8 427 résultats
réf. DADAX145760647XBedford/St. Martin's 2012-08-03. Sixth. paperback. New. 6.05x1.87x9.23. Buy with confidence. Excellent Customer Service & Return policy. Bedford/St. Martin's paperback
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1908129,1p., 20 col. plates. Hardcover Very good condition, in gilt stamped green cloth, some foxing of endpapers, hinges lightly rubbed, small spot on rear cover
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1898réf. 105781BBParis, Librairie Dentu, o. J. (1898). Gr.-8° (23,5 x 15,5 cm). 160 S. Dunkelblauer Maroquinband der Zeit mit goldgepr. Rückentitel, floraler Rückenvergoldung, goldgepr. dreifachen Deckelfiletten, Innenkantenvergoldung u. Goldschnitt (Orig.-Umschlag beigebunden; signiert: (René Victor) Chambolle). (Bibliotheque speciale de la Société des auteurs et compositeurs dramatiques).
19244 vols., roy. 8vo., First Edition thus, on laid paper, free endpapers lightly browned as usual; tan boards, brown buckram backs with printed paper labels, uncut, a very good, bright, crisp, clean set. EDITION LIMITED TO 900 NUMBERED SETS (THIS SET NO. 156). This remains the only complete collection of Wycherley's works. The set comprises Vol. I: Introduction, Love in a Wood, The Gentleman Dancing-Master; Vol. II: The Country Wife, The Plain Dealer, Letters; Vol. III: Miscellany Poems; Vol. IV: Miscellaneous Poems, Hero and Leander, Posthumous Works. A lovely set.
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1893A SIGNED LARGE PAPER COPY of this melodrama by Legendre, a very successful fin-de-siËcle French playwright. vi, 192 pp. ONE OF ONLY 25 NUMBERED COPIES PRINTED ON FINE DUTCH LAID PAPER ("Hollande") WITH HUGE MARGINS (regular copies are printed on cheap wood-pulp paper, and are now crumbling into dust). SIGNED AND INSCRIBED BY THE AUTHOR. 8vo, original wraps. Wraps torn at spine but complete. Internally clean.
3 Vols., 1662pp., orig. cloth. The prestigious series 'Records of Early English Drama' aim is to make available historical transcripts of early English drama, music, ceremonies, dance and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed theatres and prohibited musical and dramatic performances. This volume contains primary sources for the county of Kent, with introductory material providing context. One chapter gives an overview of why certain forms of entertainment existed locally, and descriptions of various customs throughout the calendar year. This work is extremely interesting for anyone concerned with social history, popular culture and the history of performing arts.
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