|
William Dieterle director; Sheridan Gibney Pierre Collings screenwriters; Paul Muni Josephine Hutchinson Anita Louise Donald
The Story of Louis Pasteur Enemy of Man Original screenplay for the 1936 film Raymond Brown's copy
Burbank CA: Warner Brothers 1935. Revised Draft script for the 1936 film "The Story of Louis Pasteur" here under it's working title "Enemy of Man." Copy belonging to actor Raymond Brown who played Dr. Radisse in the film with his name in holograph crayon on the front wrapper and check marks next to his inclusions as well as annotations to the verso of page 124 where a typescript page with similar narrative has been laid in. The script is composed of two parts each with respective distribution pages. <br/><br/>The Gibney-Collings screenplay concentrates on Pasteur's tireless efforts to find a cure for anthrax and rabies. Paul Muni stars as Pasteur the famed French scientist who is continually challenged and thwarted by his principal rival Dr. Charbonnet Leiber. Pasteur is forever searching for a cure-all to help his ailing daughter Louise and a rabies-infected youngster Dickie Moore<br/><br/>Winner of two Academy Awards Best Actor Best Writing and a top ten film in the National Board of Review for 1936. Paul Muni whose star was added to the Walk of Fame on Hollywood Boulevard in 1960 won his only Academy Award for this film. <br/><br/>Light blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 57. Distribution pages present with receipts removed dated 8/7/35 Part 1 and 8/17/35 Part 2. Title page present with credits for screenwriters Gibney and Collings. 132 leaves with last page of text numbered 127. Mimeograph duplication with a single typescript page laid in. Eye-rest gree revision pages throughout dated variously between 8/9/35 and 8/21/35. Pages Very Good plus wrapper Very Good bound with two gold brads. Warner Brothers unknown books
Riferimento per il libraio : 134774
|
|
|
William Dieterle director; Victor Hugo novel; Sonya Levien Bruno Frank screenwriters; Charles Laughton Cedric Hardwicke Maure
The Hunchback of Notre Dame Original photograph from the 1939 film
N.p.: N.p. 1939. Vintage matte-finish borderless reference photograph from the 1939 film an aerial shot showing hundreds of cast members and quite a few horses in costume as medieval French citizens. With holograph ink and pencil annotations on the verso regarding layout along with a provenance stamp. <br/><br/>Based on Victor Hugo's 1831 novel. In 15th century Paris a young gypsy is wrongly accused of murder by the evil Chief Justice and must be saved from the gallows by Quasimodo the deformed bell-ringer of Notre Dame Cathedral. One of the most expensive productions ever made by RKO with massive sets of medieval Paris and Notre Dame lending to the high costs.<br/><br/>Set in Paris and shot on location at the RKO Encino Ranch and the University of Southern California. <br/><br/>10 x 8 inches. Very Good plus with light wear to the corners. N.p. unknown books
Riferimento per il libraio : 149897
|
|
|
William Faulkner (novel); Mark Rydell (director); Harriet Frank, Jr, Irving Ravetch (screenwriters); Steve McQueen, Sharon Farre
The Reivers Original screenplay and shooting schedule for the 1969 film
Los Angeles: Cinema Center Films / Duo Films / Solar Productions 1968. Revised Draft script for the 1969 film. Accompanying the script is a shooting schedule dated 8/22/68. <br /> <br /> Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. <br /> <br /> Shot on location in Mississippi. Nominated for two Academy Awards. <br /> <br /> Orange titled wrappers rubber-stamped copy No. 151. Title page present dated 8/9/68 with credits for screenwriters Ravetch and Frank. 128 leaves with last page of text numbered 119. Mechanical duplication with blue white green and yellow revision pages throughout dated variously between 8/14/68 and 9/4/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Shooting schedule 29 leaves mechanical duplication dated 8/22/68 to 1/3/69 Very Good bound with one gold brad. Cinema Center Films / Duo Films / Solar Productions unknown
Riferimento per il libraio : 138950
|
|
|
William Farnum, Louise Lovely (starring); J Gordon Edwards (director); E Lloyd Sheldon (screenwriter)
Wolves of the Night Original photograph album from the 1919 film belonging to actor William Farnum
N.p.: N.p. 1919. Vintage album housing 49 vintage reference photographs from the 1919 silent film most showing noted early film star William Farnum. Of particular note in the album is a photograph of Farnum on the set with actors Lamar Johnstone and Charles Clary holding bouquets of flowers ostensibly at the end of the shoot. <br /> <br /> Laid in with the album is a small newspaper clipping from the Los Angeles Evening Herald showing a photograph of Farnum with his wife and stepson and noting Farnum's adoption of his stepson with a small manuscript ink annotation presumably made by Farnum at the top of the clipping: "It was raining I wore all my old duds-darn it I wasn't ready."<br /> <br /> A wealthy married mining engineer suffers amnesia after being injured in a mining explosion planned by his business rivals and is forced to seek shelter with a Chilean shepherd and the shepherd's daughter with whom he falls in love. Now considered a lost film. <br /> <br /> At the peak of his success Farnum was one of the highest-paid actors of the silent film age but was forced into an early semi-retirement after being injured on the set of the 1924 film "The Man Who Fights Alone." He appeared sporadically in character roles throughout the late 1920s 1930s and 1940s and enjoyed a successful career on Broadway.<br /> <br /> Photographs generally 10 x 8 inches. Near Fine. <br /> <br /> Album 12 x 8.25 inches. Very Good plus lightly soiled and creased. N.p. unknown
Riferimento per il libraio : 152865
|
|
|
William Faulkner novel; Clarence Brown director; Ben Maddow screenwriter; David Brian Claude Jarman Jr Juano Hernandez starrin
Intruder in the Dust Two original photographs from the 1949 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1949. Two vintage reference photographs from the 1949 film. Mimeo snipe and archival stamp on the verso. <br/><br/>Based on and closely following William Faulkner's 1948 novel MGM's "Intruder in the Dust" tells the story of an African American man Lucas Beauchamp Juano Hernandez wrongly accused of murder in a southern town. A remarkable and stand-out performance from Hernandez in a surprisingly realistic and somber depiction of racism in the American South.<br/><br/>Set in and shot on location in Mississippi. <br/><br/>8 x 10 inches. Near Fine with faint creasing and minor edge wear. <br/><br/>Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
Riferimento per il libraio : 147634
|
|
|
William Faulkner novel; Mark Rydell director; Harriet Frank Jr. Irving Ravetch screenwriters; Steve McQueen Sharon Farrell R
The Reivers Original screenplay and shooting schedule for the 1969 film
Los Angeles: Cinema Center Films / Duo Films / Solar Productions 1968. Revised Draft script for the 1969 film. Accompanying the script is a shooting schedule dated 8/22/68. <br/><br/>Based on Faulkner's Pulitzer Prize-winning 1962 novel his last book. Boon McQueen and his buddy are reivers or thieves who steal the McCaslin family's new car a Winton Flyer. They are out on bond by the owner of the car but Boon can't help himself and steals the car again this time traveling to Memphis to see his beau Corrie Farrell. <br/><br/>Shot on location in Mississippi. Nominated for two Academy Awards. <br/><br/>Orange titled wrappers rubber-stamped copy No. 151. Title page present dated 8/9/68 with credits for screenwriters Ravetch and Frank. 128 leaves with last page of text numbered 119. Mechanical duplication with blue white green and yellow revision pages throughout dated variously between 8/14/68 and 9/4/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Shooting schedule 29 leaves mechanical duplication dated 8/22/68 to 1/3/69 Very Good bound with one gold brad. Cinema Center Films / Duo Films / Solar Productions unknown books
Riferimento per il libraio : 138950
|
|
|
William Friedkin (director, screenwriter); Al Pacino, Paul Sorvino, Karen Allen (starring); Larry Cohen (screenwriter); Gerald W
Cruising Original German poster for the 1980 film
N.p.: N.p. 1980. Vintage German A0 poster for the 1980 film. Extremely scarce.<br /> <br /> Based on the 1970 novel by Gerald Walker about a cop who goes undercover in the leather scene in New York to catch a serial killer targeting gay men. "Cruising" was widely protested at the time of its release by gay rights groups for its depiction of homosexuality as intrinsically linked to violence but has since been reconsidered as one of the few mainstream Hollywood movies to depict queer life in New York before the AIDS crisis as well as one of the few movies to address police discrimination and brutality towards homosexuals. <br /> <br /> Set and shot on location in New York.<br /> <br /> 33 x 46 inches folded as issued. About Fine.<br /> <br /> Carlson and Connolly Destroy All Movies. Grant US. Spicer US Neo-Noir. N.p. unknown
Riferimento per il libraio : 167783
|
|
|
William Friedkin (director); Tony Barrett, Nicholas Hyams (screenwriters); Sonny and Cher (starring)
Good Times Original photograph from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage borderless photograph from the 1967 film showing Sonny Bono in the director's seat with a cameraman on a crane shot. <br /> <br /> An image in keeping with the somewhat metatextual nature of the film in which Sonny Bono playing himself pitches ideas for movies starring Sonny and Cher also as herself which then become sketches spoofing classic Hollywood films made even more so because the film wasn't directed by Bono but by William Friedkin in his non-docmentary directorial debut. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Hirschhorn The Hollywood Musical. Columbia Pictures unknown
Riferimento per il libraio : 141862
|
|
|
William Friedkin (director); William Peter Blatty (screenwriter); Linda Blair, Ellen Burstyn, Max von Sydow, Lee J Cobb, Kitty W
The Exorcist Original photograph from the 1973 film
Burbank CA: Warner Brothers 1973. Vintage publicity photograph of actress Linda Blair in front of the National Theatre in Westwood California where crowds have lined up to see "The Exorcist." With a printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Warner Brothers unknown
Riferimento per il libraio : 149689
|
|
|
William Friedkin (director); William Peter Blatty (screenwriter, novel); Ellen Burstyn, Max von Sydow, Lee J Cobb (starring)
The Exorcist Original photograph of William Friedkin and Linda Blair on the set of the 1973 film
Burbank CA: Warner Brothers 1973. Vintage studio still photograph from the 1973 film showing director William Friedkin in conversation with young actress Linda Blair between takes. <br /> <br /> Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve-year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. <br /> <br /> 10 x 8 inches. About Near Fine with light creasing at the corners. <br /> <br /> National Film Registry. Warner Brothers unknown
Riferimento per il libraio : 154955
|
|
|
William Friedkin (director); William Peter Blatty (screenwriter, novel); Ellen Burstyn, Max von Sydow, Lee J Cobb (starring)
The Exorcist Two original photographs from the set of the 1973 film
Burbank CA: Warner Brothers 1973. Two vintage black-and-white studio still photographs from the 1973 film one showing director William Friedkin and one showing Friedkin and screenwriter William Peter Blatty. <br /> <br /> Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve-year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. <br /> <br /> One 9.75 x 8 inches one 9.25 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Warner Brothers unknown
Riferimento per il libraio : 150408
|
|
|
William Friedkin (director); William Peter Blatty (novel, screenwriter); Josh Weiner (photographer)l;
The Exorcist Original oversize double weight still photograph from the 1972 film
Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above-and seemingly beyond-a very possessed young Linda Blair. <br /> <br /> One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. <br /> <br /> 11 x 14 inches. Near Fine. Warner Brothers unknown
Riferimento per il libraio : 135017
|
|
|
William Friedkin (director); Ernest Tidyman (screenwriter); Robin Moore (novel); Philip D'Antoni (producer); Gene Hackman, Roy S
The French Connection Original photograph taken on the set of the 1971 film
N.p.: N.p. 1971. Vintage reference photograph from the 1971 film showing cinematographer Owen Roizman and a camera crew preparing to shoot a night scene on location. Printed snipe affixed to the verso. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's nonfiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor for Gene Hackman along with three additional nominations. <br /> <br /> 10 x 8 inches with wide margins. Very Good plus. <br /> <br /> National Film Registry. Grant US. Spicer US. N.p. unknown
Riferimento per il libraio : 165082
|
|
|
William Friedkin (director); Ernest Tidyman (screenwriter); Robin Moore (novel); Gene Hackman, Roy Scheider (starring)
The French Connection Original photograph taken on the set of the 1971 film
N.p.: N.p. 1971. Vintage reference photograph from the 1971 film showing William Friedkin behind the camera during filming on location in Georgetown with an unidentified crew member at the right. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's nonfiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor for Gene Hackman along with three additional nominations. <br /> <br /> 10 x 8 inches. About Fine.<br /> <br /> National Film Registry. Grant US. Spicer US. N.p. unknown
Riferimento per il libraio : 171024
|
|
|
William Friedkin (director); Ernest Tidyman (screenwriter); Robin Moore (novel); Philip D'Antoni (producer); Gene Hackman, Roy S
The French Connection Original screenplay for the 1971 film
Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br /> <br /> The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br /> <br /> Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in manuscript pencil dated 3/23/71 and 4/26/71 in manuscript pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br /> <br /> National Film Registry. Grant US. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown
Riferimento per il libraio : 137936
|
|
|
William Friedkin (director); Art Monterastelli (screenwriter); Tommy Lee Jones, Benicio Del Toro, Connie Nielsen (starring)
The Hunted Original screenplay for the 2003 film
N.p.: N.p. 2001. Revised Draft script for the 2001 film including a six page "Alternate Ending" preceded by a memo notice that both "endings will be shot." Laid in are three gatherings of revisions each with a label on their title page for credited crew member "Brian Markey / Construction Coordinator." From the archive of crew member Chris Scher.<br /> <br /> The three gatherings of revisions are: Eight pages of "White Revised Pages" dated 12/06/01. Seven pages of "Pink4" revision pages dated 12/12/01. And two pages of "Goldenrod4" revision pages dated 01/16/02.<br /> <br /> Tommy Lee Jones stars as a former military instructor tasked with tracking down his former student Benicio del Toro who has "gone rogue" and has been tracking and viciously murder hunters in the wilderness of British Columbia. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Oregon and Washington. <br /> <br /> Front wrapper integral with title page with last revisions dated 06/06/01 with credits for screenwriter Art Monterastelli. 134 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> The three gatherings of revision pages are each attached by one or two staples to the top left. Near Fine. N.p. unknown
Riferimento per il libraio : 164034
|
|
|
William Friedkin (director); Rowland Barber (book); Arnold Schulman, Sidney Michaels, Norman Lear (screenwriters); Britt Ekland,
The Night They Raided Minsky's Original photograph of William Friedkin and Britt Ekland on the set of the 1968 film
N.p.: N.p. 1968. Vintage borderless reference photograph for the 1968 film showing director William Friedkin talking with actress Britt Ekland on the set. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> Based on the 1960 novel by Rowland Barber. A mildly exaggerated history of the creation of the striptease and the downfall of 1920s-era burlesque clubs in which an Amish girl performing Bible story dances at a burlesque club is being taken advantage of by the club's owner in order to mock public decency-enforcing police officers and who accidentally invents the striptease when she tears her costume. Shot in 58 days and edited for 9 months the film's budget exceeded $3 million making it the most expensive film shot in New York City at the time. Elliot Gould's film debut and Bert Lahr's last film as he died during production. <br /> <br /> Set and shot on location in New York City.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Olive Films 915. N.p. unknown
Riferimento per il libraio : 157988
|
|
|
William Friedkin director; Bill Gold poster design; William Peter Blatty screenwriter; Ellen Burstyn Max von Sydow Lee J. Cobb
The Exorcist Original poster maquette for the 1973 film
Burbank CA: Warner Brothers 1972. Original maquette demonstrating an early poster design for the 1973 film featuring a vintage silver gelatin photograph of the legendary streetlit scene of Father Merrin's first arrival to Georgetown in the film mounted to the poster.<br/><br/>A minimal design without the credits information seen in the completed original "purple style" poster variant and with a proposed but ultimately unrealized release date of Christmas Day shown at the bottom margin. This maquette compares both to the "purple style" poster in its use of said purple text but also to the original black and white "special poster" design both in size and compositional austerity. The "special poster" measured 25 x 19 inches as opposed to the standard 27 x 41 inches for the one sheet and stated nothing but the film's title and the stark photo of Father Merrin. <br/><br/>Based on the 1971 novel by William Peter Blatty and written for the screen by Blatty. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Ellen Burstyn and Max von Sydow that only increases with repeated viewings. Another distinction was that it walked away with two Oscars including Best Screenplay for Blatty along with eight nominations including Best Picture a feat nearly unheard for a horror film. <br/><br/>Set in Washington DC and shot on location in Washington DC notably Georgetown University New York City and Mosul Iraq. <br/><br/>18 x 12.5 inches mounted on a 30 x 20 inch mat. Black with the vintage black and white photo of Father Merrin affixed at the center and a hand painted release date. Title letters are hand cut from purple paper and affixed in place. Good condition with water damage to the bottom three inches of the mat and with soil and loss of glue adhesion to the white mat. Archivally matted and framed in a museum-quality frame with UV glass.<br/><br/>National Film Registry. Clover "Men Women and Chainsaws. Warner Brothers unknown books
Riferimento per il libraio : 145005
|
|
|
William Friedkin director; Ernest Tidyman screenwriter; Robin Moore novel; Philip D'Antoni producer; Gene Hackman Roy Scheider
The French Connection Original photograph of William Friedkin on the set of the 1971 film
Los Angeles: Twentieth Century-Fox 1971. Vintage press photograph of director William Friedkin on the set of the 1971 film. Holograph annotations on the verso. <br/><br/>William Friedkin made his name with this gritty adaptation of Robin Moore's non-fiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. Winner of five Academy Awards including Best Picture Best Actor and Best Director. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>National Film Registry. Grant US. Hardy BFI Crime Companion. Penzler 101. Spicer US. Twentieth Century-Fox unknown books
Riferimento per il libraio : 145512
|
|
|
William Friedkin director; Ernest Tidyman screenwriter; Robin Moore novel; Philip D'Antoni producer; Gene Hackman Roy Scheider
The French Connection Original screenplay for the 1971 film
Los Angeles: Twentieth Century-Fox 1970. Revised Draft script for the 1971 film. SIGNED by director William Friedkin on the title page. <br/><br/>Friedkin made his name with this gritty adaptation of Robin Moore's non-fiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor for Gene Hackman along with three additional nominations. <br/><br/>Orange titled wrappers. Title page present dated October 6 1970 with credits for screenwriter Tidyman director Friedkin and producer Phil D'Antoni. 95 leaves mechanical duplication last leaf numbered 93. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. <br/><br/>Grant US. Hardy BFI Companion to Crime. Spicer US. Twentieth Century-Fox unknown books
Riferimento per il libraio : 144038
|
|
|
William Friedkin director; Ernest Tidyman screenwriter; Robin Moore novel; Philip D'Antoni producer; Gene Hackman Roy Scheider
The French Connection Original screenplay for the 1971 film
Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br/><br/>William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br/><br/>The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br/><br/>Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in holograph pencil dated 3/23/71 and 4/26/71 in holograph pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br/><br/>National Film Registry. Grant US. Hardy The BFI Companion to Crime. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown books
Riferimento per il libraio : 137936
|
|
|
William Friedkin director; Gerald Petievich screenwriter; Joe Cortese Jack Youngblood Steve James Patricia Charbonneau starri
C.A.T. Squad Original teleplay script for the 1986 television movie
Burbank CA: National Broadcasting Company NBC 1986. First Draft script for the 1986 television movie. One of two "C.A.T. Squad" films made in the mid-1980s both directed for television by noted director William Friedkin. An early draft possibly constructed as a television episode that grew into a feature-length project. <br/><br/>A special government trio is formed to combat terrorism known as the C.A.T. squad an acronym for the "Clandestine Attack Team." <br/><br/>Filmed on location in Mexico and Canada. <br/><br/>White titled wrappers noted as First Draft on the front wrapper dated April 25 1986. Title page present dated April 25 1986 noted as First Draft with credit for screenwriter Petivich. 47 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown books
Riferimento per il libraio : 129247
|
|
|
William Friedkin director; Mart Crowley play screenwriter; Kenneth Nelson Cliff Gorman Laurence Luckinbill Peter White Leon
The Boys in the Band Collection of three original photographs from the 1970 film
N.p.: N.p. 1970. Collection of three vintage reference photographs from the 1970 film. With printed mimeo snipes affixed to the verso.<br/><br/>Based on screenwriter Mart Crowley's off-Broadway 1968 play. A sharp controversial and ultimately groundbreaking film one of the first American feature films to depict the everyday lives of gay characters with an ensemble cast drawn from the play's initial stage run in New York. <br/><br/>Set and shot on location in New York.<br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. N.p. unknown books
Riferimento per il libraio : 151446
|
|
|
William Friedkin director; Tony Barrett Nicholas Hyams screenwriters; Sonny and Cher starring
Good Times Original photograph from the 1967 film
Culver City CA: Columbia Pictures 1967. Vintage borderless photograph from the 1967 film showing Sonny Bono in the director's seat with a cameraman on a crane shot. <br/><br/>An image in keeping with the somewhat metatextual nature of the film in which Sonny Bono playing himself pitches ideas for movies starring Sonny and Cher also as herself which then become sketches spoofing classic Hollywood films made even more so because the film wasn't directed by Bono but by William Friedkin in his non-docmentary directorial debut. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Hirschhorn The Hollywood Musical. Columbia Pictures unknown books
Riferimento per il libraio : 141862
|
|
|
William Friedkin director; William Peter Blatty novel screenwriter; Josh Weiner still photographerl;
The Exorcist Original oversize double weight still photograph from the 1972 film
Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above-and seemingly beyond-a very possessed young Linda Blair. <br/><br/>One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. <br/><br/>11 x 14 inches. Near Fine. Warner Brothers unknown books
Riferimento per il libraio : 135017
|
|
|
William Friedkin director; William Peter Blatty screenwriter; Linda Blair Ellen Burstyn Max von Sydow Lee J. Cobb Kitty Winn
The Exorcist Original photograph from the 1973 film
Burbank CA: Warner Brothers 1973. Vintage publicity photograph of actress Linda Blair in front of the National Theatre in Westwood California where crowds have lined up to see "The Exorcist." With a printed mimeo snipe affixed to the verso.<br/><br/>Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series following the demonic possession of a twelve year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>National Film Registry. Warner Brothers unknown books
Riferimento per il libraio : 149689
|
|
|
William G Crampton, Director of the Flag Institut
Observer's Book of Flags Observer's Pocket
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 0723215987.G ISBN : 0723215987 9780723215981
|
|
|
William Gaston (director); Ralph G Edwards, Patricia Moore (starring)
Myra's Bed Original photograph from the 1967 film
N.p.: N.p. 1967. Vintage studio still photograph from the 1967 film. <br /> <br /> Myra married to an older man who is unaware of her infidelities invites a number of customers from the cafe she works over to her house for sex one night her husband is away and dies at the hand of vicious sadist. <br /> <br /> 8 x 10 inches. Very Good with a diagonal crease to the top left corner. N.p. unknown
Riferimento per il libraio : 161993
|
|
|
William Gibson (playwright); Howell Conant (photographer); Arthur Penn (director); Henry Fonda, Anne Bancroft (starring)
Two for the Seesaw Original promotional photograph from the 1958 play
N.p.: N.p. 1958. Vintage double weight narrow margin matte finish promotional press photograph of Henry Fonda and Anne Bancroft from the 1958 play by photographer Howell Conant. Three "Two for the Seesaw" and one "Photo by Howell Conant" stamps on verso. <br /> <br /> "Two for the Seesaw" opened on January 16 1958 at the Booth Theatre for a highly successful run of 750 performances closing on October 31 1959. The play was an unexpected hit marking the debut of three exceptional talents playwright William Gibson actor Anne Bancroft and director Arthur Penn who was nominated for a Tony Award. The following year the three would go on to write star and direct respectively the 1959 Tony Award winning play "The Miracle Worker" as well as subsequently adapting it for the 1962 Academy Award Winning film.<br /> <br /> Jerry Ryan Fonda leaves his wife and law career in Nebraska and moves to New York where he meets struggling dancer Gittel Mosca Bancroft beginning a precarious relationship. <br /> <br /> In 1962 it was made into an Academy Award winning motion picture directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. In 1973 it was adapted into a musical with a book by Michael Bennett music by Cy Coleman and lyrics by Dorothy Fields.<br /> <br /> 8 x 10 inches. Very light creasing in two corners else Near Fine. N.p. unknown
Riferimento per il libraio : 150046
|
|
|
William Gibson playwright; Howell Conant photographer; Arthur Penn director; Henry Fonda Anne Bancroft starring
Two for the Seesaw Original promotional photograph from the 1958 play
N.p.: N.p. 1958. Vintage double weight narrow margin matte finish promotional press photograph of Henry Fonda and Anne Bancroft from the 1958 play by photographer Howell Conant. Three "Two for the Seesaw" and one "Photo by Howell Conant" stamps on verso. <br/><br/>"Two for the Seesaw" opened on January 16 1958 at the Booth Theatre for a highly successful run of 750 performances closing on October 31 1959. The play was an unexpected hit marking the debut of three exceptional talents playwright William Gibson actor Anne Bancroft and director Arthur Penn who was nominated for a Tony Award. The following year the three would go on to write star and direct respectively the 1959 Tony Award winning play "The Miracle Worker" as well as subsequently adapting it for the 1962 Academy Award Winning film.<br/><br/>Jerry Ryan Fonda leaves his wife and law career in Nebraska and moves to New York where he meets struggling dancer Gittel Mosca Bancroft beginning a precarious relationship. <br/><br/>In 1962 it was made into an Academy Award winning motion picture directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. In 1973 it was adapted into a musical with a book by Michael Bennett music by Cy Coleman and lyrics by Dorothy Fields.<br/><br/>8 x 10 inches. Very light creasing in two corners else Near Fine. N.p. unknown books
Riferimento per il libraio : 150046
|
|
|
William Goldman (novel); Jack Smight (director); John Gay (screenwriter); Rod Steiger, Lee Remick, George Segal (starring)
No Way to Treat a Lady Original screenplay for the 1968 film inscribed by George Segal
Hollywood: Paramount Pictures 1967. Final Shooting script for the 1967 film. INSCRIBED by actor George Segal on the title page: "To Grayson / All Best Wishes." <br /> <br /> Based on the 1964 novel by William Goldman. A serial killer with an obsession with his dead mother begins taunting the investigator in charge of his case. <br /> <br /> Set in New York City shot on location in Manhattan and the New York harbor. <br /> <br /> Green untitled studio wrappers with a die-cut window in the British style. Title page present dated June 13 1967 noted as Final Shooting script rubber-stamped copy No. 139 with credits for screenwriter John Gay and director Jack Smight. 146 leaves with last page of text numbered 143. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Paramount Pictures unknown
Riferimento per il libraio : 137956
|
|
|
William Grefe (director, screenwriter); Rita Hayworth, Stephen Oliver, Fay Spain, Ford Rainey (starring)
The Naked Zoo Two original photographs from the 1970 film
N.p.: R and S Film Enterprises 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the versos. <br /> <br /> A rare pair of photographs from Rita Hayworth's low-budget wanderings between 1967-1970 during which she worked with French and Italian genre filmmakers as well as the likes of William Grefè in the US. Note however that Ms. Hayworth is not present in either of these images.<br /> <br /> A psychedelic exploitation film in which Hayworth stars as a wealthy matron married to a wheelchair-bound husband. She has an affair with a young author triggering disastrous results. <br /> <br /> Shot on location in Florida. <br /> <br /> 8 x 10 inches. Near Fine. R and S Film Enterprises unknown
Riferimento per il libraio : 162000
|
|
|
William Grefe (director, screenwriter); Tony Gulliver (photographer); Steve Alaimo, Willie Pastrano, John Vella, Bobbie Byers (s
The Wild Rebels Four original photographs from the 1967 film
N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso.<br /> <br /> Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. <br /> <br /> Shot on location in Florida. <br /> <br /> 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown
Riferimento per il libraio : 150123
|
|
|
William Grefe director screenwriter; Tony Gulliver still photographer; Steve Alaimo Willie Pastrano John Vella Bobbie Byers
The Wild Rebels Collection of four original photographs from the 1967 film
N.p.: N.p. 1967. Collection of four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with holograph marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso.<br/><br/>Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. <br/><br/>Shot on location in Florida. <br/><br/>8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown books
Riferimento per il libraio : 150123
|
|
|
William Haines, Delmer Daves, Ricardo Cortez, Greta Granstedt (starring); James Cruze (director); Frances Marion, Ralph Spence (
Excess Baggage Original screenplay for the 1928 early sound film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Draft script for the 1928 film. An early sound film today considered lost released with no dialogue but with a synchronized musical score and sound effects using sound-on-disc and sound-on-film processes.<br /> <br /> Based on John McGowan's 1927 play about a cocky small-time acrobat who marries a talented dancer then struggles with resentment as her star begins to rise while his does not essentially the plot of "A Star is Born".<br /> <br /> Beige titled Metro-Goldwyn-Mayer wrappers dated April 3 28 stamped copy No. 1765 noted as production No. 372 with credit for screenwriter Frances Marion. Title page integral with the first page of text dated April 3 1928 with credit for Marion. 100 leaves with last page of text numbered 100. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Riferimento per il libraio : 167716
|
|
|
William Hale (director); Harold King (novel); Sandor Stern (screenwriter); William Devane, Adrienne Barbeau, M Emmet Walsh (star
Red Alert Original screenplay for the 1977 television movie
Los Angeles: Columbia Broadcasting System CBS 1977. Final Revised Draft script for the 1977 television movie. Based on the 1977 book by Harold King. Included is a vintage production photo of William Devane from the film with a snipe on the verso with the CBS television logo. <br /> <br /> A computer at a nuclear power plant malfunctions and seals off the reactor room believing that a dangerous explosion has occurred and trapping the crew inside. One of a string of speculative films to feature either nuclear power plant disasters or dangerous fictional computers from the dawning era of computer technology. <br /> <br /> Set near Minneapolis shot on location in Houston Texas at NASA's Manned Space Center. <br /> <br /> White titled wrappers. Title page present dated January 17 1977 noted as FINAL REVISED DRAFT with credits for screenwriter Sandor Stern novelist Harold King executive producers Gerald I. Isenberg and Gerald W. Abrams and producer Barry Goldberg. 103 leaves with last page of text numbered 100. Mimeograph on blue stock. Pages Fine wrapper Very Good plus bound internally with two gold brads. <br /> <br /> Newman 104. Columbia Broadcasting System [CBS] unknown
Riferimento per il libraio : 140265
|
|
|
William Hairston (playwright); Hans Habe (novel); Sidney Walters (director); Clarence Williams III, Glenn Kezer, Barbara Schneid
Walk in Darkness Original screenplay for the 1963 play
New York: Stella Holt-Roscius Productions 1963. Draft script for the 1963 play. Laid in are a number of contemporary documents relating to the production including playwright William Hairston's business card and resumé a playbill for the show two reviews by Maxine Keith and John Wingate two advertisements for the show and a photocopied article from the "New York Times" about the show. <br /> <br /> Based on the 1948 novel by Hans Habe. To escape the injustices of Harlem a Black man enlists in the United States Army and is sent to occupied West Germany where he impregnates and falls in love with a local woman. Without army consent he marries her and deserts the army when he is to be sent back to America without her. He becomes the head of a gang of criminals and eventually escapes to America with his bride.<br /> <br /> Set in Germany. <br /> <br /> Black titled wrappers with credits for playwright William Hairston. Title page present dated October 28 1963 with credits for playwright William Hairston and novelist Hans Habe. 105 leaves with last page of text numbered 18. Mechanical duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Stella Holt-Roscius Productions unknown
Riferimento per il libraio : 141543
|
|
|
William Hairston (playwright); Hans Habe (author); Sidney Walters (director); Clarence Williams III, Glenn Kezer, Barbara Schnei
Walk in Darkness Original screenplay for the 1963 play
New York: Stella Holt-Roscius Productions 1963. Draft script for the 1963 play. Laid in is a playbill for the show. With a single notation in manuscript pencil to the title page. <br /> <br /> Based on the 1948 novel of the same title by Hans Habe. To escape the injustices of Harlem a black man enlists in the United States Army and is sent to occupied West Germany where he impregnates and falls in love with a local girl. Without army consent he marries her and deserts the army when he is to be sent back to America without her. He becomes the head of a gang of criminals and soon escapes to America with his bride who leaves him because she only married him to get to America. <br /> <br /> Set in Germany. <br /> <br /> Black titled wrappers with credits for screenwriter William Hairston. Title page present dated October 28 1963 with credits for playwright William Hairston and author Hans Habe. 106 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Stella Holt-Roscius Productions unknown
Riferimento per il libraio : 141554
|
|
|
William Hale director; Harold King novel; Sandor Stern screenwriter; William Devane Adrienne Barbeau M. Emmet Walsh starring
Red Alert Original screenplay for the 1977 television movie
Los Angeles: Columbia Broadcasting System CBS 1977. Final Revised Draft script for the 1977 television movie. Based on the 1977 book by Harold King. Included is a vintage production photo of William Devane from the film with a snipe on the verso with the CBS television logo. <br/><br/>A computer at a nuclear power plant malfunctions and seals off the reactor room believing that a dangerous explosion has occurred and trapping the crew inside. One of a string of speculative films to feature either nuclear power plant disasters or dangerous fictional computers from the dawning era of computer technology. <br/><br/>Set near Minneapolis shot on location in Houston Texas at NASA's Manned Space Center. <br/><br/>White titled wrappers. Title page present dated January 17 1977 noted as FINAL REVISED DRAFT with credits for screenwriter Sandor Stern novelist Harold King executive producers Gerald I. Isenberg and Gerald W. Abrams and producer Barry Goldberg. 103 leaves with last page of text numbered 100. Mimeograph on blue stock. Pages Fine wrapper Very Good plus bound internally with two gold brads. <br/><br/>Newman 104. Columbia Broadcasting System [CBS] unknown books
Riferimento per il libraio : 140265
|
|
|
William Holden, Cliff Robertson, Vince Edwards (starring); Andrew V McLaglen (director); Robert H Aldeman, George Walton (book);
The Devil's Brigade Original borderless photograph of actor William Holden and camera operator Albert Myers from the set of the 1968 film
N.p.: N.p. 1968. Vintage borderless double weight photograph of actor William Holden and camera operator Albert Myers from the set of the 1968 film. Photograph belonging to camera operator Myers.<br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Based on the true story of a specially trained unit of misfit American and Canadian soldiers. When the mission for which they were trained for is canceled the team is given the seemingly impossible task to capture Mt. La Difensa and prove their merit. <br /> <br /> Set in America England and Italy shot on location in Utah and Italy. <br /> <br /> 10 x 8 inches. Light edgewear and a small faint crease to the left else Near Fine. N.p. unknown
Riferimento per il libraio : 171053
|
|
|
William Holden (starring); Rudolph Mate (director); Sydney Boehm (screenwriter); Nancy Olson, Barry Fitzgerald, Lyle Bettger (st
Union Station Original promotional photograph of William Holden and Barry Fitzgerald from the 1950 film
Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film noir showing actors William Holden and Barry Fitzgerald. <br /> <br /> A woman suspects several fellow train passengers of being the culprits in a highly publicized kidnapping case. <br /> <br /> 8 x 10 inches. Very Good plus with light wear to the corners. <br /> <br /> Grant US. Olive Films 256. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
Riferimento per il libraio : 154518
|
|
|
William Hurt, Kathleen Turner (starring); Lawrence Kasdan (director, screenwriter)
Body Heat 32 original color slides and one vintage photograph from the 1981 film
Burbank CA: The Ladd Company 1980. Collection of 32 vintage color slides from the 1981 film as well as one vintage studio still photograph showing actress Kathleen Turner. Three slides with annotations in manuscript ink on their cardboard sleeves. <br /> <br /> A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s.<br /> <br /> Set and shot on location in Florida. <br /> <br /> Photograph 10 x 8 inches. Near Fine.<br /> <br /> Slides 2 x 2 inches. Near Fine. <br /> <br /> Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown
Riferimento per il libraio : 163765
|
|
|
William Hurt, Raul Julia, Sonia Braga (starring); Hector Babenco (director); Manuel Puig (novel); Leonard Schrader (screenwriter
The Kiss of the Spider Woman Four original photographs from the 1985 film
N.p.: N.p. 1985. Four vintage borderless reference photographs from the 1985 film including one showing director Héctor Babenco talking with actor William Hurt on the set. <br /> <br /> Based on the 1976 novel by Manuel Puig about two cellmates who form an unusual bond during their imprisonment in a Brazilian prison. Nominated for the Palme d'Or. Puig's novel also served as the basis for a Broadway musical produced in 1993 with a book by Terrence McNally. <br /> <br /> Set and shot on location in São Paolo Brazil.<br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Riferimento per il libraio : 161049
|
|
|
William Inge playwright; Michael Montel director; Ernest Thompson Nan Martin Alexis Smith Jill Eikenberry starring
Picnic Summer Brave Original script for the 1975 play
N.p.: N.p. 1975. Draft script for the 1975 play which premiered on October 26 at the ANTA Playhouse. With a single holograph ink annotation to the title page.<br/><br/>Playwright William Inge's rewrite of his Pulitzer Prize-winning 1953 play "Picnic" about an attractive young drifter whose arrival into a small town inadvertently causes upheaval among its residents. Although "Summer Brave" was published in 1962 the original manuscript was written before "Picnic"-in effect making the latter play the revision instead of the other way around. <br/><br/>Set in Independence Kansas.<br/><br/>Mustard titled Studio Duplicating Service wrappers with credits for playwright William Inge. Title page present with credits for playwright William Inge. 132 leaves with last page of text numbered 3-39. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
Riferimento per il libraio : 147558
|
|
|
William Klein, Claude Lelouch, Agnes Varda, Alan Resnais, Chris Marker, Joris Ivens (directors); Jean-Luc Godard (director, scre
Far From Vietnam Loin du Vietnam Original photograph from the 1967 film
N.p.: N.p. 1967. Vintage reference photograph from the 1967 French anthology film showing actress Karen Blanguernon.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An antiwar anthology documentary film by seven prominent directors expressing support for the North Vietnamese army during the Vietnam War.<br /> <br /> Shot in New York City.<br /> <br /> 10 x 8 inches. Very Good plus lightly curled. N.p. unknown
Riferimento per il libraio : 161310
|
|
|
William Klein, Claude Lelouch, Agnes Varda, Alan Resnais, Joris Ivens (directors); Jean-Luc Godard (director, screenwriter); Jac
Far From Vietnam Loin du Vietnam Eight original photographs from the 1967 film
London: Contemporary Films 1967. Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English.<br /> <br /> An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War.<br /> <br /> Shot in New York City.<br /> <br /> 10 x 8 inches. Very Good or better. Contemporary Films unknown
Riferimento per il libraio : 149499
|
|
|
William Klein (director, photographer)
Grands soirs et petits matins Mayday Original photograph from the set of the 1977 film
N.p.: William Klein 1968. Vintage photograph shot by director-photographer William Klein during the making of his landmark documentary. With Klein's stamp on the back noting his address in Paris. <br /> <br /> In making his cinema verite documentary about the occupation of the Sorbonne begun during the May 1968 protests in Paris Klein received unprecedented access to student leaders activists various committee meetings and the general assembly. Filmed during late May and early June of 1968 the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles both practical and intellectual of maintaining focus on moving forward from and ultimate dissipation of that foundational revolutionary spirit. <br /> <br /> 7 x 9.75 inches. In an archival mat. Near Fine. William Klein unknown
Riferimento per il libraio : 135608
|
|
|
William Klein (director, screenwriter); John Abbey, Delphine Seyrig, Donald Pleasence, Philippe Noiret (starring)
Mr. Freedom Original photograph of William Klein on the set of the 1968 film
N.p.: N.p. 1968. Vintage borderless reference photograph taken on the set of the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Manuscript ink annotations to the verso noting the film's title along with stamps noting "PM 1020" and "1968". <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 3.5 x 5 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 153886
|
|
|
William Klein (director, screenwriter); John Abbey, Delphine Seyrig, Donald Pleasence, Philippe Noiret (starring)
Mr. Freedom Four original photographs from the set of the 1968 film
N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 156346
|
|
|
William Klein (director, screenwriter); Serge Gainsbourg, John Abbey, Delphine Seyrig, Donald Pleasence, Philippe Noiret (starri
Mr. Mister Freedom Original oversize photograph of William Klein and Serge Gainsbourg on the set of the 1968 film
N.p.: N.p. 1968. Vintage oversize borderless reference photograph taken on the set of the 1968 film showing director William Klein talking with Serge Gainsbourg who appears in a cameo in the film. Annotations in manuscript ink and pencil on the verso. <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 7.75 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
Riferimento per il libraio : 168093
|
|