|
Jean-Luc Godard (director, screenwriter); Alberto Moravia (novel); Brigitte Bardot, Michel Piccoli, Jack Palance, Giorgia Moll (
Contempt Le Mepris Original photograph of Brigitte Bardot and Jack Palance from the 1963 film
Paris: Les Films Concordia 1963. Vintage borderless reference photograph from the 1963 film showing actors Brigitte Bardot and Jack Palance at a gas station. <br /> <br /> Based on the 1954 Italian novel "Il disprezzo" "A Ghost at Noon" by Alberto Moravia. Director Jean-Luc Godard's lush Technicolor landmark the film that transformed Brigitte Bardot from a sex symbol into an art object while also furthering Godard's own reputation for being the most commercially successful deconstructionist in film history. A fascinating film that can be watched either as a narrative about a disintegrating relationship or as an unending series of pure cinematic references. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 171. Godard Histoires du cinema. Rosenbaum 1000. Les Films Concordia unknown
Riferimento per il libraio : 153859
|
|
|
Jean-Luc Godard (director); Anne-Marie Mieville, Jean-Claude Carriere (screenwriters); Jacques Dutronc, Isabelle Huppert, Nathal
Every Man for Himself Sauve qui peut la vie Collection of 17 original photographs from the 1980 film
Paris: Sygma 1980. Collection of 17 vintage borderless reference photographs from the 1980 film including eight in color and nine in black-and-white. Stamp of Swedish photographer Anne-Marie Miéville on the versos of color photographs and black-and-white photographs on Sygma stock. <br /> <br /> A most Godardian examination of sexual relationships constructed in the style of a musical composition in which three protagonists interact in different combinations. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Switzerland. <br /> <br /> Color photographs 10 x 7 inches black-and-white photographs 11.5 x 8 inches. Near Fine to Fine. <br /> <br /> Criterion Collection 744. Godard Histoires du cinema. Sygma unknown
Riferimento per il libraio : 166692
|
|
|
Jean-Luc Godard (director); Anne-Marie Mieville (screenwriter, still photographer); Jean-Claude Carriere (screenwriter); Jacques
Every Man for Himself Sauve qui peut la vie Original photograph of Jean-Luc Goddard from the set of the 1980 film
N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker.<br /> <br /> A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Switzerland. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 744. Godard Histoires du cinema. N.p. unknown
Riferimento per il libraio : 149979
|
|
|
Jean-Luc Godard (director); Jean-Claude Carriere, Anne-Marie Mieville (screenwriters); Isabelle Huppert, Nathalie Baye (starring
Every Man for Himself Sauve qui peut la vie Three original color photographs from the 1980 film
Paris: Sara Films 1980. Collection of 3 vintage borderless color reference photographs from the French release of the 1980 film. <br /> <br /> A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br /> <br /> 8 x 10 inches. A few tiny scratches here and there else Near Fine. Sara Films unknown
Riferimento per il libraio : 135104
|
|
|
Jean-Luc Godard (director); Georges Bizet (opera); Anne-Marie Mieville (screenwriter); Marushka Detmers, Jacques Bonnaffe, Myrie
First Name: Carmen Prenom: Carmen Collection of four original photographs from the 1983 film
N.p.: N.p. 1983. Four vintage borderless reference photographs from the 1983 film including two reference photographs showing director Jean-Luc Godard on the set.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. N.p. unknown
Riferimento per il libraio : 162315
|
|
|
Jean-Luc Godard (director); Georges Bizet (opera); Anne-Marie Mieville (screenwriter); Marushka Detmers, Jacques Bonnaffe, Myrie
First Name: Carmen Prenom Carmen Original photograph of Marushka Detmers from the 1983 film
Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. <br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. Interpress unknown
Riferimento per il libraio : 150041
|
|
|
Jean-Luc Godard (director, screenwriter); Georges Bizet (opera); Anne-Marie Mieville (screenwriter); Maruschka Detmers, Jacques
First Name: Carmen Prenom: Carmen Original photograph from the 1983 French film
N.p.: Sara Films 1983. Vintage reference photograph from the 1983 film. With a printed mimeo snipe on the verso.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Sara Films unknown
Riferimento per il libraio : 149602
|
|
|
Jean-Luc Godard (director, starring); Georges Bizet (opera); Anne-Marie Mieville (screenwriter); Marushka Detmers, Jacques Bonna
First Name: Carmen Prenom Carmen Original photograph of Jean-Luc Godard from the US release of the 1983 French film
N.p.: International Spectrafilm Distribution 1984. Vintage reference photograph of Jean-Luc Godard and Valerie Dreville from the 1984 US release of the 1983 French film.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 10.25 x 8 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. International Spectrafilm Distribution unknown
Riferimento per il libraio : 151105
|
|
|
Jean-Luc Godard (director); Georges Bizet (opera); Anne-Marie Mieville (screenwriter); Marushka Detmers, Jacques Bonnaffe, Myrie
First Name: Carmen Prenom: Carmen Original photograph of Marushka Detmers and Jean-Luc Godard on the set of the 1983 film
Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers and director Jean-Luc Godard on the set of the 1983 film.<br /> <br /> Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 5 inches. Near Fine.<br /> <br /> Godard Histoires du Cinema. Interpress unknown
Riferimento per il libraio : 154238
|
|
|
Jean-Luc Godard (director, screenwriter, starring); Jane Birkin, Dominique Lavanant, Pauline Lafont, Eva Darlan, Isabelle Sadoya
Keep Your Right Up Une Place Sur La Terre Comme Au Ciel Original photograph from the 1987 film
Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. <br /> <br /> An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear."<br /> <br /> 12 x 9 inches. Near Fine. <br /> <br /> Olive Films 327. Gaumont unknown
Riferimento per il libraio : 144497
|
|
|
Jean-Luc Godard (director, screenwriter); Fyodor Dostoyevsky (novel); Anne Wiazemsky, Jean-Pierre Leaud, Juliet Berto (starring)
La Chinoise Two original French color lobby cards from the 1968 film
N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. <br /> <br /> Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky.<br /> <br /> Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. <br /> <br /> Rosenbaum 1000. Athos Films unknown
Riferimento per il libraio : 148283
|
|
|
Jean-Luc Godard (director, screenwriter); Jean-Jacques Rousseau (screenwriter); Juliet Berto, Jean-Pierre Leaud (starring)
Le Gai Savoir The Joy of Learning Two original photographs from the 1969 French film
London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso.<br /> <br /> A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. <br /> <br /> 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown
Riferimento per il libraio : 149696
|
|
|
Jean-Luc Godard (director, screenwriter); Raoul Coutard (cinematographer); Anna Karina, Michel Subor (starring)
Le Petit Soldat The Little Soldier Original photograph from the 1963 film
N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Jean-Luc Godard and cameraman Raoul Coutard capturing a scene. Date stamp and provenance stamp on the verso.<br /> <br /> During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released.<br /> <br /> Set in Algeria shot on location in Switzerland. <br /> <br /> 10.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 1010. Grant France. N.p. unknown
Riferimento per il libraio : 160682
|
|
|
Jean-Luc Godard (director); Anna Karina, Michel Subor (starring)
Le Petit Soldat Original reference photograph from the 1960 film
Paris: Les Productions Georges de Beauregard 1960. Vintage reference photograph from the Jean-Luc Godard film shot in 1960 but not released until 1963 due to a ban in France over torture scenes. Thus it was Godard's second feature film but fourth to be released. This photograph was taken and struck in 1960 when the film was shot. <br /> <br /> A shot that brings together in a single image the politics humor and war commentary of this early Godard effort set during the Algerian War. <br /> <br /> 9.5 x 7 inches. In an archival mat. Near Fine with some offsetting to the verso. Les Productions Georges de Beauregard unknown
Riferimento per il libraio : 135584
|
|
|
Jean-Luc Godard (director, screenwriter); Sean Lynch, Mick Jagger, Brian Jones, Keith Richards, Charlie WAtts, Bill Wyman, Anne
One Plus One Sympathy for the Devil Two original photographs from the set of the 1968 film documentary
N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. <br /> <br /> From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. <br /> <br /> 10 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 144349
|
|
|
Jean-Luc Godard (director); The Rolling Stones, Amiri Baraka, Eldridge Cleaver (subjects)
One Plus One Sympathy for the Devil Original photograph of Mick Jagger from the set of the 1968 film documentary
N.p.: N.p. 1968. Vintage borderless press photograph of Mick Jagger in the studio from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With a few penciled annotations on the verso indicating placement. <br /> <br /> An image of Mick Jagger in the studio from one of the many sequences relating to the band's creation of the song "Sympathy for the Devil." "One Plus One" alternates documentary segments of the band during their last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. <br /> <br /> 9.5 x 8 inches. In a museum quality frame. Near Fine. N.p. unknown
Riferimento per il libraio : 135547
|
|
|
Jean-Luc Godard (director); Joanna Shimkus, Philippe Hiquilly, Serge Davri (starring)
Six in Paris Paris vu par Three original photographs from the 1965 French film
N.p.: Amanda Films 1965. Three vintage reference photographs from the 1965 French anthology film all three showing actress Joanna Shimkus and one showing Shimkus with actor Serge Davri. One with a printed mimeo snipe in English on the verso.<br /> <br /> Shimkus and Davri appeared in Jean-Luc Godard's segment "Montparnasse et Levallois" about a woman who fears she has mixed up two letters sent to her two lovers. Shot by noted American documentary filmmaker Albert Maysles. <br /> <br /> 10 x 8 inches. About Near Fine to Very Good plus. Amanda Films unknown
Riferimento per il libraio : 163790
|
|
|
Jean-Luc Godard (director, screenwriter); Michel Subor, Anna Karina (starring)
The Little Soldier Le Petit Soldat Two original photographs taken on the set of the 1963 film
N.p.: N.p. 1960. Two vintage borderless reference photographs taken on the set of the 1960 film one showing director Jean-Luc Godard and a camera crew filming a scene with actor Michel Subor the other showing Godard and cinematographer Raoul Coutard. With manuscript ink and pencil annotations on the verso. <br /> <br /> During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released.<br /> <br /> Set in Algeria shot on location in Switzerland. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> Criterion Collection 1010. Grant France. N.p. unknown
Riferimento per il libraio : 151698
|
|
|
Jean-Luc Godard (director, screenwriter); Jean Seberg (starring)
The World's Most Beautiful Swindlers Les plus belles escroqueries de monde Original photograph from the set of the 1964 film
France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. <br /> <br /> An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Olive Films 1339. Ulysse Productions unknown
Riferimento per il libraio : 142630
|
|
|
Jean-Luc Godard (director, screenwriter); Catherine Vimenet (article); Joseph Gehrard, Marina Vlady, Roger Montsoret (starring)
Two or Three Things I Know About Her. Deux ou Trois Choses Que Je Sais d'Elle Collection of 17 original French color lobby cards from the 1967 film
N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. <br /> <br /> One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. <br /> <br /> Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br /> <br /> 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains.<br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown
Riferimento per il libraio : 148302
|
|
|
Jean-Luc Godard (director, screenwriter); Marina Vlady, Anny Duperey, Roger Montsoret, Raoul Levy (starring)
Two or Three 2 or 3 Things I Know About Her Original photograph from the 1967 French film
N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." <br /> <br /> Set and shot on location in Paris.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
Riferimento per il libraio : 155298
|
|
|
Jean-Luc Godard (director, screenwriter); Catherine Vimenet (article); Raoul Coutard (cinematographer); Marina Vlady, Roger Mont
Two or Three Things I Know About Her. Four original photographs from the set of the 1967 film
Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br /> <br /> One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br /> <br /> Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br /> <br /> 5 x 7 inches. Fine condition. <br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown
Riferimento per il libraio : 138581
|
|
|
Jean-Luc Godard (director, screenwriter); Claude Schwartz (photographer); Anna Karina, Jean-Claude Brialy (starring)
Une femme est une femme A Woman is a Woman Original photograph of Jean-Luc Godard Anna Karina and Jean-Claude Brialy on the set of the 1961 film
Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. <br /> <br /> 9 x 6 inches. Near Fine. <br /> <br /> Criterion Collection 238. N.p. unknown
Riferimento per il libraio : 138215
|
|
|
Jean-Luc Godard (director, screenwriter); Anna Karina, Sady Rebbot, Andre S Labarthe, Gerard Hoffman (starring); Marcel Sacotte
Vivre sa vie My Life to Live Two original oversize photographs from the 1962 film
N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos.<br /> <br /> Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. <br /> <br /> Shot on location in Paris. <br /> <br /> 11.75 x 9.5 inches. Very Good moderately edgeworn.<br /> <br /> BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
Riferimento per il libraio : 163800
|
|
|
Jean-Luc Godard (director, screenwriter); Marcel Sacotte (novel); Anna Karina, Sandy Rebbot, Andre S Labarthe, Gerard Hoffman (s
Vivre sa vie Four original photographs from the 1962 film
Paris: Les Films de la Pleiade 1962. Four vintage borderless photographs from the 1962 film. With manuscript annotations and rubber stamps on the versos. <br /> <br /> Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. <br /> <br /> Shot on location in Paris. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown
Riferimento per il libraio : 144425
|
|
|
Jean-Luc Godard (director, screenwriter); Anne Wiazemsky, Mireille Darc, Jean Yanne, Jean-Pierre Leaud (starring)
Weekend Original US press kit for the 1967 film
New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials.<br /> <br /> One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance.<br /> <br /> Shot on location in Ile de France and Paris. <br /> <br /> Folder and contents Near Fine.<br /> <br /> Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown
Riferimento per il libraio : 167788
|
|
|
Jean-Luc Godard (director, screenwriter); Mireille Darc, Jean Yanne, Jean-Pierre Kalfon (starring)
Weekend Original photograph from the set of the 1967 film
N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. <br /> <br /> In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary.<br /> <br /> Shot on location in Ile de France and Paris. <br /> <br /> 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. <br /> <br /> Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
Riferimento per il libraio : 149386
|
|
|
Jean-Luc Godard (director, screenwriter); Anne Wiazemsky, Mireille Darc, Jean Yanne, Jean-Pierre Leaud (starring)
Weekend Week-end Two original photographs of Jean-Luc Godard on the set of the 1967 film
N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos.<br /> <br /> One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. <br /> <br /> Shot on location in Ile de France and Paris. <br /> <br /> 6.75 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
Riferimento per il libraio : 168470
|
|
|
Jean-Marie Pallardy (director, screenwriter); Jean-Claude Gay (screenwriter); Michele Bory, Daniele Vignault, Patrice Cuny (star
Full Time Females Two original photographs from the 1972 film
N.p.: Times Films 1973. Two vintage studio still photographs from the US release of the 1972 French film. One photograph with two provenance stamps on the verso. <br /> <br /> Stèfanie a young nurse caring for an old man in a country villa is murdered by two men who subsequently try to get a prostitute to play her double.<br /> <br /> 8 x 10 inches. Near Fine. Times Films unknown
Riferimento per il libraio : 161747
|
|
|
Jean-Marie Pallardy (director, screenwriter); Sophie Verdaud (screenwriter); Willeke van Ammelrooy, Claudine Beccarie, Joelle Co
The Erotic Diary of a Lumberjack Seven original photographs from the 1974 French film
N.p.: N.p. 1974. Seven vintage color reference photographs from the 1974 French adult film. Included with the set is a flyer for the Dutch release of the film. <br /> <br /> A professor who is about to win the Nobel Prize takes a trip into the countryside where he becomes involved with an outdoor brothel. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. <br /> <br /> Flyer 8.25 x 11.75 inches. Very Good plus moderately edgeworn. N.p. unknown
Riferimento per il libraio : 156676
|
|
|
Jean-Michel Basquiat (starring); Edo Bertoglio (director); Glenn O'Brien (screenwriter); Anne Carlisle, James Chance, Amos Poe,
Downtown 81 Six original lobby cards from the 2000 film
N.p.: N.p. 2000. Six vintage borderless color lobby cards from the French release of the 2000 American film. Housed in the original manila envelope with the film's logo on one side. <br /> <br /> An urban fairy tale wherein Jean-Michel Basquiat playing himself roams the streets of New York City encountering many denizens of the musical underground in the process. Shot in December of 1980 and January of 1981 the film was abandoned after completion due to budgetary constraints but was revived by producer and screenwriter Glenn O'Brien in 1999 and made its public debut at the 2000 Cannes Film Festival. <br /> <br /> 11 x 8.25 inches. Fine. N.p. unknown
Riferimento per il libraio : 167120
|
|
|
Jean-Paul Sartre, Charles Kaufman, Wolfgang Reinhardt (screenwriters); John Huston (director); Montgomery Clift, Susannah York,
Freud Freud: The Secret Passion Archive of original scripts and other ephemera including Jean-Paul Sartre's treatment script with annotations in Sartre's hand for the 1962 film
N.p.: N.p. 1965. Archive of vintage treatments scripts and other ephemera from the 1962 film.<br /> <br /> Archive includes: <br /> <br /> Two carbon typescript treatment scripts by Jean-Paul Sartre one in English and one in French both dated December 15 1958 with annotations in Sartre's hand.<br /> <br /> An early xerographically duplicated draft of Sartre's voluminous three-part script a later reproduction made for internal use with copied annotations throughout. <br /> <br /> A working script used during the film's production with revision pages.<br /> <br /> A film program. <br /> <br /> Three telegrams a telefax and a letter regarding the release of the film the return of Sartre's treatments and script and a deposition reminder all from agent Paul Kohner to director John Huston. <br /> <br /> A copy of the 1984 posthumous publication of Sartre's script The Freud Scenario.<br /> <br /> Huston announced his intention to make a film about a young Sigmund Freud in 1958 and asked Sartre whom he had met on the set of his 1952 film Moulin Rouge to submit a screenplay. The partnership quickly soured however due to Sartre's refusal to shorten his script which had ballooned to the colossal 472-page script on offer. Huston and Sartre would meet in Galway but Sartre continued to reject the director's proposed cuts wryly noting "We can make a film of four hours in the case of Ben Hur but the Texas public couldn't stand four hours of complexes." The film was ultimately finished and released in 1962 and although many elements of Sartre's script remain in the film the philosopher went uncredited. <br /> <br /> Set in Vienna shot on location in Austria and Germany.<br /> <br /> French Treatment:<br /> <br /> Salmon untitled wrappers. Title page present dated 15 Décembre 1958 noted as Scénario original with credits for author Jean-Paul Sartre. 95 leaves with last page of text numbered 95. Carbon typescript copy on onionskin rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with two staples.<br /> <br /> English Treatment:<br /> <br /> Tan untitled wrappers with a titled label noted as Original Outline on the front wrapper with credits for author Jean-Paul Sartre. Title page present dated December 15 1958 noted as 1. Draft with credits for author Jean-Paul Sartre. 61 leaves with last page of text numbered 60. Carbon typescript copy on onionskin rectos only. Pages Near Fine wrapper Near Fine bound with three screw brads.<br /> <br /> Xerographically duplicated Sartre Script:<br /> <br /> White untitled wrappers. 472 leaves with last page of text numbered 181. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light soiling overall bound internally with three gold brads.<br /> <br /> Working Script:<br /> <br /> Brown untitled wrappers. Title page present. 162 leaves with last page of text numbered 168. Mimeograph duplication rectos only with blue buff and yellow revision pages throughout dated variously between 9/8/61 and 12/19/61. Pages Near Fine wrapper Very Good lacking rear wrapper and much of the spine bound with a prong binding.<br /> <br /> Telegrams telefax and letter: 6.5 x 4.5 to 8.5 x 11 inches. Very Good plus to Near Fine.<br /> <br /> Program: 7 x 8.5 inches bi-fold. Very Good plus.<br /> <br /> Book: Near Fine and unread in a lightly rubbed Very Good plus dust jacket. N.p. unknown
Riferimento per il libraio : 158800
|
|
|
Jean-Paul Belmondo (starring); Rene Clement (director); Larry Collins, Dominique Lapierre (novel); Gore Vidal, Francis Ford Copp
Is Paris Burning Original photograph of Jean-Paul Belmondo from the 1966 film
Paris: Agence Dalmas 1966. Vintage borderless reference photograph from the set of the 1966 film showing actor Jean-Paul Belmondo doing a stunt in which he falls off his bicycle on the Champs-Élysées. Printed mimeo snipe Dalmas Agency stamp PIX agency label and library stamp on the verso. <br /> <br /> Based on the 1965 book by Larry Collins and Dominique Lapierre. A retelling of the World War II liberation of Paris in August 1944 by the French Resistance and Free French Forces.<br /> <br /> Set in Paris and Germany shot on location in Paris. <br /> <br /> Fro the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 10.25 x 8 inches. Very Good plus. Agence Dalmas unknown
Riferimento per il libraio : 162906
|
|
|
Jean-Pierre Leaud, Claude Jade, Hiroko Berghauer, Barbara Laage (starring); Francois Truffaut (director, screenwriter); Claude d
Bed and Board Domicile Conjugal Original pressbook for the 1970 film
N.p.: Valoria Films 1970. Vintage pressbook for the 1970 French film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job.<br /> <br /> Shot on location in Paris. <br /> <br /> 9.25 x 12.5 inches. Single leaf printed on recto and verso. Very Good plus. <br /> <br /> Criterion Collection 187. Valoria Films unknown
Riferimento per il libraio : 162154
|
|
|
Jean-Pierre Leaud, Claude Jade, Hiroko Berghauer, Barbara Laage (starring); Francois Truffaut (director, screenwriter); Claude d
Bed and Board Domicile Conjugal Four original photographs from the 1970 film
Culver City CA: Columbia Pictures 1971. Four vintage reference photographs from the 1970 French film including three from the American release and one from the Spanish release. One with printed mimeo snipes affixed to the verso along with a date stamp reading MAY 1971.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 187. Columbia Pictures unknown
Riferimento per il libraio : 162142
|
|
|
Jean-Pierre Melville (director); Roger Duchesne, Isabel Corey (starring); Henri Decae (cinematographer)
Bob Le Flambeur Bob the Gambler Original poster for the 1982 US re-release of the 1956 French film
Los Angeles: Columbia / Gaumont 1982. Vintage US one-sheet poster for the 1982 US release of the 1956 French film. An important release as the film had never before been screened in wide distribution in the US until 1982-only once at the New York Film Festival in September 1981.<br /> <br /> Melville's fourth film and first of a series of noir crime thrillers for which he would become famous. Well-regarded both as film noir and as part of the French New Wave the latter because of its use of a single jump cut location shooting and use of a handheld camera for many shots.<br /> <br /> Set in Paris and shot on location there.<br /> <br /> 27 x 41 inches. Folded as issued with rubbing at the folds else Near Fine. Columbia / Gaumont unknown
Riferimento per il libraio : 169934
|
|
|
Jean-Pierre Melville (director, screenwriter); Roger Duchesne, Isabelle Corey, Guy Decomble (starring)
Bob le Flambeur Bob the Gambler Original oversize photograph from the 1956 French film noir
N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With manuscript ink annotations on the verso. <br /> <br /> Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br /> <br /> Set and shot on location in the Montmartre district in Paris and Calvados France.<br /> <br /> 9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br /> <br /> Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown
Riferimento per il libraio : 152432
|
|
|
Jean-Pierre Leaud, Anne Wiazemsky, Juliet Berto (starring); Jean-Luc Godard (director, screenwriter); Fyodor Dostoyevsky (novel)
La Chinoise Original oversize photograph from the 1968 film
N.p.: N.p. 1968. Vintage oversize borderless reference photograph from the 1968 French film showing actor Jean-Pierre Léaud reading a red book with the Chinese "five-star red flag" reflected in his glasses. "Cahiers du cinema" stamp on the verso. <br /> <br /> Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Jean-Luc Godard's wry improvisational take on politics of the late 1960s following five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 8 x 12 inches. Very Good plus with moderate wear to the finish.<br /> <br /> Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 166106
|
|
|
Jean-Pierre Melville (director); Jose Giovanni (novel); Lino Ventura (starring)
Le deuxieme souffle Original French lobby card for the 1966 film noir
N.p.: N.p. 1966. Vintage black-and-white glossy photographic French lobby card for the 1966 French film noir with a "no one under 18 admitted" label on the recto and an "IJ" stamp on verso.<br /> <br /> Director Melville's ninth film and while this is saying something probably his bleakest. Ventura plays a mobster who emerges from prison determined to reclaim his old crime empire only to find that times have changed since he left. Railing against said changes he sends himself and his family on a downward spiral that pits nearly everyone on both sides of the law against him. <br /> <br /> 47 x 63 inches. Very Good plus with pinholes to corners. <br /> <br /> Criterion Collection 448. Buss French Film Noir. Grant p. 181. Spicer p. 453. N.p. unknown
Riferimento per il libraio : 148161
|
|
|
Jean-Pierre Melville (director); Jose Giovanni (novel); Lino Ventura (starring)
Le Deuxieme Souffle Original photograph from the set of the 1966 film noir
N.p.: N.p. 1966. Vintage borderless reference photograph of Jean-Pierre Melville and Lino Ventura on the set of the 1966 film. <br /> <br /> Based on the 1958 French novel by Jose Giovanni.<br /> <br /> Director Melville's ninth film and while this is saying something probably his bleakest. Ventura plays a mobster who emerges from prison determined to reclaim his old crime empire only to find that times have changed since he left. Railing against said changes he sends himself and his family on a downward spiral that pits nearly everyone on both sides of the law against him. <br /> <br /> 9 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 448. Grant France. N.p. unknown
Riferimento per il libraio : 150835
|
|
|
Jean-Pierre Mocky (director)
L’Ibis Rouge black and white still
Paris: Interpress 1982. Black and white glossy photograph. 5 x 7 inches. Very Good. Printed in France. Still from film L’Ibis Rouge broadcast on FR3. Paris: Interpress, 1982 unknown
Riferimento per il libraio : 70-4977
|
|
|
Jean-Pierre Honore, Veronique Bauschene, Beatrice Costantini, Etienne Draber, Roger Lumont (starring); Claude Mulot (director, s
Sexyrella Bien faire et les seduire Original photograph from the 1968 French sexploitation film
London: Miracle Films 1968. Vintage double weight studio still photograph from the 1968 French sexploitation film.<br /> <br /> A young cartoonist looks for the perfect muse. Unable to find a proper artist's model he begins to look for his ideal woman in striptease booths. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Bier 1580. Miracle Films unknown
Riferimento per il libraio : 158496
|
|
|
Jean-Pierre Leaud, Claude Jade, Delphine Seyrig (starring); Francois Truffaut (director, screenwriter); Claude de Givray, Bernar
Stolen Kisses Baisers volés Original photograph from the 1968 film
N.p.: N.p. 1968. Vintage borderless reference photograph from the American release of the 1968 French film showing actors Claude Jade and Jean-Pierre Léaud. Newspaper clipping 1970 date stamp and annotations in manuscript ink on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 10 x 8 inches. About Fine.<br /> <br /> Criterion Collection 186. N.p. unknown
Riferimento per il libraio : 162096
|
|
|
Jean-Pierre Mocky (director, screenwriter); Jean-Charles Pinchon, Louis Sapin (screenwriters); Jacques Charrier, Charles Aznavou
The Chasers Les Draguers Original photograph from the 1959 film
Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. <br /> <br /> Two young men wander around Paris attempting to pick up women. <br /> <br /> 6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown
Riferimento per il libraio : 144939
|
|
|
Jean-Pierre Melville (director, screenwriter); Howard Vernon, Nicole Stephane, Jean-Marie Robain, Ami Aaroe (starring); Jean Bru
The Silence of the Sea Le silence de la mer Original photograph from the set of the 1949 French film
N.p.: N.p. 1949. Vintage reference photograph from the 1949 film showing director Jean-Pierre Melville and a camera crew capturing a scene with Nicole Stéphane and Jean-Marie Robain. Provenance stamp and annotations in manuscript ink on the verso.<br /> <br /> Based on the 1949 novel by Jean Bruller writing as Vercors. In occupied France a young woman and her uncle are forced to give shelter to a German lieutenant and silently agree to endure the man's presence by refusing to acknowledge him for the duration of his stay. Melville's feature film debut.<br /> <br /> 10 x 8 inches. Very Good plus with a light crease at the bottom left corner reinforced with paper tape on the verso. <br /> <br /> Criterion Collection 755. Grant France. N.p. unknown
Riferimento per il libraio : 163331
|
|
|
Jeanne Moreau, Stanley Baker (starring); Joseph Losey (director); James Hadley Chase (novel)
Eva Original photograph from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 film showing actress Jeanne Moreau smoking a cigarette and looking typically anomic with Checco Rissone and Stanley Baker to her left and right respectively. French distribution stamp on the verso.<br /> <br /> Based on James Hadley Chase's 1945 novel "Eve" about a married Welsh novelist who is seduced by a money-hungry French woman while on vacation in Venice. <br /> <br /> Shot in Venice and Rome. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 160668
|
|
|
Jeanne Moreau Brigitte Bardot (starring); Louis Malle (director, screenwriter); Jean-Claude Carriere (screenwriter); George Hami
Viva Maria! Three original photographs taken on the set of the 1965 film
N.p.: N.p. 1965. Three vintage borderless photographs including one double weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with manuscript ink annotations to the verso. <br /> <br /> Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising.<br /> <br /> Set in 1900s Central America shot on location in Mexico. <br /> <br /> Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 152112
|
|
|
Jeanne Moreau Brigitte Bardot starring; Louis Malle director screenwriter; Jean Claude Carriere screenwriter; George Hamilton s
Viva Maria! Collection of three original photographs taken on the set of the 1965 film
N.p.: N.p. 1965. Collection of three vintage borderless photographs including one double-weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with holograph ink annotations to the verso. <br/><br/>Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising.<br/><br/>Set in 1900s Central America shot on location in Mexico. <br/><br/>Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown books
Riferimento per il libraio : 152112
|
|
|
Jeannot Szwarc director; Michael Barak novel; John Briley screenwriter; Martin Sheen Brigitte Fossey Sam Neill Derek Jacobi s
Enigma Original photograph of Sam Neill and Derek Jacobi from the 1983 film
N.p.: Embassy Pictures 1983. Vintage studio still photograph of Sam Neill and Derek Jacobi from the 1983 film. <br/><br/>Based on Michael Barak's 1978 novel "The Enigma Sacrifice."<br/><br/>C.I.A. Agent Bodley Michael Lonsdale recruits East German dissident Alex Holbeck Martin Sheen to infiltrate Soviet intelligence to prevent five KGB agents from assassinating Soviet dissidents in the west. <br/><br/>Set in Paris and Berlin shot on location in France. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Embassy Pictures unknown books
Riferimento per il libraio : 148085
|
|
|
Jeannot Szwarc director; Michael Crichton screenwriter; Jim McMullan Katherine Woodville starring
Extreme Close-Up Collection of eight original photographs from the 1973 film
New York: National General Pictures 1973. Collection of eight vintage studio still photographs from the 1973 film. <br/><br/>An erotic thriller following a television reporter who becomes increasingly obsessed with filming his neighbors' private lives. Noted author Michael Crichton's first original screenplay. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. National General Pictures unknown books
Riferimento per il libraio : 150574
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
