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Arthur Lubin director; Laurence Marks Milton Pascal screenwriter; Ed Wynn William Smith Herb Vigran starring
The Ed Wynn Show: Laurie's Career Original screenplay for the 1958 television episode
Burbank CA: National Broadcasting Company NBC 1958. Revised Final Draft script for the 1958 television episode of "The Ed Wynn Show." Copy belonging to actor Tom Irish with his name in green holograph ink to the front wrapper and notation in green ink to a single page. Irish played an uncredited bit part named "Biff." <br/><br/>In 1958 veteran vaudeville comedian Ed Wynn creator of the innovative live skit-based 1949 television show of the same name tried his hand at a third television series: a short-lived sitcom that would last only one season. <br/><br/>Though Wynn was one of few beloved vaudevillians to make a successful transition to the small screen with his first show featuring high profile Hollywood guests and winning a Primetime Emmy Award for Best Live Show in 1950 his success would not last indefinitely. As television grew he would shift towards more serious dramatic roles. The 1958 iteration of "The Ed Wynn Show" would be the last series he put his name on before taking a spate of guest appearances and dramatic roles in various television shows and films. <br/><br/>Yellow titled wrappers noted as production No. 4477 dated October 29 1958 with credits for screenwriters Laurence Marks and Milton Pascal. Title page present dated October 29 1958 noted as REVISED FINAL DRAFT with credits for screenwriters Marks and Pascal. 43 leaves with last page of text numbered 38. Mimeograph on eye-rest green stock with yellow revision pages throughout dated October 31 1958. Pages Very Good plus wrapper Very Good bound with two gold brads. National Broadcasting Company [NBC] unknown books
Riferimento per il libraio : 139786
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Arthur Lubin director; Leonard Praskins Barney Slater screenwriter; Irene Dunne Dean Jagger Joan Evans Richard Crenna Edith
It Grows On Trees Collection of three original photographs from the set of the 1952 film
Universal City: Universal International Pictures 1952. Collection of three vintage linen backed keybook photographs of members of the cast and crew on the set of the 1952 film. Mimeo snipe and holograph annotations on the verso of each. <br/><br/>One photo shown. Please inquire to see others.<br/><br/>A family facing financial troubles realizes that the two trees they recently brought home from the nursery are money trees each bearing five and ten dollar bills. At first this mysterious luck is a relief but quickly the police the IRS and media outlets all get involved and the family struggles to discern the right way to handle all this new cash.<br/><br/>10 x 8 inches. Near Fine. Universal International Pictures unknown books
Riferimento per il libraio : 145121
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Arthur Lubin director; Oscar Brodney Harry Ruskin screenwriters; Maureen O'Hara George Nader Victor McLagen Rex Reason Tori
Lady Godiva of Coventry Three original photograph from the set of the 1955 film
Universal City: Universal International Pictures 1955. Three vintage linen backed photograph from the set of the 1955 film. Mimeo snipe affixed to the verso. <br/><br/>A telling of the 11th century legend of the English noblewomen Lady Godiva who famously rode on horseback with only her long hair covering her body as an appeal to her husband's oppressive taxation of his tenants. <br/><br/>10 x 8 inches. Near Fine. Universal International Pictures unknown books
Riferimento per il libraio : 144941
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Arthur Lubin director; Samuel Hoffenstein screenwriter; Gaston Leroux novel; Claude Rains Nelson Eddy Susanna Foster starring
Phantom of the Opera Original keybook photograph from the 1943 film
Universal City: Universal Pictures 1943. Vintage keybook reference photograph of Arthur Lubin and camerman on a crane above the opera house audience from the 1943 film. Mimeo snipe on verso. <br/><br/>Loosely based on the 1910 novel by Gaston Leroux. The second Universal film based on the story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br/><br/>Set in Paris.<br/><br/>8 x 10 inches. Very Good plus with light creasing and edgewear. <br/><br/>Weaver and Brunas Universal Horrors 1931-1946. Universal Pictures unknown books
Riferimento per il libraio : 152391
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Arthur Lubin director; Samuel Hoffenstein screenwriter; Gaston Leroux novel; Claude Rains Nelson Eddy Susanna Foster starring
The Phantom of the Opera Original post-production screenplay for the 1943 film
N.p.: N.p. 1943. Post-production Continuity and Dialogue script for the 1943 film. With two small holograph notations to the first page.<br/><br/>Loosely based on the 1910 novel. The second Universal film based on Gaston Leroux's story following Rupert Julian's 1925 silent film. Nominated for four Academy Awards and winning two including one for Best Cinematography.<br/><br/>Set in Paris.<br/><br/>White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1297 with credits for director Arthur Lubin. Title page integral with the front wrapper as issued. Mimeographed rectos only. Pages Very Good plus bound with two gold brads at the top edge. N.p. unknown books
Riferimento per il libraio : 146472
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Arthur Lubin director; Winston Miller screenwriter; Teresa Wright Cameron Mitchell Jon Provost Roger Nakagawa starring
Escapade in Japan Original photograph from the 1957 film
Culver City CA: National Screen Service / RKO Radio Pictures 1959. Vintage full-color still photograph from the 1959 UK release of the 1957 US film. <br/><br/>An American boy becomes lost after the plane he is on is forced to make an emergency landing off the Japanese coast. The boy befriends a fisherman's son and the two travel through the countryside while avoiding the police who they mistakenly believe are out to arrest rather than rescue the American. <br/><br/>A story set and shot on location in Japan. <br/><br/>8 x 10 inches. Very Good plus with pinholes at 2 corners and faint creases. National Screen Service / RKO Radio Pictures unknown books
Riferimento per il libraio : 132749
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Arthur Maria Rabenalt (director); Johanna Sibelius (screenwriter); Gusti Huber, Siegfried Breuer, Erich Ponto (starring)
Am Abend nach der Oper In the Evening After the Opera Original program for the 1945 German film
N.p.: N.p. 1945. Vintage program for the 1945 German film. Text and titles in German.<br /> <br /> After being released from prison for murdering his first wife a factory owner remarries but lives in fear of blackmail and the secret being exposed to his second wife. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
Riferimento per il libraio : 156172
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Arthur Marks (director, screenwriter); Tiffany Bolling, Steve Sandor, Robin Mattson, Scott Brady (starring)
Bonnie's Kids Original vinyl 45 RPM record of radio spot announcements for the 1973 sexploitation film
N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare.<br /> <br /> A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation.<br /> <br /> 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve.<br /> <br /> Not in Discogs. General Film Corporation unknown
Riferimento per il libraio : 164084
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Arthur Maria Rabenalt (director); Werner Hill (screenwriter); Claus Holm, Ingmar Zeisberg, Kai Fischer (starring)
Call Girls Original photograph from the 1957 film
N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. <br /> <br /> Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation.<br /> <br /> Set in Copenhagen Denmark. <br /> <br /> 8 x 10 inches. Near Fine. President Films unknown
Riferimento per il libraio : 161565
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Arthur Marks director; Charles Eric Johnson screenwriter; Yaphet Kotto Thomas Carter starring
The Monkey Hustle The Monkey Hu$tle Original poster for the 1976 film
Los Angeles: American International Pictures AIP 1976. Original one sheet poster for the 1976 blaxploitation film "The Monkey Hustle."<br/><br/>A classic entry in the action comedy subset of blaxploitation films in which a neighborhood must band together in order to prevent the city from demolishing their homes to build a highway. Set in Chicago and shot there on location. <br/><br/>Largely low-budget and geared towards a young urban audience blaxploitation films often depicted African-Americans overcoming hostile authorities through cunning and violence as well as conflicts internal to the culture. Though some of the first mainstream films to feature predominantly black casts and introduce previously non-represented elements of black culture including the notable use of funk and soul music in soundtracks they were also panned for furthering stereotypes about black people. Despite the controversy that the genre instilled its motifs remain culturally relevant to this day often parodied acknowledged and imitated in modern films and music. <br/><br/>27 x 41 inches folded. Near Fine. <br/><br/>Parish and Hill 149. American International Pictures [AIP] unknown books
Riferimento per il libraio : 133392
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Arthur Miller (playwright); Peter Brook (theatre director); Richard Harris, Anthony Quayle, Mary Ure
A View from the Bridge Original photograph during rehearsal for the 1956 London premiere
N.p.: N.p. 1956. Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller theater director Peter Brook and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph" "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso.<br /> <br /> "A View from the Bridge" debuted as a one-act play on Broadway on September 9 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts the version with which audiences are most familiar and had its premiere at the New Watergate theatre in London's West End on October 11 1956 running through April 20 1957. Under the direction of Peter Brook the cast included Richard Harris Anthony Quayle Megs Jenkins Mary Ure Brian Bedford Ian Bannen and Michael Gwynne.<br /> <br /> 8 x 10 inches. Very Good plus some faint creasing some crop marking in white ink and faint outlining of the figures on the recto. N.p. unknown
Riferimento per il libraio : 146308
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Arthur Miller (playwright); Franco Zeffirelli (director); Monica Vitti, Giorgio Albertazzi (starring)
After the Fall Original photograph of director Franco Zeffirelli on the set of the Italian production of the 1964 play
N.p.: N.p. 1965. Vintage borderless photograph of director Franco Zeffirelli on the set of the 1965 Italian production of Arthur Miller's 1964 play. With two printed mimeo snipes affixed to the verso along with an agency stamp. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> Miller's play premiered on Broadway at the ANTA Washington Square Theatre on January 23 1964 and ran for a successful 208 performances although not without facing a fair amount of criticism for its thinly veiled cynical portrayal of Marilyn Monroe from whom Miller had recently been divorced. The play toured Europe in 1965 and was staged at the Teatro Eliseo in Rome in December 1965 under Zeffirelli's direction. <br /> <br /> Set in WHERE shot on location in WHERE. <br /> <br /> 8 x 10 inches. CONDITION. N.p. unknown
Riferimento per il libraio : 150264
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Arthur Miller (playwright); Elia Kazan (director); W Eugene Smith (photographer); Lee J Cobb, Mildred Dunnock, Arthur Kennedy (s
Death of a Salesman Five borderless oversize photographs from the original 1949-1950 Broadway production
New York: W. Eugene Smith 1950. Five vintage oversize borderless photographs taken during the original 1949-1950 Broadway production of Arthur Miller's 1949 play. All photographs bear catalog stamps and credit stamps of noted photographer W. Eugene Smith on the versos.<br /> <br /> The production made its debut on February 10 1949 at the Morosco Theatre and ran for 742 performances closing on November 18 1950. Winner of the Tony Awards for Best Play Best Supporting Actor Best Author and Best Director as well as the 1949 Pulitzer Prize for Drama. The play has since been revived on Broadway five times in 1975 1984 1999 2012 and 2022 and has been adapted for the screen ten times including the Academy Award-nominated 1951 film directed by Laslo Benedik starring Fredric March and Mildred Dunnock.<br /> <br /> Described by critic Sean O'Hagan in a 2017 article in "The Guardian" as "perhaps the single most important American photographer in the development of the editorial photo essay" W. Eugene Smith's innovation integrity and technical mastery made his work the standard by which photojournalism is measured. The W. Eugene Smith Memorial Fund was established in 1979 a year after his death to promote and support photographers whose work explores matters of global importance for humanitarian purposes.<br /> <br /> 10.5 x 12.25 inches to 10.5 x 13.5 inches. About Near Fine with light edgewear and two with small vertical creases to the bottom right corner. W. Eugene Smith unknown
Riferimento per il libraio : 160284
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Arthur Miller (playwright); Vivian Matalon (director); Studs Terkel (novel); Tresa Hughes (starring)
The American Clock: A Mural for Theatre Original script for the 1980 play copy belonging to actress Tresa Hughes
New York: Biltmore Theatre 1980. Draft script for the 1980 play. Copy belonging to actress Tresa Hughes with her annotations throughout. <br /> <br /> Adapted by Arthur Miller from Studs Terkel's 1970 book "Hard Times: An Oral History of the Great Depression" a firsthand account of the Great Depression by Americans of varying socioeconomic status. The play ran for 11 previews and 12 performances between November 11 and November 30 1980 at the Biltmore Theatre on Broadway.<br /> <br /> Hughes was nominated for a Tony Award for Best Actress for her role in the 1961 production of "The Devil's Advocate." <br /> <br /> Blue titled Studio Duplicating Service wrappers with credit for playwright Arthur Miller on the front wrapper. Title page present with credits for playwright Miller and novelist Terkel. 111 leaves with last page of text numbered 102. Mimeograph duplication rectos only with undated xerographically duplicated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold screw brads. Biltmore Theatre unknown
Riferimento per il libraio : 132590
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Arthur Miller playwright; Franco Zeffirelli director; Monica Vitti Giorgio Albertazzi starring
After the Fall Original photograph of director Franco Zeffirelli on the set of the Italian production of the 1964 play
N.p.: N.p. 1965. Vintage borderless photograph of director Franco Zeffirelli on the set of the 1965 Italian production of Arthur Miller's 1964 play. With two printed mimeo snipes affixed to the verso along with an agency stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Miller's play premiered on Broadway at the ANTA Washington Square Theatre on January 23 1964 and ran for a successful 208 performances although not without facing a fair amount of criticism for its thinly veiled cynical portrayal of Marilyn Monroe from whom Miller had recently been divorced. The play toured Europe in 1965 and was staged at the Teatro Eliseo in Rome in December 1965 under Zeffirelli's direction. <br/><br/>Set in WHERE shot on location in WHERE. <br/><br/>8 x 10 inches. CONDITION. N.p. unknown books
Riferimento per il libraio : 150264
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Arthur Miller playwright; Peter Brook theatre director; Richard Harris Anthony Quayle Mary Ure
A View from the Bridge Original photograph during rehearsal for the 1956 London premiere
N.p.: N.p. 1956. Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller theater director Peter Brook and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph" "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso.<br/><br/>"A View from the Bridge" debuted as a one-act play on Broadway on September 9 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts the version with which audiences are most familiar and had its premiere at the New Watergate theatre in London's West End on October 11 1956 running through April 20 1957. Under the direction of Peter Brook the cast included Richard Harris Anthony Quayle Megs Jenkins Mary Ure Brian Bedford Ian Bannen and Michael Gwynne.<br/><br/>8 x 10 inches. Very Good plus some faint creasing some crop marking in white ink and faint outlining of the figures on the recto. N.p. unknown books
Riferimento per il libraio : 146308
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Arthur Penn (director); Lillian Gish, Arthur Hill, Clifton James, Colleen Dewhurst, Aline MacMahon (starring); James Agee (novel
All the Way Home Original script for the 1960 play
New York: William Morris Agency 1960. Vintage script for the 1960 play which premiered on November 30 1960 at the Belasco Theater running for 333 performances before closing on September 15 1961. <br /> <br /> Based on James Agee's Pulitzer Prize-winning 1957 novel "A Death in the Family" about two families in Tennessee whose lives are affected by the sudden death of the patriarch in an automobile accident. Winner of the Pulitzer Prize for Drama and nominated for five Tony Awards winning one for Best Actress for Colleen Dewhurst. <br /> <br /> Set in Knoxville in 1915.<br /> <br /> Maroon titled wrappers. Title page present dated 10 October 1960 with credits for novelist James Agee and playwright Tad Mosel. 99 leaves with last page of text numbered III-22. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. William Morris Agency unknown
Riferimento per il libraio : 160883
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Arthur Penn (director); David Newman, Robert Benton (screenwriters); Warren Beatty, Faye Dunaway, Michael J Pollard, Gene Hackma
Bonnie and Clyde Original photograph of Warren Beatty and Faye Dunaway from the 1967 film
Burbank CA: Warner Brothers / Seven Arts 1967. Vintage film still photograph of Warren Beatty and Faye Dunaway from the 1967 film with layout annotations in the margins and layout annotations on the verso.<br /> <br /> Perhaps the most significant film for the New Hollywood generation with its mix of graphic violence sex and humor and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values and 'shock' ending divided critics. One critic Pauline Kael came to its rescue stating that "in a sense it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers."<br /> <br /> Winner of two Academy Awards for Best Cinematography and Best Supporting Actress nominated for eight others including Best Picture Best Director Best Screenplay Best Actor Best Actress and Best Supporting Actor. Selected for the National Film Registry in 1992.<br /> <br /> Shot on location in Texas and California. <br /> <br /> 10 x 8 inches. Very Good plus. <br /> <br /> National Film Registry. Ebert I. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Warner Brothers / Seven Arts unknown
Riferimento per il libraio : 156097
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Arthur Penn (director); David Newman, Robert Benton (screenwriters); Warren Beatty, Faye Dunaway, Michael J Pollard, Gene Hackma
Bonnie and Clyde Original oversize double weight photograph from the 1967 film
Burbank CA: Warner Brothers 1967. Vintage oversize borderless double weight reference photograph of Faye Dunaway Warren Beatty and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. <br /> <br /> Perhaps the most significant film for the New Hollywood generation with its mix of graphic violence sex and humor and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences leading critic Pauline Kael to come to its rescue: "in a sense it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers."<br /> <br /> Nominated for eight Academy Awards winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. <br /> <br /> Shot on location in Texas and California. <br /> <br /> 11.75 x 9.25 inches. Very Good plus with lightly bumped corners and faint soil to the verso.<br /> <br /> Rosenbaum 1000. Ebert I. Scorsese A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US. Warner Brothers unknown
Riferimento per il libraio : 149297
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Arthur Penn (director); Steve Tesich (screenwriter); Craig Wasson, Jodi Thelen, Michael Huddleston, Jim Metzler (starring)
Four Friends Original screenplay for the 1981 film
New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. <br /> <br /> Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. <br /> <br /> Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. <br /> <br /> First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
Riferimento per il libraio : 138127
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Arthur Penn (director); Alan Surgal (screenwriter); Warren Beatty, Alexandra Stewart, Hurd Hatfield (starring)
Mickey One Original photograph of Arthur Penn and Alexandra Stewart on the set of the 1965 film
N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. <br /> <br /> Grant US. Spicer US. N.p. unknown
Riferimento per il libraio : 151447
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Arthur Penn (director); Alan Sharp (screenwriter); Gene Hackman, Jennifer Warren, Susan Clark, Edward Binns (starring)
Night Moves Original photograph from the 1975 neo-noir film
Burbank CA: Warner Brothers 1975. Vintage studio still photograph from the 1975 film showing actress Melanie Griffith. Annotations in manuscript ink on the verso. <br /> <br /> One of the great and still unheralded neo-noirs of the 1970s and along with "The Conversation" 1974 one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" 1965 "The Chase" 1966 and "Bonnie and Clyde" 1967 three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system heralding the start of the New American Cinema. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert IV. Grant US. Hardy 243. Rosenbaum 1000. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Warner Brothers unknown
Riferimento per il libraio : 162550
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Arthur Penn (director); Jose Luis Navarro, Don Petersen (screenwriters); Gene Hackman, Matt Dillon (starring)
Target Original oversize photograph of Arthur Penn on the set of the 1985 film
Paris: Sygma 1984. Vintage oversize borderless reference photograph from the 1985 film showing director Arthur Penn sitting on the set during filming on location. Mimeo snipe on the verso in French and English.<br /> <br /> A middle-aged man with old ties to the CIA searches for his missing wife in Europe aided by his adult son. Penn's first film shot outside of the US. <br /> <br /> Shot in Dallas and Corpus Christi in the US and in Paris Berlin and Hamburg. <br /> <br /> 12 x 8 inches. Near Fine. Sygma unknown
Riferimento per il libraio : 169583
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Arthur Penn (director); Horton Foote (play); Lillian Hellman (screenwriter); Marlon Brando, Jane Fonda, Robert Redford, EG Marsh
The Chase Original photograph of Arthur Penn and Jane Fonda on the set of the 1966 film
Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
Riferimento per il libraio : 151565
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Arthur Penn (director); Horton Foote (playwright); Lillian Hellman (screenwriter); Marlon Brando, Robert Redford, Jane Fonda, An
The Chase Original photograph from the set of the 1966 film
Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. <br /> <br /> Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Twilight Time 242. Columbia Pictures unknown
Riferimento per il libraio : 142660
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Arthur Penn (director); Horton Foote (playwright); John Monte (photographer); Lillian Hellman (screenwriter); Marlon Brando, Jan
The Chase Original photograph from the 1966 film noir
Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. <br /> <br /> An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. <br /> <br /> A story set in Texas shot partially on location there. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Spicer US. Columbia Pictures unknown
Riferimento per il libraio : 133029
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Arthur Penn (director); William Gibson (screenwriter); Anne Bancroft, Patty Duke (starring)
The Miracle Worker Seven original photographs from the 1962 film
Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown
Riferimento per il libraio : 137095
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Arthur Penn (director); Fred Coe (producer); William Gibson (screenwriter); Anne Bancroft, Patty Duke (starring)
The Miracle Worker Original photograph from the set of the 1962 film
Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br /> <br /> Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
Riferimento per il libraio : 137096
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Arthur Penn (director); Marlon Brando, Jack Nicholson (starring)
The Missouri Breaks Complete set of 8 color still photographs from the 1976 film
Beverly Hills CA: United Artists 1976. Complete set of 8 vintage color studio still photographs from the 1976 film. <br /> <br /> 8 x 10 inches. Fine. United Artists unknown
Riferimento per il libraio : 135131
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Arthur Penn director; Alan Sharp screenwriter; Gene Hackman Susan Clark and Melanie Griffith starring
Night Moves Original photograph from the 1975 film
Burbank CA: Warner Brothers 1975. Vintage black-and-white studio still photograph from the US release of the 1975 film. <br/><br/>One of the great and still unheralded neo-noirs of the 1970s and along with "The Conversation" 1974 one of Gene Hackman's finest performances. Arthur Penn's unusual career as a director began with "Mickey One" 1965 "The Chase" 1966 and "Bonnie and Clyde" 1967 three films that amounted to the dynamite under the bridge that was the remnants of the Hollywood studio system heralding the start of the New American Cinema. <br/><br/>Set in California and Florida shot on location in California and Florida. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Grant p. 459. Hardy p. 243. Silver p. 432. Spicer p. 433. Warner Brothers unknown books
Riferimento per il libraio : 139679
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Arthur Penn director; Alan Sharp screenwriter; Gene Hackman Jennifer Warren Susan Clark Edward Binns starring
Night Moves Original pressbook for the 1975 film
Burbank CA: Warner Brothers 1975. Original pressbook for the 1975 film. An overshadowed noirish thriller from the New Hollywood director Penn who's notable credits include "Bonnie and Clyde" 1967 "Little Big Man" 1970 and the existential Western "Missouri Breaks" 1976. <br/><br/>Private eye Harry Moseby Hackman an ex-pro football player is a workaholic with an unfaithful wife Clark. An aging actress hires Harry to find her daughter Delly Melanie Griffith her first starring role a runaway teen who's fled to Florida. While on the hunt Harry has an affair of his own with Paula Warren and he succeeds in locating Delly. Although his victory is not without consequences and a mysterious underwater plane wreck further complicates Harry's journey. <br/><br/>Set in Florida shot there on location. <br/><br/>11 x 14 inches saddle-stapled 12 pages plus 4-page insert black-and-white throughout. Horizontal fold at the middle else Near Fine. <br/><br/>Grant p. 459. Hardy p. 243. Silver p. 432. Spicer p. 433. Warner Brothers unknown books
Riferimento per il libraio : 135743
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Arthur Penn director; Alan Surgal screenwriter; Warren Beatty starring; Eddie Sauter composer; Stan Getz improvisations
Mickey One Collection of three original photographs from the 1965 film
Culver City CA: Florin / Columbia Pictures 1965. Collection of three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. <br/><br/>Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967 others say "Mickey One" in 1965. Either way you look at it the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film against the backdrop of a full orchestra. <br/><br/>Set in Chicago and shot on location there. <br/><br/>8 x 10 inches. CONDITION. <br/><br/>Complete collation details available on request. Florin / Columbia Pictures unknown books
Riferimento per il libraio : 135450
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Arthur Penn director; Alan Surgal screenwriter; Warren Beatty Alexandra Stewart Hurd Hatfield starring
Mickey One Original photograph of Arthur Penn and Alexandra Stewart on the set of the 1965 film
N.p.: N.p. 1965. Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>After angering the Mafia a stand-up comedian Warren Beatty finds himself on the run taking on an alias and heading to Chicago. The film received spotty reviews upon release but has since been reconsidered as a cult classic heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. <br/><br/>Grant US. Spicer US. N.p. unknown books
Riferimento per il libraio : 151447
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Arthur Penn director; David Newman Robert Benton screenwriters; Warren Beatty Faye Dunaway Michael J. Pollard Gene Hackman s
Bonnie and Clyde Original oversize double weight photograph from the 1967 film
Burbank CA: Warner Brothers 1967. Vintage oversize borderless double weight reference photograph of Faye Dunaway Warren Beatty and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. <br/><br/>Perhaps the most significant film for the New Hollywood generation with its mix of graphic violence sex and humor and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences leading critic Pauline Kael to come to its rescue: "in a sense it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers."<br/><br/>Nominated for eight Academy Awards winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. <br/><br/>Shot on location in Texas and California. <br/><br/>11.75 x 9.25 inches. Very Good plus with lightly bumped corners and faint soil to the verso.<br/><br/>Rosenbaum 1000. Ebert I. Scorsese A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US. Warner Brothers unknown books
Riferimento per il libraio : 149297
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Arthur Penn director; David Newman Robert Benton screenwriters; Warren Beatty Faye Dunaway Michael J. Pollard Gene Hackman s
Bonnie and Clyde Original photograph taken on the set of the 1967 film
Burbank CA: Warner Brothers 1967. Vintage borderless studio still photograph of director Arthur Penn and actors Faye Dunaway and Warren Beatty resting between takes while filming on location for the 1967 film with cinematographer Burnett Guffey looking on to the right. With holograph pencil and ink annotations regarding cropping on the verso along with a provenance stamp. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Perhaps the most significant film for the New Hollywood generation with its mix of graphic violence sex and humor and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences leading critic Pauline Kael to come to its rescue: "in a sense it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers."<br/><br/>Nominated for eight Academy Awards winning two including Best Cinematography for Guffey. <br/><br/>Shot on location in Texas and California. <br/><br/>7.5 x 9.75 inches. Very Good plus lightly faded. <br/><br/>Ebert I. Grant US. Penzler 101. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Warner Brothers unknown books
Riferimento per il libraio : 151418
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Arthur Penn director; Fred Coe producer; William Gibson screenwriter; Anne Bancroft Patty Duke starring
The Miracle Worker Original photograph from the set of the 1962 film
Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. <br/><br/>Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br/><br/>10 x 8 inches. Near Fine. United Artists unknown books
Riferimento per il libraio : 137096
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Arthur Penn director; Horton Foote playwright; John Monte still photographer; Lillian Hellman screenwriter; Marlon Brando Jane
The Chase Still photograph from the 1966 film
Culver City CA: Columbia Pictures 1966. Vintage black-and-white still photograph from the US release of the 1966 film. <br/><br/>An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. <br/><br/>A story set in Texas shot partially on location there. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
Riferimento per il libraio : 133029
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Arthur Penn director; Horton Foote playwright; Lillian Hellman screenwriter; Marlon Brando Robert Redford Jane Fonda Angie Di
The Chase Original photograph from the set of the 1966 film
Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. <br/><br/>Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Spicer US. Twilight Time 242. Columbia Pictures unknown books
Riferimento per il libraio : 142660
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Arthur Penn director; Lee Johnson photographer; Robert Benton David Newman screenwriters; Warren Beatty Faye Dunaway starring
Bonnie and Clyde Original double weight photograph from the 1967 film
Burbank CA: Warner Brothers / Seven Arts 1967. Vintage oversize double weight borderless photograph from the set of the 1967 film showing actor Faye Dunaway brandishing a pistol while director Arthur Penn describes the scene and co-star Warren Beatty looks on. With the stamp of photographer Lee Johnson on the verso.<br/><br/>The beginning of the New Hollywood Cinema. Screenwriters Robert Benton and David Newman shopped their script about the notorious 1920s gangsters to every major American studio then to Francois Truffaut and then to Jean-Luc Godard all to absolutely no avail. A young and reckless Warren Beatty already an established Hollywood bad boy took an interest and brought on director Arthur Penn and for a rewrite screenwriter Robert Towne. According to legend Beatty begged Jack Warner on bended knee to green light the production after which the film barely got an initial release. Eventually due more to studio politics than interest in the film it received a general release due mostly to huge political upheavals at Warner Brothers whereupon it became a box office smash. <br/><br/>9.5 x 14 inches. Near Fine with some faint shallow creasing at a couple of corners. In a custom museum-quality frame archivally mounted with UV glass. Warner Brothers / Seven Arts unknown books
Riferimento per il libraio : 133102
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Arthur Penn director; Marlon Brando Jack Nicholson starring
The Missouri Breaks Complete set of 8 color still photographs from the 1976 film
Beverly Hills CA: United Artists 1976. Complete set of 8 vintage color studio still photographs from the 1976 film. <br/><br/>8 x 10 inches. Fine. United Artists unknown books
Riferimento per il libraio : 135131
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Arthur Penn director; Marlon Brando Jack Nicholson starring
The Missouri Breaks Original photograph from the 1976 film
Beverly Hills CA: United Artists 1976. Vintage black and white still photograph from the 1976 film. Rubber stamped "76-98" at the bottom of the left margin. <br/><br/>8 x 10 inches. Small bruise at the bottom margin tape shadow just to the right of same. Very Good or better overall. United Artists unknown books
Riferimento per il libraio : 135132
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Arthur Penn director; Steve Tesich screenwriter; Craig Wasson Jodi Thelen Michael Huddleston Jim Metzler starring
Four Friends Original screenplay for the 1981 film
New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in holograph ink and pencil. <br/><br/>Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. <br/><br/>Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. <br/><br/>First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. <br/><br/>Complete collation details available upon request. Filmways Pictures unknown books
Riferimento per il libraio : 138127
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Arthur Penn director; William Gibson screenwriter; Anne Bancroft Patty Duke starring
The Miracle Worker Collection of 7 original photographs from the 1962 film
Beverly Hills CA: United Artists 1962. Collection of seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. <br/><br/>10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown books
Riferimento per il libraio : 137095
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Arthur Roberson (director, play, screenwriter); Durey Mason, Sandra Alexxandra, Jeff Burton (starring)
Black Hooker Street Sisters Original photograph from the 1974 film
N.p.: N.p. 1974. Vintage studio still photograph from the 1974 film with a provenance stamp on the verso. Also released as "Street Sisters."<br /> <br /> Based on the 1969 play "Don't Leave Go My Hand" by director and screenwriter Arthur Roberson. A mixed-race boy raised on a farm by his grandmother attempts to reconnect with his mother a Black prostitute. <br /> <br /> Set in and shot on location in Long Beach and Stockton California. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Parish and Hill Black Action Films. N.p. unknown
Riferimento per il libraio : 161544
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ARTIS Pierre
Histoire du cinéma américain
in 8 broché,222 pages,non coupé,illustration photo hors-texte.Collette d’Halluin 1947 édition à tirage restreint
Riferimento per il libraio : 1066
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artist, monk, founder, director TLK Sylvain Chamberlain Nyudo
Sexual Personae
like new. unknown
Riferimento per il libraio : 23676837 ISBN : 1304272788 9781304272782
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Artistic Director and Illuminator Donald Jackson
Psalms: The Saint John's Bible
Liturgical Pr 2006. Hardcover. New. illustrated edition edition. 80 pages. 15.00x10.00x0.75 inches. Liturgical Pr hardcover
Riferimento per il libraio : __0814690564 ISBN : 0814690564 9780814690567
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Arturo Martinez (director screenwriter); Edgardo Gazcon, Gabriel Guerro (screenwriters); Julio Aleman, Patricia Aspillaga, Juan
Rio Salvaje Original poster for the 1971 film
Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. <br /> <br /> 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown
Riferimento per il libraio : 149549
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Arturo Martinez director. screenwriter; Edgardo Gazcon Gabriel Guerro screenwriters; Julio Aleman Patricia Aspillaga Juan Gal
Rio Salvaje Original poster for the 1971 film
Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. <br/><br/>26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown books
Riferimento per il libraio : 149549
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Arvin Brown (director); Aaron Mendelsohn (screenwriter); Jean Smart, John Terry, Gretchen Corbett (starring)
A Change of Heart Original screenplay for the 1998 television film
Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. <br /> <br /> Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. <br /> <br /> Shot on location in Portland Oregon. <br /> <br /> Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown
Riferimento per il libraio : 143688
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