‎Philippe‎

‎Jesus Giraldo and Jean- Philippe Pin‎

‎G Protein- Coupled Receptors: From Structure to Function‎

‎USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown‎

书商的参考编号 : MA 9781849731836 ???????? : 1849731837 9781849731836

‎Jetzer, Philippe,‎

‎Applications Of General Relativity‎

‎like new. unknown‎

书商的参考编号 : 45666313 ???????? : 3030957209 9783030957209

‎Jetzer, Philippe‎

‎Applications of General Relativity: With Problems UNITEXT for Physics‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 3030957179.G ???????? : 3030957179 9783030957179

‎Jetzer, Philippe (Editor)/ Pretzl, K (Editor)/ Von Steiger, R (Editor)‎

‎Matter in the Universe: Proceedings of an Issi Workshop 19-23 March 2001 Bern Switzerland‎

‎Kluwer Academic Pub 2002. Hardcover. New. 328 pages. 9.50x6.25x0.75 inches. Kluwer Academic Pub hardcover‎

书商的参考编号 : x-1402006667 ???????? : 1402006667 9781402006661

‎JIGOUREL, Thierry - HIDOT, Philippe.‎

‎Les bons desserts de nos grands-mères.‎

‎Coll. "Reflets de Terroir", Romorantin, CPE, 2008, in-4, cartonnage couv. photo coul. éd., 176 pp., papier glacé, très nb. photos coul. et reproductions de photos anciennes en noir, Sommaire, Petits conseils, Lexique, Table des recettes, Superbe livre avec des recettes à couper le souffle ! De la gourmandise à l'état pure. Des très bonnes recettes présentées d'une façon très originale ! Pas courant Très bon état‎

书商的参考编号 : 64281

‎Joachim Pissarro Franck Giraud Philippe Segalot‎

‎The Impossible Collection of Art 2nd Edition - Assouline Coffee Table Book‎

‎Assouline pp. 144 2nd Edition NO-PA16APR2015-KAP. Other. New. Assouline unknown‎

书商的参考编号 : 6402878580 ???????? : 1649803028 9781649803023

‎Joan Rothfuss; Elizabeth Carpenter; Richard Flood; Douglas Fogle; Olukemi Ilesanmi; Philippe Vergne; Siri Engberg; Kathy Halbrie‎

‎Bits & Pieces Put Together To Present A Semblance Of A Whole: Walker Art Center Collections‎

‎Walker Art Center 2005-04-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Walker Art Center hardcover‎

书商的参考编号 : Q-0935640789 ???????? : 0935640789 9780935640786

‎JOBERT (Philippe)‎

‎LA NOTION DE DONATION. CONVERGENCES: 630-750, Préface de Jean Bart, Thèse pour le doctorat soutenue devant la Faculté de Droit et de Sc. Po. de Dijon en 1971, Publication de l’Université de Dijon, t.XLIX‎

‎, Paris, Les Belles Lettres 1977, in-8, br., (couv. tachée, coins émoussés), int. très frais, 235p.‎

书商的参考编号 : 51715

‎Jobert, Philippe‎

‎The Birth and Death of Companies: An Historical Perspective‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

书商的参考编号 : 1850703329.G ???????? : 1850703329 9781850703327

‎Jobin, Kathleen; Nadeau, Philippe‎

‎Le petit cryptomonnaies 2026 : l'essentiel en bref‎

‎Dunod‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782100879410‎

书商的参考编号 : 9782100879410

‎JOCKEY PHILIPPE‎

‎MYTHE DE LA GRECE BLANCHE -LE-‎

‎ALPHA‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782383881520‎

书商的参考编号 : SLIVCN-9782383881520

‎Jockey, Philippe‎

‎L'archéologie‎

‎Cavalier Bleu‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782846702065‎

书商的参考编号 : 9782846702065

‎JODIDIO Philippe‎

‎Formes nouvelles. Architecture des années 90.‎

‎Couverture rigide. Cartonné. Jaquette. 237 pages.‎

‎Livre. Editions Taschen, 1997.‎

书商的参考编号 : 204940

‎Joel Briancon et Philippe Maisonobe‎

‎Eléments d'algèbre commutative : Niveau M1 Joël Briançon et Philippe Maisonobe‎

‎Ellipses Marketing. Softcover. Eléments d'algèbre commutative : Niveau M1 <br/><br/>Eléments d'algèbre commutative : Niveau M1 Ellipses Marketing paperback‎

书商的参考编号 : BN105828 ???????? : 2729819215 9782729819217

‎Joeystarr/Manoeuvre Philippe‎

‎"Mauvaise réputation - ""Pop culture"""‎

‎Flammarion. 2006. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Quelques rousseurs. 307 pages - quelques planches photos en couleurs et en noir et blanc hors texte.. . . . Classification Dewey : 782.92-Chanteurs‎

‎Classification Dewey : 782.92-Chanteurs‎

书商的参考编号 : R300305855 ???????? : 2080689312

‎Joffre, Francis/Otal~, Philippe/Soulie, Michel‎

‎Radiological Imaging of the Ureter Medical Radiology / Diagnostic Imaging.‎

‎2003. 1st ed. Springer 2003. 18 x 25 cm. 348 pages. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover‎

书商的参考编号 : 5478VB ???????? : 3540655212 9783540655213

‎Joffrin, Laurent (Foreward By)/ Garcia, Philippe (Photographer)‎

‎The Napoleon: A Private View: Treasures from the Bruno Ledoux Collection‎

‎Harry N Abrams Inc 2018. Hardcover. New. 415 pages. 12.25x9.75x1.25 inches. Harry N Abrams Inc hardcover‎

书商的参考编号 : 2-1419721453 ???????? : 1419721453 9781419721458

‎Johan Kugelberg (Editor) / Philippe Vermes (Editor)‎

‎Beauty is in the Street: A Visual Record of the May '68 Paris Uprising‎

‎Four Corners Books 2011. Hardcover. New. 272 pages. 11.26x9.37x1.34 inches. Four Corners Books hardcover‎

书商的参考编号 : 1-0956192831 ???????? : 0956192831 9780956192837

‎Johannes STRADANUS - Philippe GALLE‎

‎Chasse aux canards‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. s. d. circa 1590 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century painting by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Ainsi les canards attachés sur le fleuve chantent pendant que ceux qui surviennent sont blessés d'un coup de feu et charpillent leurs plumes sur le fleuve"" ""Thus the ducks attached on the river sing while those that come are wounded by gunshot and scatter their feathers on the river"". Watermark visible by transparency. The engraving has been mounted and restored with small pieces of old laid paper glued to the edges on the reverse otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: in France then in Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and for that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of the great Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced engraving on copper drawing the commerce of engravings publishing and writing. He trained under Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which would be frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works based on projects by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 31035

‎Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT‎

‎La capture du tigre‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the end of the 16th or very beginning of the 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in an old hand beneath the plate mark: ""Le chasseur prend les petits du tigre et met dans des trappes des miroirs qui représentent les petits qu'il a enlevés. Cette bête stupide croyant les voir effectivement entre dans les filets et hurle étant prise."" ""The hunter takes the tiger cubs and places mirrors in traps that represent the cubs he has taken. This foolish beast believing it actually sees them enters the nets and howls being caught."". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition of preservation for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing the trade of engravings publishing and writing. He trained under Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which would be frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispin de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on projects by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Franz Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin work. S. n. unknown‎

书商的参考编号 : 32532

‎Johannes STRADANUS - Philippe et Cornelius GALLE‎

‎La chasse aux vipères‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmaceutique"" ""In Italy vipers enjoy hiding in marshes. When they hear a dog barking they come out of the bushes. They are then seized with a fork and put in a bag with tongs. They are prepared as pharmaceutical remedy"". Watermark visible by transparency. The margins of the engraving have been reinforced with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII hall in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing the print trade publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he had his own workshop which would be frequented by his sons Theodoor and Cornelis as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Frans Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 32525

‎Johannes STRADANUS - Philippe GALLE - Adrian COLLAERT‎

‎La chasse au bubale‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or very early 17th century. Artists' signatures in the plate. Latin caption in the lower part of the engraving. Manuscript translation in old handwriting below the plate mark: ""Le bubale est une espèce de boeuf cruel et féroce. Les chasseurs pour le prendre le lassent en faisant courir et aboyer des chiens après lui qui le mordent jusqu'à ce qu'il tombe n'en pouvant plus"" ""The bubale is a species of cruel and ferocious ox. Hunters to catch it lasso it by making dogs run and bark after it which bite it until it falls exhausted"". Watermark visible by transparency. The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was admitted as master to the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the hall of Clement VII in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under the direction of Giorgio Vasari with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copperplate engraving drawing print dealing publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he owned his own workshop which was frequented by his sons Theodore and Cornelius as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp print production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 by Jan van der Straet by Franz Floris The Daughters of Lot and by Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. Adrian Collaert born in Antwerp in 1565 and died in 1618 was part of a great family of engravers. Trained in the workshop of his father-in-law Philippe Galle he began with copperplate engraving before specializing in burin. S. n. unknown‎

书商的参考编号 : 32501

‎Johannes STRADANUS - Philippe GALLE‎

‎Le combat des oiseaux et des couleuvres‎

‎s. l.: S. n. 1590. Fine. S. n. s. l. fin XVIe début XVIIe 34 x 25.50 cm une feuille Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: ""Le désert d'Appulie nourrit de couleuvres les grues et aussi les cigognes attaquent leurs nichées. Elles engagent le combat avec vigueur de leurs becs et les mordent. Le spectacle est très divertissant pour les colons"" ""The desert of Apulia feeds cranes with snakes and also storks attack their broods. They engage in combat vigorously with their beaks and bite them. The spectacle is very entertaining for the colonists"". Watermark visible by transparency. The margins of the engraving have been reinforced with small pieces of old laid paper glued to the edges on the verso otherwise fine condition for this very rare engraving. Johannes Stradanus known as Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting with his father and following his father's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He then began a journey across Europe: to France then to Italy where he first stayed in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari on the decoration of the Studiolo of Francesco I de' Medici and on that of the Clement VII hall in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic decoration planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. Philippe Galle born in Haarlem in 1537 and died in Antwerp in March 1612 was a Flemish engraver member of a famous family of engravers. He practiced copper engraving drawing the print trade publishing and writing. He trained with Hieronymus Cock in Antwerp where he engraved drawings by Pieter Bruegel the Elder notably the series of the Seven Deadly Sins. He then became the engraver of Maarten van Heemskerck. From 1557 he had his own workshop which would be frequented by his sons Theodoor and Cornelis as well as by his son-in-law Adriaen Collaert the Wierix brothers Hendrick Goltzius Crispijn de Passe the Elder and other members of the Collaert family. His workshop was at the center of Antwerp engraving production. Philippe Galle created some of his most admirable works on designs by Pieter Bruegel the Elder The Alchemist 1558 Jan van der Straet Frans Floris The Daughters of Lot and Gillis Congnet Aenevm Saecvlvm and the four ages of humanity 1575. S. n. unknown‎

书商的参考编号 : 32524

‎Johannes STRADANUS - Philippe GALLE‎

‎Chasse aux canards‎

‎S. n. | s. l. s. d. [circa 1590] | 34 x 25.50 cm | une feuille‎

‎Authentique gravure originale réalisée au burin d'après une peinture du XVIe siècle de Johannes Stradanus. Epreuve sur papier vergé filigrané, travail de la fin du XVIe ou du tout début du XVIIe siècle. Signatures des artistes dans la planche. Légende en latin dans la partie inférieure de la gravure. Traduction manuscrite d'une écriture ancienne sous la cuvette : "Ainsi les canards attachés sur le fleuve chantent, pendant que ceux qui surviennent sont blessés d'un coup de feu et charpillent leurs plumes sur le fleuve". Filigrane visible par transparence. La gravure a été montée sur onglet et restaurée à l'aide de petits morceaux de papier vergé ancien encollé sur les bords au dos de celle-ci, sinon bel état de conservation pour cette gravure très rare. Johannes Stradanus, dit Giovanni Stradano ou Jan van der Straet est un peintre et graveur flamand, né à Bruges en 1523 et mort à Florence le 11 février 1605. Après avoir commencé à apprendre la peinture auprès de son père, et suite au décès de ce dernier, il poursuit sa formation dans l'atelier de Maximiliaan Frank (de 1535 à 1537), puis dans celui de Pieter Aertsen à Anvers (de 1537 à 1540). En 1545, il est reçu franc-maître à la guilde des peintres anversois. Il commence alors un voyage à travers l'Europe : en France, puis en Italie, où il séjourne d'abord à Venise, avant de s'installer à Florence. Il y travaille pour Cosme Ier de Médicis et collabore avec Giorgio Vasari pour la décoration du Studiolo de François Ier de Médicis, et pour celle de la salle de Clément VII du Palazzo Vecchio. En 1565, il fait partie des équipes de peintres et de sculpteurs chargés, sous la direction de Giorgio Vasari, de réaliser le gigantesque décor prévu pour l'entrée dans Florence de Jeanne d'Autriche, à l'occasion de son mariage avec François Ier de Médicis. Grandement influencé par les maniéristes, dont Michel-Ange, Johannes Stradanus contribue au développement de la grande peinture d'histoire à l'italienne. Il peint plusieurs retables pour des églises florentines. Il séjourne aussi à Rome de 1550 à 1553 et à Naples en 1576. Après un séjour à Anvers en 1578, il consacre une grande partie de son activité à la gravure. Philippe Galle, né à Haarlem en 1537 et mort à Anvers en mars 1612, est un graveur flamand, membre d'une célèbre famille de graveurs. Il a pratiqué la gravure sur cuivre, le dessin, le commerce de gavures, l'édition et l'écriture. Il se forme auprès de Jérôme Cock, à Anvers, où il grave des dessins de Pieter Bruegel l'Ancien, notamment la série des Sept péchés capitaux. Il devient ensuite le graveur de Maarten van Heemskerck. À partir de 1557, il possède son propre atelier, qui sera fréquenté par ses fils, Théodore et Cornelius, ainsi que par son beau-fils, Adriaen Collaert, les frères Wierix, Hendrick Goltzius, Crispin de Passe l'Ancien et d'autres membres de la famille Collaert. Son atelier est au centre de la production de gravures anversoise. Philippe Galle a réalisé quelques-unes de ses uvres les plus admirables sur des projets de Pieter Bruegel l'Ancien (L'Alchimiste, 1558), de Jan van der Straet, de Franz Floris (Les Filles de Loth) et de Gillis Congnet (Aenevm Saecvlvm et les quatre ages de l'humanité, 1575). - Photographies et détails sur www.Edition-Originale.com -‎

书商的参考编号 : 31035

‎Johannes STRADANUS - Philippe GALLE‎

‎La chasse aux lions par le feu‎

‎S. n. | s. l. fin XVIe début XVIIe | 34 x 25.50 cm | une feuille‎

‎Authentique gravure originale réalisée au burin d'après un dessin du XVIe siècle de Johannes Stradanus. Epreuve sur papier vergé filigrané, travail de la fin du XVIe ou du tout début du XVIIe siècle. Signatures des artistes dans la planche. Légende en latin dans la partie inférieure de la gravure. Traduction manuscrite d'une écriture ancienne sous la cuvette : "Ceux qui s'occupent à surprendre les lions dans des filets portent une torche de la main gauche et un bouclier de la droite pour se garantir du feu: les lions fuyant les flammes, se jettent dans les filets qu'on lui a tendu.". Filigrane visible par transparence. Les marges de la gravure ont été doublées à l'aide de petits morceaux de papier vergé ancien encollés sur les bords au dos de celles-ci, sinon bel état de conservation pour cette gravure très rare. Johannes Stradanus, dit Giovanni Stradano ou Jan van der Straet est un peintre et graveur flamand, né à Bruges en 1523 et mort à Florence le 11 février 1605. Après avoir commencé à apprendre la peinture auprès de son père, et suite au décès de ce dernier, il poursuit sa formation dans l'atelier de Maximiliaan Frank (de 1535 à 1537), puis dans celui de Pieter Aertsen à Anvers (de 1537 à 1540). En 1545, il est reçu franc-maître à la guilde des peintres anversois. Il commence alors un voyage à travers l'Europe : en France, puis en Italie, où il séjourne d'abord à Venise, avant de s'installer à Florence. Il y travaille pour Cosme Ier de Médicis et collabore avec Giorgio Vasari pour la décoration du Studiolo de François Ier de Médicis, et pour celle de la salle de Clément VII du Palazzo Vecchio. En 1565, il fait partie des équipes de peintres et de sculpteurs chargés, sous la direction de Giorgio Vasari, de réaliser le gigantesque décor prévu pour l'entrée dans Florence de Jeanne d'Autriche, à l'occasion de son mariage avec François Ier de Médicis. Grandement influencé par les maniéristes, dont Michel-Ange, Johannes Stradanus contribue au développement de la grande peinture d'histoire à l'italienne. Il peint plusieurs retables pour des églises florentines. Il séjourne aussi à Rome de 1550 à 1553 et à Naples en 1576. Après un séjour à Anvers en 1578, il consacre une grande partie de son activité à la gravure. Philippe Galle, né à Haarlem en 1537 et mort à Anvers en mars 1612, est un graveur flamand, membre d'une célèbre famille de graveurs. Il a pratiqué la gravure sur cuivre, le dessin, le commerce de gavures, l'édition et l'écriture. Il se forme auprès de Jérôme Cock, à Anvers, où il grave des dessins de Pieter Bruegel l'Ancien, notamment la série des Sept péchés capitaux. Il devient ensuite le graveur de Maarten van Heemskerck. À partir de 1557, il possède son propre atelier, qui sera fréquenté par ses fils, Théodore et Cornelius, ainsi que par son beau-fils, Adriaen Collaert, les frères Wierix, Hendrick Goltzius, Crispin de Passe l'Ancien et d'autres membres de la famille Collaert. Son atelier est au centre de la production de gravures anversoise. Philippe Galle a réalisé quelques-unes de ses uvres les plus admirables sur des projets de Pieter Bruegel l'Ancien (L'Alchimiste, 1558), de Jan van der Straet, de Franz Floris (Les Filles de Loth) et de Gillis Congnet (Aenevm Saecvlvm et les quatre ages de l'humanité, 1575). - Photographies et détails sur www.Edition-Originale.com -‎

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