BEN SEDIRA (Belkassem).Biblio.com
77 résultats
1886réf. 309501886. Alger Adolphe Jourdan / Nouvelle BibliothÂque algrienne'' 1886. Un fort vol. au format gd in-16 152 x 98 mm de lxiv - 928 pp. Reliure de l'poque de demi-percaline satine cerise filets gras et maigres en noir encadrant les plats titre frapp en noir au premier dos lisse orn de filets dors et en noir fleurons central en noir titre dor. - Coiffes limes. Dos pass et rid. Dfaut affectant mors et gardes. Papier lgÂrement oxyd prsentant en outre quelques rousseurs. b42961 unknown
réf. M12425aRare. PALMA Papers on Archeology of the Leiden Museum of Antiquities History and Heritage 14. Sidestone Press Leiden 2017. First edition. In-4 182 pages. Original softcover a fine copy. From the library of Egyptologist Charles Cornell Van Siclen III VSX. Language: English. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Rome. unknown
réf. M9645Egyptologische Uitgaven 16. Nederland Instituut voor het Nabije Oosten Leiden 2003. First edition. In-4 x & 218 pages. Original softcover. Language: English. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Egypt: New Kingdom Language Texts & Writing. unknown
réf. M5996Complete set of 2 volumes. Carlsberg Foundation Copenhagen 1995. Square in-4 799 pages. Original cloth with dust-jacket as new. Contents: Volume I: Archaeological Field Work. The Natural Setting : The Segermes Region Tunisia - Three Geographical Studies Henning MORCH. Geology and the Development of the Cultural Landscape Eberhard ZANGGER. Holocene Vegetational Records from the Segermes Valley Else KOLSTRUP. Field Activities and Regional Registrations in The Segermes Valley 1987 to 1989. The Survey by Lone Wriedt SORENSEN Jesper CARLSEN & John LUND. Architectural Studies Cathrine GERNER HANSEN. The Archaeological Excavations Anne CORDSEN Lars HOLTEN and Hjordis NIELSEN. La préhistoire dans la région de Segermes Jamel ZOGHLAM. Appendices: Burial Customs in the Segermes Area by Hjordis Nielsen. The Water Supply by Thorkild Schioler. Principles of Electronic Recording. Project Africa Proconsularis by Carsten U. Larsen. Volume II: Pottery Numismatics and The Antiquarian Data. Studies in Pottery and Numismatics. A Hellenistic Roman and Late Roman Fine Wares from the Segermes Valley - Forms and Chronology John LUND. The Numismatic Material Keld GRINDER-HANSEN. The Segermes Valley. Researches into the Antiquarian Data. Recherches sur le décor architectonique de la région de Segermes Naidè FERCHIOU. Les inscriptions de Segermes Hr. Harrat par Laila Ladjimi SEBAì. Témoignages chrétiens dans la région de Segermes Fathi BEJAOUI.Settlement Land Use and Chronology. A Summary by Soren Dietz. Language: English. This set ships from Europe shipping costs will be updated accordingly BPF. Relevant subjects: North Africa. unknown
1631réf. 91764London: Robert ALLOT John BEALE 1631. Fine. Two plays by the ""greatest of Shakespeare's contemporaries""Ian Donaldson Robert ALLOT John BEALE London 1631 20 x 32 cm Relié First edition. Binding inspired by Seventeenth century Cambridge panelled boards spine with five raised bands framed by double fillets in blind boards framed by double fillets in blind outer corners of central frame decorated with small fleurons tools in blind decorated roll inside central frame decorated roll in blind on edges all edges gilt a corner and edge and lower spine-end slightly rubbed some chafing on boards a small hole p. 8 affecting part of a letter. Very scarce first editions of The Staple of News and The Devil is an Ass by Ben Jonson master of comedy and satire who appears alongside Shakespeare as the most celebrated playwright of the English Renaissance. These two delightful satires of the modern world were performed by the Kings Men respectively in 1626 and 1616. As Jean-Christophe Mayer observes Shakespeare and Jonson had clearly understood that the present was beginning to take on a quite particular importance for their contemporaries who would as the years went by become avid consumers of current events. in Modernité représentation de lhistoire et présentisme dans le théâtre shakespearien. The printed press was barely in its infancy when Jonson wrote The Staple of News: the first play mocking the feverish appetite for information among readers staging games of speculation and inflation around news of every kind. He then continued his sharp description of his contemporaries in The Devil is an Ass: Satan sends one of his demons to London to recruit new souls. But this poor devil finds himself so thoroughly outpaced in every old vice and every old trick of hell by modern usurers ruffians and swindlers of high and low degree alike that he no longer knows where he stands allows himself to be duped and returns to the dark empire reviled and mocked by all. Ernest Lafond. These rare imprints follow Jonsons First Folio 1616 a landmark in English literary history as the first printed edition of an authors works supervised by the author himself. Jonson was moreover instrumental in the publishing of Shakespeares First Folio which opens with his verses To the Reader and also contains his eloquent tribute To the Memory of My Beloved the Author Master William Shakespeare and What He Hath Left Us. The two plays in the present volume were published simultaneously with a third Bartholomew Fair to form a collection that never came to fruition: The lack of a general title page on this collection has led scholars to offer several theories seeking to explain how and if it was ever sold to readers see Greg 3:1075-76; Creaser 2014. One theory is that copies of the edition may have been sold as a supplement to Jonsons 1616 Works DEEP 5074-5075. Alternatively copies of the collection but also of the individual plays in it may have been distributed as private gifts by Jonson. . It is also possible that the plays were intended to be sold separately despite the use of continuous signatures in the collection and the use of continuous pagination in Bartholomew Fair and The Devil is an Ass. Another possibility is that Jonson prevented copies from being sold by the publisher Robert Allott and likewise prevented other works from being printed for the collection in 1631 because of Jonsons dissatisfaction with John Beales printing of the three plays in it. The three plays in the collection were issued again in 1640 Database of Early English Playbooks. A fine association of two Jonsonian comedies issued by Allot who would go on to publish the celebrated Shakespeare Second Folio the following year. ESTC ; STC 14753.5. A bibliography of the English printed drama to the Restoration 456. 1631 ; 457. 1631. Robert ALLOT John BEALE hardcover
1927réf. 92452Paris: Editions de la Pléiade 1927. Fine. Editions de la Pléiade Paris 1927 17.8 x 24.5 cm Broché First edition one of 280 numbered copies on mould-made wove paper this copy one of 30 hors commerce copies in special wrappers reserved for the 30 private subscribers to all of Paul Valéry's works. Fine copy. Decorated with typographical ornaments by René Ben Sussan. Precious signed autograph presentation inscription from Paul Valéry to his friend the bookseller publisher and bibliophile Ronald Davis: ""à Ronald Davis pour sa collection et avec les bons souvenirs de Paul Valéry."" Editions de la Pléiade unknown
1905réf. 89165Algiers: Typographie Adolphe Jourdan 1905. Fine. Typographie Adolphe Jourdan Algiers 1905 13.7 x 21.6 cm Relié First edition of the French translation with the Arabic text following.Contemporary half cherry sheep binding with corners spine without lettering and with five raised bands marbled paper boards pink paper endpapers and pastedowns covers preserved.The pre-Islamic Arab poet Zuhayr ibn Abî Sulma 530627 holds a central place in Arabic literature although his life remains little known. He is the author of one of the seven Mu'allaqât the canonical anthologies of Arabic poetry.Rare and attractive copy. Typographie Adolphe Jourdan hardcover
1928réf. 72178Paris: Au sans pareil 1928. Fine. Au sans pareil Paris 1928 14 x 19.50 cm broché First edition one of 600 numbered copies on Montgolfier laid paper. Spine and boards marginally discolored and sunned as usual a crease mark at foot of first board bookplate pasted on endpaper. Work illustrated with 8 lithographs by René Ben Sussan. Autograph inscription signed by Emmanuel Bove: ""A Willy Michel de tout coeur."" ""To Willy Michel with all my heart."" Au sans pareil hardcover
1660réf. 66808Basileae Bâle Basel: Sumptibus authoris l'auteurtypis Georgi Deckeri 1660. Fine. Sumptibus authoris l'auteur typis Georgi Deckeri Basileae Bâle Basel 1660 16 x 20.50 cm relié Sumptibus authoris. Typis Georgi Deckeri Basileae Basel 1660 4to 16 x 20.5 cm 50 pp. 455 pp. 29 pp. modern vellum First edition of the Latin translation by Johannes Buxtorf The Younger of the first translation into Hebrew by Juda ibn Tibbon Juda Halevi's Arabic text not being rediscovered till 1887 today in the Bodleian. Modern vellum binding flaps. Skillful restoration to inside margin of final third of work without loss to text. A few small wormtracks filled in to lower margins of pastedowns as well as first and final endpapers. A few dampstains to lower portion and some pages browned. Stamp of the University Library at Leiden «Acad. Lugd.» to edges and title. Stamp of the restorer Willem Nicolaas du Rieu «Ex auct. Curatt. vendidi W. N. du Rieu» indicating its deaccession. A very rare copy of this classic of Medieval Jewish philosophy presenting the fears of Spanish Jews faced with two powerful religions Christianity and Islam. Written in 1140 in Arabic the Kuzari is couched in the form of a dialogue in five books. Charles Touati in his 1994 preface to the text summarizes the narrative thread of the work thus: «The king of the Khazars or Kuzari tormented by the religious question interrogates in turn a philosopher a Christian theologian and a Muslim one. Disappointed in their answers he feels he must turn to a learned man of the mocked and vilified minority a Rabbi who ends up convincing him at which the king converts to Judaism and continues his studies with the aid of this teacher.» This apologia allowed Juda Halevi to critique the appeal of philosophy Christianity and Islam for his contemporaries. According to him «philosophy denies all possibility of dialogue between Man and God and does not understand the religious phenomenon» ibid. Right from his starting point a proof of the existence of God he believes that we need only look to history and the revelation of God on Mount Sinai witnessed by thousands. Christianity and Islam are for him nothing but forgeries of Judaism: «they jeer at the humiliations and suffering of the Jews without realizing that they exalt in the founder of their own religions precisely that humiliation and suffering» ibid. The Kuzari is an emblematic text in the sense that it calls for the exiled community to return to Zion rather than submit. «It is better to leave everything and go back to Zion and there regain Divine favor instead of wearing ourselves out winning the favor of gentiles which in any case we will never have» ibid. Sumptibus authoris [l'auteur]typis Georgi Deckeri hardcover
1990réf. 66673Paris: Seuil 1990. Fine. Seuil Paris 1990 14.50 x 21.50 cm broché First edition one of 55 numbered copies on laid Ingres de Lana only leading copies. Very nice copy. Seuil unknown
1905réf. 66654Paris: L'Edition d'art H. Piazza 1905. Fine. L'Edition d'art H. Piazza Paris 1905 14 x 21.50 cm relié sous boîte-étui de l'éditeur Illustrated edition with 51 original colour compositions by Etienne Dinet one of 60 copies on Japan paper ours specially printed for the bookbinder René Aussourd containing at the end a second state of the engravings in black. Full brown morocco binding smooth spine gilt name of the illustrator at foot of spine gilt dots on boards decorated with a wide blind-stamped border border of chocolate brown morocco fillet on marbled paper endpapers and pastedowns following endpapers of marbled paper all edges gilt covers and spine preserved contemporary unsigned binding but attributable to René Aussourd. Some foxing to verso of the last black engraving of the suite. Complete copy with its advertising prospectuses and publisher's full green leather slipcase with flaps brown felt lining. L'Edition d'art H. Piazza hardcover
1921réf. 64139Paris: H. PiazzaP. Geuthner 1921. Fine. H. Piazza P. Geuthner Paris s. d. 1921 11.50 x 19 cm relié First edition of which there were no grand papier deluxe copies an advance service de presse copy. Small foxing on covers marginally and slightly sunned one joint cracked and glued down to foot a small tear to head of spine. Illustrated as frontispiece with a drawing by Etienne Dinet. Handsome autograph inscription signed by Etienne Dinet to Georges Rochegrosse : ""A G. Rochegrosse cordial souvenir de son vieil ami."" H. PiazzaP. Geuthner unknown
1959réf. 53562à Paris: Les Editions de Minuit 1959. Fine. Les Editions de Minuit à Paris 1959 12 x 19 cm broché First edition on ordinary paper. A good copy. Les Editions de Minuit unknown
1994réf. 48134Paris: Arléa 1994. Fine. Arléa Paris 1994 13.50 x 21.50 cm broché First edition one of 37 numbered copies on vergé Ingres de Lana the only large paper copies. A very attractive copy. Arléa unknown
1995réf. 47134Nice: Chez l'auteur 1995. Fine. Chez l'auteur Nice 1995 22 x 32 cm broché First edition entirely written and illustrated by Ben. Handsome copy. Chez l'auteur unknown
1996réf. 47132Nice: Chez l'auteur 1996. Fine. Chez l'auteur Nice 1996 22 x 30.50 cm broché First edition entirely written and illustrated by Ben. Handsome copy. Chez l'auteur unknown
1995réf. 47133Nice: Chez l'auteur 1995. Fine. Chez l'auteur Nice Octobre 1995 22 x 32 cm broché First edition entirely written and illustrated by Ben. Handsome copy. Chez l'auteur unknown
1760réf. 40177Nurnberger Nuremberg Nuremberg: Nürnberg Raspe 1760. Fine. Nürnberg Raspe Nurnberger Nuremberg Nuremberg 1760 10 x 17 cm relié First edition illustrated with 20 figures battle scenes at the end of the work. Gothic round typeface. Contemporary full brown sheep binding. Jansenist spine with raised bands. Tawny morocco title label. Blind title. German binding. History of the war between Prussia and its allied states and Austria and its allied states. It was Frederick II who triggered the hostilities between the two nations by attempting to seize Silesia this war took place within the conflict of the Austrian succession. Nürnberg Raspe hardcover
1918réf. 15642Oran: Imp. D. Heintz & fils 1918. Fine. Imp. D. Heintz & fils Oran 1918 12 x 15.50 cm relié The first edition published in a small number of copies. Full light green cardboard binding smooth unlettered spine covered in black cloth. Small lexicon with names in French and their Arabic translation opposite. Rare and handsome copy. Imp. D. Heintz & fils hardcover
réf. 500351461Studio Canal. 13 76x18 03x1 48cm. Sans date. blu_ray. 3 volumes. Série TV Neuf Studio Canal unknown
réf. 500268577Warner Bros. 13 5x17 3x1 6cm. Sans date. blu_ray. Drame Neuf Warner Bros unknown
2015réf. 500269903Inny-Zagr 2015. 13 6x3 2x17 2cm. 2015. DVD. Science Fiction Neuf Inny-Zagr unknown
2008réf. 500207787Bibliothèque interdite 2008. 17x11x2cm. 2008. Broché. 320 pages. Bon état Bibliothèque interdite unknown
1995réf. 019296Seuil 1995. Soft cover. Good. Seuil paperback
réf. H-278-554Sunray girl Bess Press. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Sunray girl Bess Press paperback
