CD-Audio. New. Bernice Summerfield is still trapped in a dying universe with the wrong Doctor. Things have taken a turn for the worse - the Doctor has become President Of The Universe and it turns out he's a controversial choice for the job. While Bernice works to unearth the mythical Apocalypse Clock the Docto unknown
CD-Audio. As New. Bernice Summerfield is still trapped in a dying universe with the wrong Doctor. Things have taken a turn for the worse - the Doctor has become President Of The Universe and it turns out he's a controversial choice for the job. While Bernice works to unearth the mythical Apocalypse Clock the Docto unknown
Montreal: The Montreal Museum of Arts 1988. Paperback. VG or better. . Oversize wraps French-fold cover light cover wear only clean well bound no spine crease contents clean and unmarked. Ships domestic media mail because of large format of the book. Questions welcome. Images can be made upon request. <br/><br/>Les Nabis French pronunciation: le nabi were a group of Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890s. Initially a group of friends interested in contemporary art and literature most of them studied at the private art school of Rodolphe Julian Acad�mie Julian in Paris in the late 1880s. In 1890 they began to participate successfully in public exhibitions while most of their artistic output remained in private hands or in the possession of the artists themselves. By 1896 the unity of the group had already begun to break: Homage to C�zanne painted by Maurice Denis in 1900 recollects memories of a time already gone even before the term Nabis had been revealed to the public. Meanwhile most members of the group including Maurice Denis Pierre Bonnard and �douard Vuillard could stand on their own artistically. Only Paul S�rusier had problems to overcome � though it was his Talisman painted at the advice of Paul Gauguin that had revealed to them the way to go. The Montreal Museum of Arts paperback
London: National Screen Service / MGM 1962. Collection of 9 vintage full-color still photographs from the UK release of the 1962 US film. <br/><br/>A deep Hollywood-style romance about a young mentally disabled girl and her distraught parents. The girl eventually falls in love with a young Italian but the parents are torn between putting the girl into institutional care or letting her marry. George Hamilton was nominated for a BAFTA 1963 for his performance. <br/><br/>8 x 10 inches. Light rubbing and creasing overall else Near Fine. <br/><br/>Complete collation details available on request. National Screen Service / MGM unknown books
N.p.: Aries Productions 1975. Two vintage color studio still photographs from the 1975 film. Based on Jacqueline Susann's 1973 novel of the same name. <br/><br/>A wealthy Hollywood tycoon falls on hard times and marries a diabolical sugar-mama to fund his lavish lifestyle. meanwhile his beautiful daughter returns to the US from Europe and begins an affair with one of her father's rivals. <br/><br/>Shot on location in New York Spain Switzerland and California. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Olive Films 690. Aries Productions unknown books
London: Rank Organisation 1956. Vintage full-color still photograph from the 1956 UK film. <br/><br/>A suspenseful mystery about a kidnapped baby in London. <br/><br/>8 x 10 inches. A few light creases else Near Fine. Rank Organisation unknown books
N.p.: Blazer Films 1968. Vintage studio still photograph from the 1968 film. Based on John Fowles 1965 novel of the same name. Snipe affixed to the verso. <br/><br/>Based on John Fowles critically acclaimed novel of the same name in which a young British expatriate begins to unravel psychologically during his tenure teaching English on the Greek island of Phraxos. Nicholas Urfe becomes entranced with the Island's enigmatic recluse Conchis who enacts bizarre games. <br/><br/>Shot on location in Spain. <br/><br/>8 x 10 inches. Near Fine with holograph pencil annotations to the verso. <br/><br/>Complete collation details available on request. Blazer Films unknown books
London: British Lion Film Corporation 1960. Vintage black-and-white still photograph from the 1960 UK film. Cropping annotations to the both sides of the still. <br/><br/>A quintessential anti-union film of the 1950s about a man's dilemma when he refuses to participate in a wildcat strike at a factory. Violence brings the other dissenters together but he is shunned in his apprehension and ignored while he attempts to maintain his right as a individual to dissent from the group. <br/><br/>8 x 10 inches. Very Good plus with slight a few light creases. British Lion Film Corporation unknown books
Beverly Hills CA: United Artists 1964. Collection of 15 vintage borderless reference photographs from the 1964 film all but one with a mimeo snipe on the verso. <br/><br/>The third James Bond film overall but the first to achieve blockbuster status and still arguably the best and still inarguably the one with the best theme song introducing many of the elements that would become staples of the franchise including the pre-credit sequence futuristic technology and gadgets and Bond's Aston Martin. Winner of an Academy Award also a first for the franchise. <br/><br/>Three photographs trimmed to 7.5 x 9.5 inches one trimmed to 7.5 x 9 inches the remainder 10 x 8 inches. Near Fine with slight curling and light edgewear. United Artists unknown books
Iver Heath UK: Pinewood Studios 1964. Vintage studio still photograph from the 1964 film.<br/><br/>The third in the series of James Bond movies starring Connery. 007 investigates gold magnate Auric Goldfinger Frobe only to uncover his plans to rob Fort Knox and obliterate the world economy. Includes Honor Blackman as Bond girl Pussy Galore and Harold Sakata as Oddjob with his steel-rimmed bowler hat.<br/><br/>Set in and shot on location in Switzerland England and US. <br/><br/>8.25 x 10 inches. Near Fine very light wear to corners. <br/><br/>Ebert II. Penzler 101. Pinewood Studios unknown books
London: British Lion Film Corporation 1953. Vintage black-and-white still photograph from the 1953 UK film. Features actress Dora Bryan "Dora Bee" character in the film at the premiere in Leicester Square where the Duke of Edinburgh was also in attendance. With a mimeograph snipe affixed to the verso. <br/><br/>A former military colonel is burglarized and upon investigation realizes the thief was a part of his old tank regiment. A hunt ensues with the colonel trying to determine the thief's motive by contacting other former military members. <br/><br/>8 x 10 inches. Faint stains on the verso else Near Fine. British Lion Film Corporation unknown books
Switzerland: Jovera Pictures 1966. Vintage photograph from the set of the 1966 film. With holograph annotations on the verso. <br/><br/>Based on the 1964 novel of the same name by Len Deighton. British secret agent Harry Palmer Michael Caine is sent to Berlin to facilitate the defection of Colonel Stok Oskar Homolka a Soviet Intelligence officer. Once Palmer arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. <br/>.<br/>Shot on location in Berlin. <br/><br/>7 x 10 inches. Near Fine. Jovera Pictures unknown books
Beverly Hills CA: United Artists 1971. Vintage studio still photograph from the US release of the 1971 British film showing actors Charles Gray and Jill St. John alongside an unknown henchman. <br/><br/>Based on Ian Fleming's 1956 novel. The seventh James Bond adventure and the second of four directed by Guy Hamilton following 007 as he pursues a diamond smuggling ring in Las Vegas. <br/><br/>10 x 8 inches. Near Fine. United Artists unknown books
London: Eon Productions 1972. Shooting script for the 1973 film. With a holograph ink annotation on the title page noting copy No. 56. <br/><br/>Roger Moore's first turn as 007 and the eighth film in the franchise overall. Based on the 1954 novel by Ian Fleming which sees Bond go up against a Caribbean dictator moonlighting as a Harlem drug lord aided by a claw-handed henchman and a voodoo priest. One of the first Bond movies to explicitly address race most notably featuring the first African American Bond girl with whom 007 is romantically involved Rosie Carver played by Gloria Hendry.<br/><br/>Filmed on location in New York Jamaica and Louisiana.<br/><br/>Green titled Studio Duplicating Services wrappers with credits for novelist Ian Fleming on the front wrapper. Title page present dated October 2nd 1973 noted as Shooting Script with credits for novelist Ian Fleming and screenwriter Tom Mankiewicz. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly worn and creased to the edges bound with two gold brads. Eon Productions unknown books
McCall's Quilting 2015-03-01. Softcover. Very Good/No Jacket. Very Good Condition: Unmarked. Solid binding. Minor soil. Minor cover wear. Pattern sheet attached. Magazine back issue copy of McCall's Quilting Magazine. March/April 2015 edition. Volume 22 Number 2. Susan Guzman Content Director. 90 pages pattern sheet. 9 x 10-7/8 inches 28 cm. Contents of this issue include: Cross and Crown quilt pattern 73-1/2 x 83-1/2 inches by Sandra Clemons Intermediate; Quilt Garden quilt pattern 56-1/2 x 71-1/2 inches designed by Heidi Pridemore Intermediate; Whispering Tulips quilt pattern 66 x 66 inches designed by Diane Nagle Intermediate; Apple Blossoms quilt pattern 21-1/2 x 21-1/2 inches designed by Amy Gibson Intermediate; Making Valentines 62-1/2 x 73-1/2 inches designed by Wendy Sheppard Confident Beginner; Shimmer quilt pattern stars and pinwheels 64-1/2 x 64-1/2 inches designed by Gerri Robinson Confident Beginner; and more. Accurately described because we look! McCall's Quilting paperback
Germany: Nero-Film AG 1932. Collection of 10 vintage photographs from the three 1932 films showing all three actors portraying the character of St. Avit on the set interacting with each other and locals in the Sahara Desert setting. With holograph annotations on either the recto or verso of some of the photographs. <br/><br/>Based on the 1919 novel "L'Atlantide" by Pierre Benoit. Pabst simultaneously shot three versions of the film in French English and German with different casts except for Brigitte Helm as the evil queen of a lost civilization Antinea. Previously filmed in 1920 directed by Jacques Feyder starring Stacia Napierkowska and Jean Angelo and subsequently in 1949 as "Siren of Atlantis" directed by Gregg G. Talias and starring Maria Montez and Jean-Pierre Aumont and again in 1992 directed by Bob Swaim and starring Victoria Mahoney and Christopher Thompson. <br/><br/>Set and shot on location in the Algerian Sahara Desert. <br/><br/>3.5 x 2.5 inches. Near Fine. Nero-Film AG unknown books
Starnberg: Macropus Film 1985. Draft script for the 1989 film. Text in English. Violent conflict between Muslims and Buddhists in Sri Lanka forces a young boy to hide in a traveling circus run by his mother a mysteriously youthful concentration camp survivor. Set in Sri Lanka. Beige untitled wrappers. Title page present dated 1985 with credits for screenwriters Imre Gyongyossy Katalin Petenyi Rodrigez Orell and director Barna Kabay. 137 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Macropus Film unknown
Washington D.C.: Office of Technology Assessment 1984. 1. Paperback. Very Good/No dust jacket. VG condition. There are a few creases and light scuffs on the covers otherwise the book is in Like New condition. The binding is tight. The interior pages are clean and unmarked. Electronic delivery tracking will be issued free of charge. Office of Technology Assessment paperback
Hollywood: Fox Film 1935. First Draft script for the 1935 film here under the working title "The Lord's Refugee." Copy belonging to director H. Bruce Humberstone with his name in holograph pencil to the front wrapper and single holograph annotation in pencil to page 74.<br/><br/>In an attempt to go straight a former bodyguard with a violent past shacks up in a tenement house where he takes a position as a boxing instructor under the tutelage of a local priest.<br/><br/>Yellow titled wrappers noted as First Draft on the front wrapper noted as copy No. 6 dated 4-12-35 with credits for screenwriters Philip Klein and Robert Yost and story credits to Gerald Beaumont. Title page integral with the first page of text presumably as issued. 80 leaves with last page of text numbered 80. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Fox Film unknown books
N.p.: N.p. 1945. Third Draft Continuity script for the 1945 film here under the working title "This is the Law." Copy belonging to producer Ben Silvey with his name to the front wrapper and holograph pencil and ink annotations throughout.<br/><br/>A stern judge moves with his family across state lines for a new job as a prison warden unaware that his own son harbors criminal intentions.<br/><br/>Blue titled wrappers with credits for screenwriter Eugene Ling on the front wrapper. Title page present dated 1/23/45 noted as Third Draft Continuity with credits for screenwriter Eugene Ling. 119 leaves with last page of text numbered 118. Mimeograph duplication on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus lightly toned bound internally with two gold brads. N.p. unknown books
Los Angeles: Twentieth Century-Fox 1938. Final Draft script for the 1938 film. Copy belonging to director H. Bruce Humberstone with two pages of his handwritten notes and a typed page of proposed revisions on onionskin stock attached with a paperclip to the verso of the front wrapper and his holograph pencil annotations throughout the script. <br/><br/>A newspaper editor investigates a string of murders involving stolen bonds. <br/><br/>Set in New York.<br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 153 dated APRIL 25 1938. Distribution page present with receipt intact. Title page present dated April 25 1938 noted as Final Script with credits for screenwriters Frances Hyland and Albert Ray. 147 leaves with last page of text numbered 143. Mimeograph duplication rectos only. Pages Fine wrapper Very Good plus with lightly faded fore-edges bound internally with three gold brads. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1938. Final Draft script for the 1938 film here under the working title "Meridian." Laid in with the script are two copies of a set of two carbon typescript pages of notes on the film.<br/><br/>A newspaper reporter and photographer investigate a murder in order to exonerate the main suspect a bank runner accused of killing his client. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 48 dated MAY 12 1938. Distribution page present with receipt intact. Title page present dated May 12 1938 noted as Final Script with credits for screenwriter Jerry Cady. 130 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
Universal City: Universal Pictures 1949. Revised Final Shooting script for the 1950 film here under the working title "Java." Copy belonging to director H. Bruce Humberstone with his name in holograph pencil on the front wrapper and single annotation on page 41. <br/><br/>Loosely based on Tay Garnett's 1940 film "Seven Sinners." A sick steam ship crewman attempts to clear his name while being blackmailed for wartime collaboration with the Japanese. Liberace's first credited film appearance as a cabaret performer named "Maestro."<br/><br/>Set on the fictional Pacific island of Oraka.<br/><br/>Tan textured titled wrappers noted as REVISED FINAL SHOOTING SCRIPT on the front wrapper dated June 14 1949. Title page present noted as Revised Final Screenplay with credits for screenwriter Oscar Brodney. 123 leaves with last page of text numbered 109. Mimeograph duplication rectos only with blue yellow pink and white revision pages throughout dated variously between 6/15/49 and 7/21/49. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
Los Angeles: Twentieth Century-Fox 1941. Revised Final Draft script for the 1942 film. Copy belonging to director H. Bruce Humberstone with his name in holograph pencil on the front wrapper. <br/><br/>A bratty naval recruit is transformed into a battle-wise soldier several days before the Japanese attack on Pearl Harbor. <br/><br/>Set and shot on location in San Diego California.<br/><br/>Red titled wrappers noted as REVISED FINAL rubber-stamped copy No. 37 and production No. 701 dated OCTOBER 29 1941. Distribution page present with receipt removed. Title page present dated October 29 1941 noted as Revised Final with credits for screenwriter Lamar Trotti. 163 leaves with last page of text numbered 161. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1939. Final Draft script for the 1939 comedy film here under the working title "Roughneck."<br/><br/>Three unemployed vaudevillians enlist in the US Army and are deployed to France where all three men promptly fall in love with the same girl.<br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 34 dated JUNE 9 1939. Distribution page present with receipt intact. Title page present dated June 9 1939 noted as Final Script with credits for screenwriters Lou Breslow and Owen Francis. 127 leaves with last page of text numbered 125. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
Los Angeles: Paramount Pictures 1932. Revised Final script for the 1933 film with one annotation in holograph pencil and Paramount "File Copy Return to Story Dept." "Master File" and "File Copy" stamps on front wrapper. One annotation in holograph pencil to "CAST" page adding actor Buster Crabbe's name to lead character Kaspa. Script divided into sequences as was customary for the period.<br/><br/>Based on Charles Thurley Stoneham's 1931 novel "The Lion's Way: A Story of Men and Lions" and was the 1932 Olympic gold medalist swimmer Larry "Buster" Crabbe's starring debut.<br/><br/>Both parents killed by lions during a photographic expedition in Africa a young boy Crabbe is reared by lions until his capture and sale to a circus in San Francisco where he is named Kaspa. <br/><br/>Paramount's attempt to capitalize on MGM's success with the 1932 W.S. Van Dyke film "Tarzan the Ape Man" the first of the twelve film series starring Johnny Weissmuller based loosely on Edgar Rice Burroughs' 1912 novel the first in a series of 24 novels "Tarzan of the Apes." Buster Crabbe would go on to star as Tarzan in Robert Hill's 1933 "Tarzan the Fearless."<br/><br/>Set in Africa and San Francisco shot on location in Busch Gardens Paramount Ranch and Santa Catlina Island California. <br/><br/>Tall self wrappers in the Paramount style dated October 14 1932 rubber-stamped production No. 927 with credits for author C.T. Stoneham screenwriter Max Marcin directors Bruce Humberstone and Max Marcin and associate producer E. Lloyd Sheldon. 128 leaves with last page of text numbered H-3. Mimeograph duplication rectos only. Pages Near Fine saddle-stapled with three staples. Paramount Pictures unknown books
Los Angeles: Twentieth Century-Fox 1937. Collection of three vintage photographs from the set of the 1937 film. With printed descriptions on the verso of each. <br/><br/>One photo shown. Please inquire to see others.<br/><br/>Checkers Jane Withers and Edgar Connell Stuart Erwin a veterinarian mend a horse's leg before a big race that could help save a man's farm. <br/><br/>Filmed on location in Pomona CA.<br/><br/>10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1938. Final Draft script for the 1939 film here under the working title "Samson and the Ladies." Copy belonging to director H. Bruce Humberstone with his name in holograph pencil to the front wrapper. <br/><br/>Two out-of-work city girls take jobs as escorts to an up-and-coming boxing champion.<br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 177 dated SEPT 6 1938. Title page present dated September 6 1938 noted as Final Script with credits for Robert Ellis and Helen Logan. 140 leaves with last page of text numbered 139. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/13/38 and 9/20/38. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1938. Vintage photograph of director H. Bruce Humberstone and actors Jane Withers and Rochelle Hudson on the set of the 1938 film. Mimeograph description on the verso. <br/><br/>A group of Gypsies led by Jane Withers take in Margaret Adams Rochelle Hudsun a wealthy young amnesiac. They try to raise money for an operation to restore her memory. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
Los Angeles: Paramount Pictures 1940. Final Draft script archive for the 1940 film here under the working title "Touchdown." Copy belonging to director H. Bruce Humberstone with his name in holograph pencil annotation to the title page. Accompanying the script are a promotional book and several production documents including a legal contract for the film signed by Humberstone and a Paramount Pictures vice president and a mechanically duplicated folded "Day Out of Days" map.<br/><br/>Twin brothers in college find themselves at odds over the love of a girl.<br/><br/>Housed in a black card folder. Missing titled wrappers presumably as issued. Title page present dated July 1 1940 noted as FINAL noted as production No. 1275. 126 leaves with last page of text numbered D-38. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads.<br/><br/>"Day Out of Days" map is 9 x 22 inches folded three times as issued. Press kit is 11 x 8.5 inches bi-fold. Paramount Pictures unknown books
Hollywood: Fox Film 1935. Revised Draft script for the 1935 film here under the working title "Secret Lives." Copy belonging to director H. Bruce Humberstone with his name in holograph pencil to the front wrapper and holograph annotations throughout. Incomplete as issued but with a set of carbon typescript revision pages laid in with the script completing the text.<br/><br/>A Broadway actress is accidentally implicated in a string of murders occurring among the theatrical elite of New York.<br/><br/>Set in New York.<br/><br/>Yellow titled wrappers noted as Revised on the front wrapper dated 2-11-35 with credits for screenwriters Robert Ellis and Helen Logan and story credits to Ilya Zorn. Missing title page presumably as issued. 46 leaves with last page of text numbered 46. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Fox Film unknown books
Los Angeles: Twentieth Century-Fox 1941. Vintage US one sheet poster for the 1941 film noir here under the alternate title "Hot Spot" also used for the original release.<br/><br/>Based on the 1941 novel by Steve Fisher about a man seeking to prove he's innocent of a murder while being railroaded by an obsessed detective. <br/><br/>Set and shot on location in New York City. <br/><br/>27 x 41 inches. Linen backed and rolled. Near Fine with a small amount of professional repair and restoration. <br/><br/>Grant US. Penzler 101. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Twentieth Century-Fox unknown books
Paris: Filmsonor 1955. Original French program for the classic 1955 French film noir. This program produced by the film's distributor Cinedis. With a stunning illustrated and textured front wrapper making dazzling use of a two-color process in green-gray. Laid in are credits leaves featuring biographies on Henri-Georges Clouzot Vera Clouzot Simone Signoret and Paul Meurisse. French text. <br/><br/>Based on the 1952 novel by Pierre Boileau and Thomas Narcejac. <br/><br/>Program 9.5 x 12 inches folded once as issued credits leaves 8.25 x 10.5 inches corner-stapled mimeograph on both sides. Small clip from the lower corner of the front flap. Very Good Plus overall. <br/><br/>Buss French Film Noir. Criterion Collection 35. Grant US. Selby Masterwork US. Spicer US. Filmsonor unknown books
Tata / UNESCO 1951. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item xiv 203 pp. paperback covers soiled and worn else text clean & binding tight Tata / UNESCO paperback
Tehran: Theran: Institute of Geophysics 1973 Book. Very Good. Hardcover. 1st Edition. 10h x 7w. A real nice clean unmarked 484 page first edition hardcover. Has the fold out in back fully attached. Dust jacket has edge wear and a little light foxing to front end page but overall still very nice. A rare book from the University of Tehran Press. Theran: Institute of Geophysics hardcover
Harlem: De Erven F. Bohn N. V. 1944 Tan/red/black covers. Translated by Mrs. C. D. Te Winkle b/w photographs history 72 pgs. 12mo - over 6�" - 7�" tall. 12mo - over 6�" - 7�" tall. First Edition. Decorative Paper. Very Good. De Erven F. Bohn N. V. paperback
Government Printing Bureau 1908 972 Pp. 1908. Softcover publication bound into hardcovers; ex-library; missing rear board; original front wrap w/ chipped and torn edges; front board separated taped; light creasing of corners of leaves; o/w contents in good condition. This is a heavy volume; extra shipping may be required for priority mail or international orders. . Government Printing Bureau, 1908, 972 Pp. hardcover
Culver City CA: Hugo Haas Productions / Columbia Pictures 1953. Original Pressbook for the 1953 film noir. A typically inventive and distinctive B-noir from noted director Hugo Haas about a waterfront restaurant waitress who steals $25000 from her thug boss and subsequently takes a thorough series of lessons in the heartache that ill-gained wealth can bring. 8 pages saddle stitched and folded once 11 x 14 inches. Very Good plus with a couple of short creases and one small chip light rubbing. Hugo Haas Productions / Columbia Pictures unknown
np: np. G PB. nd ca 1940. Meticulous listing and illus of jewelry and metal work tools their uses. Handmade cover roughly made with handwritten title. . np unknown
Clean and Unmarked Text: J. B. Lippincott Copany 1951 Page ends / edges have slight water stains. Hardback : hard cover edition in good condition some slight wear to edges as normal for age of book. Overall good copy of this title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Presentation copy: The Committee to honor Dr Sidney V Haas on his fiftieth anniversary as a physician and to further the knowledge of his pioneering contributions to pediatrics takes pleasure in sending you this copy of ; Management of Celiac Disease ; by Dr. Sidney V Haas and Dr Merrill P Haas. Commentaries about this work: Research of this book has brought me to the conclusion that this book is not only nearly extinct but also is a landmark work in the treatment of Celiac Disease and a pioneering of nutritional therapy. It seems to be readily referenced with most research articles on the subject . One easily gets the feeling that the work is highly revered in the Celiac Disease treatment circles. Biography of S V Hass: Dr. Sidney Valentine Haas was born in Chicago in 1870 but lived in New York City since he was six years old. He attended the public schools in New York City and subsequently attended City College. After he graduated from college he attended New York University Medical School earned his M.D. and took graduated studies at Columbia's College of Physicians and Surgeons. At Columbia Dr. Haas came in contact with some of the finest teachers of that generation including Dr. Emmett Holt a remarkable pediatrician who influenced Dr. Haas to enter the field of pediatrics. Dr. Haas interned at Mount Sinai Hospital and became a well-known New York pediatrician as well as the attending hysician and consultant at some of the city's largest hospitals. Since that time he also became famous as one of the most original thinkers in modern pediatrics. He authored many important papers on a variety of subjects but his outstanding contribution was on the subject of an effective dietary treatment for celiac disease. /pp/ For over fifty years research had shown that the elimination of carbohydrates brought about dramatic improvement in the condition known as celiac disease today. However there was a need for some tolerable carbohydrate in the diet of these children. Dr. Haas was interested in learning if some form of carbohydrate could be added to the diet to hasten recovery and provide a more varied and nutritious diet. He had noted reports throughout the years whereby children with severe diarrhea had done very well on banana flour made of 70% ripe banana and plantain meal. He soon discovered that celiacs could tolerate this carbohydrate and more than that the banana could be fed in large quantities with beneficial effects. He further experimented with carbohydrate containing fruits and some vegetables and found that they too could be tolerated and celiac patients could regain health on a far more varied diet than just protein and fat. /pp/ During the next few years Dr. Haas treated over 600 cases of celiac disease with his Specific Carbohydrate Diet maintaining his patients on it for at lease twelve months and found that the prognosis of celiac disease was excellent. There is complete recovery with no relapses no deaths no crisis no pulmonary involvement and no stunting of growth. /pp/ In 1951 Dr. Haas together with his son Dr Merrill P. Haas published The Management of Celiac Disease the most comprehensive medical text that had ever been written on celiac disease. With 670 references to published research the book described celiac disease more completely than had ever been done before. /pp/ Dr. Haas died on November 30 1964 at the age of 94. His obituary was printed in all leading New York City newspapers including The New York Times and in Time magazine he was described as a "pioneer in pediatrics" and an "honored pediatrician." Slight Cover Fade. Cloth / Embossed. Good/No Dust Jacket. Illus. by Illus with b/w Photos. ~ SCARCE TITLE ~. Advanced Medical Review. J. B. Lippincott Copany 1951 Hardcover
Westfield MA: Westfield Historical Comm 1981. PB. very good spiral bound wraps softcover. sepia toned illustrations. Provides a representative sample of special value properties in the community. 62pp. Westfield Historical Comm unknown
France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Photographs moderately curled negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Complete collation details available on request. Les Films Ariane unknown
Paris: Omnifilms 1959. Draft script for the 1960 film "The Nabob Affair" here under the French title "Au Voleur!" translated: Thief!. Written by Sacha Guitry but subsequently reworked by Jean Bernard-Luc and released after Guitry's death. Laid in are eight pages detailing production including sets and shooting times from Sacha Guitry carbon typescript on onionskin stock rubber-stamped "Carlton Cole" a talent agency in New York. Also rubber-stamped on the script title page with a brief notation in holograph ink. Brief annotations in holograph pencil throughout. A mysterious employer hires a man to steal a rare diamond who in turn engages an attractive and intelligent woman to help him. Gray untitled wrappers. Title page present undated. 82 leaves with last page of text numbered 80. Mechanical duplication. Pages Near Fine wrapper Very Good side-stitched. Omnifilms unknown
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