‎Amour‎

‎(Collectif)‎

‎Le GRAND MESSAGE d'AMOUR‎

‎Un ouvrage de 157 pages, format 105 x 150 mm, broché couverture couleurs, publié en 1973, Editions Saint-Michel, bon état‎

‎Vade-mecum des âmes sacerdotales et religieuses. Traduit de l'italien d'après la 5e édition (août 1972)‎

Referenz des Buchhändlers : LFA-126748334

‎(collectif)‎

‎M COMME AMOUR‎

‎Un ouvrage de 50 pages, format 210 x 280 mm, illustré, broché couverture couleurs, publié en 1984, Droguet & Ardant, bon état‎

‎Document réalisé par un groupe de chrétiens parents, éducateurs, médecins et jeunes‎

Referenz des Buchhändlers : LFA-126735704

‎(DREUX du RADIER J.-Fr.)‎

‎Dictionnaire d'amour, dans lequel on trouvera l'explication des termes les plus usités dans cette langue par M. de ***‎

‎1741 La Haye, sans nom, 1741; in-12 de VIII-235- (1)pp.; plein veau marbré de l'époque, dos lisse orné de petits fers dorés, titre doré sur étiquette de maroquin rouge, tranches marbrées. Etiquette ex-libris de classement aux initiales C.B. Rare Edition originale.‎

‎Quelques rares rousseurs, très petit manque au dos. Bon exemplaire. Ouvrage attribué à Dreux du Radier par Barbier. (Reu-Bur)‎

Referenz des Buchhändlers : 12510

‎(Hebraica)- WEILL Alexandre.‎

‎Lois et mystères de l' amour, traduit de l'Hébreu par Alexandre Weill. Nouvelle édition Augmentée d'un Monitoire du traducteur.‎

‎1880 Paris, Dentu, 1880; in-8° broché, couverture rempliée parcheminée beige imprimée en noir au 1er plat et dos; 108pp.‎

‎Dos cassé. ( ChT17)‎

Referenz des Buchhändlers : 9961

‎(LOVE, Samuel)‎

‎Portrait of Samuel Love‎

‎Softcover. Near Fine. Late 19th or early 20th century copy of a portrait from a late 18th century miniature illustrated on p. 191 of Fairfax Count in Virginia by Nan Netherton et al. the original is in the Smithsonian American Art Museum. Gray watercolor wash drawing highlighted in white on beige artists' board. Image size about 4" x 3" on 8" x 6" board. Captioned on verso. Slight age-toning near fine. Love was a prominent citizen born in Charles County Maryland grew up at Salisbury Plantation in Loudoun County Virginia. He served as Sheriff of Loudon and later was involved in the construction of The Little River Turnpike. The original image was painted by Robert Field in 1800 the year of Love's death. Artist of this copy is unknown replicating Field's initials and the date "R.F. 1800". A very nicely executed image. unknown‎

Referenz des Buchhändlers : 375676

‎(PEYNET). DUCHE, Jean.‎

‎On s'aimera toute la vie. Illustrations de PEYNET.‎

‎in-8°, 195 pages, rel. pleine toile decor. (PEYNET), jaq. rhodoïd. Tres bel exemplaire. [AR-2]‎

‎(Surveying) Love, John‎

‎Geossia: or The Art of Surveying and Measuring of Land Made Easy .‎

‎London: Printed for A Bettesworth and C. Hitch . and W. Innys 1731. The Fourth Edition. Diagrams. xx 196 16 4 36 8 pp. 1 vols. 8vo. Contemporary calf red leather spine label. Boards missing else clean. Signed Wm. G. Barrows. Brunswick Maine Dec. 16 1882. The Fourth Edition. Diagrams. xx 196 16 4 36 8 pp. 1 vols. 8vo. Printed for A Bettesworth and C. Hitch ... and W. Innys unknown‎

Referenz des Buchhändlers : 223283

‎(WITSEN, NICOLAUS) - AMUR RIVER - FLEUVE AMOUR‎

‎L'Histoire du Fleuve Amur et des Pays adjacens depuis la Conquête des Russes ; avec la Nouvelle Carte qui présente ces Découvertes & le Cours de l'Amur dressée sur des Mémoires authentiques publiée par l'Académie des Sciences de St. Pétersbourg.‎

‎Amsterdam Marc-Michel Rey 1766. Small 8vo. Contemp. full mottled calf. Richly gilt spine. IV20723 pp. Without the map. Clean faint marginal brownspots. <br/><br/><em>The contemt of this volume which is volume II of Gerhard F. Müller's. "Voyages et Découvertes faites par les Russes le long des Côtes de la Mer glaciale & sur l'Océan oriental. is wholly devoted to the description of the Amur River and its borderlines as extracted and translated from Nicolaus Witsen's work "Sur la Tartarie Septentrionale & Orientale" Noord en Oost Tartarye Ofte Bondig Ontwerp Van eenig dier Landen en Volken. Amsterdam 1692."In the nineteenth century Russian historians and ethnographers discovered that Witsen had used many Russian sources that had since been lost and they praised Noord en Oost Tartarye ‘as the most remarkable book about Asiatic Russia ever written by a foreigner.’ During the Soviet period Witsen was seen as scholar who had ‘opened up a new era in the study of Siberia.’ Nowadays he is respectfully mentioned on many local Russian websites as the first to have reported on their town province nationality or language."huygens.knaw.n. </em> unknown‎

Referenz des Buchhändlers : 56940

‎, , , , Scenario Jean-Luc Godard's Crazy Pierrot, Claude Lelouche's Men and Women ', Andre Caillat's 'Sigh of Love', Isamu Kurit‎

‎Eiga Geijutsu No. 230 November 1966 No. <Japanese Version>‎

‎Eiga Geijutsusha Co. Ltd. 1966. Soft Cover. Fine. Volume: 1 Eiga Geijutsusha Co., Ltd. paperback‎

Referenz des Buchhändlers : 2110502150411832

‎, Midori Ogawa Talking Milk Bread color 45 pages, Mieko Saijo I love you with an A-class license! Color 50 pages, Non Asaka, Mas‎

‎Deluxe Margaret May 1981 cover illustration Ritsuko Saeki <Japanese Version>‎

‎Shueisha 1981. Soft Cover. Fine. Volume: 1 Shueisha paperback‎

Referenz des Buchhändlers : 2110502150413944

‎, Seiji Fujishiro's film Theatre of the World 5 Love Zanmai Page 2, Isuzu Yamada Women in Japan 4 Myself How to Live: The Case o‎

‎Trend January 1954 Cover model Keiko Kishi young anata no women's magazine <Japanese Version>‎

‎Japan Textile Publishing Company 1954. Soft Cover. Fine. Volume: 1 Japan Textile Publishing Company paperback‎

Referenz des Buchhändlers : 2110502150413248

‎, Suanyi Alfretz de Steiglitz Photo Rebel, Hayao Yoshikawa Stereo Love, Kunio Kitano Thinking about Konica, Katsuji Fukuda, Kuni‎

‎Koga Gekkan March 1948 cover photo Susumu Matsushima <Japanese Version>‎

‎Kougiso 1948. Soft Cover. Fine. Volume: 1 Kougiso paperback‎

Referenz des Buchhändlers : 2110502150414157

‎- Henderson Ray,Brown Nacio Herb,Donaldson Walter,Mc Hugh Jimmy,Handy W.C.,Pyair André,Casey Kenneth,Pinkard Maceo,Hickman Art,Norton Geo,Burnett Ernie,Bennet H.,Grey Love -‎

‎Partition de la chanson : Album guitare série les classiques du Jazz 10 morceaux transcrits pour guitare par André Pyair : - I'm in the mood for love - Bye bye blackburd - Saint-Louis Blues - Temptation - On the sunny side of the street - My melancholy baby - Rose room - My blue heaven - Bye bye blues - Sweet Georgia brown‎

‎Francis Day 1950 approx.‎

‎Bon état Format Coquille Guitare‎

Referenz des Buchhändlers : 85339

‎/ECKHEA, LOVE‎

‎Ministry To Muslim Women‎

‎William Carey Library 2013-06-20. Paperback. New. In shrink wrap. Looks like an interesting title! William Carey Library paperback‎

Referenz des Buchhändlers : Q-0878083383 ISBN : 0878083383 9780878083381

‎1863-, Love Augustus Edward Hough‎

‎Treatise on the Mathematical Theory of Elasticity Volume 2‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 131452237X.G ISBN : 131452237X 9781314522372

‎[ Peacock, Thomas Love]‎

‎Crotchet Castle‎

‎London: T. Hookham 1831. Small 8vo. viii 300 pp. Bound in blue paper boards with white paper spine. Boards are marked with rubbing to the extremities and some loss. Binding firm with some scattered spotting. The author Thomas Love Peacock was a great friend and contemporary to the romantic poet Percy Bysshe Shelley and was best know for his satiric novels. . Good. Paper Covered Boards. First Edition. 1831. T. Hookham 1831 hardcover‎

Referenz des Buchhändlers : 65276

‎[AMOUR].-‎

‎Le Mystère de l'Amour. Numéro spécial 1945 de l'Anneau d'Or.‎

‎P., Editions du Feu Nouveau (numéro spécial 1945 de l'Anneau d'Or), 1947, grand in 8° broché, 213pp. ; non coupé ; couverture faéne, petite déchirure sans manque en tête du dos.‎

‎Tirage limité à 280 exemplaires numérotés, sur vergé de Renage. PHOTOS sur DEMANDE. Fermeture du 1er au 23 Août‎

Referenz des Buchhändlers : 27544

‎[An Aging Composer in Love; Ferguson's Gang] H V Jervis-Read [Harold Vincent Jervis-Read], English composer (b1883), Royal Acade‎

‎An Aging Composer H.V. Jervis-Read Lge archive of letters signed "HJR" or "Fitzjohn" or "F" as of Fitzjohn Avenue Hampstead to his mistress Brunhild 'Brynnie' Granger with a body of printed and ms material relating to his life and career.‎

‎Royal Academy of Music High Street & Fitzjohns Avenue Hampstead etc London various pleaces and hotels when he travels 1926-1934. An unusual survival the letters of a composer Harold Jervis-Read to his lover illustrating the growth of a relationship and an ability to express his feelings against the backcloth sometimes foreground of his musical activities and his marriage. Total of letters circa 350 three hundred and fifty Autograph Letters 118 one hundred and eighteen apparently complete letters many start and end abruptly dated 432 four hundred and thirty two pages with some APCSs mainly 12mo 1-8pp. each 55 of these letters dated 1933 and 30 dated 1934 1926-1928 comprising one letter only. There are more than 140 undated letters and a similar quantity of apparently incomplete letters no. of pages c.150. Subjects and quotes: 1926 his one night a week flatmate found him unconscious; a lot to do; her birthday; 1928 "can't write about 'intimate things'"; 1927 asking how he should react to something she's written hot or cold etc.; 1929 lost coat; health; illness; suggestion that relationship is on the edge; social life; compliments her "fine"; dinner invitation; "My piece for Oulston went well"; quotes to illustrate attitude to her "If of herself she will not love thee ."; she has obviously complained that he doesn't show enthusiasm recurrent theme; "joy of creation" but not the "joy of human communication"; his human shortcomings; she cannot appreciate the "Marcia Buffa" because of lack of appreciation of satire in her; his company described; leaving flat for good; moving to 29 High Street NW3; his obsession with her perhaps only soluble legally marriage; nature of love and their relationship recurrent theme; movements; reference to Margery - his wife see below; he'd sacrifice all for his children; Margery has no money "I earn at an artistic profession enough for six of them"; £160 per annum private income; he describes "the littleness of her perceptions" on family finances; 6 Oct. 1929 he's been writing a lot - "a violin sonata"; suggests she book a ticket for the Royal Academy of Music where a Recital of some of his work is to be given finishing with his "6tet by professional players"; she shies away; says he'll never write a quartet; busy; "Everything here is called a 'Practice' Concert unless the Principal is personally responsible for it"; Margery wife happy for him to see Brynnie - she's had a lover for more than two years "a rich doctor"; 25 Nov. 1929 "The Concert was a good success" Malvern; literary reference recurrent - part of his not being comfortable writing about emotions. Note: Subjects from now on avoiding the personal or the ups and downs and insecurities of a relationship unless very revealing of character. Subjects continued: 1930 invitation to the Norwich Festival; too much work at the Academy; asked to give lectures where he was asked to play some of his music; lecture is being printed; asks about her progress at work Are you an Almoner yethe doesn't ask her about her work much; lecturing in Bristol then the Wigmore; 1931 "written lots of good stuff"; "I write incessantly - music lectures letters of all sorts"; "controversy with Percy Scholes on Musical Appreciation . I love fighting these doctrinaire writers"; "various new things"; Academy Lecture; "I do not follow Mac P or anyone in my method of grouping! Feste underlined; Trinity Dublin catalogue guesses published in 1933 is out ."; his pupils; Elkin & Co.; Murdoch's about to publish "other things" beside Feste; would she type a lecture of his "wanted for publication"; received a proof of a piano sonata; at studio with private pupils; getting on with his "Elegiac Symphony" discussed at length; ex-pupil Robin Tucker "starting music publishing company a most daring and novel proposition"; he advises outlines problems discusses the works he has provided them with; 1932 glad she likes the "sonatina. I love playing for you: I feel you get inside the music. You know men always like my music more than women: I wonder why this is" - theory follows about "feminine not effeminate content"; asks her of she really wants a piano - which he will provide; Troubadours book; accuses her of game-playing - adding "the sett is now finished"; "I am mezzoforte only today"; "two lines in Fioretta" misunderstood by most; pays two rents c.£200 pa; his wife wrote to Brynnie's mother; "3 new private pupils at £2.2.0 per hour!"; recalls the Wagner Brunhilda; recalls meeting her at a concert; a bit of musical notation two others in other parts of correspondence; going to the Academy for a concert; received proofs of the new song 31 March; examining at the RC; numerous literary allusions some quotes; their options secret marriage etc; she is his "musical" inspiration; his reading; going to a concert expecting a violinist in the evening and commenting on proofs "the cover of Winter Tree"; someone commenting on his writings; reminiscences; temptations; several references to George Moore as if strong influence; recurrently cruel words; meets the singer of his sonatas Marjorie Grant; thinks of them as Heloise and Abelard repeated theme involving learned discussion; angry report on poor candidate not just playing but her smell; another was the opposite; his itinerary; compares his situation to Peter Warlock's - near suicide 25 July; two new songs; enjoyment of Welsh tour; 1934 "Ethel Smythe's music is an example of what happens to a woman when she seeks inspiration of man rather that sic of God . It is insufferably dull monotonous ." 6 March; encounter with policeman while loitering at night near her flat; he gets more expressive as time goes on - inhibition goes somewhat; jealous thoughts; planning to see her father marriage though his wife is capable of "any subterfuge" including private detectives; he writes as if she's wants to break up driving him to pleading; misery; the odd meeting referred to; his misery has interfered when he's working well and he's worried about becoming "a 'hack' conventional musician - which I am not"; only his "writing" is more important than her; finds northerners "sallow and ill-featured"; shown two articles about himself in musical periodicals 3 July; he's "finished his final movement" 8 Aug.; he's hardly ever discussed or referred to her work; proofs of his book arrive but he's not able to deal with them because of her and other factors; he quotes himself on the nature of music "music never discloses her ultimate secret"; last dated letter 9 Sept. 1934. WITH: A large quantity of typed and two autograph notes and letters drafts duplicates indicating second thoughts some or many abruptly ended or unfinished from Brynhild Granger to Jervis-Read which mirror Jervis-Read adding her own thoughts accusations words of love attendance at musical events responses to his music and information about her life. She gives reasons for not marrying at one point. AND: 10 ALSs two incomplete and/or damaged undated from Margery Jervis-Read wife of Harold Jervis-Read to Brynnie attempting to undermine the relationship between Harold and Brynnie discussing the situation and Harold's character he has "good points" but. "numerous love affairs he had had and always will have" her own affair etc suggesting that she should marry but not Harold and including references to meetings. NOTE: Brunhild Granger was a member of the "Ferguson Gang" see Wikipedia - a group of women raised money for the National Trust before the War characterised by masks and mystery and recently published Anna Hutton-North's book "Ferguson's Gang: the Maidens behind the Masks". She was "Sister Agatha". [Royal Academy of Music, High Street & Fitzjohns Avenue, Hampstead, etc, London], various pleaces (and hotels) when he travels, hardcover‎

Referenz des Buchhändlers : 18824

‎[Berthommé - Saint-André (Louis-André)]‎

‎Ma vie secrète.‎

‎Londres (Paris), s.n. (Marcel Seheur), 1885 (1932) ; 3 tomes, petit in 8 carré, plein chagrin noir, dos à nerfs soulignés d’un pointillé doré et double cadre doré sur les caissons, double pièce rouge de titre et tomaison, double encadrement des plats, tête dorée, contreplats et gardes en suédine rouge, couverture rose illustrée et dos conservés, non rogné, étui de suédine rouge bordé de box noir (reliure de l’époque) ; 138, [6] pp. bl. ; [4] bl., pp. 153-272 ; [4] bl., pp. 281-403, [3], [2] ff. bl. avec bien entendu les faux-titres, titres et frontispices à chaque volume ; 26 lithographies libres hors-texte, aquarellées au pochoir et au pinceau, très nombreux dessins, en-têtes et culs-de-lampes libres tirés en bistre, dessin répété aux trois couvertures tiré en bistre, par le peintre Berthommé-Saint-André.‎

‎Belle édition, célèbre pour ses illustrations, tirée à 400 exemplaires numérotés sur papier d’Arches à la forme ; le texte est parfois attribué à Ashbee ; cette traduction française rassemble les meilleurs morceaux. Quelques rares petites traces de doigts, sinon bel exemplaire dans une impeccable reliure en noir et rouge. (Pia-847 ; Dutel-1880).‎

Referenz des Buchhändlers : 19897

‎[Boursault (Edme ; 1638 - 1701)]‎

‎Treize lettres amoureuses d'une dame à un cavalier.‎

‎Paris, aux dépens de la Société des Bibliophiles du Papier, 1932 (Imprimerie Stelmans) ; in 8, vélin ivoire, titre imprimé sur le premier plat, tête dorée, garde de papier marbré à tourbillons, façon XVIIe (reliure non signée mais très probablement de Canape et Corriez) ; [1]f. bl., [8], 125, [1] pp., [1] f. bl., frontispice gravé par Omer Bouchery et bandeaux dessinés par J. Bruna, étui.‎

‎Tirage à 110 exemplaires tous identifiés et numérotés, celui-ci pour André Corriez, sur papier vergé d’Arches fabriqué à la main et filigrané aux initiales des Bibliophiles du Papier. L’ouvrage est accompagné d’une circulaire indiquant que l’ouvrage est disponible chez Georges Canape, 18, rue de Visconti. Ex-libris de Georges Corriez, relieur associé de Georges Canape. Ces Treize lettres amoureuses se situent dans la lignée de “La Religieuse portugaise” et plus tard de la “Nouvelle Héloïse” et des “Liaisons dangereuses” qui ont renouvelé le style du roman vécu. Exemplaire en parfait état pour cette très heureuse édition bibliophilique qui est suivie, en fin d’ouvrage, de “Remarques” intéressantes et érudites de Franz Calot.‎

Referenz des Buchhändlers : 19788

‎[DESTOUCHES (Emmanuel)].‎

‎Le Réveil des muses.‎

‎A Paris. Chez Louis Janet, libraire. Sans date [vers 1820]. In-24 de (1) f., 16, (24), 17 à 32 pp., 8 planches hors texte : maroquin rouge à grain long, dos richement orné, roulette et filet dorés sur les plats, coupes et tranches dorées. Etui de papier maroquiné à l’identique.‎

‎Vignette de titre, texte et 8 planches hors texte gravés. Recueil de chansons d’amour, dans le style des Almanachs des muses. Au centre de l’ouvrage, les Chansons nouvelles de M. Emmanuel Destouches. “Je n’aime plus le printemps, Chanson créole, l’Hermite par amour”... Ex-libris : F. Meunié.‎

Referenz des Buchhändlers : 20

‎[Henry Wallis; Thomas Love Peacock; Percy Bysshe Shelley; Carlo Lasinio; Giovanni Antonio Leisman; Bernard Quartich, London book‎

‎Printed pamphlet by the London booksellers Bernard Quartich. Thomas Love Peacock on the Portraits of Shelley. Including a 'facsimile by a zinco-line process of the engraving by Lasinio of Leisman's portrait'.‎

‎Bernard Quartich 11 Grafton Street New Bond Street London. Printed by Taylor and Francis Red Lion Court London 1911. 3pp. 8vo. Bifolium. On aged card with wear to extremities. The text attributed to Wallis by the British Library catalogue is on the verso of the first leaf; and facing this behind a tissue guard is the print. Wallis discusses the 'feeble' nature of the 'various engaged portraits of Shelley' and explains Peacock's reservations in endorsing Lasinio's engraving of Leisman's painting. Uncommon: five copies on COPAC the British Library entry attributing the publication to Henry Wallis. Image on application. Bernard Quartich, 11 Grafton Street, New Bond Street, London. Printed by Taylor and Francis, Red Lion Court, London, 1911. unknown‎

Referenz des Buchhändlers : 15484

‎[Héloise et d'Abeilard] Beauchamps, M.de (Vers) ; Bussy-Rabutin (Traducteur) ; Pope (Auteur)‎

‎Lettres et épitres amoureuses d'Héloise et d'Abeilard. Nouvelle édition‎

‎A Genève, [Cazin] Sans ed. 1777 Deux tomes en un. In-18 reliure d’attente, titre et tomaison manuscrits au dos lisse.. 13 cm sur 7,4. Frontispice- XIV-178-1f.-frontispice-194 pages -1f. Les deux frontipices sont les portraits des amants gravés sur cuivre et signés Boily. Bandeaux et culs-de-lampe. Reliure quelque peu patinée avec menus frottement et rousseurs. Petite auréole d’humidité sans atteinte au texte sur huit derniers feuillets. Infime manque sur feuillet blanc in fine. Intérieur assez frais. Bon état d’occasion.‎

‎Selon Cohen publié chez Cazin à Paris. Attribution contestée par J.P Fontaine. Texte du premier livre issu de la traduction de Bussy-Rabutin mise en vers par M. de Beauchamps précédé par une préface contenant un extrait d’une lettre de Voltaire (13 avril 1774). Le deuxième livre contient des lettres entre Abélard et Héloise écrites par Pope et d’autres auteurs : M.C**, Colardeau, Feutry, Dorat, Mercier, Seurin, M. G** Dourxigné et se termine par des extraits d’une pièce de M. Guis sur le même sujet. Bon état d’occasion‎

Referenz des Buchhändlers : 110809

‎[JARDIN] - LOVE (Gilly), ROBINSON (Peter) -‎

‎L'eau du jardin.‎

‎Paris, Aubanel , 2002 ; in-4, 160 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.‎

‎Très bon état avec sa jaquette.‎

Referenz des Buchhändlers : 202301010

‎[LOVE (Benjamin)]‎

‎Manchester as it is: or notices of the Institutions Manufactures Commerce Railways etc. of the Metropolis of Manufactures: Interspersed with Much Valuable Information Useful for the Resident and Stranger‎

‎Manchester: Printed by Love and Barton 1839. First edition 12mo 155 x 100 mm 244 p. engraved frontis. and 11 plates lightly foxed double-page engraved map orig. cloth gilt a very good copy. Manchester: Printed by Love and Barton, 1839 hardcover‎

Referenz des Buchhändlers : 37006