New York Toronto London Sydney: McGraw-Hill Book Company 1968. Octavo cloth. First edition. Eleven stories. The author's first collection of short fiction. Review slip laid in. A fine copy in fine dust jacket. #135892 McGraw-Hill Book Company unknown
New York and London: G. P. Putnam's Sons 1898. Octavo inserted frontispiece original pictorial tan cloth stamped in red blue black and gold. First edition. Eight stories several first published in CENTURY MAGAZINE and NEW ENGLAND MAGAZINE. Wright III 4301. Cloth rubbed at spine ends a very good copy. #133500 G. P. Putnam's Sons unknown
New York: The Century Co. 1892. 12mo illustrations original gray-green cloth stamped in red silver gold and blind top edge stained silver other edges untrimmed. First edition. The author's second novel. BAL 6464. Wright III 2075. Cloth a bit dust soiled a very good copy with bright cover stamping. #133128 The Century Co. unknown
Printmediabooks 2006. Paperback. Very Good. Light corner wear. Book is very clean binding is tight and spine is unbroken. ; 220 pp Printmediabooks paperback
New York: Harper & Brothers Publishers 1895. Octavo original gray green cloth stamped in black silver and gold. First edition. One of Fuller's many stories set in his native city Chicago this one a novel showing the social progress of the Marshall family the father of which is successful Chicago businessman. BAL 6466 first state printing A. Wright III 2080. Early penciled signature of a Chicago owner dated 29 June 1895 on front free endpaper private owner's bookplate affixed to front paste-down. A clean bright very good copy. #129089 Harper & Brothers Publishers unknown
London: Trainon Press for the William Blake Trust 1970. Copy Number 50 of 882 copies. Ten plates in facsimile. 1 vols. 4to. Half morocco and boards. Vellum book label of Julia P. WIghtman. Fine in slipcase. Copy Number 50 of 882 copies. Ten plates in facsimile. 1 vols. 4to. Trainon Press for the William Blake Trust unknown
1905. 1 vols. Image 9-3/4 x 7-1/2 inches matted to 15-3/4 x 14 inches overall. 1 vols. Image 9-3/4 x 7-1/2 inches matted to 15-3/4 x 14 inches overall. A fine profile portrait of the Philadelphia artist Wirgman 1848-1925 was born in Louvain Belgium and studied at England's Royal Academy Schools and in Paris before returning to London where he worked as a painter engraver and portraitist. He was an associate of John Everett Millais; his portrait of Millais is in The National Portrait Gallery London. unknown
London: The Nonesuch Press 1927. First edition Number 1114 of 1550 copies. 82 Full-page Plates. 1 vols. 4to. Bound in original tan buckram and boards. Fine. Bookplate of Julia Parker Wightman. First edition Number 1114 of 1550 copies. 82 Full-page Plates. 1 vols. 4to. The Nonesuch Press unknown
London: Halton & Truscott Smith 1925. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. Original original-red batik paper over boards brown pigskin corners and spine gilt spine a little darkened light foxing to free endpapers else fine in a brown cloth protective case and inner wrapper; with the bookplate of Kenneth A. Lohf. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. One of 100 Copies. A sumptuous production. Halton & Truscott Smith unknown
London: Printed for J. Johnson 1785. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Contemporary calf brown morocco label. Skilfully rebacked rubbed some light offsetting from plates and light browning at front else a very clean and good copy with the 1797 signature of Richard Garnons Jun on the title. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Blake's First Commercial Plates. Essick #I Bentley #453 Printed for J. Johnson unknown
London: Lawrence & Bullen; New York: Charles Scribner's Sons 1893. First Yeats edition. Frontispiece portrait. 1 vols. Sm. 12mo. Original bue-green cloth with the gilt decoration of "The Muses' Library." Cloth quite rubbed some soiling light marginal browning of text with the initials and engraved card of Genevieve F. Winterbotham dated 1901. First Yeats edition. Frontispiece portrait. 1 vols. Sm. 12mo. NCBEL 3:1921 Lawrence & Bullen; New York: Charles Scribner's Sons unknown
London: J.M. Dent & Co. and G.P. Putnam's Sons 1902. Facsimile issued in 1000 copies. Originally Published by the Author 3 Fountain Court Strand and Mr. J. Linnell 6 Cirencester Place Fitzroy Square March 1826. 1 vols. Folio. Original printed wrappers with facsimile of original label top corner with triangular small loss. Very good. Blake William. Facsimile issued in 1000 copies. Originally Published by the Author 3 Fountain Court Strand and Mr. J. Linnell 6 Cirencester Place Fitzroy Square March 1826. 1 vols. Folio. J.M. Dent & Co. and G.P. Putnam's Sons unknown
London: Trianon Press 1974. Limited edition Letter R of 26 lettered copies of a total edition of 558 copies. 1 vols. Folio. Original marbled boards brown morocco spine fine in original matching slipcase. Blake William. Limited edition Letter R of 26 lettered copies of a total edition of 558 copies. 1 vols. Folio. The Trianon Press Facsimile of Blake's Jerusalem One of 26 Copies. The illuminated pages were brilliantly reproduced by Daniel Jacomet; the text was composed by hand in 16 point Garamond and printed by Aulard & Cie master printers in Paris. Trianon Press unknown
London: E. Benn 1926. First edition edition de luxe printed on Van Gelder paper no. 119 of 100 copies. William Brendon ands Son Limited Printers Plymouth. 82 plates. xiv 140 pp. 1 vols. 4to. Quarter vellum spine and boards. Spine faded. WITHOUT PORTFOLIO. First edition edition de luxe printed on Van Gelder paper no. 119 of 100 copies. William Brendon ands Son Limited Printers Plymouth. 82 plates. xiv 140 pp. 1 vols. 4to. A sumptuous production. E. Benn unknown
London: Trianon Press 1969. No. 421 of 480 numbered copies. 17 color facsimile plates reproduced from the edition of 1794. 1 vols. Small folio. Quarter tan crushed morocco over marbled boards. Fine copy in matching slipcase. No. 421 of 480 numbered copies. 17 color facsimile plates reproduced from the edition of 1794. 1 vols. Small folio. Trianon Press unknown
London: Chatto & Windus 1906. First edition. Frontispiece in both volumes. 2 vols. 8vo. Brick cloth with fading to spine else fine. First edition. Frontispiece in both volumes. 2 vols. 8vo. Inscribed by John Quinn to His Mother. With John Quinn's bookplate in both volumes. Under the bookplate in the first volume he has inscribed to the book to his mother "To Mother from John Sept 11 1924." An unusual if not sentimental inscription from this great collector of Irish literature etc. Chatto & Windus unknown
London: T. Bensley for Longman Hurst Rees and Orme 1806. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. UNCUT in the original boards; rebacked in cloth endpapers renewed. Fine tall copy. First edition. Engraved frontispiece by Robert Cromek after the design by William Blake and Haye and three plates one folding map. xlviii 172 pp. 1 vols. 8vo 25 x 15.5 cm. A William Blake Milestone: the First Account of His Life. A book of paramount importance to Blake studies. Malkin was a personal friend of William Blake with whom he shared an interest in radical politics and on the death of his gifted six-year-old son Thomas in 1802 Malkin commissioned Blake to design the frontispiece for Malkin's FATHER'S MEMOIR. In his Preface to this work Malkin gives what the DNB calls the "first and fullest" account of Blake's early life and career and it was with this very tribute to his friend's idiosyncratic genius that Malkin first gave impetus to a more general appreciation of William Blake's art. Keynes 80; Bentley Blake Books p. 18 T. Bensley for Longman, Hurst, Rees, and Orme unknown
Liverpool: The Liverpool Booksellers 1911. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bevelled brown cloth. Minor bubbling to cloth else fine. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bentley Blake Books 516 The Liverpool Booksellers unknown
London: W. Sams Book & Printseller to the Royal family opposite St James's Palace 1825. Third state the first being produced in 1818. Hand-colored aquatint with etched outline. 1 vols. 20 x 26 inches matted and framed to 27 x 33 inches overall. Third state the first being produced in 1818. Hand-colored aquatint with etched outline. 1 vols. 20 x 26 inches matted and framed to 27 x 33 inches overall. A large and important depiction of an exhibition sparring match held in Fives Court in London's Little St. Martin's Street a tennis and fives court hired for such events the participants unlike a regular bare-knuckle bout being fitted with gloves "mittens" or "mufflers". The contestants shown were Ned Turner "The Out-and-Outer" who had killed a man in the ring serving time for manslaughter and Jack Randall "The Prime Irish Lad" unbeaten throughout 12 years of ring activity. The two had fought an epic fight in 1818 which Randall won to become the Lightweight champion. A large number of famous pugilists are pictured in the audience not always accurately Jem Belcher the famed champion and the first real sporting celebrity in the modern sense is shown although he was dead and it is a fair portrait of "The Fancy" as the mix of often raffish sporting professionals and upscale spectators including nobility came to be known. THE MOST FAMOUS BOXING PRINT EVER PRODUCED AND AN IMPERISHABLE EVOCATION OF REGENCY SPORT. Snelgrove British Sporting and Animal Prints p. 48-9 color plate 5; Siltzer pp. 319 320 325; Wilder Sporting Prints p. 178 color plate p. 179; Magriel The Ring and the Glove pp. 17-18 W. Sams, Book & Printseller, to the Royal family opposite St James's Palace unknown
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