‎Debussy claude‎

‎Claude, Debussy; Machala, Kazimierz [Contributor]‎

‎The Essential Horn: Les Cloches Beau Soir Romance Golliwog's Cakewalk‎

‎Schirmer G Books. paperback. New. New. In shrink wrap. Looks like an interesting title! Schirmer G Books paperback‎

书商的参考编号 : Q-079354646X ???????? : 079354646X 9780793546466

‎Columbia Masterworks; Claude Debussy; Pierre Louys; Paul Hindemith; Stephane Mallarme; Vera Zorina; The Columbia Chamber Ensembl‎

‎First Recording Claude Debussy Chansons de Bilitis Twelve Poems by Pierre Louys Paul Hindemith Herodiade Poem by Stephane Mallarme Spoken by Vera Zorina The Columbia Chamber Ensemble Conducted by Robert Craft. Columbia Masterworks 6571.‎

‎New York: Columbia Masterworks 1965. Sound Record Long-Playing Microgroove 33 1/3 rpm 12 inch. Lyric Sheet Present. Record VG. Album Cover mostly covered in shrink wrap VG. Provenance: from the Collection of Kenneth Rexroth Poetry Recordings. New York: Columbia Masterworks, 1965. unknown‎

书商的参考编号 : 63-6371

‎D'Annunzio Gabriele Debussy Claude‎

‎Le Martyre de Saint Sebastien mystere de Gabriele D'Annunzio musique de Debussy Claude‎

‎Volume in 8°, Due punti metallici con 28 pagine numerate + 12 n.n. 28 pagine : Textes des recits. Analyses et textes destinés à accompagner les exécutions symphoniques établis par Germaine Inghelbrecht. Buono stato. COMPLETO‎

‎Dallas Weekley [Editor]; Nancy Arganbright [Editor]; Claude Debussy [Composer];‎

‎WP327 - Petite Suite - One Piano Four Hands‎

‎Kjos Music Company. Sheet music. New. In shrink wrap. Looks like an interesting title! Kjos Music Company unknown‎

书商的参考编号 : Q-0849794641 ???????? : 0849794641 9780849794643

‎De Simone Girolamo‎

‎LE PAROLE SOSPESE O DEL SILENZIO IN ARTE‎

‎EDIZIONI SCIENTIFICHE ITALIANE ESI 1988 118 PP. LIEVI SEGNI DEL TEMPO, PER IL RESTO VOLUME IN ECCELLENTI CONDIZIONI, PROBABILMENTE MAI SFOGLIATO. Si immagini una rosa. Se paragonata al silenzio dell'artista, alla mutazione zen che nulla produce se non armonia interiore, essa non sarà altro che un bocciuolo, non ancora dischiuso e comprensivo della futura manifestazione visiva di fiore. Se paragonata all'opera d'arte, alla storia simbolica che essa determina proprio come parallelamente la tradizione esoterica racconta, essa sarà perfettamente dischiusa, visibile eppure occulta, perchè fuggevole nel suo esser palese. Questo studio segue lo svolgersi della vicenda letteraria del Doctor Faustus di Mann parafrasandola al destino dell'opera e dell'artista contemporaneo. Come farebbe Hetaera Esmeralda, la farfalla dalle ali trasparenti, si vola dal bocciuolo alla rosa, scoprendo nello zen e nell'esoterismo due possibili risposte alla presunta morte dell'arte. L'AUTORE Girolamo De Simone, musicista, si è formato nella scuola di A. WebbJames, diplomandosi in pianoforte con E. Fels. Si dedica alla composizione ed all'attività concertistica rivolgendo particolare attenzione alle trascrizioni da Bach. alla produzione di Erik Satie ed al repertorio contemporaneo. Ha riportato in concerto la pratica dell'improvvisazione pianistica mutuandola dal jazz.‎

‎Debussy‎

‎Debussy His Greatest Piano Solos‎

‎COPA PUBLISHING CO. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. COPA PUBLISHING CO paperback‎

书商的参考编号 : GB001EYBU78I3N00

‎Debussy‎

‎Jeux Poème Dansé‎

‎Couverture rigide. Bon/sd. in-8. Paris sd in-8 118pp broché Très bel exemplaire de l'édition originale! unknown‎

书商的参考编号 : 73841

‎DEBUSSY Claude‎

‎ESTAMPES POUR LE PIANO; II. La Soiree dans Grenade‎

‎Paris: Durand 1903. Sheet music. Large 4to pp. 7. A little creased and curled at edges o/w VG. Durand unknown books‎

书商的参考编号 : 46052

‎DEBUSSY Claude‎

‎MONSIEUR CROCHE; The dilettante hater‎

‎NY: Viking 1928. First American edn. 8vo pp. xiv 212. Notes index. Frontis portrait. Black cloth. Some newspaper clippings pasted in various places; these have yellowed the adjacent pages. Some underlilning and comments throughout. Edges of cover scuffed o/w VG in worn dj. A translation of some of Debussy's critical articles. Viking unknown books‎

书商的参考编号 : 47673

‎DEBUSSY Claude‎

‎Pour la Musique Française. Douze Causeries. Avec une Préface de Claude Debussy. J. Bach-Sisley M. Boucher H. Focillon E. Goblot P. Huvelin E. Locard V. Loret CH. Roland A. Sallès M. Zimmermann‎

‎Paris: Georges Crès 1917. Paperback. Good. Octavo. 340 pp. Wrappers. Binding worn. Browned. Georges Crès paperback books‎

书商的参考编号 : 34862

‎DEBUSSY Claude 1862 1918‎

‎Autograph letter signed to an unidentified male correspondent‎

‎1 page. Octavo ca. 168 x 122 mm. Dated Thursday evening. On mourning stationery. In French with translation. <br/><br/>"I have to attend Louis Laloy's premiere; naturally that is tomorrow on Friday. Would you change the enclosed tickets for Saturday Thanks again."<br/><br/>Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio not affecting text. "One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online.<br/><br/>"Laloy 1874-1944 was a noted defender of contemporary French music and was a close friend of and mediator between Ravel and Debussy with whom he collaborated on some unrealized stage works; he was also the author of the first major work and the first in the French language on Debussy." John Trevitt in Grove Music Online. unknown books‎

书商的参考编号 : 26836

‎DEBUSSY Claude 1862 1918‎

‎Fêtes Galantes Piano-vocal score‎

‎Paris: A. Durand & Fils PN D. & F. 6441 1905. Small folio. Original publisher's light gray laid-paper printed wrappers with titling in olive green and black. Unbound as issued. 1f. recto title printed in olive green and black verso "Pour remercier de mois de Juin 1904 A.l.p.M." 15 i publisher's advertisement pp. With "Imp. Chaimbaud et Cie. Paris" and prices for separate numbers 1.75 f. at foot of title. Publisher's small monogrammatic handstamp to lower outer corner of verso of final blank leaf.<br/><br/>Contains:<br/>I. Les Ingénus<br/>II. Le Faune<br/>III. Colloque sentimental<br/><br/>Wrappers very slightly worn creased and chipped; partially split at spine. First Edition first issue. Lesure 104.<br/><br/>Fêtes Galantes premiered by Mme. Eugénie Colonne at a private salon in Paris on 23 June 1904.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 6441] unknown books‎

书商的参考编号 : 33659

‎DEBUSSY Claude 1862 1918‎

‎Khamma Arranged for solo piano‎

‎Paris: A. Durand & Fils PN D. & F. 8443 1912. Folio. Original publisher's light gray printed wrappers. 1f. blank 1f. recto title printed in red and black verso "Personnages" "Note concernant l'exécution" etc. 32 pp. With "Imp. Mounot Nicolas Paris" printed at foot of title and "Ch. Douin gr ." and "Paris Imp. Chaimbaud & Cie." printed at foot of final page of music.<br/><br/>Upper wrapper detached; lower partially detached; bookseller's handstamps to upper and title "Occasion Neuf Livres & Musique" etc. Slightly browned; occasional light foxing. First edition. Lesure 125.<br/><br/>Premiered in Paris on 22 May 1911 at the Théâtre du Châtelet.<br/><br/>"Debussy was rather reserved in his attitude to the aesthetic of the Ballets Russes and seems to have preferred the idea of rejuvenating the old form of opera-ballet Fêtes galantes after Verlaine renamed Crimen amoris. He wrote the scenario - but not the music - of Masques et bergamasques but he detested the choreography which Diaghilev commissioned from Nijinsky for Jeux a work which finally found a new life for itself in the concert hall. He fell out with Maud Allan who commissioned the ballet Khamma; the score which has its Stravinskian moments was not played in his lifetime." François Lesure and Roy Howat in Grove Music Online. A. Durand & Fils [PN D. & F. 8443] unknown books‎

书商的参考编号 : 33655

‎DEBUSSY Claude 1862 1918‎

‎Six sonates pour divers instruments Score‎

‎Paris: A. Durand & Cie. PN D. & F. 9427 1915. Folio. Original publisher's ivory printed wrappers. Unbound as issued. 36 pp. With "Ch. Douin gr. ." and "Imp. Mounot Nicolas Paris" printed at foot of final page of music. <br/><br/>Occasional performance markings in pencil throughout. <br/><br/>Slightly browned and creased. Lacking separate flute and viola parts. First Edition. Lesure 137.<br/><br/>The present sonata premiered in Paris on 10 December 1916 at Chez Durand.<br/><br/>"One of the most important musicians of his time Debussy's harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic.<br/><br/>"At first the war depressed Debussy into a state of creative sterility from which he produced only the Berceuse héroïque for piano later orchestrated commissioned by the Daily Telegraph for King Albert's Book. The summer of 1915 spent in a villa on the channel coast at Pourville was a productive one: in quick succession he composed the Cello Sonata En blanc et noir the Etudes and the Sonata for flute viola and harp but at the end of the year he underwent a debilitating colostomy for rectal cancer . His last concert appearance was to play the Violin Sonata with Gaston Poulet at St Jean-de-Luz in September 1917." François Lesure and Roy Howat in Grove Music Online. A. Durand & Cie. [PN D. & F. 9427] unknown books‎

书商的参考编号 : 33661

‎Debussy Claude. 1862 1918 Colonne Edouard. 1838 1910 & Breval Lucienne. 1869 1935 & Plumet Charles. 1861 1928 & Campanini C‎

‎Important Collection of Letters and Telegrams to the Composer‎

‎Used; Like New/Used; Like New. A fascinating collection of 14 autograph letters and cards and 2 telegrams addressed to the important French composer dated between 1903 and 1917 from musicians and other artistic figures of the era. The letters from correspondents including conductors critics dancers composers and visual artists mention the very positive reception of Debussy's works during the last years of his life including his 1903 nomination as a Chevalier of the Légion d'Honneur the Chicago premiere of his opera Pelléas et Melisande and Toscanini's 1911 performance of La Mer; other works discussed include his ballet Jeux the cantata L'enfant prodigue and his work for piano L'isle joyeuse. Letters range from 4 x 2.5 inches to 5.25 x 8.25 inches and are overall in very good to fine condition with some light toning and age wear. All letters in French.Contents:Three letters congratulate Debussy on his nomination to the Légion d'honneur in 1903: one autograph note on the visiting card of conductor Edouard Colonne Paris February 1903 1 p.; one ALS  from the soprano Lucienne Bréval n.p. February 4 1903 4 pp. which also mentions her desire to sing one of Debussy's mélodies with orchestra; and one ALS from the architect Charles Plumet Paris n.d. 1 p.Two telegrams dated June 11 1910 send congratulations to Debussy on the successful performance of his Pelléas et Mélisande in Chicago from the conductor Cleofonte Campanini and the director general of the Chicago Grand Opera Company Andreas Dippel: "Four thousand people were impressed and touched. Our congratulations."Two letters send congratulations to Debussy on the performance of his La Mer under Toscanini in Turin in 1911. On a photograph postcard Turin September 30 1911 the composer Leone Sinigaglia writes that "It would have been a joy for you a lasting memory. Toscanini put his whole soul into it all his intelligence and all his will. His execution of your admirable masterpiece was prodigious. The public wary at the beginning as you may imagine! you know this well was won over -- at the end it was a great success which was repeated yesterday evening." The critic Giuseppe Depanis Turin October 12 1911 2 pp. writes that "not only was the second presentation Toscanini of La Mer received with the same good favor as the first but Vincent D'Indy also performed Nuages andFêtes in his concert on the 10th of the month with great success."An autograph letter from Nadejda Rimsky-Korsakov St Petersburg August 20 1911 1 p. with envelope thanks Debussy for his telegram and mentions in reference to the Ballets Russes' adaptation of her husband's famous work Scheherazade that "the appearance before the artistic Parisian public of my husband's works changed and transformed into ballet caused me great pain last summer and this time."  An autograph letter from the caricaturist Beppe Fabiano Paris May 29 1912 2 pp. confesses to Debussy that "I have just exhibited your portrait at the Salon des Humanistes -- in a series of celebrated composers -- without asking your permission beforehand. Fearing I may have overstepped I would be delighted if you would forgive me."<br style="">A short autograph letter from the sculptor Denys Puech Paris June 4 1912 1 p. mentions L'après-midi d'un faune. A short autograph letter from the sculptor Albert Bartholomé Budapest May 25 1913 1 p. informs Debussy that his cantata L'enfant prodigue "was admirably executed by truly passionate performers. I was able to obtain the poster from the theater and will be pleased to send it to you." The Russian ballerina and soloist with the Ballets Russes Ludmilla Chollar writes to Debussy about her role in Jeux in which she starred with Nijinsky and Tamara Karsavina London June 26 1913 2 pp. She thanks the composer for the "the most beautiful memories which I could bring from Paris: the very kind words with which you dedicated Jeux your photography and some measures of my role . If I take from the creation of Jeux one exquisite and ineffable memory it is to you that I owe it to your work and to the happy chance that I met you away from the mirage of celebrities an artist as great as you whose work is dear to me above all others."<br style="">An autograph letter from the composer Ildebrando Pizzetti Florence September 17 1913 1 p. with envelope asks Debussy to comment on his new composition: "You would do me a great honor Maître if you would send me a few words on the subject but of course with no obligation on your part to give me compliments if my musical work does not interest you!"An interesting wartime letter from the Italian conductor Bernardino Molinari Rome September 18 1915 4 pp. calls on Debussy's patriotic feelings to ask him to collaborate with his orchestra: "I still remember what you said to me yourself here in Rome about "L'isle joyeuse" when you gave me hope that you might make a transcription for orchestra. If you have the desire and the time I would be very flattered to have the score to perform it during the next concert season at the Augusteo. You understand that in this season we very much wish to form a program in which our allies in France figure prominently. In a political moment like this one where the souls of all the Allied nations are unified and united into one ideal all of us at the Academie ask you for your valid support in the coming season." He goes on to apologize that because of the war he will be unable to offer the same fee as the previous time and reports that performances of Debussy's works around Italy have been very successful: "This shows with evidence that your musical language speaks to great and small touching the heartstrings of all." An autograph letter from the composer and musicologist Jean D'Udine Paris April 27 1917 3 pp. invites Debussy to one of Udine's salons despite Debussy's known disdain for his school of dance: "I know you have no sympathy for rhythmic gymnastics which seem to you you have written 'a very disagreeable domestication of rhythm.' I believe that you are wrong and that they are rather an emancipation of rhythm when taught well. Without any hostility on your part towards the method which I teach with conviction I would like to ask you to honor with your presence one of the evenings which I am hosting at present. You would there see danced with extreme love and respect by one of my students a remarkable artist your beautiful dances for chromatic harp . I did not want to give these evenings April 28 and May 3 and 5 without informing you pour memoire and without letting you know that it is sometimes where one feels the least loved that one is actually the most seriously and profoundly loved."The violinist and composer Francesco Guarnieri writes N.p. October 17 1917 2 pp. on black-bordered stationery to ask Debussy for a signed copy of his violin sonata which he will perform in Italy and also recalls a much earlier performance of Debussy's famous quartet at which Debussy gave him a copy of the score. unknown books‎

书商的参考编号 : 13609

‎DEBUSSY (Claude)‎

‎PRÉLUDES POUR PIANO 1ER LIVRE.‎

‎<p>A. Duran & Fils Editeurs. Paris. 1910.</p>_x000d_<p>De 315x24 cm. Com 52 págs. Encadernação do editor.</p>_x000d_<p>Exemplar com carimbo oleográfico profusamente anotado nas partituras.</p>_x000d_<p>Livro consiste no primeiro livro de prelúdios de 1 ao 12 compostos por Claude Debussy.</p> I-60-C-39 unknown‎

书商的参考编号 : 3004LC861

‎Debussy C‎

‎Piano Works Vol.3‎

‎like new. unknown‎

书商的参考编号 : 43822955 ???????? : 9790201811968 9790201811

‎Debussy Claude,‎

‎Children's Corner - Coin des enfants. Petite Suite pour Piano seul.‎

‎A. Durand Paris 1946 In-4 31 cm 28pp. couverture illustr. en couleurs Nb-0317 unknown‎

书商的参考编号 : 59690

‎Debussy Claude, Abbado Claudio (direttore)‎

‎Claude Debussy. La magia del suono. (Allegato un cd: Prélude à l'après-midi d'un faune; Nocturnes; Pelleas et Melisande, suite)‎

‎29 cm, cofanetto editoriale illustrato che contiene un cd e un volume rilegato in tela, sovracop. illustrata; p. 143, alcune foto. Per Banca Intesa‎

‎Debussy, Claude‎

‎12 Etudes by Claude Debussy for Solo Piano 1915 Cd143l.136‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

书商的参考编号 : 1446517055.G ???????? : 1446517055 9781446517055

‎Debussy, Claude Achille‎

‎Beau Soir . For Violin and Piano. Arranged by J. Heifetz‎

‎C. Fischer 1935-01-01. Unknown Binding. Very Good. Nice looking book has minor edge wear. C. Fischer unknown‎

书商的参考编号 : 2358181116044

‎Debussy, Claude [Composer]; Hinson, Maurice [Composer]; Price, Scott [Composer];‎

‎Children's Corner: For the Piano Book & CD Alfred Masterwork CD Edition‎

‎Alfred Music 2007-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback‎

书商的参考编号 : Q-0739047574 ???????? : 0739047574 9780739047576

‎Debussy, Claude‎

‎Children's Corner: For the Piano Book & CD Alfred Masterwork CD Edition‎

‎Alfred Publishing 2007-06-01. PAP/COM. paperback. New. 8.75x0.25x11.50. Buy with confidence. Excellent Customer Service & Return policy. Alfred Publishing paperback‎

书商的参考编号 : DADAX0739047574 ???????? : 0739047574 9780739047576

‎Debussy, Claude‎

‎Clairde Lune De La Suitebergamasque Pour Piano‎

‎Jean Jobert. Fair. 1927. Cover is Worn. Stapled Soft Cover. Q217 . Jean Jobert paperback‎

书商的参考编号 : 470720

‎Debussy, Claude‎

‎Claude Debussy Through His Letters‎

‎New York: Vantage 1990. Reprint edition. Paperback. Very Good/Wraps. 23 Cm. . Writing in margins throughut book Wraps . ISBN: 0533082749. Catalogs: Music. Vantage paperback‎

书商的参考编号 : 27551 ???????? : 0533082749 9780533082742