London: printed in Paris at the Trianon Press for the Trustees of the William Blake Trust 1975. One of 400 ordinary copies of a total edition of 458. 8 plates printed at the Trianon Press using the collotype and hand-stencil process 8 pp. commentary by Keynes with another plate. Large 4to. original quarter brown morocco marbled boards and marbled paper covered slipcase. A very good copy.One of the richest and most elaborate Trianons.Bentley <em>Blake Books</em> A137. printed in Paris at the Trianon Press for the Trustees of the William Blake Trust hardcover
London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe limited to 50 copies with additional proof sheets progressive plates and original stencil etc. 2 vols. 4to and small 4to. full brown morocco in original marbled paper covered slipcase. Near fine prospectus inserted loose.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. One of only 50 de luxe copies with additional material printed in Paris at the Trianon Press for the William Blake Trust unknown
London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No.101 of 352 copies of a total edition of 518. Three volumes. 116 colour facsimile leaves reproduced by collotype and hand-stencil colour the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Folio original morocco backed marbled boards in marbled paper covered slipcases. Slight fading with a couple of small marks to the spines otherwise very good.In this one of Blake’s most extravagant <em>tours de force</em> he took Gray’s poems as a springboard for epic watercolors. Mounting the text on a large sheet he painted all around the margins some of his most powerful and striking designs. The illustrations to a poem on the death of a favorite cat drowned in a goldfish bowl and the Ode on a Distant Prospect of Eton College for example are a classic example of his visionary powers transcending the prosaic. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-coloured through stencils to achieve an astonishing exactitude. An extremely handsome work.Bentley <em>Blake Books </em>385. printed in Paris at the Trianon Press for the William Blake Trust hardcover
London: printed in Paris at the Trianon Press for the Trustees of the William Blake Trust 1975. One of 32 de luxe copies with the extra plates showing the progressive stages of the collotype and hand-stencil process. The total edition was limited to 432 copies. 8 plates printed at the Trianon Press using the collotype and hand-stencil process 8 pp. commentary by Keynes with another plate plus 22 additional progressive proof plates for plate 7 and with a metal pochoir stencil mounted at the end. Large 4to. original full brown morocco housed in the original morocco edges marbled paper covered slipcase. A couple of tiny spots to upper covers and very mild fading to spine otherwise an extremely good bright copy.One of the richest and most elaborate of the Trianon Press Blake facsimiles. <br><em>The Song of Los</em> dated 1795 is closely related to T<em>he Book of Urizen</em> and the one off <em>Books of Los </em>and <em>Ahania</em>. It chronologically precedes the <em>Prophecies of America</em> and <em>Europe</em> although these had been published earlier.Bentley <em>Blake Books</em> A137. One of only 32 deluxe copies. printed in Paris at the Trianon Press for the Trustees of the William Blake Trust unknown
Set of 3 Volumes 1st Editions thus Nonesuch Press London 1925 No. 584 of a limited edition of 1500 copies produced by Francis Meynell on Vidalon Handmade Paper; Tissue-guarded portrait frontispiece; 58 other plates 1 double-page; 26 text tillustrations; Edited with a preface by Geoffrey Keynes; Hardbacks: quarter vellum decorated in gilt on marbled boards large quartos; Vellum a little dirtied corners rubbed tissue-guard to frontispiece defective a near fine set. Book. Set of 3 Volumes, 1st Editions thus, Nonesuch Press, London, 1925 hardcover
Princeton University Press 1997. Book. Very Good. Soft cover. 16 page text intro. 105 full page color reproductions of Blake's manuscript and illustration 176 pages of text and notes. Pencil notes and underlining to text portions of book color plates untouched. Light crease to spine and light wear to corners of wraps. Extra shipping charges will apply for this large and heavy book. Princeton University Press Paperback
1st Edition Collins 1957 Blue cloth lettered in gilt; Front hinge tender fine in only moderate dustwrapper. Book. 1st Edition, Collins, 1957 hardcover
London: Curzon Press 1977. Hardcover. Fine/Near Fine. index xxi 246p. dj. 22cm. A survey of the first century of European efforts to exploit economic opportunities in West Africa. Revised and more Afro-centric edition of "European Beginnings in West Africa" which had been published in 1937 at the height of European colonial control in Africa. <br/><br/> Curzon Press hardcover
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