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Albert Camus
Youthful Writings
Marlowe & Company New York 1990. First Edition. Softcover. Very Good Condition. Size: Octavo standard book size. 280 pp. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing . Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; #84705; ISBN: 1569249687. ISBN/EAN: 9781569249680. Pictures of this item not already displayed here available upon request. Inventory No: 36917. . 9781569249680 Marlowe & Company paperback
书商的参考编号 : 36917 ???????? : 1569249687 9781569249680
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Albert Camus Author; Paul Viallaneix Introduction by; Ellen Conroy Kennedy Translated From the French by
Youthful Writings
New York: Marlowe & Company 1976. 1st Printing. Trade Paperback. Very Good. 8vo or 8� Medium Octavo: 7�" x 9�" tall. Lon Kirschner Cover Design. 279 pp. Solidly bound copy with moderate external wear crisp pages and clean text. <br/> <br/> Marlowe & Company paperback
书商的参考编号 : 1FislDc0031 ???????? : 1569249687 9781569249680
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Albert Camus Author; Paul Viallaneix Introduction by; Ellen Conroy Kennedy Translated From the French by
Youthful Writings
New York: A Borzoi Book/Published by Alfred A. Knopf Inc. Publishers 1976. Copyright � 1976 . Hardcover. Very Good/Very Good. 8vo or 8� Medium Octavo: 7�" x 9�" tall. Muriel Nasser Jacket Design. 214 pp. Solidly bound copy and dj with moderate external wear crisp pages and clean text. Book Club Edition. <br/> <br/> A Borzoi Book/Published by Alfred A. Knopf, Inc., Publishers hardcover
书商的参考编号 : 3iiiBf0009
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Albert Camus
ZAPISI - Od svibnja 1935. do ozujka 1951.
Zora Zgb. 1977. hadrcover. Very Good. Serbian language Zora Zgb. unknown
书商的参考编号 : A401838
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Albert Camus
чума
<p>light shelf wear only nice copy</p> Moskva OLMA-PRESS hardcover
书商的参考编号 : biblio208 ???????? : 522401204x 9785224012046
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ALBERT CAMUS
Albert Camus Compares The Spanish Civil To World War Ii In A Lengthy Typescript Of His Preface To The Book L’espagne Libre; He Writes One Of His Most Famous And Reproduced Quotes
ALBERT CAMUS 1913-1960. Camus was a Nobel Prize-winning French author best known for his absurdism and works like The Stranger and The Plague. TMS. 5pgs. 1945. N.p. A lengthy typescript in French by Albert Camus. It concerns the Spanish Civil War 1936 to 1939. This manuscript was Camus’s preface to the book L’Espagne Libre Paris: Calman-Lévy 1946. Writing just after World War II in which he took an active role in the resistance against the Nazis Camus muses back on the Spanish Civil War often called a “dress rehearsal for World War IIâ€. Camus felt personally connected to the Spanish Civil War since his mother was Spanish. The English translation of his writing is as follows: “It has been nine years now that the men of my generation have carried Spain in their thoughts. Nine years that they carry like a serious wound. That experience has given them their first taste of defeat and the insight really a surprise from which they have barely recovered that you could be in the right and yet be beaten that force could suppress the spirit and that there were times where courage was not rewarded. No doubt that explains why to so many men all over the world the Spanish drama felt like a personal tragedy some realizing that this was the first battle in a war for which neither qualities nor flaws had prepared us. But those very same ones who did not don the mantle of prophecy came to feel with anguish that this war was theirs to the degree that it was a war of liberty. For it was in fact that a war of liberty. We found out about it in the papers even if it was a badly intentioned paper. There are things that today one doesn’t speak about anymore but that back then were fresh and bloody history. And we at least have not forgotten that the Spanish Civil War started out as a general’s rebellion against the democratic institutions that a people had just given themselves liberally. We have not forgotten that this general sent Moorish troops against the people of his country in the name of Christ and German-Italian legions invoking the Holy Spain. In the indignation that overcame us in 1931 despite the warning signs there was the feeling that an injustice had just been committed that had to disappear as quickly as possible if one didn’t want it to remain on Europe’s flank like a sore that was going to fester and grow wider. But the injustice still was to receive its reward that this world always reserves for it. Agencies published the Italian legions’ victorious communiques at the same time as the non-intervention ones. The Spanish Republic firm in its rightfulness teetered in its power and at first with rage then with pain that filled us all started to give birth to anguished amazement that has not left us all these years at the spectacle of an injustice that gradually took on an immense scale of history and that found itself sanctioned both by the defeat of a people and by the cowardice of the world. This world nevertheless perseveres in calling legal what has been established while we continue in vain to call legal what has been given consent. Of all the reasons that the Spanish war has continued to haunt us many undoubtedly have vanished today. The cruelty of that struggle seems to us almost natural after five years of indescribable violence. But you can see what remains: the passion of a people and the spectacle of injustice that was never repaired. The hostilities have been suspended the darkness of the dictatorship has dissipated and so we continue to carry Spain in our thoughts. At the other end of the continent a patch of night yet reminds us of the reasons for this war and of the fact that we were wrong believing it to be finished just as we were wrong nine years ago not believing that it had started. But vanquished courage and injustice consecrated by history are commonplace in this world. And maybe as far as Spain is concerned our indignation would be less strong if we had a better conscience. How would it be when we cannot forget that France is not the only one to respond to some of the assassinations that shook what was left of the European conscience. The death of Frederic Garcia Lopez thus seems to us less tolerable than others. We had entered a period where every free man could reasonably expect that he would one day stand facing guns of execution. We are still in that period and it is natural that a free man justifiably prepares himself or at least takes this likelihood into account when he calculates his chances and his convictions. Lorca’s death was in the order of things in the dirty order in which we have since lived. And the Granada execution put men on alert that they had entered serious times meaning times where poets could be shot by those whom their existence contradicted. At least some of us have seen it that way and are preparing ourselves instead of complaining. But we have to believe that we were not yet prepared enough. For we needed to go further yet do our part of the assassinations and see Antonio Machade die as he was leaving a democratic concentration camp. Some years later and Companys was liberated by a French Marechal to be executed at leisure. How will we be able to forget All of this has colored in red and in black a face that of Spain that we already carry in ourselves but that we can no longer heal. That is why since Barcelona was taken there is an absence in us an emptiness a sense of waiting. In this world that we call liberated there is a country from which we obstinately avert our gaze for it speaks to us of injustice and remorse. We would like peace but it won’t let us have it. Yet would our heart be as anxious if this subjugated land was not at the same time the land of great passion and grandeur No doubt I have my personal reasons of choice. Based on blood Spain is my second home. And in this greedy Europe in this mechanized world where passion is met with derision half my blood has been pondering its exile for seven years and wants to find the only land again where I feel at ease the only land where people know how to unite to a higher degree of necessity the love of living and the desperation of living. But it is not just a personal reaction that rules the hope for a free Spain. All of Europe’s intelligent minds also turn to Spain as if they felt that this sad country held some of the royal secrets that Europe is desperately trying to figure out right through a long list of wars revolutions eras of mechanics and spiritual adventures. In fact what would prestigious Europe be without poor Spain What more staggering has it invented than this powerful and magnificent Spanish summer light where extremes are wed where passion can be indulgent as well as ascetic where death is a reason to live where you bring seriousness to dance and lightheartedness to sacrifice where nobody can tell the border between life and dreams between comedy and truth. While the Western world tears itself up to discover syntheses and formulas Spain offers them up freely. But it can only furnish them in the effort of insurrections the terrible breathing of its liberty. Homeland of revolutionaries the only country where anarchy has been able to establish itself as a powerful organized party its greatest works are calls toward the impossible. In each one the world is accused yet at the same time glorified. Europe and the world for what they now need to find can really no longer do without Spain. But Europe and the world do and in such a natural way that it is hard to believe. But that is the way it is and nothing apparently is of any use but the testimony of the free man. The indignation will last through the ages we know that now. For the last twelve years many Ubu Fathers rose up and we at first laughed about them but they put irresistible mechanisms in the service of their mediocre follies. And these Ubu Fathers were masters long enough that at their defeat men were still blind. You have to believe it at least since we let the latter continue their parade in what was the country of Cervantes. For the past seven years the grotesque has been the only Spanish product to manifest itself there. And we who know the value of the grotesque when it has a police we support that it continue gagging the people of the revolution and that above Spain the windmills of stupidity and cruelty keep turning. And not only do we support the grotesque but we also sign treatise with them. The democrats are hungry and honor does noy count for much when you can have some oranges. The lasting smell of those oranges will mingle with the memory of Machade and Companys. Too bad if in the end we have a change of heart. Why get upset The realists say that this does not concern us that you have to leave people to take care of their own business and that finally we didn’t fight for Spain but against Germany. Democracy from all it seemed means not to worry about others. But we learned that democracy means no borders. Misunderstood in one place it is threatened altogether. And we know better than the realists why we fought. We fought so that free men could look at each other without shame and so that each man would be in charge of his own happiness and would judge himself without carrying the constricting weight of others’ humiliation. That man today can feel himself or actually be free as long as this land of liberty stays entrusted to an arbiter. Every time a man somewhere in the world is weighed down with chains we are at the same time bound. Freedom must be for all or for no one. That is the only formula of democracy that is worth the sacrifice. Here at least in the following pages the testimony of some men who feel they are still not quite free. It is the work of those who have not signed commercial treatise and who will continue to make do without oranges. And there is no doubt their testimony is symbolic. It has to be. But in this world without memory it is good that some believe in faithfulness. They perhaps will help one day to forgive what in the rage in their hearts they could not prevent. Albert Camus 1945â€. This weighty and heartfelt piece was published as Camus’s preface to the book L’Espagne Libre Paris: Calman-Lévy 1946 which also included contributions by Jean Cassou Jean Camp and others. It has been much quoted over the years even inspiring the title of a recent book on the Spanish Civil War. One page is yellowed and there are corrections and cross-outs one quite large throughout in Camus’s handwriting. unknown books
书商的参考编号 : 5222
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ALBERT CAMUS
An Autograph Manuscript Draft Of Albert Camus’s Landmark “The Crisis Of Man†Speech Given At Columbia University In 1946
ALBERT CAMUS 1913-1960. Camus was a Nobel Prize-winning French author best known for his absurdism and works like The Stranger and The Plague. AM. 5pgs. N.d. 1946. N.p. An autograph manuscript draft of Albert Camus’s famous “The Crisis of Man†or “The Human Crisis†speech. Camus delivered this landmark speech at Columbia University on March 28 1946 during his only trip to the United States. Asked to talk about the French sensibility Camus delivered a compelling meditation about the Second World War and the crisis facing all humanity. The tone is both stirring and thought-provoking. Camus had been a resistance fighter during the war and his experiences obviously color his speech particularly in his descriptions of atrocities committed during the war. In 2016 Columbia held an event to commemorate the 70th anniversary of Camus’s speech. There actor Viggo Mortensen read Camus’s speech to a sold-out crowd in the Miller Theatre – the same venue where Camus had spoken. Even three-quarters of a century after its debut “The Crisis of Man†remains relevant and timely and people continue to reflect on it today. This manuscript is Camus’s draft of the speech. As such it differs in some places from the version he actually delivered. The manuscript is written in French. The English translation is as follows: “When it was suggested to me to do lectures at the EUDA the United States I felt scruples and hesitated. I am not of the age to give lectures and It was in the reflex as well as the categorical affirmation since I don’t show myself in person at what is generally held to be the truth. Having taken notice of my scruples they gave the very polite response that the important thing was not that I have a personal opinion. What was important was that I would in a way bring to France the various elements of information that would permit my audience to form an opinion. As to what about it was proposed that I tell my listeners about the current state of French theater literature and even philosophy. I responded that it might be at least as interesting to speak about the extraordinarily hard work of the French railroad workers and the…of which the miners from the North seem to work. I was told patiently that you should never force your talent and that it was good that the specialists were treated by those who were suspicious of them and that since I had been interested in literary questions for a long time and thus certainly knew nothing about railroad switches it was only natural that I would be asked to speak about literature rather than the railroad. I understood right away. And I agreed in short to speak of what I knew and to give an idea of France. That is precisely why I chose to speak neither of literature nor of the theater. Because literature theater philosophy and maybe even the hard work of railroad workers and mail carriers intellectual research and the hard work of an entire people are only the reflections of a fundamental questioning of a struggle for life and for man reflections that for us make up the entire problem of the time. The French feel that man is quite threatened and that he cannot go on believing a certain idea of man who is not…And that is why out of loyalty to my country I chose to speak of my…And even if it were a matter of speaking about what I knew I did not believe I could do better than retrace as clearly as possible the spiritual experience of people of my generation because that experience has had the whole…of the world crisis and because it may bring a faint shimmer and faith to the destiny of the railroad workers and an aspect of today’s French sensibility. How did that happen In this world that is deprived of value in this desert of the heart where we live what did this revolt mean It made men who say no out of us. But at the same time we were men who say yes. We said no to this world to its essential absurdity to the abstractions that threatened us to the culture of death that was being prepared for us. By saying no we affirmed that things had been like that for long enough that there was a limit that could not be passed. But at the same time we affirmed everything that was beyond that limit; we affirmed that there was something in us that defended the scandal and that was impossible to humiliate too long. And of course that was a contradiction but one that had to make us reflect. We thought that this world was and would continue to be without any real value. But then again there we were fighting against Germany. The men of the Resistance whom I met and who read Montaigne on the trains where they carried their tracts showed at least to us that one could not understand the skeptics while having a notion of honor. But consequently through the simple fact of living of hoping and of fighting we affirmed something. But some thing had a general value – did it extend beyond the thoughts of the individual – did it seem to serve as a rule of conduct The answer is simple. The men I am talking about accepted their death at the start of their revolt. And that death proved that they were sacrificing themselves for the good of a pay-off that went beyond their personal existence and thus their individual destiny. What these revolutionaries defended against an enemy destine was a value that is shared by all men. – When the men were tortured in front of their concierge when the nights were purposefully chopped up when mothers saw themselves forced to condemn their children to death and when the just were buried like hogs these revolutionaries decided that something inside of them was being denied to them that did not belong to them alone but was a common bond where the men found their solidarity all ready. Yes that was the big lesson of these terrible years when the wrong done to a student in Prague would touch a blue-collar worker in a suburb of Paris and when the blood spilled on the banks of a central-European river would bring a Texas farmer to spill his on the soil of the Ardennes that he had never seen before. And that in itself was absurd and crazy impossible almost anyway to imagine. But that absurdity at the same time carried in it the lesson that we were all in a collective tragedy and what was at stake was our common dignity a feeling of communion with each other that was crucial to defend and to maintain. Aside from that we knew how to act and we learned how the individual in the most absolute moral denouement again can find enough values to rule his conduct. For if that communication between individuals in the mutual recognition of their dignity was the truth then it was that communication that had to be helped. And in order to maintain that communication it meant people had to be free because there is nothing in common between a master and a slave and you cannot talk and communicate with someone who is subservient. Yes servitude is a form of silence the most terrible of all. And in order to maintain that communication we had to make sure that injustice would disappear because there is no contact between one who is oppressed and one who profits from it. Envy too is in the domain of silence. And in order to maintain that communication we had to banish lying and violence for someone who lies closes himself off from other people and someone who tortures and uses force imposes the ultimate silence. Aside from the negation of the simple movement of our revolt we also drew moral strength from liberty and sincerity. 2 This crisis then is based on the impossibility of persuasion. People live and can do so only because of the notion that they have something in common where they can always meet. You always believe that by speaking humanely to a person you can get a humane reaction. Yet we have also discovered this: there are people you cannot persuade. It was impossible for a victim in concentration camps to even begin to explain to the SS who were beating her that they shouldn’t do it. The Greek mother whom I have mentioned could not persuade the German officer that the terrible choice he put her in was just impossible. It’s because the SS or the German officer didn’t represent a person anymore or persons but an instinct that had been elevated to an idea or a theory. Passion even if murderous would have been preferable. Because passion has an end and another passion another scream from the heart or flesh can convince it. But a person who is capable of caring sincerely about the ears that he himself has previously torn that man is not impassioned he is mathematical and no one can stop or convince him. 3This crisis is also about the replacement of natural objects with print that is to say the increase of bureaucracy. Contemporary man more and more puts an abstract and complicated machine between himself and nature which throws him back into solitude. When there is no more bread tickets appear. The French have only 1200 calories of nutrition a day but they have at least six different pieces of paper all stamped a hundred times. And it is like that all over the world where bureaucracy has not ceased to multiply. To come to America from France I used a lot of paper in both countries. So much paper that I suspect I could have printed this lecture on some of it and have it copied here without even having to show up. With the help of paper offices and functionaries we are creating a world where human warmth disappears where nobody can touch anybody else unless it is through the maze of what is called formalities. The German officer who flattered my comrade about his wounded ears thought he could do so because he had torn them and it was part of his job as a functionary so consequently that couldn’t be bad. To summarize one only dies or loves or kills anymore by permit. That is what you call at least I think so a good organization. 4 The crisis is also about the replacement of the real person with the political person. Individual passions are no longer possible only collective passions meaning abstract passions. We are all introduced to politics by agreeing or by force. What counts is not that you respect or spare the suffering of a mother but that a doctrine triumphs. And human pain is no longer a scandal but only a numeral in an addition whose terrible sum total cannot be calculated yet. 5 It is clear that all these symptoms are replicated in one single one which is at once the cult of effectiveness and that of abstraction. This is why today’s European knows only solitude and silence. And that is because he cannot join others with their values that they have in common. Since he is no longer defended by human respect based on his values the only alternative open to him from now on is to be victim or else executioner.†This highly-significant manuscript is in fine condition overall. It has some crossouts red pencil underlining light toning a couple of folded corners horizontal folds on every page and a small stain on the third page. unknown books
书商的参考编号 : 5221
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Albert Camus
Caligula Original English language script for the 1944 play
N.p.: N.p. 1940. Draft English language script of Camus' 1944 play. Ribbon copy typescript on onionskin circa 1940s largely faithful to the 1947 Stuart Gilbert English translation "Caligula and Cross Purpose" but with modifications made apparently for a smaller production. The adaptation includes the removal of incidental characters patricians knights poets guards and servants with their dialogue frequently merged with that of secondary characters the creation of an added "porch" set piece utilized to retain some dialogue otherwise lost the the simplification or removal of more elaborate set pieces and other minor editorial changes. <br/><br/>No information regarding the date or location of the production or intended production nor the translator or editor of this typescript is known.<br/><br/>Begun in 1938 and subject to numerous revisions "Caligula" was finally published in 1944 by Editions Gallimard first jointly with "The Misunderstanding" then alone later the same year. Part of Camus' "Cycle of the Absurd" with the 1942 novel "The Stranger" and the 1942 essay "The Myth of Sisyphus." The play premiered at the Theatre-Hebertot Paris September 9 1945 directed by Paul Oettly starring Gerard Philipe Michel Bouquet and Margo Lion.<br/><br/>Caligula third Roman Emperor Gaius Julius Germanicus after having been missing for three days following the death of his sister and lover Drusilla returns with a belief in 'absolute logic' which incurs the humiliation torture and murder of as many men and women as he can seeking 'total freedom' and leading to his own assassination. <br/><br/>Set in 41 AD Rome. <br/><br/>Beige title wrappers. Title page present with credits for playwright Albert Camus. 80 leaves with last page of text numbered IV--19. Ribbon copy typescript on onionskin rectos only. Pages 5.5 x 8.5 inches Near Fine with light wrinkling on first two leaves wrapper 6.5 x 9.5 inches Very Good plus with splitting on bottom half of spine bound internally with three gold brads. N.p. unknown books
书商的参考编号 : 149802
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Albert Camus
Der Fremde.
Düsseldorf, Karl Rauch Verlag GmbH, 1957. Origi.Pappband mit Schutzumschlag, 8°, 136 Seiten.
书商的参考编号 : 78825
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Albert Camus
La caduta
Albert Camus La caduta. , Garzanti 1966, Copertina e prime pagine, fino alla n17 scollate, presenti lievi fioriture su piatti interni. Pagine in buone condizioni ma lo stato della rilegatura è precario Mediocre (Poor) . <br> <br> <br> 220<br>
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Albert Camus
La caduta
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Albert Camus
La caduta L'esilio e il regno
p. 267
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Albert Camus
La caduta L'esilio e il regno
p. 267
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Albert Camus
The Fall
New York: Alfred A. Knopf 1956. Blue cloth spine with gilt lettering and brown paper boards with star ornaments. Top edge stained red. Owner bookplate on front pastedown. Some light foxing to endpapers. Unpriceclipped dust jacket has sunned spine and light soiling. A major work translated from the French from a great post-war author. First American Edition. Cloth Backed Boards. Good/Fair. 12mo - over 6¾" - 7¾" tall. Trade. Alfred A. Knopf Hardcover books
书商的参考编号 : WN6448
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Albert Camus
The Stranger
Alfred Knopf: New York 1946. First American Edition. Hardcover. Good. First American Edition. Beige cloth boards have minor wear with light dust soiling. Clean has a good binding old name and address Asheville NC is written inside on the front pastedown- no other marks or notations. 154 pages. Foxed endpapers. Alfred Knopf: New York hardcover books
书商的参考编号 : 192354
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Albert Camus Albert Maquet
Albert Camus a Critical Biography
Albert Maquet . The Invincible Summer - Albert Camus Critical Biography New York George Braziller Inc 1958. 1st Edition . 1st printing .Hardcover with dustjacket. An in depth critical Literary & Philosophical memoir of the 1957 Nobel Prize Winner ALBERT CAMUS: by Albert Maquet. size: 5 3/4" by 8 1/2". In very good condition. unknown books
书商的参考编号 : 16882
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ALBERT/KOESTLER ARTHUR CAMUS
Reflexiones sobre la pena de muerte
2007-09-08. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
书商的参考编号 : 8493898570n ???????? : 8493898570 9788493898571
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ALBERT/KOESTLER ARTHUR CAMUS
Reflexiones sobre la pena de muerte
2007-09-08. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be re-issue. May be ex-library. Shipping & Handling by region. Buy with confidence excellent customer service! unknown
书商的参考编号 : 8493898570 ???????? : 8493898570 9788493898571
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Albert: Camus
Lyrical and critical essays. Edited and with notes by Philip Thody. Translated from the French by Ellen Conroy Kennedy
Alfred A Knopf; First American Edition edition 1968 1968-01-01. First Edition. Hardcover. Good. Hardcover with DJ. 1ST AMERICAN EDITION. Ex-Library with usual markings. Text is clean and unmarked. Covers show minor shelving wear with tape where DJ is fixed. Binding is tight hinges strong. Dust jacket shows light edge wear covered with mylar and fixed to covers.; 100% Satisfaction Guaranteed! Ships same or next business day! Alfred A Knopf; First American Edition edition (1968) hardcover
书商的参考编号 : 52006230024
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Albert: Camus
Lyrical and critical essays. Edited and with notes by Philip Thody. Translated from the French by Ellen Conroy Kennedy
Alfred A Knopf; First American Edition edition 1968 1968. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks our motto is: Read More Spend Less. Alfred A Knopf; First American Edition edition (1968) hardcover
书商的参考编号 : GB0034YKCFCI3N01
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Albert; Gallego Urrutia Maria Teresa Trad. Camus
La muerte feliz
2013-01-01. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
书商的参考编号 : 8420684724n ???????? : 8420684724 9788420684727
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Albert; Translated from the French by Hapgood Camus
The First Man
Alfred A. Knopf. Hardcover. VERY GOOD. Light rubbing wear to cover spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy with their stickers and or stamps. Alfred A. Knopf hardcover
书商的参考编号 : 3190079190 ???????? : 0394281284 9780394281285
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Albini C.; Camus R.; Mosso N. et al.
Edlizia moderna.
Milano numero doppio 10/11 1933. 95 pp. ills 4to Occas. foxing. unknown
书商的参考编号 : 417345
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Alfredo Adolfo Camus
Compendio Elemental De Historia Universal alfredo Adolfo Camús. Spanish Edition
Nabu Press 2012-02-27. Paperback. Good. Nabu Press paperback
书商的参考编号 : SONG1275950337 ???????? : 1275950337 9781275950337
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Alfredo Adolfo Camus Hugo Blair Francisco Sanchez
Curso elemental de retorica y poetica 1847
2018. Softcover. New. Size: 17.78 x 24.13 cms Lang: - spanish Pages 317. Reprinted in 2018 with the help of original edition published long back 1847. This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. paperback
书商的参考编号 : PB1111003615936 ???????? : 4444006642491 4444006642
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Alfredo Adolfo Camus Hugo Blair Francisco Sanchez
Curso elemental de retorica y poetica 1847 Hardcover
2018. Hardcover. New. Size: 18.78 x 25.13 cms Lang: - spanish Pages 317. Reprinted in 2018 with the help of original edition published long back 1847. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. hardcover
书商的参考编号 : 1111003615936 ???????? : 8888006990710 8888006990
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Alfredo Adolfo Camus Universidad Literaria de Madrid
Discurso inaugural pronunciado para la solemne apertura del curso de 1843 a . Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - Spanish Pages 21. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
书商的参考编号 : LB1111003149741
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Alfredo Adolfo Camus Universidad Literaria de Madrid
Discurso inaugural pronunciado para la solemne apertura del curso de 1843 a .
2020. Paperback. New. Lang: - Spanish Pages 21. Reprinted in 2020 with the help of original edition published long back . This book is Printed in black & white sewing binding for longer life with Matt laminated multi-Colour Soft Cover HARDCOVER EDITION IS ALSO AVAILABLE Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. paperback
书商的参考编号 : PB1111003149741
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Alfredo Adolfo Camus Universidad Literaria de Madrid
Discurso inaugural pronunciado para la solemne apertura del curso de 1843 a . Hardcover
2020. Hardcover. New. Lang: - Spanish Pages 21. Reprinted in 2020 with the help of original edition published long back . This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
书商的参考编号 : 1111003149741
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Alfredo Adolfo Camus
Discurso Inaugural Pronunciado Para La Solemne Apertura Del Curso De 1843 A 1844 En La Universidad Literaria De Esta Corte 1843 Spanish Edition
Kessinger Publishing LLC 2010-03-19. Paperback. Good. Kessinger Publishing, LLC paperback
书商的参考编号 : SONG1160875588 ???????? : 1160875588 9781160875585
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Allis Frederick S. Jr. Foreword Lambert Barbara Introduction Van cleff Joy and Keller Kate Van Winkle and Camus Raoul Frnco
Music in Colonial Massachusetts 1630-1820 - 1 : Music in Public Places - A conference Held By the Colonial Sciety of Massachusetts May 17 and 18 1973
The Colonial Society of Massachusetts 1980. Hardcover. Very Good. No markings. Sun-fading to dust jacket small tears to edges in a protective cover. Volume 1 only. The Colonial Society of Massachusetts hardcover
书商的参考编号 : 108841
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Alphonse Leduc. camus moyse marcel gaubert beethoven bach jehan alain albeniz bitsch bozza debussy dukas ravel montbrun ibert jo
Musique pour Flûte par Alphonse Leduc : Éditions Musicales 175 Rue Saint-Honoré Paris. Music for Flute ; Musik für Flöte ; Música para Flauta
Paris : Alphonse Leduc 196 1966. Good. Thick pictorial blue boards with white leatherette spine ; small volume ; pages foxed ; this is a catalogue of sheet music for flute offered for sale by the firm of Alphonse Leduc with reproductions of pages from all the works for flute sold under Leduc's aegis ; samples of works by several composers are featured in rare occasions with commentary ; also found are charming illustrations of statues showing musicians in Turkish garb playing various woodwinds ; G Paris : Alphonse Leduc, [196?] hardcover
书商的参考编号 : 1386
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Analis, D., A. Camus, H. Miller et J. Prévert
Mayo. Jeux de mains, de belles et de vilains
Jacques Damase Couverture souple Paris 1978
书商的参考编号 : 29766
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Analis D. A. Camus H. Miller et J. Prevert
Mayo. Jeux de mains de belles et de vilains
Paris: Jacques Damase 1978. Couverture souple. Tr�s bon. Antoine Mayo. In-4. 150 pages. Petite perte de papier au dos. Illustrations de Mayo 1905-1990 ainsi que des textes de Camus Pr�vert etc. Jacques Damase unknown
书商的参考编号 : 29766
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André Heinrich - Jacques Prévert
ALBUM PRÉVERT
Bibliothèque de la Pléiade, Gallimard, Paris 1992. 1 volume de 448 pages, in-12, relié cuir souple, rhodoïd, étui blanc cartonné illustré. 601 illustrations en noir. Album n°31 de la Bibliothèque de la pléiade. Très belle et riche iconographie autour d'un poète majeur du XXeme siècle.
书商的参考编号 : 1051
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Andrée Gotteland Georges Camus
Cadrans solaires de Paris petit in-4,couverture souple,223 pages,nombreuses illustrations.
Guide précieux pour un parcours insolite au temps passé. CNRS éditions 1993
书商的参考编号 : EXP13144
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Andre Le Camus
Hispanis et gallis gratulatio habita Parisiis cum Philippus dux andegavensis hispaniarum rex renuntiatus esset. Auctore Andrea Le Camus Societatis jesu Sacerdote . 1701 FULL LEATHER BOUND
2019. SUPER DELUXE EDITION. New. Antique look with Golden Leaf Printing and embossing with round Spine completely handmade bindingextra customization on request like Color Leather Colored book special gold leaf printing etc. Reprinted in 2019 with the help of original edition published long back 1701. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure in old look so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - Latin Pages 85. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED. Normal Hardbound Edition is also available on request. unknown
书商的参考编号 : SD1111006641188
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Andre Le Camus
Hispanis et gallis gratulatio habita Parisiis cum Philippus dux andegavensis hispaniarum rex renuntiatus esset. Auctore Andrea Le Camus Societatis jesu Sacerdote . 1701 Leather Bound
2019. Leather Bound. New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back 1701. This book is printed in black & white sewing binding for longer life Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - Latin Pages 85. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. FOLIO EDITION IS ALSO AVAILABLE. hardcover
书商的参考编号 : LB1111006641188
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Andre Le Camus
Hispanis et gallis gratulatio habita Parisiis cum Philippus dux andegavensis hispaniarum rex renuntiatus esset. Auctore Andrea Le Camus Societatis jesu Sacerdote . 1701 Hardcover
2020. Hardcover. New. Lang: - Latin Pages 85. Reprinted in 2020 with the help of original edition published long back 1701. This book is Printed in black & white Hardcover sewing binding for longer life with Matt laminated multi-Colour Dust Cover Printed on high quality Paper re-sized as per Current standards professionally processed without changing its contents. As these are old books we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set then it is only single volume if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Any type of Customisation is possible with extra charges. Hope you will like it and give your comments and suggestions. hardcover
书商的参考编号 : 1111006641188
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Andreatta Daniela
Vivere senza appello. La scommessa di Camus
br. Il libro ricostruisce il percorso che porta Camus a cercare una via di uscita dall'assurdo e dalle conseguenze nichiliste in esso implicate. Sulle forme e sugli esiti del superamento dell'assurdo verte la parte centrale del saggio, volta ad analizzare la struttura dialettica della rivolta, l'ambiguo nesso che si viene a creare tra rivolta e movimento rivoluzionario, il risultato totalitario derivante da un uso costante e metodico della violenza. Nella messa a punto di una politica basata sull'idea di limite si riassume la scelta antistoricista e antiassolutista di Camus. Nel sottolineare la funzione cruciale che l'opposizione tra totalitarismo e federazione svolge nel socialismo antiautoritario dello scrittore, il saggio intende mostrare come la suddetta antitesi, col suo carico di istanze antisovraniste, resti un tema costante, destinato a giocare un ruolo di rilievo nel modo stesso in cui Camus affronta la questione algerina.
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Anne Camus
ABC de la généalogie analytique Comment faire parler la mémoire de vos aïeux
Grancher 2007 Broché - Couverture glacée illustrée éditeur 418 pages Très bon état 530 g
书商的参考编号 : 0861
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Annie Cohen-Solal - Jean-Paul Sartre
ALBUM SARTRE
Bibliothèque de la Pléiade, Gallimard, Paris 1991. 1 volume de 320 pages, in-12, relié cuir souple, rhodoïd, étui blanc cartonné illustré. 345 illustrations en noir. Album n°30 de la Bibliothèque de la pléiade.
书商的参考编号 : 1050
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Anne-Isabelle Queneau
ALBUM QUENEAU
Bibliothèque de la Pléiade, Gallimard, Paris 2002. 1 volume de 319 pages, in-12, relié cuir souple, rhodoïd, étui cartonné illustré en couleur. 321 illustrations en noir. Album n°41 de la Bibliothèque de la pléiade.
书商的参考编号 : 1061
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Annales - Economies / Sociétés / Civilisations - Revue bimestrielle publiée avec le concours du C.N.R.S et de l'Ecole des Hautes Etudes en Sciences Sociales - Ed Armand Colin
Annales - Economies / Sociétés / Civilisations - Revue bimestrielle publiée avec le concours du C.N.R.S et de l'Ecole des Hautes Etudes en Sciences Sociales - Ed Armand ColinSociologie de l'Hôpital ( Nicolas Dodier, Agnès Camus ) - La ville italienne 14ème-17ème siècles ( Philippe Braunstein, Donatella Calabi ) - Le droit, la politique et la monarchie française ( Fanny Cosandey, Francesco Di Donato ) - L'hindouisme aujourd'hui ( Jackie Assayag, Denis Vidal ) La révolution française
In-8 - 52ème année N°4 - Juillet / Août 1997
书商的参考编号 : 38183
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Anne Camus Catherine Lux Tomomi Nanri
tokyo
Jika. Used - Good. Ships from the UK. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities. Jika unknown
书商的参考编号 : GRP101684849 ???????? : 290606100x 9782906061002
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anonyme / COLLECTIF
Cahiers de chansons de Jean Louis POSTOLLEC et Jean LA PIPE , quartiers-maitres à bord de la Scabreuse.
sans lieu ,sans date( vers 1930), in Folio en feuilles sous chemise cartonnée à rabats ,24 chansons illustrées au pochoir ,en doubles feuilles repliées (4p.) , une signature : Camus Joseph,chemise illustrée sur le 1er plat , listes des chansons sur les rabats interieurs Rare recueil de chansons gaillardes de marins, illustré par Bernard Roy ?.
书商的参考编号 : 2994
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Anonyme ; [ CAMUS, Armand Gaston ; BANCAL, Jean Henri ; QUINETTE ; LAMARQUE ]
Rapports des Représentans du Peuple Camus, Bancal, Quinette, Lamarque, Envoyés par la Convention nationale, conjointement avec le général et ministre de la guerre Beurnonville, à l'Armée du Nord, par décret du 30 mars 1793 ; et du Représentant du peuple Drouet, Lus au Conseil des Cinq-cents les 22, 23 et 27 Nivôse, l'an 4 de la République française, une et indivisible [12 à 17 janvier 1796]
1 vol. in-8 reliure XIXe demi-basane verte, De l'Imprimerie Nationale, Pluviôse, l'An IV, VII-171 pp. Rappel du titre complet : Rapports des Représentans du Peuple Camus, Bancal, Quinette, Lamarque, Envoyés par la Convention nationale, conjointement avec le général et ministre de la guerre Beurnonville, à l'Armée du Nord, par décret du 30 mars 1793 ; et du Représentant du peuple Drouet, Lus au Conseil des Cinq-cents les 22, 23 et 27 Nivôse, l'an 4 de la République française, une et indivisible
书商的参考编号 : 66069
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Anonymous Johann Theodor de Bry Armand Gaston Camus
Memoire sur la collection des grands et petits voyages edited by T. de Bry and by J. T. and J. I. de Bry respectively et sur la collection des . par A. G. Camus etc. French Edition
British Library Historical Print Editions 2011-06-22. Paperback. Good. British Library, Historical Print Editions paperback
书商的参考编号 : SONG124174467X ???????? : 124174467X 9781241744670
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ANOUILH Jean SARTRE Jean Paul CAMUS Albert and GIRAUDOUX Jean.
Four Contemporary French Plays: Antigone No Exit Caligula The Madwoman of Chaillot ML 90.
NY:: Modern Library. Very Good in Very Good dust jacket. 1967. Hardcover. Modern Library number 90. Translated from the French. Introduction by Ruby Cohn. Stated first edition. Very good in a very good a short closed edge tear and a tiny chip along the bottom edge of the front panel price clipped dust jacket. . Modern Library, hardcover
书商的参考编号 : 81651
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Anouilh Jean; Sartre Jean Paul; Camus Albert; Giraudoux Jean
FOUR CONTEMPORARY FRENCH PLAYS
New York: Modern Library / Random House. 1967. Modern Library Edition. Hardcover. Very Good in a Very Good price clipped dust jacket. Ink stain to FEP. Minor wear to jacket. ; 16mo 6" - 7" tall; Original dust jacket protected by archival Brodart cover. All domestic orders shipped protected in a Box. . Modern Library / Random House hardcover
书商的参考编号 : 49305
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