% Cherokee - was one of the biggest country and rockabilly stars of the late 50s with notable hits "Gonna Find Me a Bluebird" and "Whole Lotta Woman."<br /> This collection of fan club material dating from before Rainwater's commercial success includes:<br /> - Reproduction of black-and-white headshot photograph inscribed to the fan club member "To Mrs Swayne your pal Marvin."<br /> - Marvin Rainwater Fan Club Newsletter. 10 pp mimeograph printed rectos only stapled covers<br /> - "A Note from Marvin Rainwater" printed note with autograph salutation. Rainwater complains about being broke but vows to persevere and make his fans proud. "Please keep on being my friend and remember - I love you forever. Your Marvin."<br /> - "I Gotta Go Get My Ba-xo!-by." Mimeograph typed song lyrics. <br /> - 1 p. mimeograph typed letter from Marvin to his fans suggesting they can help his career by requesting his songs from jukebox and record store owners<br /> - 1 p. mimeograph typed letter from Marvin to his fans asking them to send in song ideas promising the best idea will be used in one of his songs "the winning entry will receive one half of all writer's royalties and privileges". unknown
Référence libraire : 261017
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(Cowell, Henry; editor). Chavez, Carlos
NEW MUSIC. A Quarterly of Modern Compositions. Volume I No. 4. July 1928. "This issue contains Sonatina for Violin and Piano by Carlos Chavez".
San Francisco CA: The New Music Society of California 1928. 1928. Very good. - Folio 14 inches high by 10-1/2 inches wide. Softcover bound in stapled indigo blue wraps titled and decorated in red on the front cover. The edges of the covers are faded and lightly creased. 11 & 1 pages. The corners and edges of the pages are slightly creased. Very good. <p>Laid in at the back is the 4-page "Violin" part also printed on folio pages. The bottom edges of these pages are dampstained. In addition to the violin part there is also laid in an original subscription form printed on a 10-3/4 inch high by 7-1/4 inch wide sheet.<p>First edition of the fourth issue of Henry Cowell's important periodical. Through "New Music" Cowell an important composer himself published scores by modern composers who would otherwise have little opportunity to see their works distributed through the mainstream.<p>"This issue contains Sonatina for Violin and Piano by Carlos Chavez". The work was composed in 1924 by the pianist and composer Chavez as he toured Mexico with the violinist Silvestro Revueltas who was also himself a composer. Music critic James Reel describes the work thus: "The term 'sonatina' implies small scale and simplicity but this work is fiendishly difficult and at times harmonically harsh. It begins at a measured pace almost suggesting a Baroque adagio but the mood is tense and sour. The next movement is a jittery piece inspired by Mexican folk music although there's a note of panic in this fiesta. There follows a concluding slow movement in which the violin plays a long-lined though rather acidic melody over a restless piano accompaniment." Reel compares the work to some of Prokofiev's chamber music though not quite coming up to that same standard nor to Chavez's own later works he concludes that "Still the Sonatina is a compact expressive work that hardly deserves its neglect."<p>The Mexican composer conductor music theorist Carlos Chavez Carlos Antonio de Padua Chavez y Ramirez 1899-1978 was the founder and director of the Mexican Symphonic Orchestra. Chavez' work was influenced by native Mexican cultures as exemplified by his most popular work "Sinfonia India" which uses Yaqui percussion instruments. Not only was Chavez a composer he was also a journalist who founded the cultural journal "Gladios" with friends in 1916 and later joined the staff of Mexico City's "El Universal" in 1924 contributing over 500 articles to the paper. San Francisco, CA: The New Music Society of California, 1928. paperback
Référence libraire : 95088
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(Cowell, Henry; editor). Ornstein, Leo; and Weisshaus, Imre [aka Paul Arma].
NEW MUSIC. A Quarterly of Modern Compositions. Volume I No. 3. April 1928. "This issue contains Works for Voice by Leo Ornstein and by Imre Weisshaus".
San Francisco CA: The New Music Society of California 1928. 1928. Good. - Folio 14 inches high by 10-1/2 inches wide. Softcover bound in stapled purple wraps titled and decorated in green on the front cover. The edges of the covers are faded and creased with stains to the corners. 22 & 1 pages. The top front corners of the pages are dampstained. Good. <p>First edition of the third issue of Henry Cowell's important periodical. Through "New Music" Cowell an important composer himself published scores by modern composers who would otherwise have little opportunity to see their works distributed through the mainstream.<p>This issue contains "The Corpse for Voice and Piano by Leo Ornstein" and "Six Pieces for Solo Voice by Imre Weisshaus".<p>A leading American experimental composer and pianist of the early twentieth century Leo Ornstein 1895-2002 performed works by avant-garde composers as well as his own innovative and shocking compositions. He was a cause celebre in both Europe and the Americas. Ornstein made extensive use of the tone cluster and was recognized as the first significant composer to do so. Born in Kremenchug in Southwest Russia Ornstein studied in Petrograd before moving to the lower East side of New York City. Quoting from the brief biography printed at the end of the score: "His first works are extremely conventional in mode but as early as 1913 when modern music was quite rare he broke with great suddenness into a highly dissonant and individual style."<p>The Hungarian-French pianist composer and ethnomusicologist Imre Weisshaus 1905-1987 later composed under the pseudonym of Paul Arma. Quoting from the biography printed following the score: "From 1921-1924 he was a pupil of Bela Bartok in the Budapest Academy of Music. As well as being a composer Mr. Weisshaus is a pianist and tours constantly to spread a knowledge of modern Hungarian works. Outside of the 'Six Pieces for Solo Voice' none of Mr. Weisshaus' works is published. His unpublished compositions include the following: Pieces for Large Orchestra 1926; Two 'Recitatives' for Violin Solo 1925; Pieces for the Piano 1925-1927; 'Skizzen' for the Piano 1926-1927; Sonate for the Piano 1927 etc." Weisshaus left Hungary in 1930 settling in Paris in 1933 at which time he likely took on the pseudonym of Paul Arma.<p>Weisshaus' "Six Pieces for Solo Voice" are wordless. However vowels are prescribed for piece no. 4. The composer provides performance directions in English and Hungarian. San Francisco, CA: The New Music Society of California, 1928. paperback
Référence libraire : 95091
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(Cowell, Henry). Connelly, Marc
TYPED LETTER SIGNED by Marc Connelly regarding a musical score by Henry Cowell for Connelly's play "Rehearsal for the Feast".
New York New York June 1 1973. 1973. Fine. - Approximately 90 words typed on a 7 inch high by 6 inch wide sheet of personalized letterhead. The playwright Marc Connelly responds to a card which "Mrs. Cowell" Henry Cowell's wife Sidney had sent him some time ago: "I have a group of resident trolls in my apartment who are dedicated to hiding my correspondence." He goes on to write that he spoke with Oliver Daniels and is "seeing him later this month to talk about a possible future for Rehearsal For The Feast which Henry called Morning Of The Feast maybe a better title!." He concludes by wishing her a happy birthday. Signed in full "Marc Connelly" with a correction in ink following the word "Yesterday". Folded for mailing. Fine. <p>The playwright and lyricist Marc Connelly 1890-1980 received the Pulitzer Prize for Drama for "The Green Pastures" in 1930.<p>Henry Cowell's 1952 holograph score for "Rehearsal for the Feast" is in the collection of the Library of Congress. New York, New York, June 1, 1973. unknown
Référence libraire : 98599
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(Creasy, E. S.).
THE BATTLE OF WATERLOO. (Reporter's Second Reader).
n.p. (18 leaves). Illustrated with three maps. Lithograph throughout. Stamped ownership of M. F. Lobo on title page with his comments on first fly leaf "Creasy's name omitted from scroll". 170mm. Original decorated printed wraps. Moses Finzi Lobo was born in Bridgetown, Barbados, West Indies (1834). He came to Philadelphia about 1845, and lived there until his death (1904). He was a respected journalist, scholar, author, and leader in community affairs. His skill and knowledge of shorthand was exceptional, and he was frequently called upon to record scientific addresses, and other important events. He served as private secretary to the Superintendent of the Mint, before resigning that post to engage in literary work. We feel fortunate to be able to present Short-Hand books owned by him. SHORTHAND
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(CZECH MUSIC SHEETS)
312 INDIVIDUAL MUSIC SHEETS From 1930-1960
1930-1960. Popular and indigenous music published from 1946-1960. All in very good condition.8vo. Housed in a contemporary clam shell box. unknown
Référence libraire : 108
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(D'AMICO Silvio) -
Enciclopedia dello spettacolo.
Roma, Casa Editrice Le Maschere, 1954/1962 e 1966 (sotto gli auspici della Fondazione Giorgio Cini). Dieci volumi in-8vo grande, legature in tutta tela editoriale rossa con titoli e fregi dorati ai dorsi. I primi nove volumi contengono circa 30.000 voci, in ordine alfabetico dalla A alla Z. Il volume decimo e’ relativo all’ Aggiornamento 1955-1965. Oltre 10.000 pagine e centinaia di illustrazioni e tavole in nero e a colori nel testo e fuori testo. In ottimo stato di conservazione.
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(dance music)
THE GEM DANCE FOLIO FOR 1910
NY 1910 Shapiro. Music no lyrics. 4to. 70pp. original illustrated wraps. Numewrous photo illustrations on front of composers. Good wraps chipped and soiled a few interior leaves stained in margins. paperback
Référence libraire : a53562
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(DAVIS, Thomas Osborne), words by, and Miss Mary O'Neil, music by
Sheet music: The Green Above the Red: Adopted as the National Air and Song of Ireland
Trumansburgh NY: R. Mockford 1866. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. foxing and offsetting throughout and edgewear still a very good and complete copy. For voice and piano. Plate number 3912 - 3. Although published 72 years before Ireland would elect their first president Douglas Hyde the cover nonetheless states that this song is "dedicated to the first president of the Irish Republic." This is not an uncommon dedication to find on Irish sheet music of the late 19th and early 20th century. Though it should not be read today as a statement of prescience but as it would have been read in 1866 as a statement of hope and resilience in Ireland's fight for independence for the day "they proudly set the Irish Green above the English Red." Unrecorded by OCLC and it appears to be equally scarce in the trade. A rare and early example of this celebrated Irish poem set to music. R. Mockford unknown
Référence libraire : 586352
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(DELIUS Frederick) / ROSSI Jérôme & al.
Frederick Delius et la France
Sampzon, Editions Delatour France, "Pensée musicale", 2014, 17,5 x 25, 230-XII pages sous couverture illustrée. Avec un cahier de XII pages d'illustrations noir & blanc et couleurs. Préface de Danièle Pistone.
Référence libraire : MUSIQU8191600123
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(DE ANGELIS Enrico) -
Conte.
Padova, Muzzio, 1989, 4to brossura con copertina illustrata a colori, pp. 249 con numerose illustrazioni e tavole fotografiche in nero e a colori nel testo (firma di possesso) .
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(DEGANI Giannino - GROTTI Mara) -
Opere in musica. 1857 - 1976. Teatro Municipale di Reggio Emilia.
Reggio Emilia, 1976, 4 vol. in-8vo br. con cofanetto in cart. leggero, pp. 500 + 182 (Indice dei nomi)
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(Del PEZZO Gaetano) - FILIASI Luigi.
Il Menestrello. Commedia lirica in tre parti. Parole del marchese di Campodisola. Musica del marchese L. Filiasi. (Da rappresentarsi nel Teatro Bellini di Napoli, Stagione 1883).
Napoli, R. Stabilimento Tipografico del Cav. Francesco Giannini, 1883, in-16, brossura editoriale, pp. 39, (1). Bella copertina anteriore figurata (Lit. Richter & C.) a colori con titolo oro: cavalieri che escono dal folto (l'azione si svolge nel bosco di Monza, nel 1404) preceduti da muta di cani; sottostante liuto sul cui manico tubano 2 colombe bianche. Dedica a stampa di Alfred De Musset a Filiasi. Elencati i nomi degli interpreti, direttori d'orchestra e di coro, "vestiarista", scenografo, macchinisti, ecc. Gaetano Del Pezzo, il cui casato originario del salernitano si era stabilito a Napoli nel 1500, fu duca di Caianello e marchese di Campodisola. Ottime condizioni.
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(DELL'ARTI Giorgio) -
Beethoven e il suo tempo. Il romanzo della Musica.
Roma, la Repubblica, (1987), 8vo brossura con copertina illustrata a colori, pp. 82 con numerose tavole e illustrazioni in nero e a a colori n.t e f.t.
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(DELL'ARTI Giorgio) -
Mozart e il suo tempo. Il romanzo della Musica.
Roma, la Repubblica, (1987), 8vo brossura con copertina illustrata a colori, pp. 82 con numerose tavole e illustrazioni in nero e a a colori n.t e f.t.
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(DELLA CORTE A. - PANNAIN G.) -
Storia della musica
Torino, UTET, 1942, 3 volumi in 8vo mezza tela editoriale sovraccoperta pp. 1724 + 57 tavolein nero fuori testo.
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(DICKENS, Charles) Frank W Green, words by, and Alfred Lee, music by
Sheet music: Dolly Varden
Philadelphia: Lee & Walker 1875. Softcover. Very Good. First edition. Folio. Two nested bifolia making eight pages. Light foxing and offsetting throughout toning to the exterior and light bumping to the corners still a very good and complete copy. For voice and piano. Plate number 13189 - 4. The cover illustration shows a young woman in a style of dress that was popular at the time known as "Dolly Varden" named after the Charles Dickens character from Barnaby Rudge. The song speaks playfully of the new fashion stating "Have you seen my little girl She doesn't wear a bonnet/She's got a monstrous flip-flop hat with cherry ribbons on it/She dresses in bed furniture just like a flower garden/A blowin' and a growin' and they call it 'Dolly Varden.'" The front cover of this piece features a beautiful example of the style. OCLC locates only two holdings and it appears to be equally scarce in the trade. Lee & Walker unknown
Référence libraire : 584591
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(DICKENS, Charles), [Adelaide Anne Procter], words by, and TH Howe, music by T H
Sheet music: Sorrow The Cradle Song of the Poor
Boston: White Smith & Compy 1868. Softcover. Very Good. Presumably the first edition. Folio. A single bifolium with a single-sheet-insert making six pages. Edgewear including some nicking to the top and bottom of the fold light offsetting throughout and rubbing to the unprinted back cover affecting the printed verso though the music remains clear and legible. Song for voice contralto or baritone and piano with pedal marks. Plate number 10. The piece credits the words to Charles Dickens but they are actually written by Adelaide Anne Procter who had poems published in Dickens' periodicals Household Words and All the Year Round. The lyrics to this song are from her poem "The Cradle Song of the Poor" which was published in her collection Legends and Lyrics: First Series which had an introduction by Dickens. Procter was a very popular poet in her time and a dedicated philanthropist. Both on the page and off her work focused on poverty and homelessness and in particular the women who were forced to navigate these obstacles. OCLC locates only two holdings of this song and it appears to be equally scarce in the trade. White, Smith & Compy unknown
Référence libraire : 594960
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(DICKENS, Charles), Louis Antoine Jullien, music by
Sheet music: Jullien's Chimes Quadrilles
Philadelphia: E. Ferrett & Co 1845. Softcover. Very Good. Unknown edition. Cover illustration by A. Newsom. Lithograph by P.S. Duval. Folio. 7pp. Wrappers. Notched and worn along the spine from once being bound within an album light foxing and offsetting throughout light bumping to the corners and the rear wrapper is partially detached along the top of the spine still a very good copy. Plate imprint "Jullien's Chime Quadrilles page number." An instrumental piece for piano and chimes broken into five parts: "The Chimes" "Meg and Melinn" "Toby Veck's Dream" "The Wedding" and "The Dance." A note states "The part for the chimes can be played by a flute violin or almost any other instrument." Featuring an absolutely stunning cover illustration with bold rich colors and reflective gold foil in the bells and text. The piece takes its name and inspiration from Dickens' novella The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In which is the second of Dickens' five "Christmas books." OCLC locates only four holdings of this piece and it appears to be equally scarce in the trade. E. Ferrett & Co unknown
Référence libraire : 595109
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(DICKENS, Charles), Dr O W Holmes, words by, and EL White, music adapted and arranged by E L
Sheet music: The Stars Their Early Vigils Keep: Song As Sung at the Complimentary Dinner to Charles Dickens Esq
Boston: Henry Prentiss 1842. Softcover. Good. First edition thus. Lithograph by Thayer & Co. Folio. 6pp. Wrappers. Rear wrapper which serves as pages five and six is detached but present notched and worn along the spine from once being bound within an album light foxing and offsetting throughout a complete and good or better copy. For voice and piano. Plate number 225. Above the music it's stated that the words were "adapted to the favourite Scotch Air 'Gramachree.'" The front cover states "The friend and benefactor of poor 'Oliver' 'Nicholas' and sweet little 'Nelly'" underneath a portrait of Dickens. Another version of this song was published the same year by W.H. Oakes also in Boston. The dinner referenced in the title took place in Boston on February 1st 1842 Dickens gave a speech on international copyright law and other literary figures gave speeches as well including Washington Allston George Bancroft and Nathan Hale Jr. The writers Thomas Gill and William English published a 66 page report of the dinner in which many of the printed speeches were revised by the authors themselves. OCLC locates only six holdings of this Henry Prentiss edition and it appears to be equally scarce in the trade. Henry Prentiss unknown
Référence libraire : 595246
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(DICKENS, Charles), JW Turner, music by J W
Sheet music: Pickwick Galop Op. 208
Boston: Oliver Ditson & Co 1867. Softcover. Good. First edition. Lithograph by John H. Bufford. Folio. Single bifolium with a single sheet insert making six pages. Bifolium neatly separated along the fold but both leaves are present light offsetting to the verso of the front cover and the recto of the insert some very light offsetting to the front cover offsetting to the back cover and toning to the exterior a complete but good only copy. An instrumental piece for piano. Plate imprint "PICKWICK GALOP." OCLC locates only two holdings and it appears to be equally scarce in the trade. Oliver Ditson & Co unknown
Référence libraire : 595742
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(DICKENS, Charles), J Friedheim, music by
Sheet music: "Boz" in Boston: A Quick Step
Boston: Henry Prentiss 1842. Softcover. Very Good. Unknown edition. Folio. Single bifolium making four pages. Separating along the bottom of the fold notched and worn along the fold from once being bound within an album light offsetting throughout and light edgewear still very good. An instrumental piece for piano. Plate number 223. Above the music is printed "As performed in the Melo Drama of the Nalade Queen." The front cover states "The friend and benefactor of poor 'Oliver' 'Nicholas' and sweet little 'Nelly'" underneath a portrait of Dickens. This is the same portrait shown on the cover of the 1842 publication of "The Stars Their Early Vigils Keep" which was sung at the complimentary dinner held for Charles Dickens in Boston on February 1st 1842 upon his first visit to the United States; this being the same visit referenced in the title "'Boz' in Boston" Boz of course being Dicken's childhood nickname for his little brother which he adopted as his pen name. OCLC locates only six holdings and it appears to be equally scarce in the trade. Henry Prentiss unknown
Référence libraire : 602107
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(DICKENS, Charles), John Barnes, words by, and George Linley, music by
Sheet music: Little Dorrit’s Vigil
London: Cramer Beale & Chappell 1857. Softcover. Very Good. Presumed first edition. Folio. Wrappers. 6pp. Notched and worn along the spine from once being bound within an album gift inscription on the front wrapper very light offsetting to the wrappers very good. An instrumental piece for piano. Plate number 6311 ½. OCLC locates no physical holdings of this piece and only one digital holding Yale and it appears to be equally scarce in the trade. Cramer, Beale & Chappell unknown
Référence libraire : 603204
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(DICKENS, Charles) Charlotte Young, words by, and George Linley, music by
Sheet music: Little Nell: Ballad
London: Cramer & Co 1841. Softcover. Very Good. Unknown edition. Folio. Originally two nested bifolia making eight pages. Notches in the spine from once being bound within an album as a result of which the bifolia are attached along the fold owner name on the front cover light soiling to the exterior and the back cover nearly detached still a very good and complete copy. For voice and piano. Plate number 4388. "A song inspired by The Old Curiosity Shop" Podeschi H781. We know of an edition published by Cramer Beal & Co. as well but we are unsure which version came first; OCLC locates eight holdings of the "Cramer Beal & Co." edition but only a single holding of this "Cramer & Co." edition. Cramer & Co unknown
Référence libraire : 605021
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(DICKENS, Charles), Joanna Chandler, words by, and Stephen Glover, music by
Sheet music: Walter and Florence
Boston: Oliver Ditson 1857. Softcover. Good. Unknown edition. Lithograph by J.H. Bufford. Folio. 5pp. Wrappers. Rear wrapper detached along the upper half of the spine notched and worn along the spine from once being bound within an album music shop stamp on the front cover and light foxing and offsetting throughout still a complete and good or better copy. For voice and piano. The front wrapper features a black and white illustration of Walter and Florence from Dickens' Dombey and Son along with an edited passage from the book. OCLC locates only six holdings and it appears to be equally scarce in the trade. Oliver Ditson unknown
Référence libraire : 526714
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(DIOZZI Franco - PINCA Marco - BORGHI Gian Paolo) -
Il Maestro Valter Tassinari e il corso "Valpadana" di Casumaro.
Casumaro, Biblioteca "Ileana Ardizzoni" di Casumaro - Comune di Cento - Centro Etnografico Ferrarese, 2005, 8vo brossura con copertina illustrata a colori, pp. 83 con numerose illustrazioni e riproduzioni di maniesti e locandine nel testo ed un cd musicale allegato in fine.
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(DIZIONARIO RICORDI) SARTORI, Claudio
Dizionario Ricordi della musica e dei musicisti.
Milano, G. Ricordi & C., 1959. A cura di Claudio Sartori. Redattori: Fausto Broussard, Fanny Colorni Zambrini, Alberto Ferrari, Giacomo Manzoni, Piero Santi, Giampiero Tintori. Revisori: Enrica Fossati, Alfonso Gentile. In 8vo (cm. 24,2); cop. orig. muta in tutta tela di colore verde con titolo in bianco al dorso e sovraccoperta illustrata a colori; pp. XII, 1155, (1). Sovraccoperta di Attilio Rossi. Piccoli strappi alla sovraccoperta. Ax
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(DORET, Gustave).
A la mémoire de Gustave Doret 1866-1943.
Lausanne, Foetisch 1943, 215x140mm, 22pages, broché. Bel exemplaire.
Référence libraire : 15881
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(Dottori, Gerardo, copertina) Menotti Saltamerenda e C.A. Sabatini
Obbedisco. Inno dei Cacciatori delle Alpi. Parole di C.A. Sabatini. Musica di Menotti Saltamerenda
Edizione originale, emissione formato cartolina. CON DEDICA Eccellente esemplare viaggiato il 22 giugno 1917 e indirizzato dal compositore Menotti Saltamerenda al capitano Guglielmo Fagioli «comandante la 9a compagnia 16° fanteria | Zona Guerra»; elegante firma autografa del compositore. Rarissimo spartito che recupera l’inno garibaldino attualizzandolo all’occasione della prima guerra mondiale. Dedicatoria al colonnello Nicola De Maria del 51° Reggimento Fanteria. Fu pubblicato nel 1917 dalla ditta musicale Ricordi di Milano nel formato classico dello spartito in 4°, autocopertinato di dieci pagine; quindi in questo formato cartolina dove l’intestazione è riprodotta come in facsimile di autografo e lo spartito è ridotto a pura voce. Si tratta dell’esordio assoluto del pittore futurista umbro Gerardo Dottori, che compone un bel quadro puntinista dove già si intravede l’attenzione maniacale alle curvature di luci e colori. Anche il perugino Menotti Saltamerenda (1893-1974; nome di battaglia: SALTA) fece parte del gruppo futurista umbro, «che, di lì a poco, sarebbe entrato in sintonia con le tradizioni garibaldine ancora vive nell’ambiente perugino per la presenza del comando di una Divisione come la “Alpi” (erede diretta del corpo dei Cacciatori delle Alpi, costituito nel 1859 da Garibaldi. Quando cominciarono a spirare venti di guerra, a partire dall’estate del 1914, gli aderenti al gruppo futurista dettero fiato alle corde nazionaliste e interventiste. Il musicista Menotti Saltamernda compose […] “Obbedisco”, contributo diretto all’esaltazione della brigata garibaldina, il cui spartito venne illustrato da Dottori con un’immagine di Garibaldi, colto di profilo e immerso in una veduta montana tra bagliori di luce, divendendo, poi, anche cartolina di propaganda per le truppe» (Duranti). Salaris, Futurismo postale (2019), pp. 109-110 (con qualche imprecisione); Duranti, Dottori catalogo generale, p. 82 e 859; Fanelli & Godoli, Il futurismo e la grafica, cap. L’illustrazione, tav. XXXVII n. 79
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(Douthitt, Wilfrid [aka Louis Graveure].
LOUIS GRAVEURE: WORLD RENOWNED BARITONE. College Auditorium Monday Evening January 14th at 8:15 o'clock. Auspices: Iowa Teachers' College. PAMPHLET.
New York: Metropolitan Musical Bureau 1924. 1924. Very good. - Octavo 9 inches high by 6 inches wide. Softcover self-wraps titled in red & black with a black & white portrait of the singer on the front wrap. A 4 page pamphlet including the covers with a brief biography and promotional material printed within and an advertisement for his recordings on the Columbia Graphophone Co. label printed on the rear wrap. Near fine. <p>An original pamphlet for Louis Graveure's January 14th 1924 recital in Cedar Falls Iowa.<p>Known as "The Mystery Man" he was born in London as Wilfrid Douthitt in 1888 but took on the name of Louis Graveure from his mother's maiden name and claimed to be Belgian. Though he first studied architecture at the Royal College of Art in South Kensington Louis Graveure 1888-1965 studied under the Welsh Soprano Clara Novello-Davies. He made his New York debut as a baritone opposite Eleanor Painter in the operetta "The Lilac Domino" under his birth name and subsequently had yet another debut recital in New York as Louis Graveure in 1915. His voice captivated the public and he had a successful career producing over 40 recordings for Columbia. He married the soprano Eleanor Painter in 1916 though they were divorced in 1930. In 1928 Graveure decided to sing tenor roles though critical reactions were mixed. He taught singing at Michigan State University before emigrating to Berlin in 1931. He primarily sang 5 roles those of Faust Rodolfo Pagilacci Don Jose and Lohengrin and and also made 4 films including one with Camilla Horn with whom he had a liaison. Graveure left Berlin for Paris before war broke out and claiming he was a spy the Gestapo searched Horn's home and destroyed her car seeking nonexistent incriminating material. He fled France in 1940 and ended up in England. He returned to the United States with his new wife Patricia and daughter Viola in 1947 but was unable to make much of a comeback. He and his family lived in comfort for the remainder of his years. New York: Metropolitan Musical Bureau, [1924]. paperback
Référence libraire : 98954
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(DRIEU) STROBEL (Heinrich)
Claude Debussy
Editions Balzac 1943, in-8 broché, couverture illustrée rempliée, IV-261 p. (très bon état) Envoi de l'auteur à Drieu la Rochelle. Etude d'ensemble d'un des meilleurs spécialistes du compositeur, traduite et préfacée par André Coeuroy.
Référence libraire : 47198
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(DRIEU) LANDORMY (Paul)
Gluck
Gallimard 1941, in-12 broché, 247 p. (bon exemplaire non coupé du service de presse, avec prière d'insérer) Envoi de l'auteur à Drieu la Rochelle. Biographie de ce compositeur pour lequel l'Europe des Lumières s'enflammait.
Référence libraire : 47216
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