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[TYPOGRAPHIE] - [IMPRIMERIE].-
La cabinet des poinçons de l'Imprimerie Nationale. 3e édition.
1963 P., Imprimerie Nationale, 1963, fort in 4° broché, non paginé, étui.
Référence libraire : 47713
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[Typographie]. [Alphabet]. ALEXANDER J. J. G.
LA LETTRE ORNÉE.
Chêne. 1979. In-4°, reliure cartonnage sous jaquette illustrée. 119 pages. 30 figures en noir et 40 planches hors texte en couleurs, avec leur commentaire en regard. E.O. Très propre.
Référence libraire : 4201
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[Typographie]. RICHAUDEAU François.
LA LETTRE ET L'ESPRIT - VERS UNE TYPOGRAPHIE LOGIQUE.
Présence Planète. 1965. In-8° carré, reliure plein cuir noir, frappée à l'or d'un motif typographique. Couverture illustrée conservée. Nombreuses planches hors texte. 101 pages. E.O. Tirage limité (mais non précisé), " spécialement destiné aux amis de la chose imprimée et aux techniciens du livre " - notre exemplaire porte le n° 146. Très propre.
Référence libraire : 4237
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[Typographie]. [Imprimerie]. DARRICAU Stéphane.
LE LIVRE. " Petite(s) histoire(s) du livre " - " Graphisme et mise en page " - " La Fabrication du livre ".
Pyramyd & C.N.D.P. 2004. In-8° broché. 150 illustrations. 96 pages. E.O. Très propre.
Référence libraire : 4211
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[Typographie]. [Imprimerie]. DARRICAU Stéphane.
LE LIVRE EN LETTRES. " Voir la typographie " - " La Boîte à outils " - " Les Habits du texte ".
Pyramyd & C.N.D.P. 2005. In-8° broché. Nombreuses illustrations. 80 pages. E.O. Très propre.
Référence libraire : 4212
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[Typographie] - GROS (Johannès, textes de).
Les Typographies de l'Imprimerie Darantière à Dijon - Marie ou le premier amour de Murger.
Dijon, (Imprimerie Darantière), (1934). Un vol. au format in-8 (222 x 167 mm) de 192 pp., broché, sous couverture à rabats rempliés.
Référence libraire : 28763
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[Typographie]. [Alphabet]. ADKINS Jan.
LETTERBOX - THE ART AND HISTORY OF LETTERS.
New York. Walker and Company. 1981. In-4° à l'italienne, reliure cartonnage sous jaquette illustrée. Nombreuses illustrations. 48 pages. Bon état.
Référence libraire : 4199
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[Typographie]. ZAPF Hermann.
MANUALE TYPOGRAPHICUM. " 100 typographische Gestaltungen mit Aussagen über die Schrift, über Typographie und Druckkunst, aus Vergangenheit und Gegenwart, in achtzen verschiedenen Sprachen" - "100 typographical arrangements with considerations about types, typography and the art of printing selected from past and present, printed in eighteen languages".
Frankfurt am Main - Wien - Zürich. Büchergilde Gutenberg. 1972. Fort in-4°, reliure pleine toile verte. 119 pages. Tirage à 800 exemplaires sur vélin ivoire. Signature de l'auteur au colophon. Très propre.
Référence libraire : 4240
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[Typographie]. MASSIN [Robert].
MASSIN. Préface de Philippe Apeloig.
Pyramid, éditeur. Collection " Design & Designers ". 2005. In-8° carré. Couverture illustrée. 120 pages (dont 108 pages de planches hors texte en couleurs, légendées, reproduisant un large choix de réalisations de Massin). Texte en français et anglais. E.O. Très propre.
Référence libraire : 4227
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[Typographie]. NERUDA Pablo.
ODA A LA TIPOGRAFIA.
Moscou. Editions "Kniga". 1977. In-4° broché sous jaquette illustrée. Illustrations à chaque page. 36 pages. E.O. bilingue en castillan et en russe (version russe par Pável Grushcó). Jaquette légèrement usagée ; bon exemplaire.
Référence libraire : 4229
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[TYPOGRAPHIE] GIRAUDOUX (Jean).
Paris.
Paris La Fontaine Charlema 1994 Plaquette in-8 de 16 pages, en feuilles, couverture imprime.Compose la main en Athenum, un caractre dessin par Alessandro Butti et fondu en 1945 par les Fonderies Nebiolo, cette curieuse plaquette runit, sur six des seize pages, des extraits tirs de diffrents livres de Jean Giraudoux, dont La Prire sur la tour Eiffel, regroups les uns aux autres sans sparations si ce n'est des retours la ligne aprs des points de suspension. La plaquette est illustre de 2 gravures imprimes pleine page en vert sombre, reprsentant deux vues ariennes de Paris, l'une montrant l'le de la Cit, l'autre le quatrime arrondissement avec en vis--vis un court extrait de l'ouvrage de Gilbert Lascault, Arrondissements. Tirage limit 70 exemplaires numrots sur pur chiffon de Hahnemhle.
Référence libraire : 55848
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[Typographie]. PEIGNOT Jérôme.
PETIT TRAITÉ DE LA VIGNETTE.
Imprimerie Nationale. 2000. Grand in-8° broché. Couverture illustrée. Nombreuses reproductions in et hors texte. 163 pages. E.O. Propre.
Référence libraire : 4235
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[TYPOGRAPHIE]
Pour l'imprimeur et le bibliophile. Les arts de reproductions graphiques. L'histoire de la gravure. Le papier à travers les âges.
Paris, s.d. (ca 1925). 1 vol. in-4° débroché (à relier), 107 pp., (1) p., illustrations dans le texte et 2 planches h.-t. tirées en bistre. Quelques déchirures en marge intérieure.[C57]
Référence libraire : 15070
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[Typographie]. [Alphabet]. [ANONYME].
PRINTING " THE TIMES ".
London. Printing House Square. 1932. Plaquette in-8° brochée. 28 pages. 7 planches hors texte. Bon état.
Référence libraire : 4202
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[Typographie]. [Imprimerie]. [COLLECTIF].
TISSU/PAPIER - ÉCHANGES D'IMPRESSIONS. Textes réunis par Odile Blanc et Florence Charpigny.
ENS éditions - Institut d'histoire du livre. 2005. Grand in-8° broché. Couverture illustrée. Nombreuses illustrations in et hors texte. 121 pages. E.O. Très propre.
Référence libraire : 4210
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[Typographie]. [Alphabet]. BARGILLIAT Alain.
TYPOGRAPHIE - IMPRESSION. " Cours de perfectionnement à l'usage des candidats au certificat d'aptitude professionnelle ".
Institut National des Industries et Arts Graphiques. 1978. In-8° broché. 429 pages. 5è édition. Très propre.
Référence libraire : 4203
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[Typographie]. [Imprimerie]. LEWIS John.
TYPOGRAPHY : BASIC PRINCIPLES. "Influences and trends since the 19th century".
London, Studio Vista & New York, Reinhold Publishing Corporation. 1968. In-8° broché. Nombreuses illustrations. 96 pages. Revised edition. Très propre.
Référence libraire : 4221
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[Typographie]. PEIGNOT Jérôme.
TYPOCÉDAIRE ou LE DICTIONNAIRE DES LETTRES.
L'Equerre. 1981. In-8°, reliure de fort cartonnage. 115 pages. E.O. Très propre.
Référence libraire : 4231
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[TYPOGRAPHIE] OLLIVIER (Jean-Paul).
Une certaine ide des Franais (extraits).
Paris Ren Jeanne 1976 Plaquette in-12, en feuilles, couverture imprime.Edition typographique compose en caractres Ramss, imprime par Rene Jeanne, illustre par Andre Derck d'un dessin en couleurs reproduit en frontispice. Tirage limit 200 exemplaires numrots hors commerce sur papier Johannot.
Référence libraire : 51208
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[Typography] International Typeface Corporation
87 issues of U&lc; Upper and lower Case Magazine 1982 through 2000.
<p><strong>87 issues of U&lc Upper and lower Case Magazine</strong> <strong>1982 through 2000</strong>. New York: International Typeface Corporation. 11"x17" staple-bound newsprint averaging 36-100 pages per issue.</p><p>Published quarterly between 1973 and 2000 <strong>U&lc</strong> magazine was a defining voice in graphic design. Initially created to showcase the ITC typeface library the magazine became a showpiece for creative typography unique graphic design and a wide variety of technical historical and cultural surveys and insights. Contributors included prominent writers artists and designers such as Herb Lubalin; Steven Heller and Seymour Chwast. Approximately 120 issues were published before it ceased publication in 1999. Though these 87 issues are not a complete run many of the annual volumes have all four issues present. Five of the later issues were printed in reduced size at 8-1/2x11"</p><p><strong>CONDITION: Mostly Very Good; none less than Good. </strong>A few issues have edgewear and minor tears or creases; some with yellowing pages at margins. Some have original mailing labels present. Exemplar photos are at:</p> International Typeface Corporation paperback
Référence libraire : s241228e
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[Typography - Vatican Printing House].
Campioni dei caratteri esistenti nella Tipografia della Rev. Camera Apostolica preceduti da un cenno storico sull’arte tipografica
<p>TYPOGRAPHIC SPECIMENS OF THE VATICAN PRINTING HOUSE. Folio 342x255 mm; original cloth with title impressed in gold on upper cover; half-title leaf title-page leaf printed in blue red and gold within a triple border as well printed in blue red and gold a leaf with the advice to reader pp. VIII 62 plates and 4 plates containing many samples of fonts text printed in Italian Latin Greek Copic French also with sample of numbers music typographical borders tailpieces etc. last 4 plates: " Campioni dei tratti di penna" so calligraphic samples. Francesco Salviucci belonging to a well-known family of Roman typographers director of the Typography of the "Reverenda Camera Apostolica" describes a vast sample of the printing characters present in the typography preceded by a brief excursus on typographic art in general. In addition to the characters there are various friezes and engravings including the image of a steamship probably the first of the Papal State. Maggs cat. n. 509; Books on Printing Part II Books From Famous Presses 15th To 20th Century.</p> Tipografia della Rev. Camera Apostolica hardcover
Référence libraire : LL 603
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[Typography] [Specimen Book] Fish, Wendell W
Fish & His Type
Los Angeles: Wendell W. Fish 1947. Revised Edition. 4to 12.5x9.5" 83pp. Specimens printed in black on a variety of stock with decorative page borders of different colors. Original tan cloth covers with 3-brad binding spine lettering and fish logo in red with blue lettering on front cover. Some toning to pages single marginal tear to page 64. Boards bumped and worn. Very good. <br /> <br /> Attractive specimen book from Wendell Wilbur Fish a native of Bakersfield who in 1920 opened his first office in L.A. becoming one of the earliest "advertising typographers" in the area. In The Pacific Printer and Publisher October 1922 we find a review of some of Fish's work:<br /> <br /> <br /> "Fish. has made a special study of good typography. He is recognized as an authority on the subject of typographical treatment of financial advertising for newspaper purposes. But he has also put into type some of the largest campaigns for firms of national repute a versatility of treatment and design enabling him to get the highest utility as well as appropriateness into the printed message."<br /> <br /> We find little mention of Fish outside of these trade journals from the 20s and 30s. He must have been somewhat prominent for quite some time with this revised edition of his collection of type appearing some 25 years after he began in the trade. OCLC cites 5 holdings for 3 likely only 2 versions of this specimen book with just 1 on the revised edition at the Wolfsonian Library FIU. . Wendell W. Fish unknown
Référence libraire : 6456
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[Typography] [Orthography] [Bruce Rogers] Bernard, Auguste; Translated by George B Ives
Geofroy Tory Painter and Engraver: First Royal Printer: Reformer of Orthography and Typography under François I. An Account of His Life and Works signed by Bruce Rogers
Boston and New York: Printed at The Riverside Press for Houghton Mifflin Company 1909. Limited Edition. Hardcover. Very Good. SIGNED. 332pp. Quarto 28.5 cm Black cloth spine with green paper over boards with ornamental gilt stamping. Deckled fore and bottom edges. Printed on English handmade paper. With areas of fading to the head and foot of the backstrip. The most prominent area of fading is to the foot of the backstrip measuring approximately 2 inches tall by 1 and 3/4 inches wide. Internally bright and fresh. Publisher's prospectus laid in. Prolific engraver Geofroy Geoffroy Tory 1480-1533 was primarily responsible for the French Renaissance style of book decoration and played a leading role in popularizing the Roman letter over the prevailing Gothic letter in France.<br /> <br /> Number 270 in an edition of 370 copies designed by Bruce Rogers. This copy is signed by Bruce Rogers on the limitation page. American typographer and book designer Bruce Rogers 1870-1957 was highly influential in fine book design in the United States during the early 20th century. Rogers began his career as an illustrator for an Indianapolis newspaper. He moved to Boston in 1895. There he met a number of men who were revolutionizing the book publishing industry including George Mifflin of Houghton Mifflin who put him to work at the Riverside Press. The press opened a limited editions department in 1900 and Rogers was put in charge and given the responsibility of designing and printing fine books. During the next 12 years he produced over 100 Riverside Press editions which are still held in high esteem today. Information from Britannica.com. Printed at The Riverside Press for Houghton Mifflin Company hardcover
Référence libraire : 65456
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[Typographie] - GROS (Johanns, textes de).
Les Typographies de l'Imprimerie DarantiÂre ˆ Dijon - Marie ou le premier amour de Murger.
1929. Dijon Imprimerie DarantiÂre 1934. Un vol. au format in-8 222 x 167 mm de 192 pp. brochÂŽ sous couverture ˆ rabats rempliÂŽs. Edition originale. Tirage unique ˆ 800 exemplaires numÂŽrotÂŽs. Le rÂŽcit proposÂŽ conna”t ici au fil de chacune des pages une reproduction dans des caractÂres typographiques diffÂŽrents. Rares rousseurs dans le corps d'ouvrage. Du reste belle condition. b42961 unknown
Référence libraire : 28763
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[Typography, Printing] Bodoni Giambattista
MANUALE TIPOGRAFICO
Parma London: Presso La Vedova The Holland Press 1818 1960. 2 volumes. LIMITED EDITION one of only 500 copies printed of the very impressive facsimile of Bodoni's original edition of 1818. With a fine frontispiece portrait three folding plates of musical notation and seemingly countless typographical specimen. Tall 4to in the printer's original blue patterned paper-covered boards with printed paper labels on the spines. lxxii 267; iv 279 pp. A fine and handsome set beautifully preserved and essentially pristine. LIMITED FACSIMILE EDITION OF A MASTERPIECE OF THE TYPOGRAPHICAL ARTS BODONI'S MANUALE TIPOGRAFICO. Printer for the Duke of Parma Bodoni's manual was the culmination of more than four decades of work and is one of the age of printing's greatest typographical achievements. It is comprised of 291 roman and italic typefaces along with samples of Russian Greek and many other types. Presso La Vedova [The Holland Press] hardcover
Référence libraire : 30675
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[TYPOGRAPHY].
ORIENTAL TYPES Caratteri Orientali Esistenti nella Tipografia della R. Accad. dei Lincei
<p><strong>Lovely "oriental" type samples from one of the oldest and most prestigious European scientific institutions.</strong></p><p><strong>Very rare: WorldCat traces only one copy</strong> in Uni. California Santa Barbara. No copy traced in the Italian Union catalogue OPAC SBN.</p><p>In 1611 Galileo Galilei became a member of the Italian "Academy of the Lynx-Eyed" founded just a few years before in 1603 with a focus on natural sciences and mathematics.<br />In the late 19th c. the Accademia dei Lincei became "Reale" growing into a famous centre of studies which would soon host the greatest scholars such as Pasteur Einstein Mommsen and others. As its programme was expanded with many humanitarian disciplines including Oriental studies the Reale Accademia published this elegant booklet with relatively new samples of Sanskrit Armenian Syriac Samaritan Arabic Turkish and Persian Aramaic Hieroglyphic Coptic Chinese Greek and Russian types in two sizes.<br />As the introduction states the Academy's press was in reality the Tipografia Salviucci founded in 1747 and renamed in 1885.</p><p>Description<br />Small 4to 25.5 x 17.5 cm. First blank leaf title printed in red and black and within ornamental framed and 29 pp. printed on recto only text within decorative frames.<br />Binding<br />Original light grey wrappers printed in reddish brown bound in contemporary marbled boards flat spine with red label with gilt lettering.<br />Condition<br />Covers lightly rubbed at extremities spine a bit faded and worn with old paper repair to upper half wrappers a bit spotted; except some minimal light browning at the very edge of pages a fresh copy internally.</p> R. Accademia dei Lincei, Roma, 1889. hardcover
Référence libraire : 1670
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[TYPOGRAPHY]. WEISS, ER E R
The Weiss Family: Weiss Types Roman and Italic; Weiss Types Used in Fine Printing; Weiss Types for Advertising and in Display.
New York: Bauer Type Foundry 1931. 3 volumes of specimens of Weiss types bound together. Illustrated with numerous specimens of Weiss types available through the Bauer Type Foundry. 4to. each part sewn in original printed paper wrappers string bound into blue cloth-backed grey paper covered boards printed title label to upper cover. A very good set of specimens of the German Weiss types. Bauer Type Foundry hardcover
Référence libraire : 8949
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[TYPOGRAPHIE] - ATTINGER (V.)
Annuaire graphique 1909. Revue annuelle des arts et des industries graphiques.
In-4, 210p. Intéressante revue illustrées de nombreuses reproductions in- et hors-texte en noir et en couleurs. Contient notamment: "Les principes de la typographie des groupes" par F. Thibaudeau; "La première exposition de l'Imprimerie en France" par J. Sabatou; "La lithographie d'art en France: L'atelier Eugène Verneau et les estampes d'Henri Rivière" par F. Thibaudeau; etc...
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[VOX (Maximillien)].
CARACTERE. NOËL 60.
Paris, Emmanuel Olive / Compagnie française d'édition, décembre 1960 ; grand in-4, 157ff. non ch. certains dépliants. Cartonnage avec jaquette illustrée d'une composition de Gilioli. (Jaquette déchirée, sans manque, recollée avec du ruban adhésif). Nombreuses illustrations contre-collées.
Référence libraire : 155
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[VOX (Maximillien)]
CARACTERE. NOËL 62.
Paris, Emmanuel Olive/ Compagnie française d'édition, décembre 1962 ; grand in-4, environ 160 ff. non ch. certains dépliants. Cartonnage illustrée d'un plan inédit de Paris sous Charles V. Nombreuses illustrations contre-collées, gravures, photographies...
Référence libraire : 159
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[volantino pubblcitario]
I nuovo duplicatore Geha-Rotary a risme si eleva sul granitico piedistallo dell’Esperienza.
Pieghevole pubblicitario a colori, cm 20x15 chiuso e 20x60 circa aperto, stampato fronte e retro. Il volantino pubblicizza la macchina ciclostile Geha Rotary 50.
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A cura di A. Tinto.
Annali tipografici dei Tramezzino.
cm. 17 x 24, xxxvi-128 pp. con 16 tavv. f.t. Fondazione Giorgio Cini - Annali della tipografia veneziana nel Cinquecento 362 gr. xxxvi-128 p.
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A cura di Bernardo Cassini
Monitore del Notariato - Anno VI
Raccolta annuale dei 24 quindicinali del Monitore, provvisto anche dell'indice introduttivo. Questa è stata l'ultima annata prima della fusione con il Rolandino di cui si fa l'annuncio nell'ultimo quindicinale (vedi foto). Copertina rigida in mediocri condizioni, con tracce evidenti di muffa (vedi foto). Pagine brunite. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Worldwide delivery.
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A cura di Ernesto Milano
Lavori preparatori per gli ANNALI DELLA TIPOGRAFIA SOLIANI
Un volume in 8vo grande di LXXXVII-455 pagine. Brossura editoriale (un po' sporca)
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a cura di G. Dillon.
?Bisonte (Il)?. Una stamperia d'arte a Firenze (1959-1982). Catalogo della mostra
cm. 17 x 23,5, 82 pp. con 73 ill. n.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 227 gr. 82 p.
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A L Monet
Machines typographiques et procédés d'impression - Guide pratique du conducteur - Traité complet
Paris Gauthier villars 1898 Grand in8 broché - VII ff + 484 pages - 98 figures dans le texte 1 frontispice couleur , 4 planches couleurs en hors texte 1 planche N&B en hors texte - 3e édition .
Référence libraire : Eb5-103
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A L Monet
Machines typographiques et procédés d'impression - Guide pratique du conducteur - Traité complet
Paris Gauthier villars 1898 Grand in8 broché - VII ff + 484 pages - 98 figures dans le texte 1 frontispice couleur , 4 planches couleurs en hors texte 1 planche N&B en hors texte - 3e édition .
Référence libraire : Eb5-103
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A. Garavaglia
L'ANNO DI NOVANTA GIORNI (TEMPI NUOVI). Primo libro a rovescio.
Un volume (21 cm) di 307 pagine, impaginate a numerazione rovesciata (in pratica la pagina di titolo è alla fine e il libro procede in questo modo “rovesciato”). Mezza pelle del tempo, con titolo dorato al dorso. Curiosa opera, con diversi interventi (soprattutto sul tempo come fattore economico), alcuni dei quali abbastanza fantascientifici. Ma l'originalità dell'opera sta anche nella sua veste tipografica “rovesciata”, quasi a simboleggiare la volontà di rovesciare i consueti canoni delle teorie economiche. Da notare che il libro viene stampato all'indomani dell'8 settenmbre 1943. Non comune.
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A.A.V.V.
Les transformations du papier et du carton.
Un vol. in 4 cm 27x22 pp.160-XXXIX Bross. ed. stampata e figurata firmata Plumereau con elegante piatto anteriore in rilievo con quattro tondi incisi in rilievo ai quattro angoli sulla lavorazione della carta carte di sguardia in cartoncino marezzato con riflessi oro .moltissime illustrazioni, disegni, fotografie, tavv. f.t. in "heliogravure rotative", "fotogravure"; XXXIX pp. di pubblicità di ditte, macchine ed attrezzature per la lavorazione della carta e del cartone con disegni, foto, e prodotti in fac-simile. Straordinaria pubblicazione-catalogo di tutte le tecniche, macchine e procedimenti per la produzione della carta e la stampa nell'industria francese del 1926. In ottimo stato di conservazione.
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Aa . Vv.
I mestieri del Libro
Mm 140x210 Quaderni storici nuova serie 72. Brossura editoriale con bandelle, pp. 295 (paginazione 671-965). Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
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aa vv
Miscellanea storico-letteraria a Francesco Mariotti nel cinquantesimo anno della sua carriera tipografica.
In 4°, broch. muta, es. sciolto, grandioso ex libris "Helenae Italiae Reginae", pp 306. Lussuosa edizione fuori commercio impressa su carta "Rossi di Schio" e con caratteri Nebbiolo di Torino. La tipografia in Pisa dal secolo XV alla metà del sec. XIX, Toscana, un libraio ed un tipografo nel sec. XVI in Pisa, Lorenzo Torrentino e la sua dimora a Pescia, i caratteri mobili, Nicola Pisano, l'inventario delle biblioteche monastiche di S. Vito e Gorgona, notizie sul Palazzo dell'Orologio, dominio spirituale degli arcivescovi di Pisa su la Sardegna ecc.
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Aa Vv.
Comitato Di Soccorso e Patronato a Favore Degli Alunni Poveri Delle Scuole Comunali Di Foligno Regolamento Approvato in Assemblea Generale Del 10 Novembre 1895
Mm 125x175 Brossura di pp. 7, in buono stato.
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Aa Vv.
Guida Alle botteghe Artigiane Todi
Mm 120x170 Volume di pp.37, numerose illustrazioni a colori, allegata pianta della città ripiegata. Opera in ottime condizioni.
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Aa Vv.
Guida Storico Artistico Illustrata Della città Di Padova Con Speciale Riguardo Alla Basilica Di S. Antonio
Mm 120x175 Brossura cucita di pp. 167, più diverse pagine di pubblicità, qualche illustrazione in bianco e nero. timbro d'appartenenza al foglio di guardia, pianta della citta ripiegata allegata, fioriture sparse. Opera in buone condizioni. prima edizione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Aa Vv.
Guide to Assisi and Surroundings
Mm 100x115 Brossura editoriale di pp. 64, 30 illustrazioni in bianco e nero, una pianta ripiegata fuori testo. lacune al dorso, legatura allentata, qualche sottolineature a matita ed altri segni d'uso
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Aa Vv.
I Problemi Delle Acque in Italia. Relazioni e Documenti Editi a Cura Del Senato Della Repubblica
Mm 175x240 Brossura editoriale di pp. 815, atti della Conferenza nazionale delle acque (16 dicembre 1968 - 31 luglio 1971), prefazione di Amintore Fanfani, relazione generale di Giuseppe Medici, con cartine ripiegate in bianco e nero.
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Aa Vv.
Movimento Religioso Femminile e Francescanesimo Nel Secolo XIII Atti Del VII Convegno Internazionale Assisi, 11-13 Ottobre 1979
Mm 165x220 Brossura cucita di pp. 381, con 39 tavole in bianco e nero fuori testo. Atti dei convegni della Società internazionale di studi francescani, vol. VII. Testi in lingua (italiano, francese, tedesco) di: J. Leclercq, G. Gonnet, F. Bisogni, C. Gennaro, E. Grau, R. Manselli, R. Rusconi, A. Vauchez. Opera in buone condizioni.
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Aa Vv.
Progetto Di Statuto Per La Camera Di Contrattazione Approvato Dal Consiglio Del Comizio Agrario Di Foligno
Mm 135x185 Brossura editoriale di pp. 9, in buono stato.
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Aa. Vv
Strenna Del Giornale La Provincia Dell'Umbria
Mm 170x240 Brossura cucita di pp. 64+16 di inserzioni pubblicitarie, 6 tavole fuori testo. La strenna raccoglie poesie, memorie e scritti vari di alcuni tra i più noti intellettuali e scrittori umbri dell'epoca, quali Giuseppe Bellucci, Alinda Brunamonti, Francesco Guardabassi, Leopoldo Tiberi, Zeno Zanetti ed altri. Timbro di appartenenza al frontespizio, fioriture alla copertina. screpolature al dorso. Opera di difficile reperibilita'. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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AA. VV.
1944-1964 VENT'ANNI della TIPOGRAFIA TORINESE.
Grande album in-folio oblungo (cm. 44,6x34), pp. (6) + 9 TAVOLE a COLORI applicate su cartoncino, con riprod. di VEDUTE e scene di vita e militari di TORINO: 2 di Giov. Michele GRANERI, 1 di Bernardo BELLOTTO detto il Canaletto, 1 di Angelo Antonio CIGNAROLI, 1 di Massimo D'AZEGLIO, 3 di Carlo BOSSOLI, 1 di Enrico REYCEND. Fogli doppi legati da elegante cordoncino blu e giallo. Edizione speciale di 350 copie num., ns. n. 70.
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