‎Anacreon‎

‎"ANACREON (& SAPPHO) - ANAKREONTOS.‎

‎Teiou mele [Greek]. Anacreontis Teii Odae. Ab Henrico Stephano luce & Latinitate nunc primùm donatae. - [THE STARTING-POINT OF MODERN LITERATURE]‎

‎Lutetiae (i.e. Paris), (? Guillaume Morel for) Henri Estienne (II), 1554. 4to. Contemporary limp vellum with remains of ties to boards. Remains of contemporary paper labels to spine and traces of autor in ink in contemporary hand, also to spine.A few smaller worm tracts to boards and a bit of spotting, but overall very nice. A large spot to title-page, presumably erased ink, from the removal of an old owner's name. The spot is in the blank margin, close to the printer's device, but not touching it. Apert from that internally very nice with only light occasional damp staining or browning. Old ink note in Greek characters to front free end-paper and a small note (referring also to ""Lyra"") on A(1)r. A very nice copy with large margins. Woodcut printer's device to title-page, woodcut headpiece and opening initial. Magnificently printed in all three sizes of the famous ""grecs du roi""-type. (8), 110 pp.‎

‎Rare first edition of the groundbreaking Anacreon-volume by H. Estienne, being the milestone publication that not only constitutes the first book by the brilliant Henri Estienne II, but also the extremely influential editio princeps of the Anacreontea. Furthermore, this groundbreaking publication contains Sappho’s now immortal Aphrodite-hymn, being the very first of any of Sappho’s poems to appear in print (here for the second time in print) as well as the magnificent “Midnight poem” (fragment 168B), establishing for the first time since antiquity the gathering together of poems by Sappho: “A momentous point in her transmission. Yet it is ironic that the first collection of a fragmentary Greek poet known and admired beyond any other today should have appeared as a mere appendix to a book dedicated to another author entirely, without even her name on the title-page.” (Cambridge Companion to Sappho, p. 251). The impact that Sappho - “mother of all women poets” - would eventually come to have upon modern poetry and society was not yet known to Estienne and his contemporaries, for whom she was more or less unknown. Estienne, however, recognized the value of the poems of hers that he had encountered and with the publication of them in the present volume began a tradition that would eventually cause her to become arguably the most celebrated Greek poet of all time. “Estienne’s edition of Anacreon’s poetry was enthusiastically received by the Pléiade poets, which considerably boosted Sappho’s influence on western European literature”. (van Dijk: I Have Heard about You, p. 37). This beautifully printed slim volume constitutes an outright Renaissance sensation. “The “Anacreaonta” became the most influential “ancient” Greek poetic text during the Renaissance, and Estienne’s “editio princeps” virtually caused a poetic revolution, not only in France, but also in Italy and Germany – where this influence culminated in the 18th century with the Anacreontic Poets (“Die Anakreontiker”).” (Schreiber 139). Henri Estienne II – “in many ways the greatest member of the Estienne dynasty, and most certainly its most prolific scholar” (Schreiber) - had travelled extensively through Italy, the Low Countries, and England, in search of Greek manuscripts. It is from one of these that he had printed (possibly by Guillaume Morel) his first book, this editio princeps of the Anacreaontea, which is thus also the first book to bear his imprint. Henri Estienne, along with his contemporaries, believed the work to contain the ancient Greek lyrics of the poet Anakreon (6th century BC), whose poems, are not extant, except for some short fragments. In fact, the poems contained in this volume constitute the Anacreontea, which is a collection of Greek lyric poems written in the style and imitation of Anacreon, at various dates. “Henri’s publication of these “ancient” Greek lyrics caused an immediate literary sensation in France, and was celebrated and immortalized by Ronsard, in an oft-quoted passage of his “Odes”.” (Schreiber). Henri Estienne started out his publishing career with this magnificent publication that catapulted him into fame, and he went on to become one of the most influential literary and scholarly figures of the second half of the 16th century in Europe" he dominated Renaissance scholarship with his magnificent publications and has arguably not been superseded by any publisher since. The young Henri Estienne had discovered the present poems in Louvain, in a manuscript owned by an Englishman named John Clements, who was a friend of Thomas More. Their publication “was a sensation of the first class and the starting-point for a new branch of modern literature” (R. Pfeiffer: History of Classical Scholarship”, p. 109). “This first edition was greeted with tremendous enthusiasm by the members of the Pléiade, who, like everyone else, believed the poems genuine, and each of whom immediately translated or imitated some of the “Anacreontea”.” (Schreiber). The poems may not have been “genuine” Anacreon-poems, but the influence that the publication of them came to exercise was no less profound than had they been" the mark they have left of modern literature is difficult to compare to anything else. The printing of the original Greek text, in all three sizes of the magnificent “grecs du roi”-type, is followed by the first Latin translation of the poems, done by Estienne himself, and by Estienne’s own commentary. The text of this editio princeps has been followed by almost every subsequent editor, and today the name Anacreon cannot be mentioned without thinking of Estienne. After the Anacreon-poems themselves, are two leaves containing first, poems by Alkaios, and second, the two famous poems by Sappho: The Ode to Aphrodite (fragment 1) and the Midnight Poem (fragment 168B, also known as “The Moon Sets”), constituting a momentous point in the Sappho-transmission, namely the first time since antiquity that anyone had gathered together poems by her. Soon after, more Sappho-collections would appear causing her to eventually become the most admired Greek poet. “In a recent article, R. Aulotte… shows how Sappho’s influence on the poets dates from the time when Henri Estienne published the odes then known along with his famous edition of Anacreon. His first edition, published in 1554, contained the “Ode to Aphrodite” and the fragment “The Moon has Set”.” (Mary Morrison: Henri Estienne and Sappho, in: Bibliothèque d’Humanisme et Renaissance T.24, N.2 (1962), p. 388). ""From time immemorial women poets have had only one norm, one touchstone: Sappho, the legendary woman poet who lived on the island of Lesbos in the Aegean sea in the 6th century BC. … The Sappho figure is the peg on which views of female poetic genious and female sexuality have been hung, century after century.” (Suzanne van Dijk: I Have Heard about You…, p. (35) ). Dibdin I: 258 (“A beautiful and rare edition”)" Schreiber: 139 Renouard: 115.‎

Bookseller reference : 60114

‎"ANACRÉON;"‎

‎Anacreontis Teij odæ, ab Henrico Stephano luce et Latinitate nunc primum donatæ.‎

‎Paris, [Guillaume Morel pour ?] Henri Estienne, 1554 Petit in-4 de (4) ff., 110 pp., plein chagrin rouge, dentelle dorée en encadrement, dos à nerfs orné de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (Langlois).‎

‎"Edition princeps des poésies d'Anacréon, ""aussi belle que rare"", dit Brunet. Elle est ici publiée avec des notes critiques et une traduction latine qui est parfois attribuée à Jean Dorat. Elle provient d'un manuscrit prêté à Henri Estienne par John Clements de Louvain, un ami de Thomas More. Le premier livre donné par Henri Estienne. ""Ce livre est un symbole"", dit André Jammes. Et il ajoute : ""C'est d'abord la toute première production d'un grand savant mais c'est aussi le fruit mûr d'une brève maturation de la philologie grecque en France au XVIe siècle. […] Le livre produisit une grande sensation, et il donna le coup d'envoi à toute une branche de la littérature…"" Bel exemplaire de ce livre rare. Petits défauts sans gravité au titre. Sans le dernier feuillet blanc. Brunet, Manuel de l'amateur, I, 1460. - Schreiber, The Estienne, n° 139. - Renouard, Annales de l'imprimerie des Estienne, p. 115, n° 1 et pp.376-377."‎

Bookseller reference : CLL-25

‎"ANACRÉON;"‎

‎Anacréon, Sapho, Bion et Moschus, Traduction nouvelle en Prose, suivie De La Veillée des Fêtes de Vénus, Et d'un choix de Pièces de différens Auteurs. Par M. M*** C** [Moutonnet Clairfons].‎

‎A Paphos et se trouve à Paris, chez Le Boucher, 1773 In-8 de (2) ff., IV, 280 pp., maroquin rouge, triple filet doré en encadrement sur les plats avec fleurons aux angles, dos lisse orné de caissons de fleurons dorés, pièce de titre de maroquin olive, double filet doré sur les coupes, roulette intérieure dorée, tranches dorées (reliure de l'époque).‎

‎"Édition originale de ce florilège de poésie grecque lyrique et élégiaque. Elle rassemble, accompagnées de biographies et de notes, des œuvres, odes, idylles, etc. d'Anacréon et Sappho, mais aussi de deux poètes moins connus, Bion de Smyrne et son disciple Moschus. Ces pièces en vers sont ici transposées en prose française par l'helléniste Julien Jacques Moutonnet Clairfons (1740-1813). Dans cet ouvrage dédié ""A Madame la Princesse de Ch****"", on remarque que le traducteur a insisté sur la parfaite orthodoxie des mœurs de la poétesse de Lesbos, celle-ci se jetant du rocher de Leucade par amour pour le bel - et biologiquement viril - indifférent, Phaon : ""Cette jalousie [des Mytiléniennes] n'auroit-elle pas donné naissance aux bruits injurieux à la mémoire de Sapho ? Comment s'imaginer, qu'elle se soit livrée à tous les excès monstrueux dont on l'accuse?"" Avant de conclure, prudent, ""Cependant les inconséquences, les bisarreries du cœur humain sont si fréquentes, que nous n'osons contredire ouvertement une tradition aussi ancienne, aussi accréditée"". Au-delà des qualités de son traducteur, c'est à son iconographie que cette anthologie poétique doit principalement sa renommée, Cohen la considérant comme ""l'un des livres les plus élégamment illustrés du XVIIIe siècle"". L'ouvrage est en effet orné de 26 gravures en taille-douce par Massard d'après Charles Eisen : un frontispice, 12 vignettes d'en tête et 13 culs-de-lampe. Le dessinateur se plaît à animer ces espaces contraints, son imagination féconde s'exprime tout particulièrement dans les culs-de lampe variés qui mêlent pour le plaisir du regardant formes chantournées et exubérantes du rocaille avec un répertoire décoratif ""à la grecque"". ""L'illustration d'Anacréon, Sapho, Bion et Moschus, moins à la mode que celle des Baisers, est tout aussi jolie, et le graveur Massard en a délicatement rendu la finesse et la grâce"" (R. Portalis, Les Dessinateurs d'illustrations au dix-huitième siècle, Paris, 1877, p. 207). Titre en rouge et noir, bandeaux et culs-de-lampe typographiques. Bel exemplaire imprimé sur grand papier de Hollande (hauteur : 260 mm). H. Cohen, Livres à gravures du XVIIIe siècle, 79-80. - Rahir, Bibliothèque de l'amateur, 291."‎

Bookseller reference : CLL-858

‎(BODONI IMPRINT). ANACREON‎

‎In Greek: ANAKREONTOS TÊIOU MELÊ then: ANACREONTIS TEII ODARIA. i.e. THE ODES‎

‎Parmae: Ex Regio Typographeio 1785. ONE OF 50 COPIES ON FINE PAPER of a total of 310 copies. 308 x 216 mm. 12 1/8 x 8 1/2". 2 p.l. xciv 100 pp. 1 leaf. <br/> VERY ATTRACTIVE CONTEMPORARY CRIMSON STRAIGHT-GRAIN MOROCCO spine beautifully gilt in compartments between green stylized pentaglyph and metope strips flanked by double raised bands the plain-ruled compartments densely stippled with gold dots surrounding a small central medallion from which emanate a number of wavy vines bearing flowers and small leaves anular dot cornerpieces elaborately gilt turn-ins blue watered silk endpapers the pastedowns framed with elegant gilt garlands and bead-and-lozenge roll free endleaves with cresting gilt frame leather hinges these expertly renewed at top and bottom all edges gilt. In a modern brown cloth chemise and morocco-backed slipcase. Small author portrait tondo on title page large and elaborate armorial vignette on dedication page engraved by Cagnoni. Text of poems in Greek commentary in Latin both printed entirely in majuscules. Front pastedown with morocco monogram bookplate of Charles C. Kalbfleisch engraved bookplate of Hugh Morriston Davies and book label of Charles Whibley see below. Brooks 287; Dibdin I 265; Schweiger 25; Brunet I 252; Graesse I 111. â—†Spine probably a bit sunned though difficult to tell with so much gilt four tiny wormholes to joints extremities with a hint of rubbing but the binding solid lustrous and attractive; A SPECTACULAR COPY INTERNALLY entirely clean fresh and bright and with enormous margins.<br/> <br/> This is a superb copy of the luxury paper Bodoni printing of the works of the sixth century B.C. lyric poet Anacreon. Imbued with delicacy and grace these works come down to us only in fragments quoted by other authors or in the derived form of imitators and they did not find their way into print until after the middle of the 16th century. Produced by Giambattista Bodoni 1740-1813 the most celebrated European printer of his era this remarkable piece of work is called "magnificent" by Brooks and Dibdin says that a "more elegant and exquisitely finished production . . . cannot be conceived." The appearance of the page printed only with capitals and offered here in a copy with vast margins is simply as stately and powerful as one could ever hope for. Bodoni was not only a great printer but also the most important type designer and punchcutter in Italy during his day. He was responsible for some of the most graceful and immaculate books to be printed during the end of the 18th and beginning of the 19th century and the present item is certainly to be counted among his most beautiful productions. The present copy has a distinguished provenance. Charles C. Kalbfleisch was a discriminating American collector whose library featured a great many beautiful bindings and who was known for choosing only the finest copies available. Parke-Bernet sold much of his collection in January of 1944 in a sale entitled "The Arts of the Book . . . The Splendid Library Formed by the Late Charles C. Kalbfleisch New York." Hugh Morriston Davies 1879-1965 was a pioneering surgeon known as "The Doyen of Thoracic Surgery" who collected fine bindings especially those of the 18th century. Charles Whibley 1859-1930 authored important books and wrote popular periodical columns of literary interest edited a number of works in the substantial and distinguished "Tudor Translations" series was at the center of a British literary circle with links to the Symbolist poets of France and made an enormous contribution to literature by recommending T. S. Eliot to Faber & Faber. Ex Regio Typographeio unknown‎

Bookseller reference : ST11935

‎(FRENCH ILLUSTRATED BOOKS). ANACREON, SAPPHO, BION AND MOSCHUS‎

‎OEUVRES. TRADUCTION NOUVELLE EN PROSE SUIVIE DE LA VEILLE DES FÊTES DE VÊNUS ET D'UN CHOIX DE PIÈCES DE DIFFÊRENS AUTEURS‎

‎Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. <br/> LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. â—†Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding.<br/> <br/> This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown‎

Bookseller reference : ST16314

‎[Anacreon]; Anakreon (ca. 560-480 BC)‎

‎ANAKPEONTO THIO MEAH Praefixo Commentario Et Variant. Lect. in Greek and Latin‎

‎Parma: Giambattista Bodoni 1791. Two parts in one volume. The fine sedicesimo edition of 1791 with provenance of Herzog Albrecht Kasimir August von Sachsen-Teschen. Title with an engraved roundel with Anacreon's portrait by Giuseppe Lucatelli 1751-1828; the following leaf with engraved roundel portrait of the marquis Jose Nicolas de Azara. Text in Greek bound before the text in Latin. 16mo 102x68 mm in very fine contemporary red morocco executed by Georg Friedrich Krauss the leading Viennese binder for Duke Albert von Sachsen-Teschen. The boards framed within gilt Greek-key roll the smooth spine with author's name and imprint in gilt on double green morocco lettering-pieces four further compartments with the gilt initials 'AS' in fine gilt tools and additional gilt tooling these separated by flat bands trimmed in green morocco and gilt tooled green silk endpapers board edges gilt tooled and turn-ins with gilt dentelles a.e.g. blue silk ribbon marker. 4 120; 122 2 pp. A superb and beautiful copy the condition being essentially without flaw. A FINE COPY OF ANACREON BY THE PROMINENT PRINTER AND PUNCHCUTTER GIAMBATTISTA BODONI 1740-1813 OFFERED HERE IN A PRECIOUS MOROCCO BINDING FOR DUKE ALBERT OF SACHSEN-TESCHEN SON OF FRIEDRICH AUGUST 11 OF SAXONY KING OF POLAND. Albert had a well-known taste for the arts his collection of prints and drawings was one of the richest in all of Europe and he was the founder of the eponymous Albertina in Vienna.<br> In 1791 Bodoni printed two different editions of Anacreon one in octavo and the edition offered here in sedicesimo. The smaller Anacreon is one of the finest books ever executed by the great printer. The text is set in the Greek font he designed a few years prior which was based on one of Henri Estienne's 1554 types. His Greek font was highly admired all throughout Europe. The King of France as Bodoni once stated in a letter requested two copies of this beautiful gem of a book.<br> The very fine binding was executed by the leading Viennese binder Georg Friedrich Krauss. Krauss was active between 1791 and 1824 and was one of von Sachsen-Teschen principle binders.<br> Giambattista Bodoni hardcover‎

Bookseller reference : 29736

‎[ANACRÉON].‎

‎Imitation des Odes d'Anacréon, en vers françois, dédiée au Roi de Prusse.‎

‎Paris, Prault l'aîné, 1754. In-12 (161 x 92 mm), VIII pp. 195 pp., 1 p. bl. Veau fauve moucheté, double filet doré en encadrement et armes dorées au centre des plats, dos lisse orné de fers dorés répétés d'alérions, pièce de titre vieux rouge, filet doré sur les coupes et les coiffes, dentelle intérieure dorée, quelques rousseurs éparses (reliure de l'époque).‎

‎Première édition de cette traduction en vers d'Anacréon attribuée à Antoine Colomb de Seillans (Draguignan, v. 1712-1758), avec la traduction en prose en vis-à-vis par Mme Dacier (alors Melle Lefèvre). La préface célèbre le "Poëte le plus galand et le plus admiré de l'antiquité". L'ouvrage s'achève sur une comédie-ballet intitulée Anacréon. Exemplaire aux armes des Montmorency, de la bibliothèque d'Anne-Léon II, marquis de Fosseux, puis duc de Montmorency (1731-1799). Militaire émérite, connétable de Normandie, il participa au siège de Maastricht en 1748, fut fait brigadier de cavalerie, puis maréchal de camp en 1763. Il émigra à Münster pendant la Révolution et y mourut en 1799. Ex-libris tampon XIXe de Me Descourtis, notaire au Mont-Saint-Sulpice (sur la préface). Bel exemplaire en veau armorié à provenance illustre. Barbier, Dictionnaire des ouvrages anonymes et pseudonymes, II, 902. Cioranescu, Bibliographie de la littérature française du XVIIIe siècle, 20258. Guigard, Armorial du bibliophile, II, 368-369. OHR, pl. 810, fer 4 (variante).‎

Bookseller reference : 8747

‎[Bodoni, Giambattista, impression de]‎

‎Anakreontos Teiou Mele. Anacreontis teri odaria. Praefisco commentario quo poetae genus traditur et bibliotheca anacreonteia adumbratur.‎

‎Parmae, ex Regio Typographeco, s.d. (1785) ; in-4 ; plein veau havane moucheté, dos à nerfs, caissons décorés, pièce de titre rouge, triple filet doré d’encadrement des plats, toutes tranches dorées, roulette décorative dorée d’intérieur (reliure de l’époque) ; (2) ff. de titre et dédicace, XCIV pp., 100 pp., (1) f. d’achevé d’imprimer, portrait gravé d’Anacréon à la page de titre et vignette gravée par Cagnoni en tête de la dédicace.‎

‎Seuls cinq exemplaires complets sont identifiés dans les bibliothèques publiques d’Italie. Superbe impression en caractères majuscules latins pour la première partie et grecs pour la seconde, chef d’oeuvre de typographie d’un des plus célèbres imprimeurs au monde. Imprimé sur papier fort, l’intérieur, grand de marges, petite auréole à l'angle supérieur, restaurations anciennes aux coiffes, aux mors, aux coins et sur le premier plat, charnières faibles ; malgré ces quelques défauts l’exemplaire reste exceptionnel par la beauté de la typographie.‎

Bookseller reference : 2936

‎[Derain]‎

‎Odes Anacréontiques. Traduction de Leconte de Lisle. Lithographies originales de André Derain.‎

‎Lyon, Cercle Lyonnais du Livre (Paris, Fequet et Bardier, imprimeurs typographes ; Mourlot Frères pour les lithographies) ; 1953 ; petit in-4° en feuilles sous couverture crème rempliée de papier fait main avec titre en noir et blanc, chemise demi velin-parchemin ivoire, titre doré à la japonaise, étui (emboitage éditeur).‎

‎Premier tirage à deux cents exemplaires, tirés sur vélin pur fil BFK (Blanchet Frères Kleber) de Rives, celui-ci un des LXX numérotés en chiffres romains (N°XII) ; 95 pp. et 50 lithographies dont 8 hors-texte. Bel exemplaire, il s’agit du dernier livre illustré par Derain de son vivant.‎

Bookseller reference : 21449

‎[LITTERATURE] - [ANACREON] -‎

‎Les ODES D'ANACREON et DE SAPHO en vers françois par le Poete sans fard.‎

‎A Rotterdam, Chez Fritsch et Bohm, 1712 ; in-12, 354-5, plein veau dos a nerfs, bien orné haut de coiffe fendu et pt manque, coins un peu écrassé. Traces de mouillures en marge.‎

‎Traces de mouillures en marge.‎

Bookseller reference : 200918169

‎[POESIE] - ANACRÉON PAR GAIL -‎

‎ODES D'ANACRÉON, avec texte grec, la version latine, des notes critiques, et un discours sur la musique grecque.‎

‎Paris, Didot l'aîné, anVIII (1800) ; in 16, 107+119+130+90 pp., cartonnage de l'éditeur. Les 2 volumes. Tomes I-II en un volume et tomes III-IV en un volume, très bon état, demi-maroquin avec tranchefile, tranches colorées.‎

‎Tomes I-II en un volume et tomes III-IV en un volume, très bon état, demi-maroquin avec tranchefile, tranches colorées.‎

Bookseller reference : 200406381

‎ANACREON‎

‎"Anacreontis carmina; accedunt selecta quaedam e lyricurum reliquiis; editio nova locupletior."‎

‎Argentorati (Strasbourg), apud J.G. Treutteul, 1786. "9 x 15, 149 pp., reliure plein cuir, dos : 1 pièce de titre, 4 fleurons et décor à la roulette, plats, encadrements dorés, chants et chasses décorés, 3 tranches dorées, pages de garde papier marbré, bon état (reliure état d'usage; papier blanc, très peu de rousseurs)."‎

‎Textes des poésies en grec, notes en latin.‎

Bookseller reference : 99760

‎Anacreon‎

‎A Lyrica de Anacreonte English and Portuguese Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1143099745.G ISBN : 1143099745 9781143099748

‎ANACREON‎

‎Anacreon (en Grec). Anacreontis Reliquiæ, Basilii Juliani, Pauli Silentiarii, Anacreontica, curante Jo. Fr. Boissonade‎

‎1823 Paris, Lefevre, 1823, in-24 de XII-(2)-160 pp., index in fine, très bel exemplaire dans une reliure de l'époque signée de THOUVENIN en bas du dos, plein veau glacé rouge, dos à nerfs ornés de roulettes dorées et fleurons romantiques à froid, plats frappés d'un beau décor de plaque ornemental à froid, composée d'encadrements de grecques et d'un décor octogonal central, dentelle intérieure, tranches dorées.‎

‎Charmante petite édition imprimée en grec ancien, donnée par Jean-François Boissonade.‎

Bookseller reference : 21009

‎Anacreon‎

‎Anacreon Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1334376719.G ISBN : 1334376719 9781334376719

‎Anacreon‎

‎Anacreon Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 0267510454.G ISBN : 0267510454 9780267510450

‎Anacreon‎

‎Anacreon French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 1023920166.G ISBN : 1023920166 9781023920162

‎Anacreon‎

‎Anacreon in English Attempted in the Metres of the Original by T.J. Arnold‎

‎Paperback / softback. New. paperback‎

Bookseller reference : A9780371445105 ISBN : 0371445108 9780371445105

‎Anacreon‎

‎Anacreon Odes‎

‎Philadelphia: George Barrie & Sons 1902-01-01. Hardcover. Very Good. P. Avril. LIMITED ANTIQUE GEMS EDITION 37/100 featuring original gold cloth covered boards with black lettering on beige pastedown along spine; light soiling and rubbing along edges. Binding and hinges tight and square. Contents clean and unmarked except for bookplate on front inside cover and owner name and address on FFEP. Text in ancient Greek and English. Illustrated by P. Avril. George Barrie & Sons hardcover‎

Bookseller reference : 029849

‎Anacreon‎

‎Anacreon Part 1: Sapho Bion Moschus Theocrite Musee La Viellee Des Fetes De Venus 1781 French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1165312239.G ISBN : 1165312239 9781165312238

‎Anacreon‎

‎Anacreon Part 1: Sapho Bion Moschus Theocrite Musee La Viellee Des Fetes de Venus 1781‎

‎New. unknown‎

Bookseller reference : B9781165312238 ISBN : 1165312239 9781165312238

‎Anacreon‎

‎ANACREON SAPHO BION ET MOSCHUS‎

‎Paris: Le Boucher 1773. First edition. Joints rubbed scars from removal of bookplates contents fine. First edition. vi iv 280p; xvi104p. Illustrated with engraved frontispiece and 25 head- and tail-pieces by Massard after Eisen. Includes Hero et Leandre with separate title-page and engraved frontispiece by Duclos after Eisen. Bound by Hayday in full pebbled morocco with marbled endpapers a.e.g. gilt spine title. Purportedly purchased at the Hoe sale.<br /> Cohen-De Ricci 79. Le Boucher unknown‎

Bookseller reference : 15698

‎Anacreon‎

‎Anacreon Teius. Item Anacreontis Vita Opera & Studio J. Barnes Czech Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1148541225.G ISBN : 1148541225 9781148541228

‎Anacreon‎

‎Anacreon Teius poeta lyricus summa cura et diligentia ad fidem etiam Vet. MS. Vatican emendatus pristino nitori numerisque suis restitutus dimidia sere parte auctus. Aliquit nempe justis poematiis et fragmentis plurimis ab undiquaque conquisitis . . . Opera et studio Josuae Barnes. Editio tertia auctior & emendatior.‎

‎London: Impensis Jacobi Johannis et Pauli Knapton 1734. Hardcover. Very good condition in worn calf front hinge cracked. lxxviii. 341p. <br/><br/>Greek and Latin on opposite pages Impensis Jacobi, Johannis et Pauli Knapton hardcover‎

Bookseller reference : 27877

‎Anacreon‎

‎ANACREON TEIUS Poeta Lyricus Summa Cura & Diligentia ad Fidem Etiam Vet. MS. Vatican. Emendatus. Item Anacreontis Vita. Accessere Ormanenti Loco Tres Eleganter-Sculptae. Opera & Studio Josuae Barnes.‎

‎Cambridge: Recentioribus Typis Academicis Imprensis Edmundi Jeffery 1705. 12mo. First edition edited by Barnes a professor of Greek at Cambridge University. 20lxxv374017pp. Index. Illustrated with 3 copper engraved folding portraits the author the editor and the Duke of Marlborough. Cont. tooled paneled calf gilt decorated spine with red morocco label. 2" crack at top of front hinge but a very sound copy. See Dibdin GREEK & LATIN CLASSICS 4th ed. Vol. I p. 260-261. Recentioribus Typis Academicis, Imprensis Edmundi Jeffery unknown books‎

Bookseller reference : 3238