‎Béranger‎

‎Pierre Jean De Beranger‎

‎Ma Biographie 1859 French Edition‎

‎Kessinger Publishing LLC 2009-03-20. Paperback. Good. Kessinger Publishing, LLC paperback‎

Referenz des Buchhändlers : SONG1104187361 ISBN : 1104187361 9781104187361

‎Pierre Jean de Beranger‎

‎Songs of Béranger revised from the 4th Amer. ed.‎

‎BiblioLife 2009-03-19. Hardcover. Good. BiblioLife hardcover‎

Referenz des Buchhändlers : SONG1103631195 ISBN : 1103631195 9781103631193

‎J. P. Beranger‎

‎Les Amans Republicains V2: Ou Lettres De Nicias Et Cynire 1782 French Edition‎

‎Kessinger Publishing LLC 2009-04-02. Hardcover. Good. Kessinger Publishing, LLC hardcover‎

Referenz des Buchhändlers : SONG1104279940 ISBN : 1104279940 9781104279943

‎Pierre Jean de Beranger‎

‎Beranger Some of His Sonnets with English Translations‎

‎BiblioLife 2008-08-20. Hardcover. Good. BiblioLife hardcover‎

Referenz des Buchhändlers : SONG0559012632 ISBN : 0559012632 9780559012631

‎Beranger Jean‎

‎Principatus: Etudes de notions et d'histoire politiques dan l'Antiquite greco-romaine.; Universite de Lausanne Publications de la Faculte des Lettres XX‎

‎Geneve: Librairie Droz 1975. Paperback. Near new condition covers bright text clean & binding tight pages still unopened. Wraps 483pp. Librairie Droz paperback‎

Referenz des Buchhändlers : 190729 ISBN : 2600055797 9782600055796

‎Gerard Beranger‎

‎THE BOOK OF STEEL‎

‎Lavoisier 1996. Hardcover. As New. As New Lavoisier hardcover‎

Referenz des Buchhändlers : F4S7-7-Z-2743000228-5 ISBN : 2743000228 9782743000226

‎RODRIGUEZ GONZALEZ M. P. / J. JIMENEZ / B. BERANGER‎

‎SEGURIDAD TURISTICA Y PATRIMONIO HISTORICO‎

‎LAS PALMAS DE GRAN CANARIA: UNIV.DE LAS PALMAS DE GRAN CANARIA 2012. Encuadernacion original. NUEVO / NEW. RODRIGUEZ GONZALEZ M. P. / J. JIMENEZ / B. BERANGER SEGURIDAD TURISTICA Y PATRIMONIO HISTORICO. LAS PALMAS DE GRAN CANARIA 2012 129 p. Encuadernacion original. Nuevo. <br/> <br/> UNIV.DE LAS PALMAS DE GRAN CANARIA unknown‎

Referenz des Buchhändlers : 537562 ISBN : 8490420165 9788490420164

‎BERANGER Pierre Jean de.‎

‎Portrait by Ernst Hader pinxit photographed by Sophus Williams.‎

‎Berlin Phot.u. Verlag Sophus Williams 1882. Original photograph carte de visite albumen print 107 x 68 cm with his in reproduction printed signature. Pierre-Jean de B�ranger August 19 1780 - July 16 1857 was a French songwriter. - He was born in Paris and was not aristocratic despite the use of "de" in the family name by his father who had assumed the name of B�ranger de Mersix. He was in fact descended from a country innkeeper on the one side and a tailor on the other. He had little education. From the roof of his first school he watched the storming of the Bastille. Later he attended a school at P�ronne founded by one Bellenglise on the principles of Jean-Jacques Rousseau where the boys were formed into clubs and regiments and taught to play at politics and war. B�ranger was president of the club made speeches before such members of Convention as passed through P�ronne and drew up addresses to Jean Lambert Tallien and Robespierre. - In the meanwhile he learned neither Greek nor Latin - not even French language it would appear; for it was only after he left school that he acquired the elements of grammar from Laisney a printer. In his childhood shy and sickly but skilful with his hands he sat at home alone carving cherry stones; he was already forming those habits of retirement and patient elaboration which influenced the rest of his life and his writings. At P�ronne his aunt taught him republican principles; and from the doorstep of her inn he heard the guns at Valenciennes and developed a passionate love of France and distaste for all things foreign. Although he could never read Horace in the original he had been educated on T�l�maque Racine and the dramas of Voltaire. - After working as a waiter for his aunt and passing some time also in Laisney's printing-office he was taken to Paris by his father. In 1802 he quarrelled with his father and began life for himself in the garret mentioned in his song. For two years he did literary hackwork and wrote pastorals epics and all manner of ambitious failures. At the end of that period 1804 he wrote to Lucien Bonaparte enclosing some of these attempts. By this time he was in bad health and poverty. His wardrobe consisted of one pair of boots one greatcoat one pair of trousers with a hole in the knee and "three bad shirts which a friendly hand wearied itself in endeavouring to mend." The friendly hand was that of Judith Frere whom he had known since 1796 and who continued to be his faithful companion until her death three months before his own. She is not the Lisette of the songs; the pieces addressed to her La Bonne Vieille Maudit printemps etc. are in a very different vein. Lucien Bonaparte took an interest in the young poet transferred to him his own pension of 1000 francs from the Institute and set him to work on a Death of Nero. Five years later through the same patronage although indirectly B�ranger became a clerk in the university at a salary of another thousand. - Meanwhile he had written many songs for convivial occasions and "to console himself under all misfortunes"; some had apparently already been published by his father but he set no great store on them himself; and it was only in 1812 while keeping a sick friend company that it occurred to him to write down the best he could remember. The following year he was elected to the Caveau Moderne and his reputation as a song-writer began to spread. Manuscript copies of Les Cueux Le S�nateur above all of Le Roi d'Yvetot a satire against Napoleon whom he was to magnify so much in the sequel passed from hand to hand with acclamation. It was thus that all his best works were passed on; one man sang them to another all over France. B�ranger in La Force Prison.His first collection escaped censure. "We must pardon many things to the author of Le Roi d' Yvetot" said King Louis XVIII of France. The second 1821 was more daring. The apathy of the Liberal camp he says had convinced him of the need for some bugle call of awakening. This publication lost him his situation in the university and subjected him to a trial a fine of 500 francs and an imprisonment of three months. Imprisonment was a small affair for B�ranger. At Sainte Pelagie he occupied a room just vacated by Paul Louis Courier warm well furnished and preferable in every way to his own poor lodging where the water froze on winter nights. He adds on the occasion of his second imprisonment that he found a certain charm in this quiet claustral existence with its regular hours and long evenings alone over the fire. This second imprisonment of nine months together with a fine and expenses amounting to 1100 francs followed on the appearance of his fourth collection. The government proposed through Laffitte that if he would submit to judgment without appearing or making defences he should only be condemned in the smallest penalty. But his public spirit made him refuse the proposal; and he would not even ask permission to pass his term of imprisonment in a Maison de sante although his health was more than usually feeble at the time. "When you have taken your stand in a contest with government it seems to me" he wrote "ridiculous to complain of the blows it inflicts on you and impolitic to furnish it with any occasion of generosity." His first thought in La Force Prison was to alleviate the condition of the other prisoners. - In the revolution of July he took no inconsiderable part. Copies of his song Le Vieux Drapeau were served out to the insurgent crowd. He had been for long the intimate friend and adviser of the leading men; and during the decisive week his counsels went a good way towards shaping the ultimate result. "As for the republic that dream of my whole life" he wrote in 1831 "I did not wish it should be given to us a second time unripe." Louis Philippe hearing how much the song-writer had done towards his elevation expressed a wish to see and speak with him; but B�ranger refused to present himself at court and used his favour only to ask a place for a friend and a pension for Rouget de Lisle author of the Marseillaise who was now old and poor and had been dependent on him for five years. - Pen and ink sketch of B�renger from Fraser's magazine ca. 1833.In 1848 in spite of his reluctance he was elected to the Constituent Assembly by so large a number of votes 204471 that he felt himself obliged to accept the seat. Not long afterwards with great difficulty he obtained leave to resign. This was the last public event of B�ranger's life. He continued to polish his songs in retirement visited by nearly all the famous men of France. He numbered among his friends Chateaubriand Adolphe Thiers Jacques Laffitte Jules Michelet Lamennais Mignet. Nothing could exceed the amiability of his private character; so poor a man has rarely been so rich in good actions; he was always ready to receive help from his friends when he was in need and always forward to help others. His correspondence is full of wisdom and kindness with a smack of Montaigne and now and then a vein of pleasantry that will remind the English reader of Charles Lamb. He occupied some of his leisure in preparing his own memoirs and a certain treatise on Social and Political Morality intended for the people a work he had much at heart but judged at last to be beyond his strength. On his death it was feared that his funeral would be the signal for some political disturbance; but the government took immediate measures and all went quietly. The streets of Paris were lined with soldiers and full of townsfolk silent and uncovered. From time to time cries arose: "Honneur honneur a B�ranger!" - The tomb of B�ranger and his friend Jacques-Antoine Manuel in Division 28 of P�re Lachaise Cemetery in Paris.The songs of B�ranger are elaborate written in a clear and sparkling style full of wit and incision. It is not so much for any lyrical flow as for the happy turn of the phrase that they claim superiority. Whether the subject be gay or serious light or passionate the medium remains untroubled. The special merits of the songs are merits to be looked for rather in English prose than in English verse. He worked deliberately never wrote more than fifteen songs a year and often less and was so fastidious that he has not. preserved a quarter of what he finished. "I am a good little bit of a poet" he says himself "clever in the craft and a conscientious worker to whom old airs and a modest choice of subjects le coin que me suis confine have brought some success." Nevertheless he makes a figure of importance in literary history. When he first began to cultivate the chanson this minor form lay under some contempt and was restricted to slight subjects and a humorous guise of treatment. Gradually he filled these little chiselled toys of verbal perfection with ever more and more of sentiment. - From a date comparatively early he had determined to sing for the people. It was for this reason that he fled as far as possible the houses of his influential friends and came back gladly to the garret and the street corner. Thus it was also that he came to acknowledge obligations to Emile Debraux who had often stood between him and the masses as interpreter and given him the key-note of the popular humour. Now he had observed in the songs of sailors and all who labour a prevailing tone of sadness; and so as he grew more masterful in this sort of expression he sought more and more after what is deep serious and constant in the thoughts of common men. The evolution was slow; and we can see in his own works examples of every stage from that of witty indifference in fifty pieces of the first collection to that of grave and even tragic feeling in Les Souvenirs du peuple or Le Vieux Vagabond. And this innovation involved another which was as a sort of prelude to the great romantic movement. - For the chanson as he says himself opened up to him a path in which his genius could develop itself at ease; he escaped by this literary postern from strict academical requirements and had at his disposal the whole dictionary four-fifths of which according to La Harpe were forbidden to the use of more regular and pretentious poetry. If he still kept some of the old vocabulary some of the old imagery he was yet accustoming people to hear moving subjects treated in a manner more free and simple than heretofore; so that his was a sort of conservative reform preceding the violent revolution of Victor Hugo and his army of uncompromising romantics. He seems himself to have had glimmerings of some such idea; but he withheld his full approval from the new movement on two grounds: first because the romantic school misused somewhat brutally the delicate organism of the French language; and second as he wrote to Sainte-Beuve in 1832 because they adopted the motto of "Art for art" and set no object of public usefulness before them as they wrote. For himself and this is the third point of importance he had a strong sense of political responsibility. Public interest took a far higher place in his estimation than any private passion or favour. He had little toleration for those erotic poets who sing their own loves and not the common sorrows of mankind who forget to quote his own words "forget beside their mistress those who labour before the Lord." Hence it is that so many of his pieces are political and so many in the later times at least inspired with a socialistic spirit of indignation and revolt. It is by this socialism that he becomes truly modern. and touches hands with Burns. Wikipedia. KEYWORDS:france/photo unknown‎

Referenz des Buchhändlers : 49478

‎de Beranger J. P‎

‎Chansons‎

‎Editions Nilsson. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With usual stamps and markings In poor condition suitable as a reading copy. No date 150grams ISBN: Editions Nilsson paperback‎

Referenz des Buchhändlers : 6605183

‎BERANGER Pierre Jean de‎

‎OEUVRES COMPLETES DE BERANGER Chansons de Beranger - Les 23 premieres livraisons.‎

‎Garnier Freres s.d . 23 fascicules In-8 en feuilles 25 cm 184pp. contenant chacun une gravure sur acier d'apres Charlet Daubigny Johannot de Lemud Raffet; Sandoz Pauquet Jacques Pinguilly couvertures illustrees quelques rousseurs eparses Garnier Freres s.d unknown‎

Referenz des Buchhändlers : 43091

‎De Beranger PJ. P. J.‎

‎Chansons Choisies.Orn� Du Portrait De L'auteur‎

‎Bielefeld: Velhagen & Klasing 1846. The leather is badly rubbed; there are two ownership signatures one on the front end paper and another on the half title page and the author's portrait has a closed tear repaired with acid free tape. The front hinge is exposed though the binding remains solid and there is intermittent foxing throughout. It's a nice copy spoiled by these blemishes. Good . Full-Leather. 24mo - over 5" - 5�" tall. Velhagen & Klasing Hardcover‎

Referenz des Buchhändlers : 013884

‎BERANGER Jean et ROUGE Robert‎

‎Histoire des id�es aux U.S.A. du XVIIe si�cle � nos Jours‎

‎Paris: PUF 1981. 262 pages. Couverture Souple Glacee Illu. Tres Bon. 14 Cm x 21 Cm. PUF Paperback‎

Referenz des Buchhändlers : 076057 ISBN : 2130369685 9782130369684

‎Beranger P. J. de‎

‎Oeuvres Completes de P. J. de Beranger Complete in 2 Volumes‎

‎Charpentier Libraire-Editeur; Paris. 1843. Good. Contemporaneous maroon quarter calf. Spines sunned. Light edge-wear. Gilt lettering and tooling to spines. Hinges cracked. Strung binding. Foxed. . `Nouvelle edition`. . Hard. 12mo. 7 1/5". . Good. Illus. by Illustrated with frontispiece to each volume / Avec un Portrait grave sur bois d`apres Charlet. Charpentier, Libraire-Editeur; Paris. Hardcover‎

Referenz des Buchhändlers : 022368

‎BERANGER PJ. de P. J.‎

‎Chansons de P.J. Beranger 1813 1834 Contenant Les Dix Chansons Publiees en 1847‎

‎France: Perrotin 1858. Reprint. Hard Back. Very Good. Small octavo 70 x 115mm. 624pp. Contemporary red half morocco marbled boards and decorated paper gilt gilt title; all edges gilt. Modestly rubbed Perrotin hardcover‎

Referenz des Buchhändlers : 032074

‎Béranger Macha‎

‎Le coeur dans l'oreille‎

‎Michel Lafon 1997 262 pages 23x15x2cm. 1997. Broché. 262 pages.‎

‎French edition - Le livre présente de petites marques de stockage et/ou de lecture sur la couvertures et/ou les pourtours mais du reste en très bon état d'ensemble. Expédié soigneusement dans un emballage adapté depuis la France‎

Referenz des Buchhändlers : 47707

‎Olivia Béranger‎

‎Impasse des glecines nous deux‎

‎1993 1993. Olivia Béranger : Impasse des glecines /Nous deux 1993 LBN9‎

‎Bon état‎

Referenz des Buchhändlers : 400108264

‎BERANGER‎

‎Chansons de Béranger, édition complète.‎

‎Bruxelles, E. Laurent, 1841. 7 x 11, 660 pp., cartonnage d'édition, bon état.‎

Referenz des Buchhändlers : 23226

‎BERANGER (JANIN Jules)‎

‎"Béranger et son temps; 2 tomes en 1 volume. Bibliothèque originale."‎

‎Paris, Chez René Pincebourde, 1866. 12 x 16, 176 + 120 pages, reliure dos/coins cuir à 5 nerfs, décor à la roulette et filets , tête dorée, bon état (petites rousseurs).‎

‎2 portraits à l'eau-forte de Staal.‎

Referenz des Buchhändlers : 38340

‎BERANGER J.-P. de‎

‎Dernières chansons de J.-P. de Béranger (1834 à 1851).‎

‎Paris, Perrotin, Libraire-Editeur, 1858. 12 x 19, 184 pp., broché, partiellement coupé, état moyen (couverture fort défraîchie).‎

‎"Préface de l'auteur; une lettre ""autographe"" annoncée sur la couverture ne se trouve pas dans le présent volume."‎

Referenz des Buchhändlers : 80245

‎BERANGER Pierre-Jean de‎

‎Chansons de P.J. de Béranger, précédées d'une notice sur l'auteur et d'un essai sur les poésies par M. P.F.Tissot (2 volumes).‎

‎Paris, Chez Perrotint, Guillaumin, Bigot, 1829. "10 x 17, 2 volumes, xxxvi-252 + 260 pages, reliure dos cuir orné de filets, fleurons et décor à la roulette, tranches mouchetées, pages de garde papier marbré, état moyen (dos bien conservés; bords et coins fort émoussés; importantes mouillures et rousseurs)."‎

‎"Nombreuses gravures; prix en fonction de l'état."‎

Referenz des Buchhändlers : 96292

‎BERANGER P.J.‎

‎CHANSONS‎

‎1828 BAUDOIN 1828/29-pt.IN16 br.484p.‎

‎non rogné Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Referenz des Buchhändlers : 106

‎BERANGER (P.J.)‎

‎Ma Biographie - Ouvrage posthume.appendice, notes.‎

‎P., Perrotin 1857,Hardcover In-8, rel. demi-toile bleu marine, dos lisse, 332 pp, edition originale, portrait en pied de l'auteur (front.) dessiné par Charlet, appendice, notes. Piqûres sporadiques ,coins feuillets restaures des manques des 20 premières pages, (Vicaire, I-415).‎

‎Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Referenz des Buchhändlers : 16565

‎BERNARD, Thalès:‎

‎La Lisette de Béranger. Souvenirs intimes. Eau-forte par G. Staal.‎

‎Paris, Mme Bachelin-Deflorenne, 1864, pt. in-12 ,broché, 122 p. + 1 eau-forte par G. Staal,‎

‎Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Referenz des Buchhändlers : 9178

‎BERANGER] - MIRECOURT (Eugene de)‎

‎Béranger.‎

‎Paris, J.-P. Roret et Compagnie (coll. "Les Contemporains"), 1854. In-12, 98p. Br.,deuxième édition. Avec un portrait en frontispice et une lettre autographe en fac-similé.‎

‎couv.jaunie, Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Referenz des Buchhändlers : 11660

‎BERANGER, P.J. DE‎

‎MUSIQUE DES CHANSONS DE BERANGER‎

‎PARIS GARNIER SANS DATE,(vers 1860),1 vol. In-8, 1/2 rel.basane, dos lisse, frontispice, lettre autographe de Beranger, nomb.ill.de Grandville, dixieme edition revue par Frederic Berat augmentee de la musique des chansons posthumes, d"airs composes par Beranger, Halevy, Gounod et Laurent de Rille, avec deux tables, l"une alphabetique, l"autre historique des 450 airs du recueil, 344 p. Qques rousseurs. Rare‎

‎petite fente a une charniere,bon état Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Referenz des Buchhändlers : 14643