‎Cocteau jean‎

‎Jean COCTEAU‎

‎Poèmes. Léone - Allégories - La crucifixion - Neiges.‎

‎Cartonnage de l'éditeur réalisé d'après la maquette originale de Mario Prassinos. Dos légèrement jauni.‎

‎Paris Gallimard 1948 153 pp. In-12 Cartonné. En bon état. 1 volume. TIRAGE LIMITÉ. Un des 1 040 exemplaires numérotés sur Alfa Navarre.‎

Referentie van de boekhandelaar : 85586

‎Jean COCTEAU‎

‎Poésie 1916-1923‎

‎Couverture souple imprimée avec petites piqures.Tome 1 : Le Cap de Bonne-Espérance - Discours du grand SommeilTome 2 : Poésies - Vocabulaire - Plain-Chant‎

‎Paris Gallimard 1925 Tome 1 : 235 pp. Tome 2 : 239 pp. In-8 couronne. Brochés. Bel état. 2 tomes. ÉDITION en partie ORIGINALE. Un des 362 exemplaires numérotés sur vélin pur fil Lafuma-Navarre. Le tome 2 est non justifié.‎

Referentie van de boekhandelaar : 83606

‎Jean COCTEAU‎

‎Prière mutilée‎

‎Couverture souple orange rempliée. Vignette imprimée sur la couverture.‎

‎Paris Éditions des Cahiers libres 1925 Non paginé (32 pp.) In-12 carré. Broché. En bon état. 1 volume. Collection de l'Horloge.ÉDITION ORIGINALE LIMITÉE à 175 exemplaires. Un des 150 exemplaires numérotés sur vélin Hollande Rives, deuxième papier.‎

Referentie van de boekhandelaar : 82777

‎Jean COCTEAU‎

‎Souvenir de Jean Giraudoux‎

‎Couverture souple.‎

‎Paris Chez Jacques Haumont 1946 22 pp. Plaquette in-12. Broché. Bel état. 1 volume. ÉDITION ORIGINALE. Un des 1 000 exemplaires numérotés sur vélin blanc du Marais, seul grand papier.‎

Referentie van de boekhandelaar : 82845

‎Jean COCTEAU‎

‎Vocabulaire. Poèmes.‎

‎Couverture beige. Intérieur avec rousseurs éparses.‎

‎Paris Editions de la Sirène 1922 104 pp. In-12. Broché. Bon état. 1 volume. ÉDITION ORIGINALE. Celui-ci un des 1100 exemplaires numérotés sur papier alfa vélin d'Écosse.‎

Referentie van de boekhandelaar : 5484

‎Jean COCTEAU, Jean GENET‎

‎Querelle de Brest‎

‎Sous e?tui et chemise cartonne?s d?e?diteur a? cordonnets. Illustre?e de 29 lithographies originales de Jean COCTEAU a? pleine page. Non coupe?.‎

‎Sans lieu d'édition. Sans mention d'éditeur. (1948) 305 pp. In-4. En feuilles Fort bien conservé dans sa chemise d?origine. 1 volume. E?DITION ORIGINALE LIMITE?E a? 525 exemplaires strictement hors-commerce. Celui-ci un des 460 nume?rote?s sur ve?lin a? la forme.Querelle de Brest : l'alliance entre la plume de Jean Genet et le trait de Jean Cocteau. Un roman culte sur la beauté du vice et l'érotisme des bas-fonds.‎

Referentie van de boekhandelaar : 85208

‎Jean Bonicel - (Jean Cocteau) - Collectif‎

‎Arcadia n.16 - Hommage a Jean Cocteau‎

‎Numero 16 de cette revue litteraire et artistique editee a Beziers, 1955. Format 13x18 cm, broche, 51 pages. Couverture abimee, interieur intact.Etat acceptable.‎

Referentie van de boekhandelaar : 31088

‎Jean COCTEAU‎

‎" Bref tout un ordre ou un désordre qui m'empêchent d'écrire surtout sur un tel sujet. mais vous le voyez je forme à demi mes lettres."" • Autograph letter addressed to the writer and journalist Olivier Quéant about his ailing condition‎

‎Milly-la-Forêt 1951. Fine. Milly-la-Forêt 7 Février 1951 21 x 27 cm une page Autograph letter signed by Jean Cocteau addressed from his house in Milly-la-Forêt 15 lines in black ink to Olivier Quéant. Traces of folds inherent to postal mailing. ""Milly Février 1951 7 Très cher Quéant Pardonnez moi. Je traverse une crise très pénible de santé. L'opération a redéclenché les symptomes de mes supplices de la Belle et la Bête. Les médécins s'y perdent et je vais être tenu de changer de climat. Bref tout un ordre ou un désordre qui m'empêchent d'écrire surtout sur un tel sujet. Je sais que vous m'aimez bien et me comprendrez. S'il s'agissait de plusieurs mois peut-être tenterai-je la chose mais vous le voyez je forme à demi mes lettres. Tt coeur à vous. JeanC."" ""Milly February 1951 7 Very dear Quéant Forgive me. I am going through a very painful health crisis. The operation has triggered again the symptoms of my torments from Beauty and the Beast. The doctors are at a loss and I will have to change climate. In short a whole order or disorder that prevents me from writing especially on such a subject. I know that you care for me and will understand. If it were a matter of several months perhaps I would attempt the thing but as you can see I can barely form my letters. All my heart to you. JeanC."" unknown‎

Referentie van de boekhandelaar : 85222

‎Jean COCTEAU‎

‎""Le merveilleux païen"" - Manuscrit original autographe signé‎

‎1946. Fine. ""Ainsi les dieux grecs nous visitent encore et nous sentons autour de nous une tempête d'ailes un remous de merveilleux païen cette foule turbulente qui va de Zeus à Mercure et s'abat sur nos places publiques comme à Venise les pigeons de Saint-Marc"" Thus the Greek gods still visit us and we feel around us a storm of wings a stirring of pagan marvels this turbulent crowd that goes from Zeus to Mercury and swoops down on our public squares like the pigeons of Saint Mark's in Venice 1946 20.60 x 26.80 cm trois pages et une paperolle tapuscrite Autograph manuscript signed by Jean Cocteau entitled ""Le merveilleux païen"" 3 pages in black and blue ink on three leaves multiple rewritings and crossed-out passages. Accompanied by a typewritten bibliographical reference on paper. Pencil note by a previous bibliographer on the outer margin of the first leaf. Published in Plaisir de France no. 122 13th year December 1946 p. 18. Superb praise of ancient Greek culture and its theatrical pantheon of idols. Cocteau draws from his symbols to understand the modern world and compares Hollywood to the Olympus of old. Cocteau collaborates here in the issue of Plaisir de France devoted to ""Le Merveilleux dans l'Art et dans la Vie"" alongside Supervielle and Marcel Aymé. Fascinated from his beginnings by ancient mythology which floods his theatrical works Antigone Orphée La Machine Infernale. he writes a declaration of love to this blessed time when ""there existed a perpetual contact between human acts and their symbols"" when the marvellous was part of daily life. Numerous corrections mark the manuscript including the very title of the article which Cocteau had originally baptized ""L'Olympe"". Faithful to his mythological alter ego Orpheus who charms with his lyre and verses he will choose the shimmering tapestry ""Orphée et les Muses"" by Lucien Coutaud to illustrate this article. ""A cause du mécanisme moderne qui permet de reproduire le rare à d'innombrables exemplaires le rare se meurt et entre autres on fait du mot merveilleux un emploi abusif mot biffé. Le merveilleux cesse de l'être s'il se désingularise et l'on a une tendance à le confondre avec tout ce qui nous étonne encore : la radio la vitesse la bombe atomique. Or le merveilleux se trouve beaucoup plus en nous que dans les objets qui nous surprennent. Le véritable merveilleux c'est la faculté d'émerveillement qui s'émousse si vite chez l'homme. L'enfance le quitte. Il se blinde contre elle. Il juge il préjuge. Il repousse l'inconnu phrase biffée. S'il laisse agir en lui cette faculté atrophiée c'est pour fuir les fatigues qu'il s'impose. Il en use comme d'une drogue et se plonge pour quelques heures dans un livre ou dans un film. L'antiquité c'est l'enfance du monde. L'âge où l'enfance interroge et se meut dans un univers peuplé d'énigmes mot biffé. Les dieux grecs sont des oiseaux qui se posent sur leurs propres statues. Il y vivent à la mode des pigeons de nos squares. Il y observent les hommes qu'ils imitent ou qui agissent à leur exemple. Il existait donc un perpétuel contact entre les actes humains et leurs symboles qui se formaient tout de suite et devenaient des réalités. Deux mondes se superposent et se compénètrent. Phrase biffée Rien ne frappe en arrivant à Athènes comme cette familiarité d'une religion toujours pareille de siècle en siècle de peuple en peuple qui cette fois prenait un style de théâtre. Il fallait un décor où puissent jouer leurs drames et leurs comédies les acteurs aimés du public véritables vedettes de l'Olympe espèce d'Hollywood peuplé d'emplois divers de tragédiens de mimes de comiques et de belles filles plus ou moins mariées ensemble que la foule adore et auxquels on envoie des lettres et des cadeaux. Le moindre signe ""merveilleux"" du miracle grec relève d'un réalisme et c'est ce qui lui vaut un contact rapide. Et de même que passage biffé les yeux morts de la tête de Méduse unknown‎

Referentie van de boekhandelaar : 87145

‎Jean COCTEAU‎

‎"cette étrange foire d'empoigne à laquelle j'essayai de donner quelque grâce"" • Autograph letter signed to his friend Carlo Rim about the 1954 Cannes Film Festival of which Jean Cocteau chaired the jury‎

‎s. l.: S. n. 1954. Fine. S. n. s. l. 27 avril 1954 21 x 27 cm une feuille Autograph letter signed by Jean Cocteau president of the jury of the 1954 Cannes festival which was held from March 25 to April 9 addressed to his friend Carlo Rim 17 lines in blue ink : ""cette étrange foire d'empoigne à laquelle j'essayai de donner quelque grâce"" ""this strange free-for-all to which I tried to give some grace"" Jean Cocteau further praises Carlo Rim's impartiality and clairvoyance: ""Je dois te dire ma reconnaissance pour ton oeil qui savait voir au dessus du lieu."" ""I must tell you my gratitude for your eye which knew how to see above the place."" and denounces the struggles of influence troubling and surrounding the awarding of prizes of which he bore the brunt : ""Le plus drôle c'est que ma dernière tentative de justice dérangeait encore de combinés - l'entourage de Clément ""The funniest thing is that my last attempt at justice still disturbed some schemes - Clément's entourage"" This refers to René Clément who was competing that year with Monsieur Ripois il n'y est pour rien espérant un scandale publicitaire annulé par le prix spécial. Les petits copains que tu connais dirent qu'on m'avait téléphoné de ordres sic."" ""he has nothing to do with it hoping for a publicity scandal cancelled by the special prize. The little friends you know said that I had been telephoned orders."" Satisfied to be rid of this cumbersome burden Jean Cocteau nonetheless advises his friend Carlo Rim jury member to be vigilant for the next edition of the festival: ""Le jeu n'étant pas la chandelle. L'année prochaine ouvre ""l'oeil"" sur le travail de mon successeur. il aura bonne mine comme on dit."" ""The game not being worth the candle. Next year keep an 'eye' on my successor's work. He will look good as they say."" In his letter Jean Cocteau mentions René Clément who was competing that year with ""Monsieur Ripois"" which thus obtained to the great joy and instigation of René Clément's entourage the grand jury prize ""Gate of Hell"" by Teinosuke Kinugasa winning the grand prize. Fold marks inherent to postal mailing. Provenance: from the Carlo Rim collection. Carlo Rim was a Provençal writer author notably of ""Ma belle Marseille"" a caricaturist a filmmaker: ""Justin de Marseille"" ""L'armoire volante"" ""La maison Bonnadieu"" and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. S. n. unknown‎

Referentie van de boekhandelaar : 83066

‎Jean COCTEAU‎

‎"Il m'est encore impossible d'entrer dans les détails d'un long drame intime sans mettre en cause certaines personnes qui sont davantage des victimes du destin que véritablement responsables. Cette longue et triste histoire m'oblige à vivre loin de ce Santo Sospir dont les murs témoignent d'une amitié de quatorze ans."" • Autograph letter to a friend about a broken friendship and his plans to decorate the chapel of Our Lady of Jerusalem in Fréjus‎

‎Fréjus 1963. Fine. Fréjus 17 Avril 1963 21.50 x 27.50 cm une page Autograph letter dated and signed by Jean Cocteau 20 lines in black ink on letterhead of the committee for the edification of the chapel of Notre-Dame de Jérusalem de Fréjus. Fold marks inherent to postal dispatch one tear in left margin of the letter at the level of the fold. Jean Cocteau offers profuse apologies while acknowledging mitigating circumstances regarding the emotional burden overwhelming him: ""J'accepte vos reproches avec beaucoup de honte. Mais si je pouvais vous raconter la période que je traverse votre coeur me comprendrait et m'absoudrait."" ""I accept your reproaches with great shame. But if I could tell you about the period I am going through your heart would understand and absolve me."" due to a recently deceased friendship about which he does not wish to reveal more: ""N'en parlons plus et priez pour moi."" ""Let us speak no more of it and pray for me."" Jean Cocteau prefers to discuss his projects: ""Actuellement je me consacre à mon travail de la chapelle du Saint-Sépulcre. Quand je l'aurai construite peinte et rendue digne des chevaliers de Jérusalem je me remettrait sic peut-être à écrire."" ""Currently I am devoting myself to my work on the chapel of the Holy Sepulchre. When I have built it painted it and made it worthy of the knights of Jerusalem I will perhaps start writing again."" and the prospects that delight him: ""Il est probable que je resterais après Pâques à Fréjus où les organisateurs m'offrent une petite villa."" ""It is likely that I will remain after Easter in Fréjus where the organizers are offering me a small villa."" unknown‎

Referentie van de boekhandelaar : 86003

‎Jean COCTEAU‎

‎"J'accepte d'être en secret mis à ma place et publiquement remis à ma place."" • Signed autograph letter exceptional prefiguration of his epitaph‎

‎Saint-Jean-Cap-Ferrat 1953. Fine. Saint-Jean-Cap-Ferrat 29 Août 1953 21 x 27 cm une page Autograph letter dated and signed by Jean Cocteau 26 lines in blue ink to Olivier Quéant editor of the magazine Plaisir de France sent from villa Santo-Sospir. Fold marks inherent to postal handling. Quéant journalist and notably editor of the magazine Plaisir de France maintained a fine friendly and literary correspondence with the writer. He notably delivered a glowing review of Antigone at its premiere in 1944: ""depuis Racine l'on avait rien écrit d'aussi beau d'aussi grand et d'aussi profondément humain"" since Racine nothing so beautiful so great and so profoundly human had been written L'Illustration. Jean Cocteau at the twilight of his life rebels and complains about his diminished and merely symbolic role in French theater of the 1950s. The second sentence of this letter will be taken up almost word for word in the famous verses of his longest poem Requiem 1962: ""Il est juste qu'on m'envisage / Après m'avoir dévisagé"" It is right that I should be considered / After having been stared at which will also serve as his epitaph. Despite official recognition Cocteau felt until his death ""méconnu inconnu invisible"" misunderstood unknown invisible Jean Cocteau sur le fil du siècle 2003 - a malaise masterfully expressed through these lines. ""Voilà plusieurs années que j'accepte d'être en secret mis à ma place et publiquement remis à ma place. Bref de n'être pas envisagé mais dévisagé. Il est beau de recevoir des lettres ""retournées"" où Anouilh me dit ""Sans vos pièces je n'aurais pas écrit une ligne des miennes"" et Giraudoux ""Rilke avait raison. Nos figures blanches à côté du hâle de tes séjours dans l'antiquité."" Il est beau d'être comme le Pisanelle - enterré sous les roses ."" For several years I have accepted being secretly put in my place and publicly put back in my place. In short not being considered but stared at. It is beautiful to receive ""returned"" letters where Anouilh tells me ""Without your plays I would not have written a line of mine"" and Giraudoux ""Rilke was right. Our pale faces beside the tan of your sojourns in antiquity."" It is beautiful to be like Pisanello - buried under roses . Interesting and touching missive from Cocteau with disordered and furious handwriting twisting and stretching in the manner of a calligram. unknown‎

Referentie van de boekhandelaar : 88024

‎Jean COCTEAU‎

‎"je crois que nous en obtiendrons un très bel objet."" • Autograph letter dated and signed concerning a painting he has almost finished‎

‎Saint-Jean-Cap-Ferrat 1952. Fine. Saint-Jean-Cap-Ferrat 8 Novembre 1952 21 x 27 cm une page Autograph letter dated and signed by Jean Cocteau 15 lines in blue ink addressed to a friend from Saint-Jean-Cap-Ferrat about a painting he is about to complete. Fold marks inherent to postal delivery. Jean Cocteau questions his correspondent about the shipping arrangements for his work which he plans to finish the day after writing this letter: ""Should I bring it back to Paris or send it elsewhere if that suits you The best would be to remove the canvas from its frame and roll it. Please be so kind as to reply quickly so that I can prepare the packaging."" ; he briefly describes the work: "". will be 92 cm in height and 1 m 26 wide. It appears as if it were in flat tints and there is not a single flat surface. I even leave some sunken areas that form dark patches."" unknown‎

Referentie van de boekhandelaar : 87645

‎Jean COCTEAU‎

‎"New York n'aime ni s'asseoir si s'étendre. C'est une ville qui dort debout."" • Handwritten sheet autograph signed by the initials‎

‎1949. Fine. Cocteau fascinated by New York the ""city that sleeps standing"" 17 janvier 1949 14.90 x 19.50 cm un feuillet Initialed autograph manuscript by Jean Cocteau entitled ""L'Aurore"" dated by the author 17 January 1919. One page on one leaf written in blue pen. Published in L'Aurore 19 January 1949 no. 1353. Jean Cocteau wrote this dazzling portrait of the city that never sleeps for the newspaper L'Aurore after a twenty-day stay in New York. The writer would later extend this account with his 'Lettre aux Américains' Grasset 1949 taking up some of the words and expressions written on the spot in this charming manuscript. According to legend Cocteau began writing his 'Lettre aux Américains' on the flight home. One can imagine the writer eyes still shining with the lights of the city jotting down his first impressions on this page: ""It's very difficult to speak in a few lines about a city like New York. Did my trip last twenty days or twenty years I wonder . Nothing is lighter than the air of New York. Too light. Everything swirls. What rests and settles is very rare. The skyscrapers themselves sway slightly at the top and the light shines through them like tulle. At night Broadway is plagued by frightful electrical tics. And luminous Christmas trees six stories high adorn Park Avenue."" Cocteau had flown to New York in the last days of December 1948 for the premiere of The Eagle with Two Heads starring Edwige Feuillère as the Queen and his great love Jean Marais as the young anarchist poet. He hoped to convince the great actress Greta Garbo to play a role in one of his next films: ""It was the first time I'd spent New Year's Eve away from my city and I'm lucky when the clock struck midnight to be kissing Greta Garbo whose face is more and more admirable."" The writer ends the manuscript with a masterful ode to the New York way of life: ""There are sitting cities. There are cities that lie down. New York likes neither to sit nor to lie down. It's a city that sleeps standing."" In New York Cocteau found the perfect match for his own creative energy. During this short stay he posed for Philippe Halsman who had been commissioned by LIFE magazine to ""capture on camera what goes on inside a poet's mind"". Halsman's emblematic portraits - a janiform double profile or as a monster-magician with three pairs of hands smoking drawing and reading - caught the likeness of the surprisingly varied artist with incomparable accuracy. Precious impressions of a dandy and protean Cocteau irresistibly drawn to New York's bustling energy. unknown‎

Referentie van de boekhandelaar : 86662

‎Jean Cocteau‎

‎A The White Paper‎

‎Paris: Olympia Press 1957. First edition thus. 12mo. 93 pp. Very Good. Slight shelfwear to extremities of wraps. Traveller's Companion #51. Paperback. Very Good. Olympia Press paperback‎

Referentie van de boekhandelaar : h00403

‎Jean Cocteau (to Jean Marais)‎

‎An autograph love letter from Jean Cocteau to Jean Marais‎

‎Paris 1940. A beautiful love letter from Jean Cocteau 1889-1963 to Jean Marais 1913-1998 a movie star director both film and theatre painter sculptor writer and photographer--and Cocteau's lover from 1937 to 1947. When the letter was sent in April or May of 1940 Marais was mobilized in the French army. Aside from expressing his love for Marais Cocteau also discusses his work with Colette 1873-1954 with whom he had spent the evening on a play based on "Chéri" in which Cocteau plans to cast Marais. 27 x 21 cm. About 200 words written very legibly in black ink. On very good wove paper with no signs of aging. While Cocteau made little effort to hide his homosexuality he didn't sign the letters he sent to Marais during the war.just in case. THIS LETTER IS PUBLISHED IN FULL in "Jean Cocteau: lettres à Jean Marais." Paris: Albin Michel 1987 p. 132. In excellent condition. <br/><br/> unknown‎

Referentie van de boekhandelaar : 39190

‎Jean Cocteau Rikie Suzuki‎

‎Anthology of Cocteau plays Complete set of 3 volumes <Japanese Version>‎

‎Shiromizu-sha 1959. Soft Cover. Fine. Number of books: 3 Shiromizu-sha paperback‎

Referentie van de boekhandelaar : 2092902139203247

‎Jean COCTEAU‎

‎Appogiatures - Manuscrit autographe d'une version primitive en partie inédite • Appogiatures - Autograph manuscript of an early version partly unpublished‎

‎Saint-Jean-Cap-Ferrat 1952. Fine. Saint-Jean-Cap-Ferrat août 1952 20.80 x 34 cm 52 pages Autograph manuscript by Jean Cocteau early version of the poetry collection Appogiatures - published in 1953 by Éditions du Rocher in Monaco - comprising 47 leaves of thick paper taken from a large drawing pad and 5 smaller leaves of thin paper written in blue ink and blue ballpoint pen. Numerous deletions and corrections. The leaves are numbered up to 25 including one number 8 bis and most bear a small cross or the mythical Cocteau star. The last leaf containing the poem titled ""Lettre"" is dated in the poet's hand August 15 1952. Also in Cocteau's hand the first leaf bears the final title above which is crossed out the initially envisaged title - Soucoupes volantes - the date 1952 and the place - St Jean Cap Ferrat; it also features a crossed-out dedication: ""À la mémoire de Baudelaire et de Max Jacob qui nous apprirent ces exercices de style."" While the collection clearly shows the influence of Baudelaire's Petits Poèmes en prose and Max Jacob's Le Cornet à dés this tribute was not retained in the published version and was replaced by a dedication to the publisher Henri Parisot. An exceptional ensemble containing 33 of the 51 published poems 11 texts rejected on the advice of publisher Henri Parisot and published in ""En marge d'Appogiatures"" Œuvres poétiques complètes de la Pléiade pp. 818-831 and 6 unpublished texts. David Gullentops in the edition of Jean Cocteau's Œuvres poétiques complètes in the Pléiade notes the existence of a second set of manuscripts and typescripts preserved at the Bibliothèque Historique de la Ville de Paris BHVP. He further indicates that he had access to no manuscript of the poem ""Lanterne sourde."" Yet this poem is indeed part of our ensemble which would thus be the first version of the collection envisioned by Cocteau. Jean Cocteau began writing this collection of poems in verse and prose commissioned by his friend the publisher Henri Parisot at the end of July 1952 while staying at Saint-Jean-Cap-Ferrat in Francine Weisweiller's Villa Santo-Sospir. The first version of the collection was completed in mid-August as attested by the two dates on our manuscript ""août 1952"" and ""15 août 1952"" and this entry in Cocteau's diary: ""J'ai terminé la mise au point des courts poèmes en prose pour Parisot. Il y en aura vingt-six à moins que le mécanisme continue ce que je ne souhaite pas car à la longue ces exercices d'écriture illustrés par Baudelaire et Max Jacob fatiguent."" Le Passé défini Tome 1 1951-1952 August 14 1952. Our ensemble would thus be a mixture of the first poems sent to Henri Parisot written with a pen and several added texts written with a ballpoint pen. This hypothesis is supported by the writing of the final title Appogiatures on the title page of our manuscript; Cocteau relates this change again in his diary dated August 29 1952: ""Ai . classé les poèmes pour Parisot sous le titre : Appogiatures."" Our early manuscript version contains significant variants concerning the titles of the poems; thus the poem ""Livre de bord"" was initially titled ""Le Spectacle"" likewise for ""Au poil"" for which Cocteau had previously chosen ""La langue française"" or ""Le tableau noir"" originally titled ""Le lièvre et la tortue."" The order of the poems was also considerably modified for printing: our ensemble shows that Cocteau wished to begin the collection with ""Le voyageur"" which would finally be replaced by ""Seul"" and moved to second position. Also noteworthy in our dossier is the presence of eight poems entirely in verse: these would be removed Appogiatures becoming a collection exclusively in prose. The ensemble heavily deleted and corrected also presents long passages suppressed in the published version for example this very beautiful extract from the poem ""Scène de ménage"" evoking the ""countess"" Francine Weisweiller: ""Et les larmes de la comtesse se disaient : nous sommes la mer. Et la mer se unknown‎

Referentie van de boekhandelaar : 83726

‎Jean Cocteau‎

‎Art and Faith: Letters Between Jacques Maritain and Jean Cocteau‎

‎Hardback. New. hardcover‎

Referentie van de boekhandelaar : A9781258067694 ISBN : 1258067692 9781258067694

‎Jean COCTEAU‎

‎Autoportraits de l'acrobate‎

‎Montpellier: Fata MorganaEdouard Dermit 1995. Fine. Fata Morgana Edouard Dermit Montpellier 1995 14.50 x 22.50 cm broché First edition one of 33 numbered copies on Johannot wove paper head print. Illustrated book of 4 drawings by the author. Beautiful copy. Fata MorganaEdouard Dermit unknown‎

Referentie van de boekhandelaar : 46199

‎Jean Cocteau; R M Hammond [Editor]‎

‎Beauty and the Beast: Scenario and Dialogs French and English Edition‎

‎New York University Press 1970-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! New York University Press hardcover‎

Referentie van de boekhandelaar : Q-0814733573 ISBN : 0814733573 9780814733578

‎Jean Cocteau/Written by Yoshizo Kawamori/Translated by Kadokawa Shoten‎

‎charlatan toma‎

‎Not Available 1989. Soft Cover. Fine. The book is in fine condition. Not Available paperback‎

Referentie van de boekhandelaar : 2090502113713462

‎Jean Cocteau‎

‎Children of The Game‎

‎London: The Harvill Press 1955. 1st Thus. Hardcover. Fine/Very Good. O271. The Author. Translated by Rosamund Lehmann. 1st printing. DJ complete very grubby. The Harvill Press hardcover‎

Referentie van de boekhandelaar : 039379

‎Jean Cocteau‎

‎Colette - Dedicated with an Illustration By Cocteau‎

‎France: Grasset 1955 120 pp.; Exemplar 313 out of 455; The book is inscribed on front page "Salut bien amical de jean cocteau 1958" with the star signature and contains a drawing by him - all in blue pen. Uncut; minor wear to cover; else in good condition. Size: 22 cm Tall Grasset paperback‎

Referentie van de boekhandelaar : 4801

‎Jean Cocteau‎

‎Copiii teribili BPT 1407‎

‎Minerva 1994. Used. 1994; Romanian Edition of Copiii teribili BPT 1407; For more details please contact me Minerva unknown‎

Referentie van de boekhandelaar : feb12033