‎Metteur en scène‎

‎Robert Dornhelm (director); Michael Ventura (screenwriter); Tom Hulce, Susan Dey, Cheech Marin, Michael Bowen (starring)‎

‎Echo Park Original screenplay for the 1986 film‎

‎Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single manuscript ink annotation on the front wrapper and a few copied manuscript annotations to page 59 and 60 noting grammatical revisions. <br /> <br /> A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br /> <br /> Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br /> <br /> Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown‎

Riferimento per il libraio : 147136

‎Robert Douglas (director); Harry Spalding (screenwriter); Leslie Nielsen, Aliza Gur, Dorinda Stevens, Eric Pohlmann (starring)‎

‎Night Train to Paris Original screenplay for the 1964 British film‎

‎Shepperton UK: Lippert Films 1964. Draft script for the 1964 British film copy belonging to Art Director George Provis with his name and the date "8th May 1964" written on the front wrapper.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Leslie Nielsen stars as a former OSS officer living in London who travels to Paris disguised as a photographer's assistant in order to deliver a secret tape reel after a former colleague with a decoy of the tape is killed.<br /> <br /> Shot on location in London. <br /> <br /> Yellow titled wrappers. Title page present. 84 leaves with last page of text numbered 88. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Lippert Films unknown‎

Riferimento per il libraio : 166111

‎Robert Duvall (starring); Howard W Koch (director); Peter Hamill (screenwriter); Verna Bloom, Henry Darrow, Eddie Egan (starring‎

‎Badge 373 Three original photographs from the 1973 film‎

‎Los Angeles: Paramount Pictures 1973. Three vintage studio still photographs from the 1973 film. Each photograph with printed mimeo snipe affixed to the verso and one provenance stamp on the verso. <br /> <br /> A gritty crime thriller about a racist Irish cop who is forced to turn in his badge after killing a Puerto Rican suspect while in pursuit of the man that killed his former partner. The second film based on the experiences of real-life New York policeman Eddie Egan following William Friedkin's 1971 film "The French Connection" two years prior. <br /> <br /> Set and shot on location in New York. <br /> <br /> 8 x 10 inches. Very Good plus. Paramount Pictures unknown‎

Riferimento per il libraio : 161971

‎Robert Duvall starring; Gerd Oswald director; Robert Towne screenwriter; Lou Morheim Joseph Stefano story‎

‎The Outer Limits: The Chameleon Original screenplay for the 1964 TV episode‎

‎Burbank CA: American Broadcasting Company ABC 1964. Revised Final script for Season 1 Episode 31 of the 1964-1966 television show "The Outer Limits" originally aired April 27 1964 on ABC. <br/><br/>Robert Duvall plays a disaffected CIA agent sent to infiltrate an alien flying saucer that has crash landed. He finds that the genetic material used to alter his appearance has overridden his human nature and he ultimately chooses to return to the home planet of the benevolent aliens and leave humanity and its violence behind. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 52 and production No. SF# 30 dated March 3 1964 with credits for screenwriter Robert Towne. Title page present with credits for screenwriter Towne. 49 leaves with last page of text numbered 48. Mimeograph duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books‎

Riferimento per il libraio : 145375

‎Robert Ellis Miller (director); Herman Raucher (play, screenwriter); Sandy Dennis, Anthony Newley, Theodore Bikel (starring)‎

‎Sweet November Two original screenplays for the 1968 film‎

‎Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her "November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br /> <br /> Set in and shot on location in Manhattan and Brooklyn New York. <br /> <br /> First draft script:<br /> <br /> Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br /> <br /> Rev. Estimating script:<br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown‎

Riferimento per il libraio : 147239

‎Robert Ellis Miller director; Herman Raucher play screenwriter; Sandy Dennis Anthony Newley Theodore Bikel starring‎

‎Sweet November Two original screenplays for the 1968 film‎

‎Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her "November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br/><br/>Set in and shot on location in Manhattan and Brooklyn New York. <br/><br/>First draft script:<br/><br/>Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br/><br/>Rev. Estimating script:<br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown books‎

Riferimento per il libraio : 147239

‎Robert Ellis Miller director; Herman Raucher play; Daniel L. Fapp cinematographer; Herman Raucher screenwriter; Sandy Dennis An‎

‎Sweet November Original photograph from the 1968 film‎

‎Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured from left to right: cinematographer Daniel L. Fapp and actors Anthony Newley and Sandy Dennis. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with a blue holograph notation to the verso. Warner Brothers / Seven Arts unknown books‎

Riferimento per il libraio : 139469

‎Robert Ellis Miller director; Janice Elliott novel; Peter Draper screenwriter; Hywel Bennett Leigh Taylor Young Jane Asher Sv‎

‎The Buttercup Chain Original screenplay for the 1970 film‎

‎London: Columbia British Productions 1969. Draft script for the 1970 film. Ornamental Art Nouveau Mucha-esque imprinted front wrapper design. Cinematographer Douglas Slocombe's name written and underlined in holograph ink on the title page as well as an encircled "71" in red holograph marker. <br/><br/>Based on Janice Elliott's 1967 novel about cousins born on the same day to twin sisters. Inseparable and maybe in love they agree to find suitable romantic partners for each other. Nominated for the Palme d'Or.<br/><br/>Set in and shot on location in England Spain and Sweden. <br/><br/>Tall ornamental titled wrapper. Title page present dated 1969 with credits for screenwriter Peter Draper and novelist Janice Elliott. PAGES leaves with last page of text numbered 111. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads. Columbia British Productions unknown books‎

Riferimento per il libraio : 147017

‎Robert Florey (director); Richard H Landau (screenwriter); Pat O'Brien, Wayne Morris, Dolores Moran (starring)‎

‎Johnny One-Eye Original mini-banner poster for the 1950 film noir‎

‎Beverly Hills CA: United Artists 1949. Vintage mini-banner poster for the 1949 film. <br /> <br /> Based on the 1944 short story by Damon Runyon. Gangster Martin Martin is hoping to give up his career in crime for a career in politics when the district attorney attempts to arrest him for a murder five years earlier. On the lamb Martin holes up in an abandoned house and is befriended by a little girl Elsie and her dog Skipper who Martin names Johnny One-Eye.<br /> <br /> 4.75 x 28 inches. Very Good plus with light rubbing and creasing at the extremities.<br /> <br /> Spicer US. United Artists unknown‎

Riferimento per il libraio : 160942

‎Robert Florey (director); James Wong Howe (cinematographer); Curt Siodmak (screenwriter); Mac Julian (photographer); WF Harvey (‎

‎The Beast with Five Fingers Two original photographs taken on the set of the 1946 film with manuscript captions on the versos by Robert Florey‎

‎Burbank CA: Warner Brothers 1946. Two vintage reference photographs from the 1946 film one showing director Robert Florey with a camera crew including James Wong Howe behind the camera the other showing Florey with actors Robert Alda and Andrea King. <br /> <br /> Both with photographer stamps on the verso and both with annotations in manuscript pencil in Florey's hand to same one noting "1945-Juin / avec mon operateur chinois James Wong Howe" "1945-June / with my Chinese camera operator James Wong Howe" the other noting "Decembre 1945" "December 1945".<br /> <br /> Born in Taishan China James Wong Howe immigrated to the US at the age of five. He began his career in Hollywood during the silent era as an assistant to Cecil B. DeMille and made his first big break with the pre-Code film "Transatlantic" 1931. He would go on to become one of the most highly sought-after cinematographers pioneering a number of filming techniques including the use of chiaroscuro wide-angle lenses and deep-focus camera work. He earned ten Academy Award nominations for Best Cinematography over the course of his seven-decade career winning twice for "The Rose Tattoo" 1955 and "Hud" 1963.<br /> <br /> Based on the 1919 short story by W.F. Harvey. A wealthy disabled pianist with an interest in the occult is found murdered in his Italian villa leading local villagers to suspect evil forces involved in his death. Peter Lorre's final film for Warner Brothers ending a five-year involvement. <br /> <br /> 8 x 10 inches. Very Good plus lightly toned to the margins.<br /> <br /> Grant UK. Selby UK. Spicer UK. Warner Brothers unknown‎

Riferimento per il libraio : 171013

‎Robert Florey (director); Fanny Brice, Ann Pennington, Tamara Geva (starring)‎

‎The Night Club Original photograph from the 1929 short film‎

‎N.p.: N.p. 1929. Vintage reference photograph from the 1929 film showing director Robert Florey with an unidentified man on the set. Printed mimeo snipe affixed to the verso.<br /> <br /> French-American actor and director Robert Florey was a director of B-films working with Metro-Goldwyn-Mayer Warner Brothers Paramount and Columbia over a Hollywood career spanning three decades. He is best remembered today for directing the first Marx Brothers film "The Cocoanuts" 1929 and the 1932 horror film "Murders in the Rue Morgue." His 1937 film "Daughter of Shanghai" was selected for inclusion in the National Film Registry. <br /> <br /> 10 x 8 inches. Very Good plus or better. N.p. unknown‎

Riferimento per il libraio : 170376

‎Robert Fowler director screenwriter; Rosalyn Drexler novel; Sherry Sonnet screenwriter; Regina Baff John C. Becher James Gamm‎

‎Below the Belt Collection of three original photographs from the 1980 film‎

‎N.p.: Aberdeen 1980. Collection of three vintage black-and-white reference photographs from the 1980 film.<br/><br/>Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion.<br/><br/>10 x 8 inches. Near Fine with faint wear to the corners. Aberdeen unknown books‎

Riferimento per il libraio : 149461

‎Robert Frank (director, screenwriter); Allen Ginsberg, Peter Orlovsky (poems, starring), Sam Shepard (screenwriter); Julius Orlo‎

‎Me and My Brother Original photograph from the 1969 film‎

‎New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. <br /> <br /> Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 8 x 10 inches. Near Fine. Contemporary Films unknown‎

Riferimento per il libraio : 160565

‎Robert Frank (director, screenwriter); Allen Ginsberg, Peter Orlovsky (poems, starring), Sam Shepard (screenwriter); Julius Orlo‎

‎Me and My Brother Original photograph from the 1969 film‎

‎New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Robert Frank Peter Orlovsky and Allen Ginsberg. Printed mimeo snipe affixed to the verso along with the stamp of Israel Film Archive. <br /> <br /> Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 10 x 8 inches. Near Fine. Contemporary Films unknown‎

Riferimento per il libraio : 155087

‎Robert Frank co director; Rudolph Wurlitzer co director screenwriter; Kevin J. O'Connor Harris Yulin Tom Waits starring‎

‎Candy Mountain Three original photographs from the 1987 film‎

‎Paris: Films A2 1987. Three vintage oversize studio photographs from French release of the 1987 French/Swiss/Canadian co-production. <br/><br/>Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature length fiction film and acclaimed wirter Rudolph Wurlitzer who wrote the screenplay "Candy Mountain" is a musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay David Johansen and others.<br/><br/>Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br/><br/>12 x 9.5 inches. Near Fine some light creasing and pinholes in corners in two of the three photographs.<br/><br/>Rosenbaum 1000. Films A2 unknown books‎

Riferimento per il libraio : 145997

‎Robert Frank director; Rudolph Wurlitzer director screenwriter; Kevin J. O'Connor Harris Yulin Bulle Ogier Dr. John Joe Str‎

‎Candy Mountain Collection of six original photographs from the 1987 film‎

‎N.p.: Xanadu 1987. Collection of six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. <br/><br/>Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature-length fiction film and experimental novelist Rudolph Wurlitzer who wrote the screenplay. A musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay and David Johansen.<br/><br/>Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br/><br/>Shot on location in New York and Nova Scotia Canada.<br/><br/>7 x 5 inches. Fine.<br/><br/><br/>Rosenbaum 1000. Xanadu unknown books‎

Riferimento per il libraio : 149579

‎Robert Fuest (director); Dave Freeman (screenwriter); Patrick Macnee, Linda Thorson, Gerald Sim, Jerome Willis (starring)‎

‎The Avengers: The Rotters Original photograph from the 1968 television show‎

‎London: Associated British Corporation 1968. Vintage reference photograph from Season 7 Episode 15 of the 1968 British television series which originally aired on December 16 showing actress Linda Thorson as Agent Tara King held hostage at Wainwright Timber Industries making no attempt to escape a leg shackle. With a printed mimeo snipe affixed to the verso along with manuscript pencil and ink annotations regarding layout and two stamps specific to the French airing of the episode.<br /> <br /> "The Avengers" aired from 1961 to 1969 and followed secret agent Dr. David Keel Ian Hendry and his bevy of assistants as they battle the British criminal element.<br /> <br /> Shot on location in Buckinghamshire and Hertfordshire England.<br /> <br /> 8 x 10 inches. Near Fine. Associated British Corporation unknown‎

Riferimento per il libraio : 149487

‎Robert Fuest director; Dave Freeman screenwriter; Patrick Macnee Linda Thorson Gerald Sim Jerome Willis starring‎

‎The Avengers: The Rotters Original photograph from the 1968 television show‎

‎London: Associated British Corporation 1968. Vintage reference photograph from Season 7 Episode 15 of the 1968 British television series which originally aired on December 16 showing actress Linda Thorson as Agent Tara King held hostage at Wainwright Timber Industries making no attempt to escape a leg shackle. With a printed mimeo snipe affixed to the verso along with holograph pencil and ink annotations regarding layout and two stamps specific to the French airing of the episode.<br/><br/>"The Avengers" aired from 1961 to 1969 and followed secret agent Dr. David Keel Ian Hendry and his bevy of assistants as they battle the British criminal element.<br/><br/>Shot on location in Buckinghamshire and Hertfordshire England.<br/><br/>8 x 10 inches. Near Fine. Associated British Corporation unknown books‎

Riferimento per il libraio : 149487

‎Robert Getchell (creator); John Pasquin (director); David Silverman, Stephen Sustarsic (screenwriters); Linda Lavin, Vic Tayback‎

‎Alice: Jolene's Brother Jonas Original screenplay for the 1983 episode of the 1976-1985 television series‎

‎Burbank CA: Warner Brothers Television 1984. Tape Draft script for Season 7 Episode 8 of the 1976-1985 CBS television series which aired on January 16 1983.<br /> <br /> Based on the 1974 film "Alice Doesn't Live Here Anymore" about a widow who moves across the country to start over in a new town accompanied by her young son. In this installment Jolene is not happy about her brother Jonas visiting. Nominated for eight Primetime Emmy Awards.<br /> <br /> Set in Phoenix.<br /> <br /> Pink titled wrappers noted as TAPE DRAFT on the front wrapper dated 9/18/82. Title page present dated 9/18/82 noted as TAPE DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 54 leaves with last page of text numbered 43. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown‎

Riferimento per il libraio : 164165

‎Robert H Stobie - Director‎

‎State of New Hampshire - Fish and Game Department. Preliminary Biological Survey of Some New Hampshire Lakes By Earl K. Hoover - Survey Report No. 1. First Printing NEAR FINE.‎

‎Concord New Hampshire U.S.A.: State of NH F&G Department 1936. First Thus . Titled Red Wrappers. Near Fine. 8vo - over 7¾" - 9¾. Assorted. 77 Illustrated pages index. Scarce map reproduction of Granite Lake 1904. A very scarce publication with information not found in any ofter source. <br/> <br/> State of NH F&G Department unknown‎

Riferimento per il libraio : 020730

‎Robert Hartford-Davis (director); Donald Ford, Derek Ford (screenwriters); Jacqueline Ellis, Iain Gregory, Georgina Patterson, A‎

‎Gutter Girls The Yellow Teddybears The Yellow Golliwog Original screenplay for the 1963 film director Robert Hartford-Davis' working copy‎

‎London: Tekli Film Productions / Animated Motion Pictures 1963. Final draft script for the 1963 film seen here under both the final title and the working title "The Yellow Golliwog." Director Robert Hartford-Davis' working copy with his manuscript ink and penciled annotations deletions and drawings throughout. Call sheet bound behind the back wrapper dated Friday 5th April 1963. <br /> <br /> A group of English school girls begin wearing yellow teddy bear pins on their uniform to signify that they have lost their virginity. Though instantly packaged at the time as a sexploitation film "The Yellow Teddybears" is very much a pre-Swinging London message picture. <br /> <br /> Set in England shot on location in London and Surrey England. <br /> <br /> Red untitled wrappers with a die-cut window in the British style. Title page present dated February 1963 noted as Final with credits for screenwriters Donald and Derek Ford. 104 leaves with last page of text numbered 85. Mimeograph duplication rectos only with pink and goldenrod revision pages throughout. Pages Very Good plus wrapper Very Good plus bound in a custom tall green titled spring-back binder. Tekli Film Productions / Animated Motion Pictures unknown‎

Riferimento per il libraio : 120562

‎Robert Hartford Davis director screenwriter; Robert Shearer Franklin Coen screenwriters; Jim Brown Martin Landau starring‎

‎Black Gunn Collection of 10 original lobby cards from the 1972‎

‎Culver City CA: Columbia Pictures 1972. Collection of 10 vintage lobby cards from the 1972 film. Also included is a lobby card which has been trimmed by 50% and SIGNED by the film's star Jim Brown. <br/><br/>Two images shown. Please inquire to see others.<br/><br/>British director Robert Hartford-Davis originally conceived of the story for the film based on the black power movement in contemporary Britain and hired Robert Shearer to write the screenplay. First American feature-length film for Hartford-Davis and the film debuts of American baseball star Vida Blue and NFL football player Gene Washington. <br/><br/>10 x 8 inches. Signed card trimmed to 5 x 8 inches. Near Fine. <br/><br/>Parish and Hill Black Action Films 27. Columbia Pictures unknown books‎

Riferimento per il libraio : 145314

‎Robert Hartford Davis director story; Robert Shearer Franklin Coen screenwriter; Jim Brown Martin Landau Brenda Sykes starri‎

‎Black Gunn Original screenplay for the 1972 film copy belonging to actor Martin Landau‎

‎N.p.: N.p. 1972. Revised Version Draft script for the 1972 film belonging to actor Martin Landau with his holograph ink and pencil annotations throughout most in reference to his character Capelli including action and dialogue changes. Also included are a 21-page shooting schedule and call sheet with the name of uncredited crew member Jim O'Roarke in holograph ink on the shooting schedule and holograph annotations to both. <br/><br/>From the estate of Martin Landau.<br/><br/>British director Robert Hartford-Davis originally conceived of the story for the film based on the Black Power movement in contemporary Britain and hired Robert Shearer to write the screenplay. The first American feature-length film for Hartford-Davis and the film debuts of baseball star Vida Blue and football player Gene Washington. <br/><br/>Set in and shot on location in Los Angeles. <br/><br/>Orange untitled wrappers. Title page present noted as Revised Version Screenplay with credits for story by Robert Hartford-Davis and screenwriter Franklin Coen. 108 leaves with last page of text numbered 103. Mimeograph duplication rectos only with blue and pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>Shooting Schedule 8.5 x 11 inches Near Fine with light creasing at corners.<br/><br/>Call Sheet 8.5 x 13 Near Fine with a single fold. N.p. unknown books‎

Riferimento per il libraio : 148406

‎Robert Hartford Davis director; Donald Ford Derek Ford screenwriters; Jacqueline Ellis Iain Gregory Georgina Patterson Annet‎

‎Gutter Girls The Yellow Teddybears; The Yellow Golliwog Original screenplay director Robert Hartford-Davis' working copy‎

‎London: Tekli Film Productions / Animated Motion Pictures 1963. Final shooting script for the 1963 film "The Yellow Teddybears" here under both that title and the film's working title "The Yellow Golliwog" and released in the US as "Gutter Girls." Directed by Robert Hartford-Davis and written for the screen by Donald and Derek Ford. Director Robert Hartford-Davis' working copy with his holograph ink and penciled annotations deletions and drawings throughout. <br/><br/>Though instantly packaged at the time and indeed today as a sexploitation film "The Yellow Teddybears" is very much a pre-"Swinging London" message picture about a group of girls at a boarding school who wear a small yellow teddy bear on their lapels to indicate they have lost their virginity. <br/><br/>Red titled wrappers with title window single call sheet dated April 5 1963 both in a custom green cloth spring back binder with the director's initials "RHD" the film's final title "The Yellow Teddybears" and the production company "Tekli Film Productions Ltd" embossed in yellow on the front board. Title page present with credits for screenwriters Donald and Derek Ford the two production companies Tekli and Animated Motion Pictures noted as FINAL and dated February 1963. 85 leaves mimeograph duplication with pink and goldenrod revision pages throughout. Pages and wrapper Very Good plus bound with three silver brads. Binder Near Fine. Tekli Film Productions / Animated Motion Pictures unknown books‎

Riferimento per il libraio : 120562

‎Robert Hossein (director)‎

‎Une Corde Un Colt Black and white still‎

‎Paris: Service de Presse 1982. Black and white glossy photograph. 5 x 7 inches. Very Good. Wear from handling. Printed in France. Black-and-white promotional still from the French western Une Corde Un Colt directed by Robert Hossein. Paris: Service de Presse, 1982 unknown‎

Riferimento per il libraio : 70-5494