‎École‎

‎BIGNAMI Adolfo (Bologna 1845 - 1906)‎

‎Brughiera‎

‎Suggestiva veduta pastorale, intitolata "Brughiera", forse raffigurazione della campagna romagnola o toscana o piemontese, località dove visse l'autore, il noto artista bolognese. Incisione originale all'acquaforte, impressa dallo stampatore torinese Carlo Lovera. Il Bignami coniugò l’attività di pittore a quella, prevalente, di acquafortista, legato al gruppo degli incisori piemontesi della seconda metà dell’Ottocento dominato dalla personalità di A. Fontanesi. Tra il 1869 e il 1870 visse a Firenze, che raffigurò spesso nei suoi paesaggi. A Torino partecipò, dal 1863, alle mostre della Società Promotrice, affermandosi nel 1871 con tre dipinti: Il pasto ai pulcini, L'ultima ora del lavoro e Le nebbie del mattino in riva all'Arno. Nello stesso anno si segnalò alla Promotrice di Bologna con due paesaggi giudicati «d’impronta vera e di fattura coscienziosa». Le notizie sulla sua attività espositiva si fermano al 1877, poiché l’artista dovette rinunciare precocemente alla pittura per una malattia agli occhi e per vicissitudini familiari. In ottimo stato di conservazione. Etching, lettered along bottom 'Adolfo Bignami inc Lovera imp.' followed by title “Brughiera”. Printed by Carlo Lovera The plate shows a shepherd herding sheep in the Brughiera. Very good condition. Bignami combined the activity of painter to that, prevalent, etching, linked to the group of Piedmontese engravers of the second half of the nineteenth century dominated by the personality of A. Fontanesi. Between 1869 and 1870 he lived in Florence, which often depicted in his landscapes. In Turin participated, since 1863, the exhibitions of the Society Promotrice, establishing himself in 1871 with three paintings: The meal of chicks, The last hour of work and The morning mists on the banks of the Arno. In the same year he was noticed at the Promotrice of Bologna with two landscapes judged "of true imprint and conscientious workmanship". The news about his exhibition activity stop in 1877, since the artist had to give up painting early because of an eye disease and family vicissitudes.‎

‎BIGNAMI Adolfo (Bologna 1845 - 1906)‎

‎La casa degli armenti‎

‎Acquaforte di Adolfo Bignami da un dipinto di Ernesr Allason. Acquaforte, 202x166 mm. foglio 360x 260. Esemplare stampato a Torino da Carlo Lovera per Arte in Italia del 1870. Il Bignami coniugò l’attività di pittore a quella, prevalente, di acquafortista, legato al gruppo degli incisori piemontesi della seconda metà dell’Ottocento dominato dalla personalità di A. Fontanesi. Tra il 1869 e il 1870 visse a Firenze, che raffigurò spesso nei suoi paesaggi. A Torino partecipò, dal 1863, alle mostre della Società Promotrice, affermandosi nel 1871 con tre dipinti: Il pasto ai pulcini, L'ultima ora del lavoro e Le nebbie del mattino in riva all'Arno. Nello stesso anno si segnalò alla Promotrice di Bologna con due paesaggi giudicati «d’impronta vera e di fattura coscienziosa». Le notizie sulla sua attività espositiva si fermano al 1877, poiché l’artista dovette rinunciare precocemente alla pittura per una malattia agli occhi e per vicissitudini familiari.  In ottimo stato di conservazione. Etching, lettered along bottom 'Ernesto Allason dip Adolfo Bignami inc' followed by title and 'C. Lovera imp.'. Example (platemark mm 202x166; sheet mm 360c260) printed by Carlo Lovera for the monthly magazine L’Arte in Italia, 1870. A cottage set beneath a huge mountain, figures and sheep in the foreground. Bignami combined the activity of painter to that, prevalent, etching, linked to the group of Piedmontese engravers of the second half of the nineteenth century dominated by the personality of A. Fontanesi. Between 1869 and 1870 he lived in Florence, which often depicted in his landscapes. In Turin participated, since 1863, the exhibitions of the Society Promotrice, establishing himself in 1871 with three paintings: The meal of chicks, The last hour of work and The morning mists on the banks of the Arno. In the same year he was noticed at the Promotrice of Bologna with two landscapes judged "of true imprint and conscientious workmanship". The news about his exhibition activity stop in 1877, since the artist had to give up painting early because of an eye disease and family vicissitudes.    ‎

‎Bikundo, Edwin (Senior Lecturer, School of Law at Griffith University in Brisbane, Australia)‎

‎The Faustian Pact in International Law‎

‎new. unknown‎

Référence libraire : 42246085-n ISBN : 1474455662 9781474455664

‎BILCKE Maurice‎

‎Armand Vanderbilck. Collection : Monographies de l'art belge.‎

‎Bruxelles, Editions d'Art Graphique Elsevier, 1959. 18 x 24, 15 pp. + 24 planches en N/B, 1 frontispice en couleurs, 1 photo de l'artiste, reliure d'édition pleine toile illustrée, très bon état.‎

‎exemplaire numéroté (N° 862).‎

Référence libraire : 34814

‎Bill Boyle; Tom Christie both at Centre for Educational Assessment and Evaluation, School of Education, University of Manchester‎

‎Issues in Setting Standards: Establishing Comparabilities‎

‎Falmer Pr 1995. Paperback. New. 1st edition. 164 pages. 9.50x6.50x0.75 inches. Falmer Pr paperback‎

Référence libraire : x-0750704829 ISBN : 0750704829 9780750704823

‎BILLCLIFFE (Roger)‎

‎The Glasgow Boys: The Glasgow School of Painting 1875-1895.‎

‎4to, 320pp., 273 illustrs., (some coloured), orig. cloth, d.w.‎

‎Billings, Diane M, EdD, RN, ANEF, FAAN (Chancellor's Professor Emeritus, Indiana University School of Nursing, Indianapolis, Ind‎

‎Getting Started in Teaching for Nursing and the Health Professions‎

‎Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback‎

Référence libraire : ria9780323828987_inp ISBN : 0323828981 9780323828987

‎BINAGHI OLIVARI Maria Theresa‎

‎La Pinacothèque de Breda.‎

‎Firenze (Italie), Casa Editrice Bonechi, 1983. 20 x 28, 95 pp., 109 illustrations en couleurs, broché, très bon état.‎

‎préface par Carlo Bertelli.‎

Référence libraire : 49923

‎BINDER, H‎

‎Das sozialitäre System Eugen Dührings.‎

‎Jena, Fischer, 1933. VIII, 112 S. Kart.‎

‎Beiträge zur Geschichte der Nationalökonomie, 8. - Eine von Karl Diehl, Freiburg, betreute Reihe. Moral- und Staatsphilosophie Dührings, Naturrecht, ökonomischer Liberalismus, Sozialismus.‎

Référence libraire : 3144196

‎Bingham School‎

‎The Bingham School Catalogue Orange County North Carolina: Catalogue for Session 1904-1905 Announcements for 1905-1906 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0260704741.G ISBN : 0260704741 9780260704740

‎Bingham School‎

‎The Sword and Rifle 1903 Vol. 1 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 152812569X.G ISBN : 152812569X 9781528125697

‎BIOT Emile‎

‎Notre chapelle.‎

‎Louvain, J. Reekmans et Fils, 1941. 15 x 21, 94 pp., 13 planches en N/B, broché, bon état (couverture défraîchie).‎

Référence libraire : 49542

‎Biographical School Series‎

‎LIFE OF GENERAL TAYLOR; EMBRACING ANECDOTES ILLUSTRATIVE OF HIS CHARACTER. EMBELLISHED WITH ENGRAVINGS‎

‎Philadelphia: Lindsay and Blakiston 1847. First Edition Thus. Small octavo; 214pp; ii ads; bound in full calf; black leather spine label gilt; moderate rubbing and wear; some peeling at joints; ink stamp front endpaper; owner name in fine hand; contents occasionally soiled; contents generally good with engraved frontis title vignette and seven engravings in text. Spine; black leather label gilt on brown leather. 1205685. Rockville Non-Retail Listings. Lindsay and Blakiston unknown books‎

Référence libraire : 1205685

‎Birley Graham (Head Education Research Unit University of Wolverhampton); Moreland Neil (Associate Dean School of Education‎

‎A Practical Guide to Academic Research‎

‎Routledge. Paperback. New. New. In shrink wrap. Looks like an interesting title! Routledge paperback‎

Référence libraire : Q-0749422777 ISBN : 0749422777 9780749422776

‎Birmingham School Board‎

‎Report shewing the work accomplished by the Board during the six years ended November 28th 1876 / Birmingham School Board‎

‎Birmingham: Houghton and Hammond 1876. First Edition. Hardcover. Presentation copy. Poor copy in gilt-blocked full leather. Spine bands worn with some loss. Front board loose but present. Text remains in fine condition; clear without blemish. Physical description: 144 pages. Subjects: Birmingham School Board Studies. Education Birmingham England. School boards Birmingham England. Birmingham: Houghton and Hammond hardcover‎

Référence libraire : 382274

‎Birmingham Royal School of Medicine and Surgery.‎

‎Report M.DCCC.XXXVIII. Appendix: The Warneford trust deed.‎

‎Birmingham: Richard Davies 1838. 8vo. 31 1 blank pp. <br><br>Second of two parts only. The first part was "Report M.DCCC.XXXVI." With engraved device of the Birmingham Royal School of Medicine and Surgery on title-page. <br>    <br>    NSTC 2B34799. Removed from a nonce volume. Light watestains in top and outer margins. Inked series of numbers in one corner of title-page. Very good. Richard Davies unknown books‎

Référence libraire : 11013

‎BIRMINGHAM SCHOOL OF PRINTING. CAVE (Thomas)‎

‎John Baskerville: The Printer 1706-1775, His Ancestry. A Retrospect.‎

‎4to, orig. cloth-backed boards. Wallis, p.84.‎

‎Bismans, Francis‎

‎Croissance et Régulation : La Belgique 1944 -1974‎

‎Palais des Académies, 24 x 16,5 Cm Jaquette en très bon état Couverture rigide Bruxelles 1992 Académie Royale de Belgique. Histoire Quantitative et Développement de la Belgique et de ses régions. 2ème série (XXe siècle, Tome X: volume 1). Jaquette et reliure pleine toile éditeur, titres dorés, 696 p. Ouvrage issu de la thèse de doctorat en sciences économiques de l'auteur. La collection "Histoire quantitative et développement de la Belgique" est un travail monumental de plus de vingt ans, ouvert et porté par le professeur Pierre Lebrun de l'Université de Liège et une équipe interuniversitaire. Jaquette un peu salie, mais reliure et livre à l'état neuf. Envoi manuscrit de l'auteur. Livre‎

‎Très bon Signé par l'auteur‎

Référence libraire : 710

‎BISCH, Yves‎

‎Mon école.‎

‎Mulhouse, éd. du Rhin, 1989, pt. in-4 carré, cartonnage ill. coul. éd., 160 pp., nb. dessins en noir de MATTAUER, bibliographie La vie et l'histoire d'une école en Alsace. Très bon état‎

Référence libraire : 61516

‎BISEO Cesare (Roma 1843 - 1909)‎

‎Ritratto della pittrice Lancelot Croce‎

‎Acquaforte e puntasecca, circa 1900. Titolo a matita in basso e firma autografa in basso a destra “C. Biseo”. Magnifica prova, impressa con inchiostro verde su carta coeva, tracce di antica inquadratura, per il resto in eccellente stato di conservazione. Marcelle Renée Lancelot, coniugata Croce (Parigi, 26 gennaio 1854 – ca 1946), è stata una pittrice, scultrice e medaglista francese naturalizzata italiana. In seguito al matrimonio con lo scultore Leonardo Croce, prese la nazionalità italiana, cambiando il nome in Marcella. Visse per diversi anni a Roma, a partire dal 1895. Oltre alla pittura e alla scultura, si dedicò anche fin da giovane alla professione di medaglista. Cesare Biseo pittore, acquarellista e incisore, nasce a Roma, ove il padre, Gian Battista, valente pittore accademico di Brescia, si era da poco trasferito essendo stato chiamato a decorare il castello di Bracciano. Riceve dunque dal padre i primi insegnamenti artistici e, a seguito del genitore, trascorre da giovane un lungo periodo a Parigi. Nel 1869, in occasione dell’inaugurazione del Canale di Suez, il Kedivé d’Egitto lo chiama a decorare prima il suo palazzo in Alessandria e poi il Teatro dell’Opera al Cairo.   Innamoratosi dell’Africa la visita più volte e nel 1875 con Edmondo De Amicis e il pittore Stefano Ussi fa parte della prima missione italiana in Marocco. Ne trae diversi albi di schizzi, che utilizza per illustrare, insieme ad Ussi, il libro di De Amicis, Marocco, edito nel 1877 dalla casa editrice Treves di Milano. Nello stesso anno accompagna De Amicis a Costantinopoli, illustrando poi l’omonimo libro dello scrittore pubblicato nel ’78 sempre dalla Treves. Il grande successo di entrambe le edizioni consacra Biseo “orientalista”, spingendolo ad intensificare la produzione di oli ed acquarelli a soggetto arabo. Intanto nel 1875, assieme a E. Roesler Franz e N. Cipriani, fonda a Roma la Società degli Acquerellisti, di cui diviene presidente nel 1881. La vena orientalista, infatti, non gli aveva fatto dimenticare la passione per i paesaggi della Campagna Romana, ritratti con grande fedeltà ed originali tagli di luce (“l’ardito effetto di sole”), evolvendo dall’originario gusto classico verso soluzioni sempre più veriste. Lo troviamo anche tra i soci fondatori del Gruppo dei XXV della Campagna romana, ove Pascarella gli affibbia il nomignolo di “cariate” per i suoi trascorsi egiziani. Ebbe lo studio a via Margutta e fu, come le foto di Oreste Sgambati stanno a dimostrare, un frequentatore assiduo del Caffè Greco, dove fu soprannominato “professorissimo” per la sua maestria a biliardo. Oltre agli affreschi ed alle decorazioni degli esordi, dipinge ugualmente bene ad olio e all’acquarello. Si è inoltre dedicato con successo all’acquaforte, come dimostrano le sue bellissime illustrazioni di libri. Il presente ritratto di Marcella Lancelot Croce, confrontando le biografie dei due artisti, risale al periodo tra il 1895 e il 1909, tra l'arrivo della pittrice a Roma e la scomparsa di Biseo. Opera non descritta da nessuno dei repertori consultati. Molto rara. Etching and drypoint, circa 1900. Title in pencil at bottom and autograph signature at bottom right "C. Biseo".  Magnificent example, impressed in green ink on coeval paper, traces of old framing, otherwise in excellent condition. Marcelle Renée Lancelot (Paris, January 26, 1854 - ca 1946) was a French painter, sculptor and medallist naturalized Italian. Following her marriage to the sculptor Leonardo Croce, she took Italian nationality, changing her name to Marcella. She lived for several years in Rome, starting in 1895. In addition to painting and sculpture, she devoted herself to the profession of medallist since she was young.  The present portrait of Marcella Lancelot Croce, comparing the biographies of the two artists, dates from the period between 1895 and 1909, between the painter's arrival in Rome and Biseo's death. Work not described by any of the repertories consulted. Very rare. Cesare Biseo painter, watercolorist and engraver, was born in Rome, where his father, Gian Battista, a talented academic painter from Brescia, had recently moved to decorate the castle of Bracciano. Receives therefore from the father the first artistic teachings and, following the parent, spends as a young man a long period in Paris. In 1869, on the occasion of the inauguration of the Suez Canal, the Kedivé of Egypt called him to decorate first his palace in Alexandria and then the Opera House in Cairo.   Having fallen in love with Africa, he visited it several times and in 1875 with Edmondo De Amicis and the painter Stefano Ussi was part of the first Italian mission to Morocco. It draws several albums of sketches, which used to illustrate, along with Ussi, the book of De Amicis, Morocco, published in 1877 by the publisher Treves in Milan. In the same year accompanies De Amicis in Constantinople, then illustrating the homonymous book of the writer published in '78 always by Treves. The great success of both editions consecrates Biseo "orientalist", pushing him to intensify the production of oils and watercolors to Arab subject. Meanwhile in 1875, along with E. Roesler Franz and N. Cipriani, founded in Rome the Society of Watercolorists, of which he became president in 1881. The orientalist vein, in fact, had not made him forget the passion for the landscapes of the Roman countryside, portrayed with great fidelity and original cuts of light ("the bold effect of the sun"), evolving from the original classical taste towards more and more realistic solutions. We also find him among the founding members of the Group of XXV of the Roman Countryside, where Pascarella gives him the nickname of "cariate" for his Egyptian past. He had a studio in Via Margutta and was, as the photos of Oreste Sgambati demonstrate, a frequent visitor to the Caffè Greco, where he was nicknamed "professorissimo" for his mastery at billiards. In addition to the frescoes and decorations of the early days, he painted equally well in oil and watercolor. He also devoted himself successfully to etching, as evidenced by his beautiful book illustrations.‎

‎Bishop Kelley High School Yearbook Staff‎

‎Best of Bishop Kelley Yearbook Tulsa Oklahoma 2007-2008‎

‎Bishop Kelley High School Yearbook Staff 2008. hardcover. Like New. 0x0x0. HB 2008. Ships next day. Book is like new no tears scribbles highlighting or underlining from a smoke-free environment. Bishop Kelley High School Yearbook Staff hardcover‎

Référence libraire : SKU1025681

‎BISHOP'S COLLEGE SCHOOL, Lennoxville, Quebec‎

‎B.C.S. Old Boys' Association. Old Boys' Address List‎

‎Montreal. B.C.S. Old Boys' Association. 1935. Folio. 43 x 35cm being 5p.single-sided sheets double-column type set with typed mineographed form letter of instruction folded in quarters some annotating fine. cgc.bx "The enclosed names are those of Old Boys for which we have no addresses. The recipient is asked to add where possible any information which may help the Committee to establish an up-to-date address list of all living Old Boys of the School." The alphabetical list consists of around 1200 names with date at school last known address and column for remarks. B.C.S. was established in 1836 in Lennoxville Quebec and is a feeder school for Bishop's University. Montreal. B.C.S. Old Boys' Association. 1935 unknown‎

Référence libraire : 37437

‎Bittinger, Desmond W.‎

‎LAND OF THE MONKEY BREAD TREE.‎

‎45p. Lacks front fly leaf and possibly frontis. Inked ownership of Harry C. Neff. 12mo. Original full yellow cloth binding, slightly soiled. Front board decorated in black with drawings of young Anjikwi's life in Africa. Brethren Mission in Nigeria Hardbound. Very good. First Edition. RELIGION BOX 10‎

‎BJURSTRÖM Per et alii‎

‎"Dessins du Nationalmuseum de Stockholm; collection du Comte Tessin (1695-1770), Ambassadeur de Suède près la Cour de France."‎

‎Bruxelles, Bibliothèque Royale Albert Ier, 1971. 19 x 26, 63 pp. + 100 planches, broché, très bon état.‎

Référence libraire : 72000

‎BLATAS, Arbit‎

‎Arbit Blatas. Portraits de Montparnasse‎

‎Somogy Editions d’Art 1998 Lisez avec attention : Petit in-4, cartonnage noir, sous jaquette illustrée, photographies pleines pages en couleurs, 156 pp. Très bon état, jaquette légèrement abîmée.‎

‎“Portraits de Montparnasse” constitue un ensemble sans équivalent : les oeuvres et les souvenirs d’Arbit Blatas nous plongent au coeur de l’Ecole de Paris, dont il fut l’un des plus jeunes acteurs, pendant les années trente.Photographies de Dominique Genet et de Pascal Cadiou. Bon état d’occasion‎

Référence libraire : 20288