‎Bibliographie‎

‎RÜMANN, Arthur‎

‎Alte deutsche Kinderbücher. Mit Bibliographie und 150 Bildtafeln.‎

‎Wien, Leipzig, Zürich, Herbert Reichner, 1937. 1. Aufl., 101 (1) SS., 150 Tafeln. Orig.-Leinen, Orig.-Schutzumschlag, 8°‎

‎Gut erhaltenes Exemplar, Nr. 266 von 500 Explen.‎

书商的参考编号 : 14412

‎RÜMANN, Arthur‎

‎Das illustrierte Buch des XIX. Jahrhunderts in England, Frankreich und Deutschland 1790-1860. Photomechanischer Nachdruck der Ausgabe Leipzig 1930. (Mit 235 Abb.) -‎

‎Osnabrück: Ivon Illmer 1975. 380 Ss., 2 Bll. Gr.8°. Dunkelblaues Ln. mit silbergeprägt. Rückentitel u. silbergeprägt. Deckelillustration.‎

‎Einmaliger photomechanischer Nachdruck der Ausgabe des Insel-Verlages, Leipzig 1930, Nr. 469 von 500 Exemplaren. - "Nach einem kurzen Überblick über die kulturellen Grundlagen ist die Kunst jedes der drei Länder in einem in sich abgeschlossenen Kapitel entwicklungsgeschichtlich dargestellt. ... Nicht berücksichtigt werden konnte die Masse der topographischen und Reisewerke sowie die mit Vignetten geschmückten Musikalien. Um an einzelnen Beispielen nachzuweisen, wieviel Probleme der Lösung harren, habe ich in einem bibliographischen Kapitel die illustrierten 'Standard Works' aufgezählt. Es soll ebenso wie manche stilkritischen Hinweise nur Anregung sein. Die Illustrationen sollen für jedes Land einen geschlossenen bildhaften Überblick geben." (Vorwort S. 5). Die 'Bibliographie einiger illustrierter Hauptwerke' verzeichnet Werke zu Cervantes (Don Quichotte), Chamisso (Schlemihl), Dante, Goethe (Faust), Goldsmith (Vicar of Wakefield) und Le Sage (Gil Blas), ferner illustrierte Münchhausen-Ausgaben, Robinson-Ausgaben und Robinsonaden; ferner mit ausführlichem Literaturverzeichnis und Künstler-Register. - Arthur Rümann (1888-1963), Kunsthistoriker und Kinderbuchforscher. - Vgl. Sarkowski2 1376.‎

书商的参考编号 : 79183

‎Rümann, Arthur‎

‎Das illustrierte Buch des XIX. Jahrhunderts in England, Frankreich und Deutschland. 1790-1860.‎

‎Leipzig, Insel Verlag, 1930. 4°. 380 S. Orig.-Leinen mit Titel.‎

‎Mit 235 kl. Abbildungen. Duch verschd. Indicies erschlossen. Einband etwas berieben.‎

书商的参考编号 : 10278A

‎Rümann, Arthur‎

‎Die illustrierten deutschen Bücher des 19. Jahrhunderts.‎

‎Stuttgart, Julius Hoffmann, (1926). VII, 429 S. 8°. Original-Pappe.‎

‎Taschenbibliographien für Büchersammler, Band IV. - Trotz der veränderten Einschätzung dieses Sammelgebiets nach wie vor unentbehrlich. Verzeichnet 2763 Titel meist mit Kollation und Marktpreisen, geordnet im wesentlichen nach den Illustratoren. - Minimal bestoßen.‎

书商的参考编号 : 1034

‎Rümann, Arthur‎

‎Gustave Doré‎

‎Bibliographie der Erstausgaben nebst kurzer Biographie des Künstlers. München, H. Stobbe, 1921. 8vo. (23,0 x 14,8 cm). 38 S., 1 Bl. Einfacher Halbleinwandband d. Zt. mit eingebundenem Orig.-Umschlag.‎

‎Erste Ausgabe. - Eins von 500 Exemplaren. - Verzeichnet 132 Positionen.<br> Provenienz: Titel mit eigenh. Widmung des Verfassers mit Unterschrift für den Münchner Arzt u. Sammler Dr. Anton Strähuber (1877-1939). Im Text zwei größere u. einige kleinere Korrekturen mit derselben Tinte wie die Widmung, also sehr wahrscheinlich von A. Rümann.<br> Kanten gering berieben. Wie meist leicht gebräunt.‎

书商的参考编号 : 5302

‎Rümann, Arthur:‎

‎Das illustrierte Buch des XIX. Jahrhunderts in England, Frankreich und Deutschland. 1790-1860.‎

‎Gr.-8°. 380,(4) S. Mit 235 Abbildungen. Dunkelblaues Orig.-Leinen mit blindgeprägter Deckelvignette und Rückentitel in Silberprägung. Photomechanischer Nachdruck der Ausgabe: Leipzig, Insel-Verlag, 1930. - Eines von 500 numerierten Exemplaren. - Standardwerk. - Sehr gutes Exemplar.‎

‎Rümann, Arthur:‎

‎Die illustrierten deutschen Bücher des 19. Jahrhunderts.‎

‎8°. VII,(1),429,(3) S. Goldgeprägtes blaues Orig.-Leinen. Erste Ausgabe. - Taschenbibliographien für Büchersammler: Band IV. - Verzeichnet 2763 Titel. - Im seitlichen Schnitt etwas braunfleckig, ansonsten ordentliches Exemplar.‎

‎Rümann, Max:‎

‎Die illustrierten deutschen Bücher des 19.Jahrhunderts. (= Taschenbibliographien für Büchersammler, Band 4).‎

‎19 x 12,5 cm. 429 Seiten. Karton. *Nachdruck der 1926 in Stuttgart bei Hoffman erschienenen Ausgabe. Sehr gut erhalten. Bücher de‎

‎S. Lazaris;‎

‎Art et science veterinaire a Byzance. Formes et fonctions de l'image hippiatrique,‎

‎Turnhout , Brepols, 2010 Paperback, VI+288 pages ., 26 colour ill., 210 x 270 mm. fine!! ISBN 9782503534466.‎

‎Cette monographie - la premiere du genre - est une reflexion sur les miniatures hippiatriques grecques, ou se demander pour quel usage et comment le lecteur medieval les ? lisait ? , conduit necessairement a essayer d'expliciter les rapports complexes qu'entretiennent l'illustration et le texte. Apres une presentation generale de la litterature hippiatrique, l'auteur elucide des questions liees a la composition du Corpus hippiatricorum graecorum. L'interet est principalement porte sur les differentes recensions d'un de ses abreges, l'Epitome, et sur sa place par rapport au Corpus hippiatricorum. Ainsi est-on amene a mieux discerner l'histoire de ce traite et celle des deux seuls manuscrits illustres. Vient ensuite un chapitre consacre a l'etude minutieuse de ces deux temoins, le Leidensus Vossianus graecus Q. 50 et le Parisinus graecus 2244. Paleographie et codicologie s'en melent, qui revisent bien des opinions recues sur l'origine des manuscrits. Un re-examen des miniatures des deux temoins est alors possible. Par-dela analyses stylistique et iconographique, trop souvent attachees a la quete absolue de l'archetype, l'auteur analyse les rapports texte/image pour etablir, en definitive, le modus operandi des imagiers et determiner les fonctions concretes pour lesquelles les figures ont ete pensees et concues. De ce regard synchronique decoule naturellement une etude sur la facon dont le lecteur medieval utilisait les images. Les conclusions pratiques se voient donc confrontees aux theories antiques et medievales sur le role de l'image et celui des mots. Ainsi l'image hippiatrique ne saurait etre seulement une simple illustration du texte : elle appartient a l'oeuvre tout autant. L'ouvrage s'adresse aux antiquisants et aux medievistes, historiens de lart et de la medecine veterinaire antique et moderne ainsi qu'aux philologues et a quiconque s'interesse a l'histoire de l'illustration scientifique et des relations entre l'homme et l'animal. Languages: French.‎

书商的参考编号 : 34260

‎S. Papadaki-Oekland;‎

‎Byzantine Illuminated Manuscripts of the Book of Job A Preliminary Study of the Miniature Illustrations. Its Origin and Development,‎

‎Turnhout, Brepols, 2009 Hardback, 478 p., 127 b/w ill. + 285 colour ill., 23 x 30. ISBN 9782503532325.‎

‎Of all the Old Testament books, the Book of Job remains acutely contemporary today. Written between the 6th and 3rd c. B.C., it deals with subjects such as the presence of evil in the world, the misery, the quest for justice, the faith, and the behavior of people when they face sudden twists and turns of life. It seems that the ancient text had been illustrated since the Early Christian period because of its fascinating novel-like narrative style. In her own study on the Book of Job, Stella Papadaki-Oekland probes into all the Byzantine illuminated manuscripts of the illustrated Greek text. The number of miniature illustrations included in these fifteen manuscripts, dating from the 9th to the 16th century, comes to more than 1800 of which 2/3 of the about 380 illustrated herein are previously unpublished manuscript images. The book is an unabridged version with minor changes of Papadaki-Oekland?s Inaugural Dissertation at Heidelberg University (1979) and is published posthumously by her daughters, Helen-Aina and Astrid-Zoe -in homage to Byzantine Art. The fifteen Byzantine Illuminated Manuscript Illustrations of the 'Book of Job' studied, illustrated and discussed are: Biblioteca Apostolica Vaticana, Rome: cod. Vat. gr. 749; cod. Vat. gr. 751; cod. Vat. gr. 1231 and cod. Vat. Pal. gr.230 - The Monastery of St. John the Theologian, Isle of Patmos: cod. Patmos 171 - Biblioteca Nazionale Marciana, Venezia: cod. Marc. gr. 538 - Monastery of St. Catherine, Sinai, Egypt: cod. Siena 3 - Orthodox Patriarchate of Jerusalem and All Palestine, Jerusalem: MS. Taphou 5 - Monastery of Vatopedi, Mount Athos: Vatopedi 590 - Monastery Magisti (Great) Lavra, Mount Athos: Lavra B100 - Byzantine and Christian Museum, Athens: MS. 62 - Bodleian Library, Oxford: MS. Barocci 201 and MS. Laud gr. 86 - Bibliothegue nationale de France, Paris: MS. gr. 134 and MS. gr. 135 - National Library of Russia, St. Petersburg: MS gr. 382 (former folio of Taphou 5) The study of the Septuagint Book of Job in Byzantine tradition include comparative analysis of the interrelationship of the individual miniature cycles, their general arrangement and artistic character, the origin and development as well as its contents and significance in the literary and popular tradition. Finally, the six Comparative Tables presented at the end of the volume provide the reader for the first time a complete cross reference interrelationship between the individual 1800 images of the 15 manuscripts and 'Sir Lancelot C. L. Brenton's' English translation of the Septuagint 'Book of Job' passages. Further examples of images discussed herein of early Christian 'Job' representations include: Biblioteca Apostolica Vaticana, Rome, MS.Reg.gr.1 ? known as the Bible of Queen Christina of Sweden; Bibliotheque nationale de France, Paris, MS gr. 510, MS syr. 341-the Syriac Bible and MS.gr. 923- Sacra Parallela; Biblioteca Nazionale 'Vittorio Emanuele III', Naples, Coptic MS IB 18, Catacomb of the Via Latina, Rome and the Sarcophagus of Junius Bassus, Basilica di San Pietro, Rome. Furthermore, the book is of invaluable importance due to its methodological approach. As the leading art historian Hans Belting points out, the study of Stella Papadaki-Oekland calls in question Kurt Weitzmann's rigid theory about the process of the Byzantine illuminated manuscripts production. There?s no doubt that, even though it was written a lot of years ago, this remains the most complete and comprehensive study about the Book of Job in Byzantine art. Languages : English.‎

书商的参考编号 : 40469

‎S. Kelly, J. J. Thompson (eds.);‎

‎Imagining the Book,‎

‎Turnhout, Brepols, 2005 Hardback, XVIII+254 p., 20 b/w ill., 1 b/w line art, 160 x 240 mm. ISBN 9782503516936.‎

‎Collectively, the contributors to Imagining the Book offer a snapshot of current research in English manuscript study in the pre-modern period on the inter-related topics of patrons and collectors, compilers, editors and readers, and identities beyond the book. This volume responds to the recent development and institutionalization of 'History of the Book' within the wider English Studies discipline. Scholars working in the pre-printing era with the material vestiges of a predominantly manuscript culture are currently establishing their own models of production and reception. Research in this area is now an accepted part of twenty-first century Medieval Studies. Within such a context, it is frequently observed that scribal culture found imaginative ways to deal with the technological watersheds represented by the transition from memory to written record, roll to codex, or script to print. In such an 'eventful' environment, texts and books not infrequently slip through the semi-permeable boundaries laboured over by previous generations of medievalists, boundaries that demarcate orality and literacy; 'literary' and 'historical'; 'religious' and 'secular'; pre- and post-Conquest compositions, or 'Medieval' and 'Renaissance' attitudes and writings. Once texts are regarded as offering indices of community- or self-definition, or models of piety and good behaviour (and the codices holding them statements of prestige and influence), the book historian is left to contemplate the real or imagined importance and status of books and writting within the larger socio-political, often local, milieux in which they were once produced and read. All fourteen essays in this volume question the status of the book in a predominantly manuscript culture. Some focus on the practical politics of book production and local circumstances; others focus on the visual experience of early readers. In this volume, the idea of the pre-modern vernacular book is pursued in terms of its miscellaneity and its association with localised writing projects undertaken by (and occasionally also for) a polyglot and sometimes also socially-aware English readership. Such investigation is valuable since it enables us to recognise the textual networks, the sources and the readership that mark the pre-modern codex as an important medium of social and literary exchange quite distinct from printed books. Languages : English.‎

书商的参考编号 : 39889

‎S. A.‎

‎Bibliografia Di Storia Antica e Diritto Romano‎

‎Mm 70x250 Brossura editoriale con bandelle di pp. 257, in buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎S. Kelly, J. J. Thompson (eds.)‎

‎Imagining the Book‎

‎Hardback, XVIII+254 p., 20 b/w ill., 1 b/w line art, 160 x 240 mm. ISBN 9782503516936. Collectively, the contributors to Imagining the Book offer a snapshot of current research in English manuscript study in the pre-modern period on the inter-related topics of patrons and collectors, compilers, editors and readers, and identities beyond the book. This volume responds to the recent development and institutionalization of 'History of the Book' within the wider English Studies discipline. Scholars working in the pre-printing era with the material vestiges of a predominantly manuscript culture are currently establishing their own models of production and reception. Research in this area is now an accepted part of twenty-first century Medieval Studies. Within such a context, it is frequently observed that scribal culture found imaginative ways to deal with the technological watersheds represented by the transition from memory to written record, roll to codex, or script to print. In such an 'eventful' environment, texts and books not infrequently slip through the semi-permeable boundaries laboured over by previous generations of medievalists, boundaries that demarcate orality and literacy; 'literary' and 'historical'; 'religious' and 'secular'; pre- and post-Conquest compositions, or 'Medieval' and 'Renaissance' attitudes and writings. Once texts are regarded as offering indices of community- or self-definition, or models of piety and good behaviour (and the codices holding them statements of prestige and influence), the book historian is left to contemplate the real or imagined importance and status of books and writting within the larger socio-political, often local, milieux in which they were once produced and read. All fourteen essays in this volume question the status of the book in a predominantly manuscript culture. Some focus on the practical politics of book production and local circumstances; others focus on the visual experience of early readers. In this volume, the idea of the pre-modern vernacular book is pursued in terms of its miscellaneity and its association with localised writing projects undertaken by (and occasionally also for) a polyglot and sometimes also socially-aware English readership. Such investigation is valuable since it enables us to recognise the textual networks, the sources and the readership that mark the pre-modern codex as an important medium of social and literary exchange quite distinct from printed books. Languages : English.‎

‎S. S. SARIBAYEV.‎

‎Kazak Türkçesi bibliyografyasi. 2 volumes set. Edited by Kenan Koç.‎

‎Fine Turkish Paperback. Demy 8vo. (21 xx 14 cm). In Turkish. 2 volumes set: (752 p.; 816 p.). Kazak Türkçesi bibliyografyasi. 2 volumes set. Edited by Kenan Koç.‎

‎S.a.‎

‎Catalogo delle edizioni d'arte e di letteratura 1958‎

‎Mm 135x205 Brossura editoriale con copertina illustrata a colori, sovraccoperta in acetato con titoli in nero, 119 pagine con alcune tavole a colori su cartoncino fuori testo. Etichetta al dorso e segni del tempo alla sovraccoperta, peraltro buona copia.‎

‎S.a.‎

‎Classici della cultura italiana. Casa editrice Fulvio Rossi‎

‎Mm 140x270 Brossura editoriale con sovraccoperta a stampa incamiciata, 111 pagine con riproduzioni di antichi frontespizi e pagine interne. Il piano della collezione contiene le Sezioni letteraria, storica, filosofica, politica. Allegato volumetto in brossura dedicato ai volumi pubblicati nell'anno 1972. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎S.A.‎

‎GUIDA AGLI OSCAR MONDADORI 1965-1978.‎

‎BUONE CONDIZ.‎

‎S.A.‎

‎Tavole di riscontro degli articoli delle Leggi civili con quelli del Codice civile, e degli Articoli del codice civile con quelli delle Leggi civili.‎

‎In 8°, mezzapelle editoriale, pp. (4), 82, tracce d'uso, fioriture, tracce d'uso, discreto esemplare. LIB PE3B LIB PE3B‎

‎S.A..‎

‎Bibliographie der Schweizerischen Keramik. 1947-1968.‎

‎In 8°, brossura, pp. 24, ottimo esemplare. (e009)‎

‎S[chreyvogel], J[oseph C.].‎

‎Biographie Schillers und Anleitung zur Critic seiner Werke von J. C. S. Wien und Leipzig, Gräffer und Comp., 1810.‎

‎Gest., illustr. Titel, VIII, 416 SS. Mit einem mehrf. gefalteten Faksimile von Schillers Handschrift. Zeitgenössischer, marmorierter Halblederband mit goldgeprägtem Rückentitel. Dreiseitiger gesprenkelter Rotschnitt. 8vo. Erste Ausgabe. - Der Kritiker, Dramatiker und Burgtheatersekretär Schreyvogel (1768-1832), Urgroßonkel von Friedrich Schreyvogl, lebte 1794-97 in Jena, wo er Schiller kennenlernte und an dessen ‘Thalia’, ferner an Wielands ‘Merkur’ und an der ‘Jenaer Literaturzeitung’ mitarbeitete. ADB LIV, 216 (gibt als Verfasser fälschlich J. R. Khünl an). Holzmann/Bohatta I, 6926. Goedeke V, 111, 10. WG² 4. Borst 1123.‎

‎S[chreyvogel], J[oseph C.].‎

‎Biographie Schillers und Anleitung zur Critic seiner Werke von J. C. S. Wien und Leipzig, Gräffer und Comp., 1810.‎

‎Gest., illustr. Titel, VIII, 416 SS. Mit einem mehrf. gefalteten Faksimile von Schillers Handschrift. Zeitgenössischer marmorierter Halblederband mit goldgeprägtem rotem Rückenschildchen und -fileten. 8vo. Erste Ausgabe. - Der Kritiker, Dramatiker und Burgtheatersekretär Schreyvogel (1768-1832), Urgroßonkel von Friedrich Schreyvogl, lebte 1794-97 in Jena, wo er Schiller kennenlernte und an dessen ‘Thalia’, ferner an Wielands ‘Merkur’ und an der ‘Jenaer Literaturzeitung’ mitarbeitete. - Durchgehend leicht stockfleckig. Ecken etwas bestoßen; untere Kanten berieben. Kapitale leicht lädiert. ADB 54, 216 (gibt als Verfasser fälschlich J. R. Khünl an). Holzmann/Bohatta I, 6926. Goedeke V, 111, 10. WG² 4. Borst 1123.‎

‎SABBE, MAURITS.‎

‎CHRISTOPHER PLANTIN.‎

‎, Antwerp, J.-E. Buschmann, 1930.**, Bound, 14x22cm, 88pp, illustrated./‎

‎Translation from the Flemish by Alice Van Riel-Goransson. Nr. 426 of the 450 exemplaires.‎

书商的参考编号 : 5900

‎SABBE, Maurice et VINCENT, Auguste;‎

‎HISTOIRE DU LIVRE ET DE L'IMPRIMERIE EN BELGIQUE DES ORIGINES A NOS JOURS. TROISIEME PARTIE : I. LA TYPOGRAPHIE ANVERSOISE AU XVIe SIECLE II. LA TYPOGRAPHIE EN BELGIQUE ( SAUF ANVERS ) AU XVIe SIECLE III. CHRISTOPHE PLANTIN ET SES CONTEMPORAINS,‎

‎, Bruxelles, Le Musee du Livre, 1924-1925, Broche, couverture carton, 220 x 300mm., 133pp., illustre en couleur.‎

‎En bon etat.‎

书商的参考编号 : 17466

‎SABBE, MAURITS.‎

‎OEUVRE DE CHRISTOPHE PLANTIN ET DE SES SUCCESSEURS.‎

‎, Bruxelles, Notre temps, 1937., Relie, toile, sous jaquette d' editeur, jacquette jauni, 22x17,5cm, 209pp, illustre.‎

‎1 x hardcover, 1 x paperback‎

书商的参考编号 : 5902

‎SABBE, Maurice e.a.;‎

‎SEPT ETUDES PUBLIEES A L'OCCASION DU QUATRIEME CENTENAIRE DU CELEBRE IMPRIMEUR ANVERSOIS CHRISTOPHE PLANTIN, ++ brief****‎

‎Bruxelles/ Anvers, Musee du Livre/ Buschmann, s.d. Broche, couverture papier illustree a l'impression doree, double frontispice realise en noir et rouge, 220 x 310mm., impression en rouge et noir, vignettes, culs de lampe et illustration abondante ( quelques contre-collees ) en couleur et n/b.‎

‎MET HANDGESCHREVEN BRIEF VAN J. DELEN conservator Plantin.‎

书商的参考编号 : 60358