‎Metteur en scène‎

‎Robert Altman director screenwriter; Don Smetzer still photographer; John Considine Patricia Resnick Allan F. Nicholls screen‎

‎A Wedding Two original photographs of Robert Altman and Carol Burnett from set of the 1978 film‎

‎N.p.: N.p. 1978. Two vintage borderless photographs shot on the set of the 1978 film one of Robert Altman behind the camera and one of Altman and Carol Burnett.<br/><br/>In a style that Altman invented and had by this time more than mastered a soup of overlapping stories told in the context of a middle-class wedding in the American South and all taking place on a single day. <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books‎

書籍販売業者の参照番号 : 150021

‎Robert Altman director writer; Calder Willingham Joan Tewkesbury screenwriters; Keith Carradine Shelley Duvall starring‎

‎Thieves Like Us Original lobby card from the 1974 film‎

‎Beverly Hills CA: United Artists 1974. Lobby card from the 1974 film an early and unusual entry in the American neo-noir canon. Based on the 1937 novel a hard boiled classic by proletarian writer Edward Anderson. <br/><br/>Robert Altman made almost no mistakes in the 1970s and this was one of the many high spots. The director along with novelist-screenwriter Calder Willingham adapted a forgotten but seminal work from the dust bowl era and brought it to life with Carradine and Duvall two actors who were staples of his highly successful stable of actors during the New Hollywood era. <br/><br/>11 x 14 inches. Near Fine with a couple of shallow corner creases and some light rubbing. <br/><br/>Hanna 69. Spicer p. 436. United Artists unknown books‎

書籍販売業者の参照番号 : 130358

‎Robert Altman director; Gillian Freeman screenwriter; Peter Miles novel; Sandy Dennis Michael Burns starring‎

‎That Cold Day in the Park Original color photograph from the 1969 film‎

‎Los Angeles: Commonwealth United Entertainment 1969. Vintage color studio still photograph from the 1969 film. Based on the novel by Peter Miles. <br/><br/>The feature film that brought Robert Altman to the attention of the film world giving him the break he needed to make "MASH" in the year that followed. A gothic psychological thriller that explores a spinster's depth of loneliness and sexual longing. She happens upon a young mute man in the park who she invites to live in her house. The film was not a box office success and has received a relatively negative reception mostly due to its unclarified theme. <br/><br/>Shot on location in Vancouver Canada. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/> <br/><br/>Olive 540. Commonwealth United Entertainment unknown books‎

書籍販売業者の参照番号 : 139768

‎Robert Altman director; Ring Lardner Jr. screenwriter; Richard Hooker novel; Robert Duvall Donald Sutherland Elliot Gould Tom‎

‎MASH Collection of 5 original oversize photographs from the 1970 film‎

‎Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. <br/><br/>Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. <br/><br/>12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. <br/><br/>National Film Registry. Twentieth Century-Fox unknown books‎

書籍販売業者の参照番号 : 143169

‎Robert Angus (director); Harvey Alan Glick, Gabrielle Upton, Christopher Rose (screenwriters); Hugh Griffith, Jo Jo Bennett, Ron‎

‎Brown Eye Evil Eye Original screenplay for the 1968 film‎

‎Hollywood: Samuel Goldwyn Productions 1966. Shooting script for the 1968 film with annotations in manuscript ink and pencil on 30 pages striking scenes and underlining background characters and extras.<br /> <br /> A depressed and suicidal 70-year-old man befriends the six-year old daughter of his nurse who is romanced by the man's rock star roommate. A US/Yugoslavia co-production.<br /> <br /> Set in and shot on location in Dubrovnik Yugoslavia.<br /> <br /> Blue titled Studio Duplicating Service wrappers. Title page present noted as SHOOTING SCRIPT with credits for screenwriter Harvey Alan Glick and Based upon an original story by Gabrielle Upton and original screenplay by Gabrielle Upton and Christopher Bose. 155 leaves with last page of text numbered 154. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good bound with two gold screw brads. Samuel Goldwyn Productions unknown‎

書籍販売業者の参照番号 : 158741

‎Robert Asher director; S. C. Green and R. M. Hills screenwriters; Eric Morecambe Ernie Wise William Franklyn April Olrich sta‎

‎The Intelligence Men Collection of 7 photographs from the 1965 film‎

‎London: Rank Organisation 1965. Collection of 7 vintage full-color still photographs from the 1965 UK film. <br/><br/>Lovable spoof about a coffee shop manager who gets involved with London spies and foils an attempt to assassinate a ballerina. <br/><br/>8 x 10 inches. Faint creases else Near Fine. Rank Organisation unknown books‎

書籍販売業者の参照番号 : 132212

‎Robert B Sinclair (director); Jay Dratler, William R Lipman, Lynn Starling (screenwriters); Tyrone Power, Gene Tierney, Reginald‎

‎That Wonderful Urge Original treatment script for the 1948 film‎

‎N.p.: N.p. 1947. Treatment script for the 1947 film here under the working title "That Wonderful Urge." Accompanying the film are several production documents including multiple sets of revision pages and two interdepartmental typed notes on Twentieth Century-Fox letterhead.<br /> <br /> A very interesting piece of Hollywood history: the script here reads as a remake of the 1940 film "He Married His Wife" right down to the names of the characters but one whose plot was later altered to be the one we know today about a newspaperman and his heiress.<br /> <br /> Light blue titled wrappers dated July 7 1947 with credits for screenwriter Lynn Starling. Title page integral with the front wrapper as issued. 22 leaves with last page of text numbered 20. Mimeograph duplication on onionskin stock rectos only. Pages Fine wrapper Very Good plus bound internally with two gold brads. N.p. unknown‎

書籍販売業者の参照番号 : 149217

‎Robert B. Parker screenwriter; Avery Brooks Yusef Bulos William Fichtner Joseph C. Phillips starring; Virgil Vogel director‎

‎A Man Called Hawk: Poison White Poison Original screenplay for the 1989 television episode‎

‎Burbank CA: Warner Brothers / American Broadcasting Company ABC 1989. First Draft script for the season one episode eight of the 1989 television show originally broadcast March 25 1989 on ABC here under the working title "White Poison." Virgil Vogel credited here as Director but Harry Falk would receive final credit as Director of the episode. <br/><br/>"Hawk" was based on a character from the crime drama series "Spencer: For Hire" 1985-1988. Avery Brooks an African American actor reprising his role from the former series starred as the sharp-dressed streetwise sunglasses-wearing elongated Colt revolver-toting vigilante with a deep sense of being. <br/><br/>In this episode Hawk is tracking the source of heroin laced with strychnine but his task is constantly interrupted by a nosy reporter. <br/><br/>Orange titled wrappers noted as FIRST DRAFT on the front wrapper dated January 27 1989. Title page present dated January 27 1989 noted as FIRST DRAFT with credits for screenwriters Parker and director Vogel as well as credits for executive producers producers associate producer and unit production manager. 62 leaves with last page of text numbered 58. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers / American Broadcasting Company [ABC] unknown books‎

書籍販売業者の参照番号 : 129406

‎Robert Benton (director, screenwriter); Avery Corman (novel); Meryl Streep, Dustin Hoffman, JoBeth Williams (starring)‎

‎Kramer Versus Vs. Kramer Original screenplay for the 1979 film‎

‎N.p.: N.p. 1978. Revised Fourth Draft script for the 1979 film. Copy belonging to noted New York Times theatre critic and cultural writer Mel Gussow with his name in manuscript ink on the title page along with a notation indicating copy No. 47. <br /> <br /> Based on Avery Corman's 1977 novel about a divorced couple fighting a custody battle for their son. Nominated for nine Academy Awards winning five including Best Picture Best Screenplay Best Actor and Best Actress. <br /> <br /> Shot on location in New York. <br /> <br /> Goldenrod self wrappers lacking rear wrapper. Title page present noted as Revised Fourth Draft on the front wrapper dated September 5 1978 with credits for director Robert Benton and novelist Avery Corman. 136 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown‎

書籍販売業者の参照番号 : 157015

‎Robert Bloch (screenwriter); Jack Herzberg (director); John Doucette, Macdonald Carey, Andy Clyde, Gloria Jean (starring)‎

‎Lock Up: Abandoned Mine Original screenplay for the 1961 television episode‎

‎Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 20 of the 1959-1961 television series. The episode originally aired on February 4 1961 in syndication. <br /> <br /> "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this installment Maris heads west to investigate a mining scam in Nevada. <br /> <br /> Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Orange titled wrappers dated 20 October 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 45 leaves with last page of text numbered 44. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown‎

書籍販売業者の参照番号 : 163885

‎Robert Bloch (screenwriter); Eddie Davis (director); James Best, John Doucette, Macdonald Carey, Jack Ging, George E Stone (star‎

‎Lock Up: The Beau and Arrow Case Original screenplay for the 1960 television episode‎

‎Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 5 of the 1959-1961 television series. The episode originally aired on October 22 1960 in syndication. <br /> <br /> "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this installment the owner of an archery range is charged with killing his psychologist after the latter is found murdered with an arrow sticking out of his chest. <br /> <br /> Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. <br /> <br /> Orange titled wrappers dated 29 July 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 40 leaves with last page of text numbered 38. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown‎

書籍販売業者の参照番号 : 163883

‎Robert Bloch (screenwriter); Roger Kay (director); Glynis Johns, Dan O'Herlihy, Richard Davalos (starring)‎

‎The Cabinet of Caligari Collection of nine original photographs from the 1962 film‎

‎Los Angeles: Twentieth Century-Fox 1962. Collection of nine vintage studio still photographs two borderless from the 1962 film. <br /> <br /> Jane Lindstom's Glynis Johns car breaks down and she seeks assistance at the home of a man named Caligari Dan O'Herlihy where she soon finds herself prisoner and none of the other residents seem willing to help. Not a remake of the classic 1920 Robert Wiene film "The Cabinet of Dr. Caligari" despite the similarity of the title though it does contain a similar plot twist. <br /> <br /> 7 - 8 x 10 inches 2 - 9.25 x 7 . Near Fine some faint creasing in margins and light edgewear. Twentieth Century-Fox unknown‎

書籍販売業者の参照番号 : 147773

‎Robert Bloch screenwriter; Peter Duffell director; Christopher Lee Peter Cushing Nyree Dawn Porter Denholm Elliott starring‎

‎The House that Dripped Blood Original screenplay for the 1971 film signed by Robert Bloch‎

‎London: Amicus Productions 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief annotations throughout in holograph ink and pencil. <br/><br/>An anthology horror film featuring four different stories including vampires witchcraft wax ladies and eerie stranglers. In one story a writer is haunted by the psychopathic central character of his latest novel; in another two friends are haunted by a wax figure that eerily resembles a woman they once knew; in the third story a widower is neglectful and abusive to his daughter; and in the final story an actor starring in a vampire film buys a cloak from a mysterious shopkeeper and finds that the cloak gives him vampiric powers. Ingrid Pitt has a supporting role as do Joss Ackland Jonathan Lynn and Joanna Lumley. <br/><br/>Bloch wrote for several Amicus Productions film including "The Skull" 1965 "The Psychopath" 1966 "The Deadly Bees" 1966 and "Asylum" 1972. <br/><br/>Shot on location in England. <br/><br/>Blue titled wrappers. Title page present undated with a credit for screenwriter Bloch. 128 leaves with last page of text numbered 127. Mimeograph duplication. Pages and wrapper Near Fine bound internally with a silver prong brad. <br/><br/>Muir 1970s. Amicus Productions unknown books‎

書籍販売業者の参照番号 : 137241

‎Robert Board (director, photographer); Neyle Morrow (starring)‎

‎The Mute Original photograph from the 1959 short film‎

‎N.p.: N.p. 1959. Vintage borderless photograph of Neyle Morrow from the 1959 experimental short film. From the estate of director Robert Board who took the photograph.<br /> <br /> In addition to creating numerous short films beginning in the 1940s Board was an actor puppeteer and man about town in Hollywood's heyday. His recollections are featured in a chapter of Paul Zollo's "Hollywood Remembered: An Oral History of Its Golden Age." <br /> <br /> "The Mute" tells the story of a deaf-mute who serves as a deckhand on a salvage tug and his desire of connection with those around him. The film purportedly had a small screening at Cannes in 1960 though no official record we could find exists.<br /> <br /> 7.5 x 9.5 inches. Very Good plus. N.p. unknown‎

書籍販売業者の参照番号 : 144808

‎Robert Bob Willoughby photographer; Bernard Girard director screenwriter; Andrew Lytle novel; Robert Culp Samantha Eggar starr‎

‎A Name for Evil Original double weight photograph from the 1973 film‎

‎Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a holograph notation in his hand on the verso. Full provenance available. <br/><br/>Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br/><br/>Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.25 x 9 inches. Fine. <br/><br/>Thrower Nightmare USA. Penthouse unknown books‎

書籍販売業者の参照番号 : 139507

‎Robert Bob Willoughby photographer; Clive Donner director; Eliot Baker screenwriter; Murray Schisgal play; Jack Lemmon Peter Fa‎

‎Luv Original oversize double weight color photograph of Jack Lemmon Elaine May and Peter Falk from the 1967 film‎

‎Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books‎

書籍販売業者の参照番号 : 139540

‎Robert Bob Willoughby photographer; David Miller director; Ivan Goff Ben Roberts screenwriters; Janet Green play; Doris Day Re‎

‎Midnight Lace Original double weight photograph from the set of the 1960 film‎

‎Universal City CA: Universal Pictures 1960. Vintage oversize double weight still photograph from the 1960 film depicting stars Doris Day and Rex Harrison relaxing on a restaurant set between takes. Based on the play "Matilda Shouted Fire" by Janet Green. Nominated for an Academy Award. Shot struck and mounted by the film's still photographer Bob Willoughby with a holograph notation on the verso in his hand. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>14 x 11 inches. Near Fine. Universal Pictures unknown books‎

書籍販売業者の参照番号 : 139504

‎Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st‎

‎Raintree County Original photograph from the 1956 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books‎

書籍販売業者の参照番号 : 141247

‎Robert Bob Willoughby photographer; Henry Koster director; Joseph Fields screenwriter play; Oscar Hammerstein II play; CY. Lee‎

‎Flower Drum Song Original double weight photograph from the 1961 film‎

‎Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br/><br/>Hirschhorn p. 373. Universal Pictures unknown books‎

書籍販売業者の参照番号 : 139506

‎Robert Bob Willoughby photographer; Jack Lemmon director; John Paxton screenwriter; Katharine Topkins novel; Walter Matthau Deb‎

‎Kotch Original double weight photograph from the 1971 film‎

‎Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown books‎

書籍販売業者の参照番号 : 139538

‎Robert Bob Willoughby photographer; Mike Nichols director; Joseph Heller novel; Buck Henry screenwriter; Alan Arkin Art Garfunk‎

‎Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969‎

‎N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. N.p. unknown books‎

書籍販売業者の参照番号 : 133199

‎Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Saga novel; Deborah Kerr D‎

‎Bonjour Tristesse Original photograph from the set of the 1957 film‎

‎Culver City CA: Columbia Pictures 1957. Vintage oversize double weight photograph of Jean Seberg Otto Preminger David Niven and the stand-ins for Seberg and Niven on the set of "Bonjour Tristesse" in the late summer of of 1957 in Cote d'Azur France. Shot struck and mounted by the film's still photographer Bob Willoughby. Willoughby's annotations regarding same present on the verso along with Willoughby's stamps and a stamp for the Sygma Agency in Paris. Full provenance available. <br/><br/>In a subtle homage to early cinema Preminger took the uncommon approach of interspersing black-and-white sequences in what was primarily a color film and pitted the seasoned stalwart David Niven against young and unconventional Jean Seberg the latter fresh from her internationally acclaimed performance in Godard's "Breathless."<br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 13.75 inches. Near Fine. Columbia Pictures unknown books‎

書籍販売業者の参照番号 : 133206

‎Robert Bob Willoughby photographer; Otto Preminger director; Nelson Algren novel; Frank Sinatra Kim Novak starring‎

‎The Man with the Golden Arm Original photograph on the set of the 1955 film‎

‎Beverly Hills CA: United Artists 1955. Vintage oversize double weight photograph of Frank Sinatra on the set of "The Man with the Golden Arm" in the fall of 1955. Shot and struck by the film's still photographer Bob Willoughby. SIGNED by Willoughby on the verso along his ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 8.5 x 13.5 inches. Near Fine. <br/><br/>Selby US. United Artists unknown books‎

書籍販売業者の参照番号 : 133196

‎Robert Bob Willoughby photographer; Walter Lang director Dorothy Kingsley Charles Lederer screenwriters; Abe Burrows Cole Por‎

‎Can-Can Original double weight photograph of Frank Sinatra Shirley MacLaine and Maurice Chevalier from the 1960 film‎

‎Los Angeles: Twentieth Century-Fox 1960. Vintage double weight borderless photograph of Frank Sinatra Shirley MacLaine and Maurice Chevalier from the 1960 musical film based on the 1953 Broadway musical by Abe Burrows with music and lyrics by Cole Porter. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and holograph annotations on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.5 x 6.5 inches. Near Fine. <br/><br/>Hirschhorn p. 370. Twentieth Century-Fox unknown books‎

書籍販売業者の参照番号 : 139537

‎Robert Bob Willoughby photographer; William Wyler director; John Michael Hayes screenwriter; Lillian Hellman play; Audrey Hepbur‎

‎The Children's Hour Original double weight photograph for the 1961 film‎

‎Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.25 inches. Near Fine. United Artists unknown books‎

書籍販売業者の参照番号 : 139518