‎Photographie‎

‎Burri, Rene‎

‎Original Gouache bzw. Mixed Media "Für Fränki" mit einem einmontierten original Farbfoto (wohl der Hochzeit Burris im September 2000) mit Clothilde und Leon. Vgl. Abbildung. Auf dem vorderen fliegenden Vorsatz von: Picasso L'oeil et le mot. Illustrations Edmond Baudoin.‎

‎Album Dada, Mango jeunesse 2000. 37 p. Original Pappband (tadellos). 4°. [2 Warenabbildungen] fest gebunden‎

書籍販売業者の参照番号 : 33549-yl3564

‎Burri, Rene; Borges, Jorge Luis.‎

‎GAUCHOS. Photographs by Rene Burri. Foreword by Jorge Luis Borges. Text by Jose Luis Lanuza.‎

‎Unpaginated. Illustrated with 60 duotone photographs. Verse translated into English by Martin Fierro. Large 4to. 300 mm. Original full purple cloth binding. Original dust jacket. A new, redesigned edition. First published in 1968. Near fine. W101‎

‎Burri, René‎

‎Die Deutschen. Auswahl der Texte von Hans Bender.‎

‎Zürich, Stuttgart, Fretz & Wasmuth, (1962). Quer-8°. 170 S. mit ganzs. Abb. OLn. mit illustr. OU.‎

‎Heiting/Wiegand 452 f. (mit mehr. Abb.). Koetzle 78 f. (mit Abb.). Parr/Badger I, 218. Schweizer Fotobücher 244 ff. - Erste deutsche Ausgabe, "die villeicht wichtigste Arbeit von Burri" (T. Wiegand). - Mit eigenhändiger Widmung von R. Burri "Für Gerd Sölch..." - "Was ich in Deutschland suche: die Weite im Verwandten" (M. Frisch). - Mit Texten von H. Böll, W. Borchert, B. Brecht, M. Frisch, W. Koeppen, G. Mann, H. W. Richter, F. Sieburg, C. Zuckmayer, G. Zwerenz u.v.a. - "Burri's book would be more widly regarded as one of the best photobooks of the 1960s. Seen here in its German edition, Die Deutschen. which was published the year before Les Allemands. exactly mirrors Les Américains in conception - an extended photo-essay of the same size and similar design, with excerpted text from writers commenting on the country's national characteristics" (Parr/Badger). - "Das Motiv auf der Vorderseite des Schutzumschlags zeigt die Ausschnitte zweier Bilder, die auf einem kleinbildfilm hintereinander aufgenommen wurden und die von einem schwarzen Balken getrennt sind. Das Bild wirkt dennoch als Einheit, was wiederum perfekt zum Inhalt passt. Die Fotos entstanden nicht nur in der BRD und in Westberlin, sondern auch in Ostberlin und Weimar. ... Als Hauptautor ist trotz des großen Textanteils René Burri genannt. Das Grundprinzip einer Textanthologie, der fortlaufend immer auf der rechten Seite die Bilder gegenüberstehen, entspricht dabei in ihrer Konzeption der Erstausgabe von Robert Franks "Les Américains", die 1958 im gleichen Verlag und in der gleichen Reihe wie "Les Allemands" (franz. Ausgabe) herauskam. Damit ist ein entscheidender Bezugspunkt für René Burris klassische, in Kuzform schon vorab in der Zeitschrift "du" veröffentlichte Reportage genannt" (T. Wiegand). - Schutzumschlag altersbedingt etwas gebräunt und mit kleinem Randeinriss, sehr gutes Exemplar aus der Bibliothek des Schweizer Fotografen Hans Hunziker (geb. 1933, Schüler von Hans Finsler) mit dessen Stempel.‎

書籍販売業者の参照番号 : 105229BB

‎BURRI, René (Zurigo, 1933 - Zurigo, 2014)‎

‎Die Deutschen. Photographien 1957-1964‎

‎Testi e poesie di Hans Agnus Enzensberger in tedesco. 88 fotografie in bianco e nero di René Burri . 8vo (24,5 x 29). pp. 208. . Ottimo (Fine). . Prima edizione (First Edition). . Die Deutschen è un reportage che Burri realizzò tra il 1957 e il 1964 come membro della Magnum Photos, pubblicato prima in Svizzera e Francia, e successivamente in Germania, con testi e poesie di Hans Magnus Enzensberger. Si tratta di immagini quanto mai significative, che percorrono la vita quotidiana di una nazione divisa, ai tempi della guerra fredda. Si direbbe che l'intenzione di Burri è quella di cogliere esattamente il tempo, il momento: ragazzi che salutano un carrarmato americano, due persone cieche che procedono sul marciapiede, gli innamorati sull'autoscontro, due che mangiano il gelato, un fumatore per la strada e così via. Ma la costruzione nitida, l'attenta gestione del gioco della luce, la presenza, in definitiva, di una strutturalità calcolata esprime con chiarezza l'intenzione di realizzare precise icone di un tempo, di un momento storico che, per naturale rimando, fa rimbalzare il pensiero dello spettatore ad una attualità certo ancora fortemente problematica.‎

‎Burri, René und Hans Magnus (Mitarb.) Enzensberger‎

‎Die Deutschen : Photographien 1957 - 1964. Mit zeitgenöss. Texten von Hans Magnus Enzensberger.‎

‎München : Schirmer-Mosel, 1985. 205 S. : überwiegend Illustr. ; 25 x 29 cm. Originalleinen mit Schutzumschlag.‎

‎Vorsatzblatt mit kleiner privater Widmung mit Farbstift, Umschlag u. Schnitt minimal fleckig, insgesamt gutes Exemplar; - Die Photographien in diesem Buch, das den Titel ?Die Deutschen" trägt, sind auf Deutschlandreisen in den Jahren 1957 bis 1964 entstanden. Der Schweizer Rene Burri, Jahrgang 1933, Mitglied der berühmten Photographengruppe ?Magnum" hat diese Bilder aufgenommen. Sie gelten heute als klassische Beispiele der Reportagephotographie dieser Jahre. Doch sind die achtundachtzig Aufnahmen dieses Bandes, die Rene Burri in siebenjähriger Arbeit der deutsch-deutschen Realität in Ost und West abgewonnen hat, mehr als bloße Meisterstücke des Bildjournalismus. Eher ist es angebracht, von Geschichtsschreibung zu sprechen ? einer Geschichtsschreibung allerdings nicht der ?großen" Ereignisse und Momente, sondern der des Alltags und des Alltäglichen, des genauen und kleinen Details der Lebensumstände und der Widersprüchlichkeit ihrer jeweiligen Erscheinungen. Rene Burris unvoreingenommener, doch nachbarlich interessierter Blick erlaubt Vertrautheit mit den Verhältnissen ohne selbst darin aufzugehen. Und es ist gerade diese nicht um den Preis der Distanzlosigkeit erreichte Nähe, die die eigenartige Qualität seiner Bilder ausmacht. Man mag heute in Rene Burris Photographien die gültigste Schilderung der deutschen Verhältnisse in den vom Mauerbau so dornig gekrönten Jahren des Wiederaufbaus sehen. Der letzte Versuch, Deutschland als Ganzes zu sehen und zu beschreiben, ist es wohl allemal. (Verlagstext) ISBN 9783888141614‎

書籍販売業者の参照番号 : 1081097

‎Burroughs John; Davis Charles F.‎

‎Harvest of a Quiet Eye: The Natural World of John Burroughs Photos. and Text Selections from the Writings of John Burroughs‎

‎Wisconsin: Tamarack Press 1976. Book. Illus. by Charles F. Davis. Very Good. Hardcover. 1st. ed. 1976 Hardcover with the dut cover 168 page book. Illustrated with color and some black and white photos.Condition : Very Good interior of book has a spot on the title page and light foxing at the last index page. Size: 4to - over 9�" - 12" tall. Tamarack Press Hardcover‎

書籍販売業者の参照番号 : 122004-C ISBN : 0915024063 9780915024063

‎Burroughs WIlliam and Gatewood Charles‎

‎Sidetripping‎

‎New York: Strawberry Hill 1975. Book. Near Fine. Soft cover. 1st Edition. 4to - over 9� - 12" tall. Near fine illustrated soft cover80 pps not numbered illustrated.First printing. WIthout writing or any signs of former ownership. Soft cover is age toned sticker residue on upper corner spine subbed. shows shelf wear. Please see our photo to confirm condition notes. Black and white photos and Burroughs writings. "Chronicling the grotesque surreal and liberated American underground." Out of print. Strawberry Hill Paperback‎

書籍販売業者の参照番号 : 115076 ISBN : 0891550011 9780891550013

‎BURROUGHS JOHN‎

‎The Last Harvest‎

‎Houghton Mifflin Company Boston: 1922. Hardcover no dustjacket. Fair condition. Some marks on cover and edges of text. Most of the papers collected here were written after Burroughs was 80 years old. Included is one in which he writes about shortcomings in Thoreau one of his favorite writers According to Burroughs it is "Not that I love Thoreau less but That I love truth more." Includes an Index. Houghton Mifflin Company, Boston: 1922 hardcover‎

書籍販売業者の参照番号 : 30154X1

‎Burroughs William S. and Charles Gatewood‎

‎SIDETRIPPING‎

‎NY: Strawberry Hill 1975. First edition first prnt. Illustrated glossy perfect-bound wraps. Photographs by Charles Gatewood. Signed & dated "December 12 1996" by Burroughs on the title page. Surface wear to laminate mostly on spine folds and corners beginning extremity toning. VeryGood condition. Signed & Dated by Author. First Edition. Soft Cover. Very Good/Not Issued. Illus. by Charles Gatewood. 4to - over 9¾" - 12" tall. Strawberry Hill Paperback books‎

書籍販売業者の参照番号 : 1100252 ISBN : 0891550011 9780891550013

‎Burroughs, William S‎

‎Taking Shots. The Photography of William S. Burroughs. Von Patricia Allmer und John Sears.‎

‎Prestel Verlag, 2014. 159 S.; Illustrationen (Fotografie); 28,5 cm; fadengeh., illustr. Orig.-Pappband.‎

‎Sehr gutes, sauberes Exemplar. - Englisch. - William S. Burroughs (1914-1997) was one of the most influential American writers of the 20th century. His best-known titles include Junky (1953), The Soft Machine (1961) and his ground-breaking Naked Lunch (1959), which was adapted into a feature film directed by David Cronenberg (1991). A cult icon, he was also a painter and a spoken-word performer. Despite these prolific achievements, Burroughs' work as a photographer is rarely acknowledged. This oversight may be due to his overwhelming prominence in other media as much as to the way in which his photographic material has been dispersed, often discarded, cut up and left behind as a result of Burroughs' peripatetic lifestyle. While Burroughs was photographing along Duke Street, St James's, or making studies of Egyptian and Aztec artefacts in the British Museum during his time in London in the early 1970s, The Photographers' Gallery had just opened its doors in 1971 in the same area, on Great Newport Street. This was a creative time for photography in the capital, but it is hard to know if Burroughs would have engaged with it. More often his images are of empty streets, or dilapidated buildings in Soho, or hotel beds, made and unmade, or arrangements of photographs laid out in his St James's hotel room. Burroughs' photographs are striking for their self-containment and lack of reference to other practitioners or genres. While they can be gathered into categories of a kind -street scenes, still lifes, collage, radio towers, people - his works sit outside of any canonical structure. Burroughs' images are both fleeting and utterly deliberate. Lacking any interest in the fetish of photography as rarefied object, his images were processed in high street chemists, cheaply and with little thought. While they appear to have the random quality of snapshots, they also contain a singular vision. Burroughs himself saw photographs as throw-away, destroyable, but also as possessing occult powers (Barry Miles, 'Photographs as Weapons'), as providing the ability to 'travel' in space and time (John Sears, 'Tickets to St Louis') and as having a hallucinatory function - as Susan Laxton puts it, 'If William Burroughs could have photographed his dreams, he would have'. The primacy of the visual image in Burroughs' creative process is scrutinised in Patricia Allmer's discussion of the 'un- and refolding of art historical allusions, evocations and reminiscences' in Burroughs' photographs, and his concern with the photographic image as precedent to the word is also explored in David Brittain's analysis of how he 'often conflated the visual image with the word'. ? (Vorwort) / INHALT : Foreword Clare Grafik ---- Acknowledgements ---- The Fugitive: Citation and Flux in William S. Burroughs' Re-photography ---- Susan La ---- Introduction ---- Patricia Allmer and John Sears ---- Tickets to St Louis: ---- Time and Place in Burroughs' Photographs ---- John Sears ---- The Photo Collage ---- William S. Burroughs ---- Unfolding Burroughs Patricia Allmer ---- Photographs as Weapons: William S. Burroughs and Photography ---- Barry Miles ---- Plates ---- Self/Portraits ---- Assemblage ---- Pattern Recognition ---- Innerspace Documents David Brittain ---- Biographies. ISBN 9783791348797‎

書籍販売業者の参照番号 : 1177723

‎BURROWS LARRY‎

‎Vietnam‎

‎New York: Alfred A. Knopf 2002. First Edition First Printing. Hardcover. Near fine in original black buckram lettered in grey on upper cover and spine. Quarto. 243 pp. Profusely illustrated with reproductions of color photographs. Major Vietnam War photography book. Somewhat heavy-may require extra postage. <br/><br/> Alfred A. Knopf hardcover‎

書籍販売業者の参照番号 : 19169 ISBN : 037541102X 9780375411021

‎Burrows, Adrienne und Iwan Schumacher‎

‎Doktor Diamonds Bildnisse von Geisteskranken. Adrienne Burrows ; Iwan Schumacher. [Die Übers. besorgte Udo Rennert]‎

‎Frankfurt am Main : Syndikat, 1979. 159 S. : Illustr.; 30 cm; kart.‎

‎Gutes Ex.; Einband leicht berieben. - Die Bildnisse von Geisteskranken des Dr. Diamond, die die Autoren dieses Buches nach langer Suche vor einigen Jahren in den Archiven eines Londoner Hospitals in einer unscheinbaren Pappschachtel aufspürten, stellen ein - wenn auch vielleicht bescheidenes - kulturgeschichtliches Ereignis dar. Als Chefarzt einer großen Londoner Irrenanstalt photographierte Diamond um 1850, ein gutes Jahrzehnt nach dem Bekanntwerden der photographischen Technik, seine Patienten. Diese Aufnahmen sind von der großartigen Qualität der wenigen wirklichen Pionierleistungen aus jener Frühzeit der Photographie, die man nicht zu Unrecht zugleich auch als deren Blütezeit bezeichnet hat. Aber nicht nur in der Geschichte der Photographie sind die Porträts von Diamond einmalig. Als visuelle Protokolle von Krankengeschichten sind sie zugleich Bestandteile therapeutischer Praxis: Sie zeugen für eine Epoche, in der nach einer 50jährigen Reformkampagne Ketten und Zwangsjacken in den Anstalten abgeschafft und noch nicht durch Psychopharmaka ersetzt waren. So erwächst aus diesen Bildern auch das Porträt einer Psychiatrie, die mit ihren fortschrittlichen, humanen Praktiken in vielem einen Vorgriff auf heutige Bestrebungen darstellt. In Doktor Diamonds Bildnissen zeigen sich uns Subjekte des Leidens, nicht Objekte von »Behandlung«. (Verlagstext) // INHALT : Einführung ---- Dr. Hugh Welch Diamond ---- Der Fall Daniel Dolley ---- Die Physiognomie des Wahnsinns ---- Anmerkungen ---- Tafeln ---- Anhang ---- John Conolly: Physiognomie und Wahnsinn ---- H. W. Diamond: Über die Anwendung der Photographie auf die physiognomischen und seelischen Erscheinungen der Geisteskrankheit. ISBN 9783810800886‎

書籍販売業者の参照番号 : 1099368

‎Burrows, David‎

‎DJ Simpson: Selected Works 2000-05‎

‎Hardcover in very good condition. No jacket. Minor nick on leading edge of rear board. Contents are clean and clear. AM Used‎

‎Burrows, Wayne; Aver, Tristram‎

‎And Stand a Ruin Amidst Ruins: Selected Recent Paintings, 2012 to 2015, Tristram Aver‎

‎Paperback in very good condition, including laid-in signed letter from the artist. Leading corners of covers are a little worn. Pages are sound and clean. TS Used‎

‎Burrus Christina with the collaboration of Agnes Carbonell. Photography by Leonid Ogarev. Translated by Ros Schwartz & Sue Ros‎

‎Art Collectors of Russia: The Private Treasures Revealed‎

‎London: Tauris Parke 1994. 249 pp. color plates. Spine slightly cocked corners of boards lightly bumped jacket edgeworn. Cloth. Very Good/Very Good. Large 4to. Tauris Parke Hardcover‎

書籍販売業者の参照番号 : C9583

‎Burrus, Christina; Kantor, Maxim; Hobsbawm, Eric; Maffesoli, Michel; Whiteley, Jon; Madezani, Angela‎

‎Maxim Kantor: Vulcanus: Satires Dans Tous Les Sens‎

‎Paperback. Several superficial marks on covers. Leading corners, edges and spine ends are slightly worn. A few minor marks on page block. Binding is tight, contents are clean and clear throughout. AM Used‎

‎Burson Nancy; Carling Richard; Kramlich David‎

‎Composites: Computer-Generated Portraits‎

‎New York New York U.S.A.: Beech Tree Books 1986. Pages are clean tight and bright. 8.75" x 11.25". Hard Cover. Very Good Ex-Library/Very Good in Brodart. Illus. by Illustrated B&W Photographs. Ex-Library. Beech Tree Books Hardcover‎

書籍販売業者の参照番号 : 4008252 ISBN : 068802601X 9780688026011

‎Burson Nancy‎

‎Faces Signed‎

‎Houston: Contemporary Arts Museum 1992. The true first edition of this interesting book of photographs of faces by Burson. Inscribed and signed by Ms. Burson on the title page to someone who was obviously close to her. . Signed. First Edition. Hard Cover. Near Fine/No Jacket -- As Published. Contemporary Arts Museum Hardcover‎

書籍販売業者の参照番号 : 010468

‎Burt Alva‎

‎Florida a Place in the Sun‎

‎Minneapolis Minnesota U.S.A.: Dr. Franz Burda 1978. 232 pages covers are still bright clean. First Edition. Cloth. Very Good/Very Good. 4to - over 9�" - 12" tall. Florida Picture Book. Dr. Franz Burda Hardcover‎

書籍販売業者の参照番号 : 000010169 ISBN : 0914962000 9780914962007

‎Burt Jocelyn‎

‎Australia's Top End‎

‎Rigby Adelaide 1977. First Edition. Hardcover. Very Good Condition/Very Good. Illustrator: Photographic. introduction by author. Map Illustrated endpapers showing two maps the first map the larger showing "The Top End" of Australia and the smaller map -- a map of Australia and the area described highlighted. The text is illustrated with numerous colour photographs. Brown coloured boards with white coloured titles to the backstrip. Photographic dustwrapper with dark blue red and white coloured titles to the front panel and red and black coloured titles to the backstrip. A photographic essay of a trip taken by the author in the late 1970s in Australia's Top End -- Queensland Northern Territory and Western Australia. Rubbing of the back strip corners and book corners. A little age toning of the text block edges. Minor rubbing of the dustwrapper edges and panels with a little fading of the back strip. Size: 4to 9�" - 12" tall. VI 7-88 pages . Please refer to accompanying picture s. Illustrator: Photographic. Quantity Available: 1. Category: Travel & Places; Photography; Australia; 1970s; Genealogy & Local History. ISBN: 0727004948. ISBN/EAN: 9780727004949. Inventory No: 0124567. . 9780727004949 Rigby hardcover‎

書籍販売業者の参照番号 : 0124567 ISBN : 0727004948 9780727004949

‎Burt Nathaliel (introduction by)‎

‎Philadelphia Discovered Photographed by Joseph Nettis‎

‎1 30,5x23 cm., legatura in piena tela con titoli in oro al piatto e al dorso, cofanetto illustrato a colori, pagg. 240, numerose illustrazioni in bianco e nero, in inglese, prima edizione, copia personalizzata First Pennsylvania Bank in basso a destra del piatto, buone condizioni.‎

‎BURTIN, Delphine (1974)‎

‎Encouble‎

‎Fotografie a colori e in bianco e nero di Delphine Burtin. Testi in francese e inglese Esemplare 26/100. 4to (32x23 cm). pp. 50. . Ottimo (Fine). . Prima edizione di 100 esemplari numerati e firmati dall'Artista (First edition of 100 numbered and signed copies). . Duchamp's readymades meet Burroughs' cut-ups in Encouble. Merging photography with collage and construction, Burtin's art blurs the line between image and sculpture, between intention and, in the artist's phrase, "accident." Dynamic geometries, by turns as playful as Paul Klee and somber as Agnes Martin, gloss an illusion of order over images whose fluid forms continually invite and rebuff identification and interpretation. Some subjects are photographed as still lives, their status as objects&amp;mdash;indeed, as shapes&amp;mdash;undermined by deft choices of composition, angle, light. Others are intensely reworked&amp;mdash;manually manipulated, photographed and rephotographed until the original object (if such a concept even applies here) is subsumed beneath layers of abstraction. The photographs become object and subject both: mysterious chromatic arrangements whose Benjaminian aura persists even as the they cohere and dissolve into and out of quotidian solidity, or familiar artifacts whose materiality becomes increasingly conjectural under what Duchamp might call retinal examination. Antiheroic in scale, semiotically monumental, and suffused with a wry wit both philosophical and visual in nature, these remarkable transubstantiatations audaciously efface the noumenal world while simultaneously adding to it. I readymade di Duchamp incontrano i cut-up di Burroughs in Encouble. Fondendo la fotografia con il collage e la costruzione, l'arte di Burtin confonde la linea tra immagine e scultura, tra intenzione e, nella'intenzione dell'artista, "incidente". Le geometrie dinamiche, giocose come quelle di Paul Klee e cupe come quelle di Agnes Martin, danno un'illusione di ordine alle immagini le cui forme fluide invitano e respingono continuamente l'identificazione e l'interpretazione. Alcuni soggetti sono fotografati come nature morte, il loro status di oggetti - anzi, di forme - minato da abili scelte di composizione, angolo, luce. Altri sono intensamente rielaborati, manipolati manualmente, fotografati e rifotografati fino a quando l'oggetto originale (se un tale concetto si applica qui) viene sussunto sotto strati di astrazione. Le fotografie diventano entrambe oggetto e soggetto: misteriosi arrangiamenti cromatici la cui aura benjaminiana persiste anche se si fondono e si dissolvono dentro e fuori la solidità quotidiana, o artefatti familiari la cui materialità diventa sempre più congetturale sotto quello che Duchamp potrebbe chiamare esame retinico. Antieroiche in scala, semioticamente monumentali, e soffuse di un'arguzia ironica di natura sia filosofica che visiva, queste notevoli transustanziazioni audacemente cancellano il mondo noumenale mentre simultaneamente lo aggiungono. The Paris Photo/Aperture Photobook Award 2013.‎

‎Burton Jane Photography By; Dixon Dougal Author; Male Alan Illustrated by; Kirk Steve Illustrated by‎

‎Hunting the Dinosaurs and Other Prehistoric Animals The New Dinosaur Library‎

‎Scholastic Inc. 1988. Later Printing. Softcover. Very Good/No Jacket. Used Book: Soft Cover Standard used condition. Reading copy or better. Scholastic Inc. paperback‎

書籍販売業者の参照番号 : 785774 ISBN : 0590416332 9780590416337

‎BURTON JOHANNA EDITOR‎

‎Cindy Sherman‎

‎The MIT Press Cambridge/London: 2006. Hardcover no dustjacket. Very good condition. Library discard. Contains the following Essays: The Allgorical Impulse: Toward a Theory of Postmodrnism Part 2 1980 by Craig Owens The Photographic Activity of Postmodernism 1980 by Douglas Crimp A Piece of the Action: Images of "Woman" in the Photography of Cindy Sherman 1983/1986 by Judith Williamson Suitable for Framing: The Critical Recasting of Cindy Sherman 1991 by Abigail Solomon-Godeau Cosmetics and Abjection: Cindy Sherman 1991/1996 by Laura Mulvy House of Wax 1993 by Rosalind Krauss How to Face the Gaze 1996/2005 by Kaja Silverman Obscene Abject Traumatic 1996 by Hal Foster and A Body State: Cindy Sherman 2004 by Johanna Burton. Includes an Index. ISBN: 0262026082. The MIT Press, Cambridge/London: 2006 hardcover‎

書籍販売業者の参照番号 : 69513X1 ISBN : 0262026082 9780262026086

‎Burton Maurice. National Audubon Society‎

‎NATURE IN MOTION NATURE PROGRAM - NATIONAL AUDUBON SOCIETY‎

‎Nelson Doubleday. AN. 1966. Softcover. In as new condition. No stickers have been moved. One book in the Nature series for youngsters to learn about Mother Nature and all the living things she provides for. This book talks about bees birds giraffes the platypus rabbits snakes fish dragonfly the monkey owls bats gulls snails cheetahs etc. Gift quality condition. Need to send a gift We offer free domestic drop shipping free gift wrapping and card for almost any occasion. Just let us know the occasion and your message. This offer is also available to our international customers as long as the s/h to the drop ship address is the same as yours. You are welcome to email for more information. ; National Audubon Society Nature Program; 51/2 x 8 1/4 x 1/4; 63 pages . Nelson Doubleday paperback‎

書籍販売業者の参照番号 : 25432