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Davis, Stuart - Wilkin, Karen
Stuart Davis.
New York, Abbeville Press, 1987. 34 x 29 cm. 248 Seiten. Mit zahlreichen, meist farbigen Abbildungen. Orig.-Leinenband mit farbig illustriertem Schutzumschlag., 12433ab|12433ab 2 [2 Warenabbildungen] Umschlag gering berieben und leicht angestaubt, Rücken und Ränder etw. aufgehellt. Sonst insgesamt wohlerhaltenes Exemplar.
Référence libraire : 12433AB
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Davis, Stuart and Jane Myers, Diane Kelder
Stuart Davis: Graphic Work and Related Paintings With a Catalogue Raisonne of the Prints
A clean, unmarked book with a tight binding. Light wear to cover. 9 7/8"w x 9 7/8"h. 96 pages.
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Davis, Stuart and John R Lane
Stuart Davis: Art and Art Theory
Some ink marks inside, and some liquid damage to top of rear cover. 8 1/2"w x 11"h. 216 pages.
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Davison, H.K.; Bridges, H. Styles; Greer, Lois Goodwin; Johnson, Arthur; Drake, George R.; Duncan, George H.; Wallace, William; Tufts, Prof. James A.; Smart, Prof. F.A.; French, John S.; Marshall, R. Eliot; Shute, Judge H.A.; Drew, Iva H.
The Granite Monthly - A New Hampshire Magazine, January 1924
Pages 1-58. Black and white photos. Features: National convention of American Legion; Immigration; Stage Coach and Tavern Days; Our Winter Carnivals; An Answer to Our Critics; An anthology of one poem poets; Senator Moses' Three favorite stories; New Hampshire state Grange; Should the Governor's Council be abolished?; New Hampshire Private Schools - with photos of their principals; The Phillips Exeter Academy; Tilton School; New Hampton Literary Institution; Holderness School; Five Foremost Leaders in N.H.; Alcoholic Bi-Focalism; First Candidates for Governor's Council - with photos of Samuel A. Lovejoy and Jesse M. Barton; The Old Toll Bridge (poem); New Hampshire Necrology; and more. Above-average wear to front cover which bears a bit of pencil writing to top edge, otherwise a sound vintage copy. Magazine
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DAX (Adrien).
Composition avec apparition de chimères en mouvement.
Technique mixte sur feuille de calendrier promotionnel en papier glacé. Signée au crayon en bas à droite, vers 1980 (19,5/26,5 cm).
Référence libraire : awd-1103
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DAX (Adrien).
Composition avec apparition de silhouette féminine.
Technique mixte sur feuille de magazine signée au crayon en bas à gauche, vers 1970 (30,6/22,5 cm).
Référence libraire : awd-1102
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Dayton Steele High School
The Annual 1921 Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0260533653.G ISBN : 0260533653 9780260533654
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DC Everest Area School District staff & students D C
World War Ii: Stories From Our Veterans: Wisconsin Veterans and Beyond
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0970806302.G ISBN : 0970806302 9780970806307
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DE AMICIS, E.
GRANDS COEURS. Livre de lecture pour toutes les écoles.- Illustrations de R. DE LA NEZIERE.
Hardcover in-12, 316 pp., cartonnage décoré éd., dos percale, pièce de titre. Bon exemplaire. [FP-1]
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DE BENGY, Jean ; CEYSSON, Bernard ; DOBBELS, Daniel ; CABANNE, Pierre ; GREFF, Jean-Pierre
Bazaine
Skira/Centre national des Arts plastiques, Paris 1990 In-4, pleine toile bleue, sous jaquette illustrée, sous étui, photographies en noir et en couleurs, 180 pp. Très bon état d’occasion.
Référence libraire : 23436
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DE BOCK Paul-Aloïse
"Paul Delvaux, Ostende 1962; Musée des Beaux-Arts, Palais des Fêtes à Ostende, du 1er juillet au 31 août 1962."
Bruxelles, Editions de la Connaissance, 1962. 20 x 20, sans pagination, nombreuses illustrations en N/B, 1 en couleurs, broché, bon état.
Référence libraire : 83049
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DE BOER Erik
The genevan school of the prophets : the congregations of the Company of Pastors and their influence in 16th century Europe.
Droz Droz, Travaux d'Humanisme et Renaissance, 2012, 330 p., cartonnage éditeur, bon état.
Référence libraire : 101272
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DE BOSCHERE Jean
Jérôme Bosch et le fantastique.
Paris, Albin Michel, 1962. 14 x 21, 250 pp., 16 planches en N/B, reliure pleine rexine grise, très bon état.
Référence libraire : 93612
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DE BOSCHERE Jean
Jérôme Bosch.
Bruxelles, Editions du Cercle d'Art, 1947. 16 x 24, 39 pp., 32 planches en N/B, broché, bon état.
Référence libraire : 93616
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DE BOURRIENNE
Mémoires de M de BOURRIENNE.
Dix tomes en 10 volumes in 8 brochés. Tomes 1 : 7 pages d’annonces et condition de la souscription. Faux-titre, titre IV, avertissement de l’éditeur, 396 pages. Tomes 2 : faux-titre, tire. Un cahier de 8 pages de format in 16 souscriptions aux œuvres littéraires de M. Le Vicomte de Chateaubriand en 30 volumes- titre-393 pages. Tome 3 : Faux-titre, titre, 4 pages avis de l’éditeur- 389 pages. Tome 4 : faux-titre, titre, 4 pages sur papier rose, ouvrages en souscription à la librairie de LADVOCAT premier mai 1829. 434 pages. Tome 5 : faux-titre, titre, 8 pages de catalogue LADVOCAT premier juin 1829 -402 pages. Tome 6 : Faux-titre, titre, IV, avis du libraire éditeur- 426 pages. Tome 7 : faux-titre-titre- 2 pages de catalogue-432 pages. Tome 8 : faux-titre, titre, 424 pages. Tome 9 : faux-titre, titre 428 pages. Tome 10 : faux-titre, titre 468 pages, (petits défauts, sans gravité, au dos réparés). Paris LADVOCAT Libraire éditeur 1829. Complet grandes marges, tel que paru. Les 8 premiers volumes, en couvertures jaunes, sont en édition originale
Référence libraire : 10227
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DE BRAUWERE Jules
"Anvers, Musée royale illustré; reproduction de 151 des principaux tableaux anciens."
Ixelles-Bruxelles, Imprimerie Générale G.-J. Huysmans, 1894. 19 x 24, sans pagination, broché, état moyen (couverture abîmée).
Référence libraire : 75091
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De Bruyn, Jean-Pierre Stroobants, Aim Rosseels, Brigitte Vande Kerckhove, Nadine Decoodt, Marie
Dendermondse School doorheen twee eeuwen Kunstacademie, 1800-2000
, Dendermonde, 2000., Linnen, met omslag, 25 x 28,5cm, 304pp.
Référence libraire : 4085
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De Caevel Henri
Échappées de divan
Erès 1998 202 pages 2x16x12cm. 1998. Broché. 202 pages.
Référence libraire : 100119403
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il lavoro
Xilografia a due legni, 1923, siglata sul legno in basso a sinistra. Firmata a matita in basso a destra. Numerata a matita in basso a sinistra: 132/154. misure: mm 170 x 245. Timbro a secco in basso al centro. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Pittore, incisore e illustratore italiano. Si forma inizialmente a Bologna all’Accademia di Belle Arti e una volta ottenuto il diploma, nel 1892 si trasferisce a Roma. Qui conosce il poeta Nino Costa fondatore del cenacolo In arte libertas che proponeva un rinnovamento dell’arte attraverso la riscoperta dei grandi del Quattrocento sull’esempio dei Preraffaelliti. De Carolis inizia così a frequentare questo gruppo e ne diventa membro iniziando a realizzare dipinti di impronta preraffaellita. Nel 1900 conosce il poeta Giovanni Pascoli per il quale disegna ed esegue un pomo in argento e la targhetta per il bastone dono degli amici della rivista fiorentina Marzocco, inizia quindi ad occuparsi della decorazione grafica di alcune pubblicazioni del poeta. Tale collaborazione si rivela importante nella produzione artistica tra il 1892 e il 1928, perché le opere di questo periodo trattano paesaggi agresti e marini che risentono dell’intonazione pascoliana. Nel 1901 De Carolis lascia Roma per Firenze, dove insegna ornato all’Accademia di Belle Arti dedicandosi alla xilografia. Questa tecnica sarà a lui molto cara e primo in Italia riprenderà l’antica tecnica della xilografia policroma a più legni. Numerose saranno i fogli singoli o le illustrazioni per varie riviste e per le opere dell’amico D’Annunzio. Bibliografia Bardazzi/Carli/Djokic, 50. Amadio/Papetti, 78-79. Conti, 29. Woodcut from two block, 1923, signed at lower left. igned in pencil at lower right. Numbered in pencil lower left: 132/154. Sice: 170 x 245 mm. Dry stamp at bottom center. Excellent impression on smooth ivory paper, wide margins. Size: mm 170 x 245. Adolfo de Carolis (1874 - 1926), was born in Montefiore dell’Aso on the 6th of January 1874. He moved to Rome and was accepted as a member of the exclusive society ‘In Arte Libertas’ (Freedom in Art’) which had been founded by his close friend Giovanni (‘Nino’) Costa. This society opposed official styles promoted by the academies and influential art critics of the day and espoused the politics, philosophy and aesthetics of the British Pre-Raphaelite movement. The main figures in the British movement were William Morris, Dante Gabriel Rossetti, Edward Burne-Jones and Walter Crane. These groups were also almost certainly involved with the Freemasons, and much of the symbolism in their work have been identified as Masonic. De Carolis exhibited work at the In Arte Libertas annual exhibition right up to 1901. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. He was commissioned to produce murals for the Villa Brancadoro in San Benedetto del Tronto, and the ballroom of the Palazzo della Provincia (both in Ascoli Piceno). He also decorated the great hall of the Palazzo del Podestà in Bologna with murals. He designed the Baptismal Font at the Cathedral of Ajaccio, and contributed decoration and murals in many other illustrious edifices around Italy, as well as supervising restoration work in the Borgia apartments in the Vatican. He is also known for his stained glass and mosaics at the Villa Puccini in Torre del Lago. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In 1908 his work was described by a panel of judges in Bologna as ‘magnificent, full of evocative fervour, rich in imagination, and secure in the unity of the whole work’. In the backgrounds of many of his paintings it is possible to recognise the typical landscape of le Marche, which he loved so much. As well as his major works, in his later years he also designed bank notes, theatrical sets, posters, calendars, postcards, advertisements and even product labels. He also wrote essays on art and, from 1922, worked as a teacher at the Academy of Fine Arts in Rome. After world war 1 he was employed by the Ministry of War to design medals and certificates for war heroes. He died in Rome on the 7th of February 1928, but, in 1950, his mortal remains were returned to Montefiore by the then mayor, Francesco Egidi, and re-interred in a marble tomb in the church of San Francesco. And ten years later Egidi donated a series De Carolis’ oil sketches for the ‘Salone del Podestà’ in Bologna (the most prestigious public building in the city) which he worked on for over twenty years, between 1908 and 1928. The De Carolis family also donated the complete collection of engravings on wood (xylography) in 1976.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
Il timone
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut, 1908, printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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DE CAROLIS Adolfo (Montefiore dell’Aso 1874 – Roma 1928)
La sera, ritorno dalla pesca
Xilografia a due legni, 1908, priva di firma. Impressione eccellente su carta avorio liscia. Ottimo stato di conservazione. Ampi margini oltre la linea marginale. Nel primo decennio del 1900, De Carolis dedica molta attenzione alla rievocazione di temi popolari, legati in particolare alle raffigurazioni di marine, così come testimonia questa stampa. L'utilizzo di più colori e quindi di un numero maggiore di legni ben si adatta alla vivacità di questi soggetti. Dopo l'adesione nel '96 al gruppo romano In arte libertas, creato dal paesista Nino Costa, dal 1901 insegna ornato in accademia nella Firenze dei maestri del Rinascimento, del "terribile" Michelangelo, del Böcklin dell'Isola dei morti. Comincia ad ornare libri per D'Annunzio e Pascoli e dal 1903 elabora fregi e d articoli per la rivista "Leonardo" fondata con Papini e Prezzolini. Fra le rigogliose figurazioni per la Francesca da Rimini (1902), le rusticane de La figlia di Iorio (1904), le lapidarie del Notturno del "Vate" (1917-21), le stampe marinaresche esprimono un'autonoma poetica. Il varo, L'argano, Il timone, La foce, Le arche - xilografie eseguite fra il 1904 e il 1908, mentre in Europa esplodono primi fenomeni d'avanguardia - denotano un lirismo contemplativo invischiato nel ristagno simbolista che connota la situazione italiana all'avvio del secolo. Ma al di là dei convenzionali significati latenti, quelli manifesti aprono - pur aderendo al fervore estetico del giapponismo fin-de-siècle - un discorso etnografico che si fa via via più urgente, teso a documentare l'irripetibile patrimonio che la "novella civiltà livellatrice" viene annientando. L'appello del 1920 (L'arte popolare, in "La Fionda", Roma) riscuote entusiastiche risposte, stimolando una sensibilità che nel 1923 porta all'istituzione del Regio Museo di etnografia italiana, dal 1956 Museo Nazionale delle Arti e Tradizioni popolari. Woodcut printed from two blocks. Excellent impression, printed on ivory paper, wide margins, good condition. De Carolis was an artistic polymath, working as a painter (in particular of murals), interior designer, decorator, xylographer (wood engraver), illustrator and photographer, and is probably the best known exponent of Art Nouveau in Italy. His talent and originality was quickly recognised by two of the greatest Italian writers and poets of the day, Gabriele D'Annunzio and Giovanni Pascoli, and he became their preferred illustrator. Among his most popular works were many illustrations for Gabriele d'Annunzio's novels (Il Notturno, La figlia di Jorio) and Giovanni Pascoli‘s books of poems. In the first decade of the 1900s, De Carolis devoted a great deal of attention to the evocation of popular themes, linked in particular to representations of seascapes, as this print testifies. The use of more colors and therefore a greater number of woods is well suited to the liveliness of these subjects. After joining in '96 the Roman group In arte libertas, created by the landscape painter Nino Costa, from 1901 he taught ornament in the academy in Florence of the Renaissance masters, of the "terrible" Michelangelo, of Böcklin of the Isle of the Dead. He began to decorate books for D'Annunzio and Pascoli and since 1903 elaborates friezes and articles for the magazine "Leonardo" founded with Papini and Prezzolini. Among the luxuriant figurations for the Francesca da Rimini (1902), the rusticane of The daughter of Iorio (1904), the lapidarie of the Nocturne of the "Vate" (1917-21), the prints marinaresche express an autonomous poetic. Il varo, L'argano, Il timone, La foce, Le arche - woodcuts made between 1904 and 1908, while the first avant-garde phenomena were exploding in Europe - denote a contemplative lyricism caught up in the symbolist stagnation that characterized the Italian situation at the beginning of the century. But beyond the conventional latent meanings, the manifest ones open - while adhering to the aesthetic fervor of Japanism fin-de-siècle - an ethnographic discourse that becomes more and more urgent, aimed at documenting the unique heritage that the "new leveling civilization" is annihilating. The appeal of 1920 (L'arte popolare, in "La Fionda", Rome) received an enthusiastic response, stimulating a sensitivity that in 1923 led to the establishment of the Royal Museum of Italian Ethnography, since 1956 the National Museum of Popular Arts and Traditions.
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DE CNODDER Remi
Ludo Huys.
Knokke, Ludo Huys, 1993. 25 x 34, 205 pp., très nombreuses planches et illustrations entièrement en couleurs, reliure d'édition et étui carton glacé illustré, très bon état.
Référence libraire : 93509
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DE CROES Catherine, CUVELIER Guy, MATTART Asdtrid, COUTELIER Françoise, et autres
Félicien Rops (1833-1898).
Bruxelles, Centre Culturel de la Communauté française/Musées Royaux des Beaux-Arts, 1985. 24 x 22, 264 pp., nombreuses illustrations en couleurs, nombreux dessins, broché, couverture à rabats, très bon état.
Référence libraire : 93783
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DE DONDER, Vic;
KOM EENS NAAR MIJN KAMER. EEN HALVE EEUW COLLEGELEVEN IN VLAANDEREN,
, Zaventem, Elsevier, 1986, Onder foto-kartonomslag, 150 x 220mm., 189pp., z/w foto's.
Référence libraire : 18475
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DE GASPARIN Agénor (Valérie Boissier comtesse)
Souvenirs.
Genève, Imp. W. Kündig & Fils, 1895, 126 p., broché, couverture insolée, haut et bas du dos un peu émoussés, intérieur propre, pages non coupées (jamais lu).
Référence libraire : 93789
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DE GEEST Georges, PUTTEMAN Gilbert, DE HENAU Guido
Walter Philips, Laken/Laques.
Van Artes, 2003. 18 x 23, sans pagination, quelques illustrations en couleurs, reliure d'édition carton imprimé, très bon état.
Référence libraire : 94484
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DE GEEST Joost et DE GRYSE Piet
"Couleurs au front, 1914-1918; les peintures au Front Belge."
Bruxelles, Crédit Communal, 1999. 25 x 31, 159 pp., 153 illustrations en couleurs, quelques autres illustrations en N/B et en couleurs, reliure d'édition pleine toile noire + jaquette, très bon état.
Référence libraire : 100.746
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DE GIORGIO Angelo
Lecce, guida storico turistica.
Lecce (Italie), Edizioni de Vergori, s.d. (ca 1975). 18 x 24, 48 pp., nombreuses illustrations en couleurs, broché, bon état.
Référence libraire : 43881
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DE GRADA RAFFAELE
Les Macchiaioli.
Paris, Celiv, 1993. 23 x 31, sans pagination, 94 illustrations en couleurs, reliure d'édition pleine toile + jaquette, état neuf.
Référence libraire : 39394
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De Grauwe, Paul (John Paulson Chair in European Political Economy, London School of Economics)
Economics of Monetary Union
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In the only textbook to focus on both the costs and benefits of monetary unions Paul De Grauwe explores current issues surrounding the Eurozone and critically analyses the theories and policies relating to monetary union. paperback
Référence libraire : ria9780192849779_inp ISBN : 0192849778 9780192849779
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De Grauwe, Paul (Professor, London School of Economics)
Limits of the Market
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Paul De Grauwe examines why a healthy mix of market and state seems so difficult and analyses the internal and external limits of the market and the government and the swing between these two points. hardcover
Référence libraire : ria9780198784289_inp ISBN : 0198784287 9780198784289
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De Gravelaire Frédérique
Gauguin - la vie la technique l'oeuvre peint - biographie -
Edita 1988 159 pages in4. 1988. cartonnage editeur avec jaquette. 159 pages. Cette monographie de Frédérique de Gravelaine explore la vie et l'œuvre de Paul Gauguin en analysant sa technique picturale et son évolution artistique de l'impressionnisme au symbolisme en passant par son rôle dans l'école de Pont-Aven et son départ pour Tahiti
Référence libraire : 5958
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DE GROOT H. Jacoba
Kleurhamonie
In 8, cm 15,5 x 21,5, pp. 52. Brossura editoriale in pergamino con mancanze marginali.
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De Haagse School: De collectie van het Haags Gemeentemuseum (Dutch Edition) John Sillevis Sillevis
De Haagse School: De collectie van het Haags Gemeentemuseum Dutch Edition John
Very Good. The pages are clean and unmarked. The binding is tight. unknown
Référence libraire : n01dhs ISBN : 9067300527 9789067300520
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DE HERRERA, Francisco (Fray).
Disputationes Theologicae, et Commentaria in secundum librum sententiorum subtilis Doctoris Scoti. Per Fratrem Franciscum de Herrera Ordonis Minorum regularis observantiae Provinciae S. Iacobi, Diffinitorem & in conventu Salamanticensi sacrae Theologiae praelectorem faeliciter incipiunt. Ad Clarissimum Principem D. Antonium Pimentel de Quinones, Comitem de Luna, & familia à Benavente haeredi. Quae in volumine continentur sequens pagina indicabit.
Salamanticae (Salamanque), Apud Ioannem & Andream Renaut Fratres, 1595, 1 volume 290x210 mm environ, 6 feuillets (titre avec large vignette, Licencia, as lectorem, Censurae), 718 pages, 12 feuillets (index, , reliure plein parchemin crème, impression sur 2 colonnes. Quelques déchirures et auréoles sur la couverture, des rousseurs rares, tampons sur la page de titre et p.9, ex-libris sur le premier contreplat, des mouillures marginales et pages brunies, des erreurs de pagination sans manque, petits défauts de marge par endroits, sinon bon état.
Référence libraire : 101568
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
Nova Science Publishers 1995. 1ST. Hardcover. New/New. Nova Science Publishers hardcover
Référence libraire : AME_9781560721680 ISBN : 1560721685 9781560721680
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
new. unknown
Référence libraire : 5643761-n ISBN : 1560721685 9781560721680
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De International Topse Summer School On Nonlinear Optics 1992 Alborg (Author), Ole Keller (Editor),
Studies in Classical and Quantum Nonlinear Optics: Proceedings of the Fifth International Topse Summer School on Nonlinear Optics Aalborg Denmark
like new. unknown
Référence libraire : 5643761 ISBN : 1560721685 9781560721680
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DE KINDER R. et alii
Laureaten, grote prijs van de stad Oostende voor schilderkunst, 1960/Lauréats, grand prix de la ville d'Ostende pour peinture, 1960.
Oostende, Kultureel Centrum, 1960. 17 x 23, sans pagination, nombreuses illustrations en N/B, reliure rexine, plats en bois, très bon état.
Référence libraire : 65043
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De La Porte du Theil (Colonel)
Ecole Supérieure de Guerre : Cours d'artillerie (2 volumes)
Imprimerie P. Chanove et Cie Relié 1930 Deux volumes in-4 (23 x 28,3 cm), reliure demi-peau, dos à 4 nerfs, pièces de titre, couvertures conservées, le premier volume (468 pages) contient le texte, et le second volume les cartes ; épidermures sur le cuir, coupes frottées, quelques rousseurs, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : wa598
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
new. unknown
Référence libraire : 40973454-n ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
like new. unknown
Référence libraire : 40973454 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
Fortress Academic 2022-03-14. hardcover. New. 6.29x0.86x9.40. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : DADAX1978711379 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
Resisting Occupation: A Global Struggle for Liberation Decolonizing Theology
Fortress Academic 2022-03-14. hardcover. Used: Good. 6.29x0.86x9.40. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : SONG1978711379 ISBN : 1978711379 9781978711372
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De La Torre Iliff School of Theology, Miguel A
The Colonial Compromise: The Threat of the Gospel to the Indigenous Worldview
Fortress Academic 2020-12-04. hardcover. New. 6.31x0.81x9.66. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : DADAX1978703724 ISBN : 1978703724 9781978703728
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De La Torre Iliff School of Theology, Miguel A
The Colonial Compromise: The Threat of the Gospel to the Indigenous Worldview
Fortress Academic 2020-12-04. hardcover. Used: Good. 6.31x0.81x9.66. Buy with confidence. Excellent Customer Service & Return policy. Fortress Academic hardcover
Référence libraire : SONG1978703724 ISBN : 1978703724 9781978703728
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. Good. 6x0x8. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Rowman & Littlefield Publishers paperback
Référence libraire : SKU0570859 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. New. 6x0x8. New Textbook Ships with Tracking Rowman & Littlefield Publishers paperback
Référence libraire : SKU0618366 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. paperback. New. 6.09x0.56x8.96. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
Référence libraire : DADAX1442250364 ISBN : 1442250364 9781442250369
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De La Torre Iliff School of Theology professor of Social Ethics and Latinx Studies, Miguel A
The Politics of Jesús: A Hispanic Political Theology Religion in the Modern World
Rowman & Littlefield Publishers 2015-06-10. hardcover. New. 6.31x0.79x9.27. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
Référence libraire : DADAX1442250356 ISBN : 1442250356 9781442250352
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