US: W. W. Norton & Company 2002. W. W. Norton & Company 2002 First Edition Stated NL with 1 Very Good/Very Good DJ Light edgewear to boards solid structure minimal wear to bright jacket. Tight bright pages. First Edition Stated NL with 1. Hardcover. Very Good/Very Good DJ. W. W. Norton & Company Hardcover
NY: Cooke & Co. for Subscribers. Two inch crack iln front outer hinge boards worn lacks front free . end-paper chart #1 geographical map of the modern world and #4 . mythological chart of the gods and demi-gods of the ancients else . clean and tight. 1826. First Edition. Hardcover. Small 4to; 3/4 leather marbled boards ix 2 - description of the charts and railroad plate 9-196p. 16 of 18 folding charts or tables some with color. American Imprint #23843. Besides the mentioned RR plate there is an engraving of the solar system. This does not contain the map of the world no otheer maps where called for. . Cooke & Co., for Subscribers hardcover
Boston: The Association. Good with no dust jacket; spine shabby lib. Label. 1853. First Edition. 348p. index. "Biographical sketches of the members and licentiates. " . The Association unknown
Boston: White Smith & Co. Good. c1875. Hardcover. Oblong 4to; 152 pages; Cloth and printed boards 152p. music. Later printing with the additional imprint of W.M. Forbush Portland Maine and "Over 100000 copies Sold." on the front board. . White, Smith & Co. hardcover
London: The Amalgamated Press 1919. No. 81. Digest-sized. Tanning; rusty staple with staining; taears at spine ends. SingleIssueMagazine. Good to Very Good-. The Amalgamated Press Paperback
Boston: Pblished for the Association by Sewall Harding 1853. 1st edition Sabin 5787. Original publisher's deep purple cloth binding with boards stamped in blind & gitl stamped spine lettering. Pale yellow eps. Spine sunned. Usual smattering of foxing & age-toning. Prior owner signatures to ffep. Very Good. vi 7 - 348 pp. 12mo. <br/><br/> Pblished for the Association by Sewall Harding hardcover
Penguin Books. Used - Good. Ships from Reno NV. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy! Penguin Books unknown
Gulf Publishing Co. Used - Very Good. Ships from Reno NV. Former Library book. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy! Gulf Publishing Co unknown
London: Published by The Studio Limited 1922. 1st Trade Edition. Printed by Herbert Reiach Ltd. Brown half-calf brown cloth gilt lettering to back strip TEG marbled end papers colored plated are tipped in with a tissue guard. A NF/VG copy. Binding is in NF condition gilt bright. Binders stamp to ffep head of verso. Some light age toning to edges of leaves some foxing to text leaves primarily first and last blank leaves plates are bright some very light soiling to few plates possibly handled with dirty fingers but overall a very good clean and bright copy. ix 29pp. 104 plates. Illustrated with 88 black/white and 16 colored plates. 11-7/8" x 9-2/8" <br/><br/>"Bound by Bayntun-Riviere Bath England". We can assume sometime around 1940-1950. Published by The Studio, Limited hardcover
Tokyo: The Hokuseido Press 1927. 1st edition BAL 7999. Green cloth binding with gilt stamped lettering to spine. TEG. Dust jacket. Modest wear slight lean bookplate usual bit of foxing & age-toning. A Very Good book in a similar jacket which has a sun-tanned spine panel. 140 pp. Color frontis and 10 inserted plates. Japanese colophon tipped in. Crown 8vo. 7-1/2 x 5-1/8 in. <br/><br/>William Blake the subject of two of the 11 essays contained herein. The Hokuseido Press hardcover
London: The Trianon Press for the Blake Trust 1972. 1st edition thus. 1 of 616. Quarter sienna-brown morocco marbled boards slipcase. A near fine/fine copy with some slight rubbing to the slipcase at edges. 2 volumes. 20 plates in color collotype and stencil. 4to; 8vo. <br/><br/>A facsimile of the Rosenwald copy in the Library of Congress; description and bibliographical statement by Sir Geoffrey Keynes. Number 313 of those copies numbered 1 to 540. The Trianon Press for the Blake Trust hardcover
Oakland Cal: Pacific Publishing Co 1911. 1st edition Rocq 718. Publisher's deluxe full black cloth in a faux-morocco finish with gilt lettering professionally recased. 1912 to base of spine. Patterned paper eps. First couple leaves with some slight edge rash. Overall a VG copy. 6 455 1 pp. Profusely illustrated primarily from photographs. Fold out map at front. Royal 8vo. 10" x 6-3/4" <br/><br/> Pacific Publishing Co hardcover
San Francisco: Paul Elder and Co 1930. 1st edition. Limited to 1125 copies. Quarter-bound brown cloth spine and green cloth wrapped boards. Gilt stamped lettering to spine and cover. Minor shelfwear to spine and board edges light soiling to covers. Board corners rubbed. Previous owners' signatures to front/rear pastedown and FFEP. 3 xxv 1 97 4 blank pp. 8vo. 9-1/2" x 6-1/4" <br/><br/> Paul Elder and Co hardcover
Chicago: The University of Chicago Press 1964. 1st edition. PRESENTATION COPY inscribed by the author on the ffep. Green cloth binding with black lettering. Dust jacket. NF/VG spine a bit sun-tanned. xi 1 156 pp including Index. Illustrated with plates. 8vo. <br/><br/> The University of Chicago Press hardcover
London: The Trianon Press for the Blake Trust 1977. 1st thus. 1 of a total limitation of 562. Handsome olive-colored quarter morocco binding with grey rough-weave cloth boards. Matching cloth slipcase. Spine very lightly sunned. Ex-lib with small stamp in top left corner of p. 7. Withal a Nr Fine copy in a similar slipcase. 155 pp. 60 images. 4to. 11-5/8" x 8-3/8" <br/><br/> The Trianon Press for the Blake Trust hardcover
London: The Trianon Press for the Blake Trust 1972. 1st edition thus. 1 of 616 cc. Quarter leather binding over marbled paper boards slipcase. Books - Nr Fine. Slipcase - VG some modest wear along edges/edge chip to center divider. 2 volumes 20 plates in color collotype and stencil. 4to. <br/><br/>A facsimile of the Rosenwald copy in the Library of Congress; description and bibliographical statement by Sir Geoffrey Keynes. The Trianon Press for the Blake Trust hardcover
London: Jonathan Cape 1990. 1st edition. Black cloth binding. Dust jacket. F/NF very lightly creased at spine edge. xi 288 pp. Illustrated. 8vo. <br/><br/> Jonathan Cape hardcover
Londion: The Nonesuch Press 1927 1927. Cloth Spine Over Boards. No Jacket. Limited/Numbered. First limited edition of 1550 copies printed at the Chiswick Press This being no. 1375. Cloth spine and tips over drab boards. Illustrated with 82 full page drawings by William Balke each accopmanied by letter-press on the verso of opposing page. Minimal wear to top of backstrip else a very good copy. First Edition. Hardcover. Very Good/No Jacket. 4to - over 9�" - 12" tall. The Nonesuch Press, 1927 Hardcover
London: Collins 1948. 320 pages. Book and Jacket are both in Good condition. There is some light shelf and reading wear but still a presentable copy. John Cram Comes Home In 1938 To Enjoy His Retirement From China. First Edition. Hard Cover. Good/Good. Collins Hardcover
Published by Henry Frowde Hodder & Stoughton. Hardback. Good. Illustrated by Preston Chloe & Govey Lilian A. & et al. & Aldin Cecil. Good condition with no wrapper. Large format. Cloth spine. Pictorial onlay to front cover. Edited by Strang. Colour plates b/w and two-tone illustrations. One corner of onlay to front cover has been torn off. Spine is faded with damp stains spreading to both boards. Bumping and wear to covers and corners. Some foxing throughout. Colour plates are still very good. Published by Henry Frowde, Hodder & Stoughton hardcover
The Willis Music Company 1942. Softcover. In good condition with wear and owner’s name on the cover. Yellowed pages. Vintage sheet music. Suitable for framing. The Willis Music Company paperback
Milano: Edizioni SE 2012. Traduzione di Sanesi R. Milano 2012; br. pp. 200. Assonanze. 9. "La natura della mia opera � visionaria e profetica" scrisse William Blake. Sebbene i suoi riferimenti siano la Bibbia e la Cabbala Swedenborg gli studi esoterici e quindi una visione eterodossa rispetto a quella - non solo religiosa - che caratterizzava il suo tempo Blake intese perfettamente che le "oscure fabbriche di Satana" del paesaggio industriale contemporaneo erano costruite a immagine di una filosofia meccanicistica che negava il sacro e distruggeva ogni forma di trascendenza. L'acceso simbolismo la spiritualit� la tensione religiosa dei "libri profetici" pazientemente composti a mano negli anni pi� difficili della Rivoluzione francese mitizzano con drammatico impeto ma anche con lucidissima intuizione critica problemi ancora vivi e irrisolti. Edizioni SE unknown
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