251 résultats
1959réf. 194140Santiago: privately printed 1959. Te amo como se aman ciertas cosas oscuras / secretamente entre la sombra y el alma First edition presentation copy inscribed by the poet on the first blank "a Matilde Ladrón de Guevara gran capitana de sonetos su amigo Pablo Neruda 1960". This is number 12 of 250 copies signed by Neruda with a signed lithograph by the Chilean artist Nemesio Antúnez. Neruda wrote the sonnet sequence over a period of three years for his wife Matilde Urrutia and dedicated it to her; it is widely regarded as one of his greatest works. A fellow Chilean poet Matilde Ladrón de Guevara 1910-2009 has annotated around 40 of the sonnets in ink. Folio. With a lithographic centrefold by Nemesio Antunez signed by him in pencil. Original white wrappers spine and front wrapper lettered in black and red. Wrappers rubbed with a couple of faint stains extremities creased with small spots of wear small tears and creases to outer margins of first three leaves occasional toning to contents. A very good copy. unknown
1966réf. 150452London: Jonathan Cape 1966. First edition in English of Neruda's masterpiece. Octavo original cloth. Boldly signed by Pablo Neruda on the half-title page. Translated by Nathaniel Tarn. Preface by Robert Pring-Mill. Fine in a near fine dust jacket. Housed in a custom half morocco clamshell box. A very sharp example rare and desirable signed. "The Heights of Machu Picchu" has been called Pablo Neruda's greatest contribution to poetry—a search for the "indestructible imperishable life" in all things. Inspired by his journey to the ancient ruins Neruda calls the lost Incan civilization to "rise up and be born" and also empowers the people of his time. Jonathan Cape hardcover
1972réf. 002846Ministerio de Educación Pública de Chile 1972. 1st Edition 1st Printing. Soft cover. Good. About the book: Softcover. First Printing. Published in celebration of Neruda's Nobel Prize this book was distributed to libraries and unions free of charge. Neruda waived his rights to any royalties. Book has been inscribed on title page by Neruda. Also inscribed by Allende at the end of his introduction to book. First page has a doodle/drawing by Neruda. Recipient of book was a man named "Rene Zorrilla" There is an auditorium at the Metropolitan University of Technology in Chile named after Zorrilla however we are unsure if they are one and the same. Additional photos available upon request. Ministerio de Educación Pública de Chile paperback
1954réf. 77014Chile: Nascimento 1954. Signed limited edition of Neruda's masterpiece. Quarto original illustrated wrappers as issued photographs by Martin Chambi. Signed by Pablo Neruda at the colophon as issued. In near fine condition. Laid in is the scarce insert on green paper that was issued with all copies which is a bibliographic note on the genesis and publication history of the poem by Jorge Sanhueza. This is the first definitive edition of the poems including the Chambi photographs referenced in "The Latin American Photobook. A superior example rare in this condition. The Heights of Machu Picchu" has been called Pablo Neruda's greatest contribution to poetry—a search for the "indestructible imperishable life" in all things. Inspired by his journey to the ancient ruins Neruda calls the lost Incan civilization to "rise up and be born" and also empowers the people of his time. Nascimento unknown
1967réf. 3117663London: Cape Goliard Press. Fine in Fine dust jacket. 1967. First Edition; First Printing. Hardcover. SIGNED limited edition. Copy 8 of 100 signed by Pablo Neruda and translator Alastair Reid on title page. Fine in handbound brown textured boards in fine matching paper dust jacket. ; 8vo 8" - 9" tall . Cape Goliard Press hardcover
1969réf. 194274Santiago de Chile: Nascimento 1969. We all arrive by different streets by unequal languages at silence First edition signed limited issue number 202 of 250 copies signed by the author from an edition of 500. This title is a tribute to the history and survival of the Chilean people comprising 28 cantos written over two days in July 1969. The first edition in English was published in 1971 as Still Another Day. In his acceptance speech as the Chilean Communist Party candidate for the presidency given in September of the same year Neruda said "I have never thought of my life as divided between poetry and politics. I have never been in with those in power and have always felt that my vocation and my duty was to serve the Chilean people in my actions and with my poetry. I have lived singing and defending them" quoted in Christ. Large octavo. Original white wrappers spine and covers lettered in black and green edges untrimmed. Wrappers a little toned nicked a few spots of foxing ink initials to rear wrapper. A very good copy. Becco p. 37. Ronald Christ trans. "Pablo Neruda The Art of Poetry No. 14" The Paris Review 1971. unknown
1962réf. elala180Buenos Aires: Editorial Losada S. A. 1962. 1962. folio. pp. 60 3. 9 full-page wood engravings 5 in colour. illus. paper over bds. extremities bit rubbed. First Edition Illustrated by Seoane Limited to 400 numbered copies plus 29 hors commerce. 1st Edition. Hardcover. Very Good. Buenos Aires: Editorial Losada, S. A., [1962]. Hardcover
1948réf. 194281Santiago de Chile: Ediciones de Libreria Neira 1948. Love! Love until the Night collapses! First edition of Neruda's masterpiece number 206 of 500 copies for sale from a total edition of 520 copies. The poem illustrates Neruda's ideology in a Pan-American consciousness as well as his belief in his responsibility as a poet. In a 1965 interview speaking about the poem Neruda stated "I use a vision of ancient men to understand the men of today. From the Inca to the India from the Aztec to the contemporary Mexican peasant our homeland America has magnificent mountains rivers deserts and mines rich in minerals. Yet the inhabitants of this generous land live in great poverty. What then should be the poet's duty" quoted in Eisner p. 316. The Heights of Macchu Picchu was first published in English in 1966. Folio. Printed in red and black 7 full-page line-drawings by José Venturelli. Original cream wrappers spine and front cover lettered in red and black front cover with line drawing by Venturelli in black. Wrappers a little toned and marked creases to spine a few nicks. A very good copy. Mark Eisner Neruda: the Poet's Calling 2018. unknown
1960réf. 81766Mexico City: Gráfica Horizonte 1960's. First Edition. 6 volumes. Octavo. 21cm volume 6 is slightly taller with a wider margin at the base of the cover. bound in original publisher's buff card wraps illustrated with an abstract design by Jorge Ballester the same illustration is utilised on all 6 covers with variations in color and composition. Ballester would have been 19 or 20 at the time of publication shortly before he went on to form 'Equipo Realidad' with Joan Cardells. 12-14pp per issue. Some sunning or fading to extremities light edgewear a very good clean and attractive collection. An ephemeral bit of book production utilising thin rough grain paper cheap card and some erratic trimming. Internally clean some pages unopened. Issues present include: #2 Miguel Hernandez: "Recoged Esta Voz" #3 Nicolas Guillén: "Buenos Dias Fidel" #4 Pablo Neruda: "No Tenian Mas Armas Que La Aurora." #5 Miguel Angel Asturias: "Bolivar" #6 Paul Eluard: "Libertad" #7 Patricio Lumumba: "Africa Será Libre" Absent from this assemblage is issue #1 "Dos Poemas" by Carlos Pellicer. The title "Ediciones Quinto Regimiento" is a loaded reference to the Madrid based publishing office of the fabled 5th Regiment a communist brigade fighting for the Republic during the Spanish Civil War to legendary effect and is clearly intended as both homage and statement of intent. The institutional footprint for this publication is tiny with a couple of issues having a slight presence on OCLC and an absence of significant holdings. Gráfica Horizonte unknown
1948réf. 28024Santiago de Chile: Ediciones de Libreria Neira 1948. First edition. The first edition of Neruda's masterpiece later incorporated into Canto General. One of 500 copies numbered in Arabic an additional 20 numbered in Roman were not for sale. Folio 25 x 38 cm. 48 pages 7 full page woodcuts by José Venturelli. Neruda first visited Machu Picchu in 1943 however he did not begin writing the poem until 1945. The French writer Roger Caillois visited him while he was composing it and began to publish his translations in January 1946 but the first partial publication in Spanish did not occur until July 1946. This first edition in book form was published by a Santiago bookstore a courageous effort at a time when Neruda was in hiding from the police in a friend's basement. Original wrappers a little tanned and with some small areas of paper restoration to the edges; a very good copy of a book scarce in commerce. Becco 84; Loyola 292 misdated as 1947. Ediciones de Libreria Neira unknown
1937réf. 1057Santiago de Chile: Ediciones Ercilla 1937. First edition. Good. A worn but complete copy of this scarce publication by one of Latin America's most prominent poets. Original self wrappers printed in red gray and yellow spine cracked and professionally reattached lacking a small chip wrappers soiled and a dampstain affects the top edge of leaves throughout. Rare in the original wraps most first edition copies have been rebound. Just two thousand copies of this original edition were produced each containing 16 black and white photographic reproductions as here. Posted in Spain as a diplomat during the Spanish Civil War Neruda witnessed the destruction and transformation of Spain during these turbulent years. Neruda commemorates the republican fighters figures and values in Espana en el Corazon. Good. Ediciones Ercilla unknown
1998réf. 013460New York: Limited Editions Club 1998. Hardcover. Fine in slipcase as issued. Edward Ranney. Oblong folio 15" x 12" bound in full dark green linen with a black leather spine label lettered in gilt. Translated by John Felstiner and illustrated with photogravures by Edward Ranney. This poem is the result of a visit by the Chilean winner of the Nobel Prize to the mysterious citadel in Peru built by the Incas. "The superb photographs of Macchu Picchu by Ranney that accompany Pablo Neruda's Heights of Macchu Picchu stand among the finest works of a photographer whom one critic calls 'a very modern visionary of the antique' embodying 'a gnomic monumentality an almost clinical sublimity.'" Copy #154 of 300 numbered copies SIGNED by the translator and by the illustrator. Monthly Letter laid in. Limited Editions Club hardcover
1967réf. 023576Madison: The Sixties Press 1967 First printing of the first Sixties Press edition English/Spanish text. Association copy signed and inscribed by Robert Bly to his wife directly on the front endpage along with an original page size drawing by Bly: "For Carol / Self portrait of Poet in Lac Qui Parle County--where Bly was born and raised--in the Summer / Robert Bly." Book with light toning to spine ends and top edge of boards else in fine condition; dust jacket with toning to spine/cover extremities and shallow crimping to bottom spine edge else fine. The Sixties Press hardcover
1947réf. 91248Santiago de Chile: Cruz del Sur 1947-1948. 10 volumes in small 12o 13 x 95 cm in original wrappers: 1. La Cancion de la Fiesta / Crepusculario 124 pp. 2. El Hondero Entusiasta / Tentativa del Hombre Infinito 68 pp. 3. 20 Poemas de Amor y una Cancion Desesperado 109 pp. 4. El Habitante y su Esperanza / Anillos 64 pp. 5. Residencia en la Tierra I 109 p. 6. Residencia en la Tierra II 120 pp. 7. Las Furias y las Penas y Otros Poemas 79 pp. 8. Espaa el el Corazon 93 pp. 9. Dura Elegia 83 pp. 10. Himno y Regreso 111 pp. This edition was published in 1500 copies all numbered and in greater part distributed among the subscribers. Vol. 10 concludes with a list of subscribers. Vol. 1 was inscribed by Neruda to Dolf Verspoor an early translator of Neruda's work into Dutch as follows: "Para / Dolf Verspoor / recuerdo / afectuoso de / Pablo / Neruda / 1949 / Paris / Quai / d'Orleans". In vol. 2 there is a handwritten note probably by Neruda on page 40 reading "Ici commence / Tentativa del / hombre / infinito". Most volumes have some light wear along the spine edges and the page edges have some discoloring. An interesting edition seldom seen. . Cruz del Sur hardcover
1967réf. 14201London: Cape Goliard 1967. Limited Edition. Hardcover. Near fine/near fine. Square small octavo about 30pp. Near fine in the publisher's brown paper over boards. Very gentle wear to the base of the spine; hardly notable. Touch of foxing to the first and last few leaves else clean and sound. In a very near fine example of the fragile handmade paper dust jacket which is only gently sunned on the spine and part of the rear panel. This is number 4 of 100 limited copies of the hardcover issue which is SIGNED by both Neruda and Reid on the title page. Scarce. Cape Goliard hardcover
1965réf. 3001Budapest: Hungária 1965. First Hungarian edition. In original paper with jacket. Jacket bit dirty and worn small damage on the upper left corner. Very good condition. First Hungarian edition. In original paper with jacket. XIX546 p.8 t. Inscribed by Neruda. Hungária unknown
1926réf. 6346Santiago de Chile: Ediciones Nascimento 1926. First Edition. Softcover. Near fine. Small octavo 103pp. A very near fine copy in the publisher's printed wraps with French flaps. Flattened vertical crease to the rear wrap and very faint discoloration to the top of the front wrap; else a lovely example much nicer than usually found without even a whisper of foxing to the interior. Important early work of prose poetry by Neruda co-authored with his friend Tomas Lago who would go on to have a long career preserving Chile's cultural heritage through law and civil administration. Ediciones Nascimento unknown
1926réf. 132520Santiago: Editorial Nascimento 1926. First edition of this early Neruda work scarce in such nice condition. From the library of the noted Argentinean writer musicologist and hispanist Daniel Devoto 1916-2001 with his and his wife Maria Beatriz del Valle-Inclán's stamp to the front free endpaper. Octavo. Original wrappers printed in green red and black. Covers a little toned foxed. A very good copy. Becco 40. unknown
1969réf. 76414Santiago de Chile Santiago: Nascimento 1969. Fine. Nascimento Santiago de Chile Santiago 1969 17.50 x 27 cm broché First edition printed in 500 numbered copies ours being one of the 250 hors commerce copies reserved for the author. A handsome copy. Nascimento unknown
1962réf. 6344Santiago de Chile: Orbe / Coleccion "El Viento en la Llama 1962. Later edition. Softcover. Very good/very good. 16mo 10cm x 14cm. A very good copy in the original cardstock wraps with dust jacket. Front inner hinge partly exposed but holding. Dust jacket age-toned and with a dampstain along the spine not affecting the interior. A cheaply produced volume and as such rather well-preserved. SIGNED by Neruda with a full-page inscription on the front free endpaper: "1965 A Westphallen un viejo libro con la amistad de toujours. Pablo Neruda." our translation: "1965 To Westphallen - an old book with everlasting friendship." Likely presented to someone with that surname possibly Peruvian artist Judith Westphalen different spelling is noted. Or the poet could be referring to the German region where he inscribed it. Though somewhat mysterious to us a question that might be cleared up by a Neruda scholar. We found no other signed copies of this important early work by Neruda first editions or reprints at the time of listing. This edition is also rather uncommon in commerce even unsigned. (Orbe) / Coleccion "El Viento en la Llama unknown
1967réf. 023589Madison: The Sixties Press 1967 First printing of the first Sixties Press edition with Spanish/English text. Faint toning to spine and a tiny crimp to bottom front corner else book in fine condition; dust jacket with light toning to spine a tiny closed tear to upper back cover and minute edge wear a touch of rubbing to upper back corner and a tiny nick to upper back cover else fine. A lovely copy. The Sixties Press hardcover
1963réf. 89003Alpignano: Tallone 1963. Cm. 29 pp. 112 8. Bross. orig. entro camicia e custodia. Lievissimi aloni limitati al cofanetto peraltro ben conservato. Edizione originale rara della prima edizione di 20 poesie inedite di Neruda che l'autore volle espressamente che fossero stampata da Tallone. Cfr. Pellizzari. Edizione a tiratura limitata di 300 esemplari. Il presente fa parte della tiratura di soli 50 esemplari stampati su carta Van Gelder Zonen n. xxxix. Tallone unknown
1974réf. 12113Barcelona: Editorial Seix Barral 1974. First edition. Hardcover. First edition of Neruda's posthumously published memoirs number 159 of the special large paper issue in a half-leather publisher's binding. Published six months after Neruda's death in 1973 this autobiography was completed by his widow Matilde Neruda and Miguel Otero Silva from the poet's original manuscript. The text includes Neruda's reflections on his diplomatic career literary development and political engagement. 513 3 blank pages including a photographic frontispiece portrait of Neruda with a facsimile signature. 6-1/2 by 9 inches. First edition first printing large paper issue on laid paper. Near fine bound in the publisher's deluxe half-leather binding which shows minor wear to the spine ends. Original wrappers bound in as issued. The size of this numbered deluxe edition is not specified. Editorial Seix Barral hardcover
1977réf. 594033Torrance California: Labyrinth Editions 1977. Softcover. Fine. First edition. Translated with an afterword by Enrique Sacerio-Garí. Folio. Measuring 8½" by 15¼". Text in English. Japanese-sewn accordian-folded leaves with illustrated wrappers. A trifle creased at he crown still a fine copy in a fine cloth-covered and string-tied chemise. A very handsome publication designed and produced by Richard Bigus printed on Japanese Masa and Ragston papers in an edition of only 100. This is copy 80 Inscribed by Bigus to a noted collector of books and art on the limitation page: "To J.M. "Mel" Edelstein / Richard Bigus / Aptos CA. 1979. Labyrinth Editions unknown
1972réf. 3114738New York: New Directions. Fine in Near Fine dust jacket. 1972. First Edition; First Printing. Hardcover. First edition. Fine in fine dust jacket. Presented in facing bilingual text. Splendid copy. ; 5 1/2" X 8 1/4"; 151 pages . New Directions. hardcover