à Paris: Chez Denys Thierry 1698. Fine. Chez Denys Thierry à Paris 1698 15.50 x 21.50 cm relié First edition rare. Large fleuron on title page. Text in italics. Large title headpieces initials. Full glazed blonde calf binding circa 1820. Spine with raised bands decorated with 4 fleurons; blind-tooled fillets and fillet at foot. Black morocco title and volume labels. Decorative border frame on covers. Gilt edges. Foxing on first blank leaf and browning to margin of title page. Very handsome copy fresh. This edition contains the eleventh twelfth and thirteenth epistles in first edition. Writings from his literary maturity the epistles are characterized by a more mature and serene style than the satires. Bookplate of Dr. Manessier. Chez Denys Thierry hardcover
à Paris: Chez Les libraires associés 1772. Fine. Chez Les libraires associés à Paris 1772 12.50 x 21.50 cm 5 volumes reliés New edition printed on laid paper and illustrated with a frontispiece drawn by Bernard Picart dit le Romain and engraved by Vinkeles. Also includes two allegorical figures by van der Meer as frontispiece to l'Epitre and l'Art poétique 6 figures after Picart re-engraved by Vinkeles for Le Lutrin and four title vignettes by van der Meer and one by F. de Bakker. Contemporary bindings in full speckled blonde calf smooth spines decorated with red straight-grained morocco title and volume labels fleurons and triple gilt fillets gilt striations on headcaps gilt fillets on leading edges marbled endpapers and pastedowns all edges speckled blue. Gilt initials at foot of spines. Headcap of volume 1 slightly rubbed discreet worming on tailcap of volume 1 and on title label as well as at foot of joint of second board of volumes 3 and 5 traces of rubbing on boards slight lack to first board of volumes 1 and 3 small dark stains on spine and second board of volume 1 corners somewhat rubbed. Very small wormhole to upper margin of leaves of volume 2. Fresh copy free from foxing. Chez Les libraires associés hardcover
à Paris: Chez Les libraires associés 1772. Fine. Chez Les libraires associés à Paris 1772 12 x 21 cm 5 volumes reliés New edition illustrated with a frontispiece by Picart engraved by Winkeles 2 allegorical figures by van der Meer the Epistle and the Poetic Art and 6 figures after Picart re-engraved by Vinkeles for Le lutrin 4 title vignettes by van der Meer and one by F. de Bakker. This edition also appeared in Amsterdam published by Changuion. Picart's figures were taken from the 1718 edition they are printed on thick paper. Contemporary full scaled calf binding. Richly decorated spine with raised bands head and tail rolls. Green morocco title and volume labels. Triple fillet frame on covers. Green painted edges. One tear with lack at head of volume I; headcap of volume II worn down; lack at head of volume III. Several corners bumped. Lower right corner worn. Despite the noted defects handsome binding with very decorative appearance. Fresh copy with wide margins. After the great edition of Boileau's works published in 1718 in folio format and given the success fine editions of this author followed one after another in 1722 1729 1745 with variants. This last edition well printed whose subtle typographical variations suggest the reduction of a folio has been revised and the spelling has been modernized; the pamphlet Boileau aux prises avec les jésuites has been restored and a life of the author has been added. Finally one cannot emphasize enough the critical quality of this edition which takes up the abundant and judicious remarks and commentaries of Saint-Marc from the 1745 edition. Chez Les libraires associés hardcover
à Paris: Chez DavidChez Durand 1747. Fine. Chez David Chez Durand à Paris 1747 11.20 x 18 cm reliés New edition and first given by Saint-Marc with his remarks and commentaries. It is illustrated with a portrait by Rigaud engraved by Daullé 5 fleurons on the titles by Eisen and engraved by Boucher 39 vignettes by Eisen and engraved by Avéline by La Fosse unsigned 25 unsigned tailpieces and 6 figures by Cochin for Le lutrin. Contemporary full marbled and glazed calf bindings. Spine with raised bands decorated. Red morocco title label and beige morocco volume labels. Joints of volume I cracked at head. Lower joint of volume III cracked at foot. Joints of volume V cracked. Restorations to headcaps and joints of the 5 volumes. Paper uniformly yellowed. Saint-Marc's first edition is one of the best critical editions of Boileau's work. Saint-Marc did not purely abrogate the contribution of different editions but used them judiciously to create his own. He restored Brossette's commentaries and gathered the various notes from previous editions. Saint-Marc's notes and commentaries constitute a large part of the work and accompany the text very intelligently without vain erudition. 19th century armorial bookplate of A. Aubaret. Chez DavidChez Durand hardcover
Paris: De l'imprimerie de Mame frères 1810. Fine. De l'imprimerie de Mame frères Paris 1810 12.50 x 20 cm relié Second issue of this edition. A frontispiece portrait after Rigaud engraved by Delaunay and 6 figures after Picard re-engraved by the same. Printed on fine laid paper from the Vosges with Blondin watermark St. Dié. Contemporary full tree calf bindings. Smooth spines decorated with a sun tool 2 compartments with grotesques and a fleuron. Double framing border on the boards. Red morocco title and volume labels. Head of volume 2 partly cut but slightly. Spines sunned. Traces of rubbing. Gilt edges. 2 corners bumped. Complete works with prefaces variants and correspondence and notes. Some contemporary pen annotations; one will notice this address to the preface writer at the end of the Preliminary Discourse: ""Que tu dois te repentir d'avoir écrit cette platitude !"" ""How you must regret having written this platitude!"" De l'imprimerie de Mame frères hardcover
Paris: Firmin Didot frères 1837. Fine. Firmin Didot frères Paris 1837 17.50 x 27.50 cm relié Collected edition. Bradel binding in full dark brown cardboard smooth spine faded with traces of rubbing and some losses hazel shagreen title-label with Malherbe's name in gilt corners slightly bumped. With an engraved portrait of Boileau as frontispiece. Printed in two columns. Copy almost entirely free from foxing. Firmin Didot frères unknown
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