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Tautou, Audrey, Mathieu Kassovitz und Yolande Moreau
Die fabelhafte Welt der Amélie [2 DVDs]
Universal Pictures, 2002. 902447-9 2 DVD, Schuber DVD
書籍販売業者の参照番号
: 54699
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Taylor Caldwell
Si jeunesse savait
Le Livre Contemporain 1960 413 pages in8. 1960. pleine toile éditeur. 413 pages. Le roman raconte l'histoire de John Turnbull un jeune homme dont les amusements et excès (alcool débauche) le conduisent à épouser lors d'une soirée d'orgie Lilybelle qu'il n'aime pas alors qu'il est fiancé à sa cousine Eugenia son véritable amour. Le récit explore les conséquences de ces choix impulsifs
書籍販売業者の参照番号
: 4040
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Taylor, David
ACTING AND THE STAGE
Former owner's name on ffep. Small chip to spine ends. Light edgewear to corners. ; Brings the ancient theatre to life by skilfully evoking the atmosphere of the festivals where it all began. ; Greek & Roman Topics, 6; 80 pages
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Taylor, Deems (Editor).
A TREASURY OF GILBERT & SULLIVAN. The Words and the Music of One Hundred and Two Songs from Eleven Operettas. Illustrated by Lucille Corcos. Arrangements by Dr. Albert Sirmay.
405p. Full page color illustrations by Lucille Corcos. Text drawings. Inked ownership of Elizabeth W. Ellis (wife of Calvert Ellis, the Preseident of Juniate College in the World War Two era) on title page. 4to. Original cloth spine over paper covered boards. Spine sun faded. Original slip case, slightly worn. First Edition. Hardbound. Very good. JUN5 BOX 5
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Taylor, Diana
The Archive and the Repertoire: Performing Cultural Memory in the Americas
Some pencil notes. Inscribed by author. 326 pages.
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Taylor, George, and George Savage
The Phoenix and the Dwarfs. A Play in Three Acts.
New York 1943: The Macmillan Company 1945. Second Printing stated . Boards. Very Good/Good DJ. Xxxiv 119 Pp. Green Cloth Lettered In Red. Stated Second Printing Date 1945 On Title Page. Long Introduction Describing Recent Events In China Which Are Also The Subject Of The Fictional Play. Inscribed By George Savage "In Appreciation" To Muriel Brown Perhaps The Muriel Brown Associated With The Goodman School Of Drama Now The Theatre School In Chicago As They Both Worked In The Federal Theatre Project. <br/> <br/> The Macmillan Company hardcover
書籍販売業者の参照番号
: 019231
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Taylor, Philip (Editor)/ Institute of Drama Education Research (1995 Griffith University)
Researching Drama and Arts Education: Paradigms and Possibilities
Falmer Pr 1996. Paperback. New. 1st edition. 224 pages. 9.25x6.25x0.75 inches. Falmer Pr paperback
書籍販売業者の参照番号
: x-0750704640 ISBN : 0750704640 9780750704649
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Taylor, Philip (Editor)/ Institute of Drama Education Research (1995 Griffith University)
Researching Drama and Arts Education: Paradigms and Possibilities
Falmer Pr 1996. Hardcover. New. 1st edition. 205 pages. 9.75x6.50x1.00 inches. Falmer Pr hardcover
書籍販売業者の参照番号
: x-0750704632 ISBN : 0750704632 9780750704632
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Taylor, Samuel (Claude Dauphin Autographed Copy)
The Happy Time A Comedy Of Love Based On The Stories By Robert Fontaine Signed By Claude Dauphin
New York: Random House 1950. First Printing . Turquoise Cloth. Fine/Very Good. 8 1/4" High. 184 Unmarked Pages. Stated First Printing. "'The Happy Time' Was First Presented By Richard Rodgers And Oscar Hammerstein 2Nd At The Plymouth Theatre New York City On January 24 1950 With The Following Cast: Bibi.Johnny Stewart; Papa.Claude Dauphin "Etc. From The Personal Library Of A Hollywood Publicist; Stamp On Ffep. Cover Edges Faded; Paper Label On Spine Clean And Bright. Dj In Brodart; Not Price Clipped ; Chipped Tips Top And Bottom Of Spine. 1/2" Closed Tear Top Edge Rear. Claude Dauphin Signed His Name On Front Of Dj Between " By Samuel Taylor" And :" A Random House Play". <br/> <br/> Random House hardcover
書籍販売業者の参照番号
: 058056
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TCHOU-KIA-KIEN [NACHBAUR ALBERT]
Le Théâtre Chinois
Pékin, Albert Nachbaur, Editeur à Pékin, 1927. Achevé d'imprimer sur les Presses Na Che Pao, 16 Kan Yu Hutung (Rue de la Pluie Bienfaisante), à Pékin, le 30 Avril 1927, 29e Jour de la 2e Lune de l'Année du Lapin. 1 volume in-folio, couverture cartonnée illustrée d'une figure contrecollée, 21 pp., enrichi de 3 images populaires théâtrales chinoises sur les 5 que devrait contenir l'ouvrage, peintures en couleurs, parfait état. Tirage limité à 500 exemplaires. Très rare. Cette ouebvre avait été publiée originellement par M. de Brunoff, Editeur à Paris en 1922, enrichi de 9 peintures en couleurs et de 21 dessins de la plume de Jacovleff. Nachbaur reprend ici le texte de Tchou-Kia Kien et l'enrichit d'images populaires Chinoises.
書籍販売業者の参照番号
: 10319
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TCHANG KAI CHEK (Maréchal et Madame)
Les origines du drame chinois
Préface de Maurice Pernot, Gallimard, 1938, in-12, xii-205 pp, index, couv. illustrée de photos en médaillon du maréchal et de sa femme bon etat
書籍販売業者の参照番号
: 2749
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Tcherikower, Elias
DI UKRAINER POGROMEN IN YOR 1919
Publishers cloth. 8vo. 372, [2] pages. 24 cm. First edition. In Yiddish. Bibliotek fun YIVO. English title page: The Pogroms in the Ukraine in 1919. Continuation of the work Antisemitizm un pogromen in Ukraine, 1917-1918 published 1923. A detailed scholarly study of the terrible Ukrainian pogroms in 1919 written by Elias Tcherikower (18811943) , historian of Russian Jewish life and anti-Jewish violence.
The 1919 Bolshevik suppression of Jewish autonomy and the simultaneous wave of violence and mass murder against Ukrainian Jewish communities by nationalist, White, and other forces (the Ukrainian pogroms) strongly shaped Tsherikovers subsequent scholarly career. He helped compile an essential collection of documents and testimonies on Jewish autonomy and its dissolution (Di idishe oytonomie un der natsyonaler secretariat in Ukraine; 1920) and later edited a related volume of documents and memoirs on revolutionary-era Jewish life, In der tkufe fun revolutsye (Berlin, 1924) . From 1919, Tsherikover devoted himself especially to gathering evidence about pogroms. By the time he left Russia for Berlin via Kovne/Kaunas in 1921, he had compiled a massive archive (now housed at YIVO) . Settling in Berlin, he began a massive scholarly project on pogroms with other Jewish scholars and activists, including Simon Dubnow, Yosef Schechtman, Nokhem Shtif, Jakob Lestschinsky, and N. Gergel. Tsherikover himself wrote two historical studies on pogroms: Antisemitizm un pogromen in Ukraine, 19171918 (published in Yiddish and Russian, 1923) and Di Ukrainer pogromen in 1919, published posthumously (1965) . Tsherikover and his archive also played an important role in the 19261927 Paris trial of Shalom Schwarzbard. (YIVO Encyclopedia; Tsherikover, Elye) . Subjects: Jews Ukraine - History - 20th century. Jews - Persecutions - Ukraine - History - 20th century. Ukraine - History - Revolution, 1917-1921.Pogroms - Ukraine - History - 20th century. Ukraine - Ethnic relations - History - 20th century. Very light wear to outer edges, near fine. Great condition. (YID-16-20A)
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Teatralizacion de la Novela ""Mujer""; Comedia Drama
Como el Mundo Quiere
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
書籍販売業者の参照番号
: 0364580569.G ISBN : 0364580569 9780364580561
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Teitz, Pinchas M. (Pinchas Mordecai)
ORAH! : A RUF TSU DER AMERIKANER ORTODOKSI
Original Wraps. 8vo. 15 pages. 21 cm. First edition. In Yiddish. Orah! : A Call to the American Orthodox, by Rabbi Pinchas Teitz (1908-1995) , an influential orthodox American rabbi, who came to America in 1933, and was instrumental in founding the modern Torah community in Elizabeth, NJ, where two mikvaos, three schools, and five shuls form a united JEC, Jewish Educational Center. Seeing a need for a national awakening of Orthodox Jewry in America, he published in Elul 5696 (1936) the first of a series of booklets entitled Urah Awaken as a call to teshuva. (Jewish Observer, June 1996, An Appreciation of Rabbi Mordechai Pinchas Teitz zt"l by Rabbi Yaakov M. Dombroff) Rabbi Teitz was famous for his Yiddish radio broadcasts, and for his 22 visits to the Soviet Union to help preserve and renew the religious jewish communities there. Subjects: Orthodox Judaism - United States. OCLC lists two copies (Yeshiva, NYPL) . Pencilled writing in English and Yiddish on back cover, endpages, and first and last page, not affecting text. Wraps lightly soiled, otherwise fresh. Good condition. (YID-16-46)
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Temple, Shirley, Jack Holt und Boles John
La piccola ribelle [IT Import]
FOX, 2007. Auflage: IT Import DVD DVD
書籍販売業者の参照番号
: 44268
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Tempo Playhouse Playbill Stein Gertrude and Jean Genet
Julie Bovasso and Cletus L. Gundy Present a Tempo Playhouse Production: Gertrude Stein's "The 13th of March": Selections From the First Reader and Jean Genet's "The Maids."
Tempo Playhouse Playbill Stein Gertrude and Jean Genet. <b>Julie Bovasso and Cletus L. Gundy Present a Tempo Playhouse Production: Gertrude Stein's "The 13th of March": Selections From the First Reader and Jean Genet's "The Maids." </b>New York: Tempo Playhouse 1955. <br /><br />Octavo 8 1/2 x 5 1/2 inches; 215 x 140 mm 8 pages in stapled wrappers. <br /><br />A rare playbill for the first plays presented by Julie Bovasso's Tempo Playhouse in New York: Gertrude Stein's "The 13th of March: Selections From the First Reader" and Jean Genet's "The Maids." In fact this was the first production of "The Maids" in the United States. Both plays were directed by Strowan Robertson with sets and costumes by Lester Hackett. <br /><br />The 24-year-old Bovasso founded the theatre with $250 from the sale of a painting by her husband George Ortman. She rented an apartment at 4 St. Mark's Place in the East Village and built a small stage and a box office. See Stephen J. Bottoms "<i>Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement"</i> pages 37-38. <br /><br />The playbill doesn't give the opening date but a small item in The New York Times of March 10 1955 states the opening would take place on Saturday March 12. The Times also placed the location of the opening at Steyer Hall Playhouse 184 Eldridge Street which must have been a temporary venue.<br /><br />Bovasso played the role of Claire in "The Maids" which ran until mid-July 1955. The following year the Village Voice initiated the Obie Awards for Off-Broadway. Bovasso won the first Obie for Best Actress and Tempo Playhouse received a special citation that year.<br /><br />Bovasso's co-stars in "The Maids" were Joyce Henry as Solange and Fran Malis as Madame. Being the versatile actress that she was Bovasso also apparently played Solange at times.<br /><br />For the Stein production -- which was actually two plays: "In a Garden" and "Three Sisters Who Are Not Sisters" -- the actors were Herbert King Philip Stanley Pitts Kit Raccoon Nancy Ponder Lucy Willow Anne Edwards Helen and Marcia Pavia Ellen.<br /><br />Just like playbills for the Living Theatre the Tempo playbill lists paintings and sculptures for sale at the theatre. Painters include Joan Mitchell Perle Fine Lois Dodd Angelo Ippolito Michael Goldberg Margaret Barlett George Ortman and Miles Forst and the sculptors Marisol Escobar and William King. <br /><br />This playbill is rare. OCLC shows no institutional holdings although a separate search turns up a copy at the University of Florida. <b>RARE</b>. <br /><br />CONDITION: Some creases and folds but clean and unmarked. A Very Good or better copy. Tempo Playhouse books
書籍販売業者の参照番号
: 2089
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Tendulkar, Vijay
Collected Plays in Translation : Kamala, Silence! The Court is in Session, Sakharam Binder, The Vultures, Encounter in Umbugland, Kanyadaan, A Friend's Story and Ghashiram Kotwal.
(Oxford India Paperbacks)"This collection brings together for the first time, award-winning playwright Vijay Tendulkar's best-known plays, translated from Marathi. It includes a preface by Tendulkar on his induction into the art of writing plays, and a piece on what he considers to be the essential skills of a playwright. The introduction by Samik Bandyopadhyay discusses the role of power in Tendulkar's plays." 598p. Fine except for remainder marks. Book
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Tennessee Williams
Lo zoo di vetro
OTTIME CONDIZIONI
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Tennyson, Alfred
Enoch Arden.
Hamburg Hermann Grüning, 1870. 45 S. 12° Duodez Ln.
書籍販売業者の参照番号
: 18596
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Terence. Publius Terentius Afer (Ca. 190-159 B.C.)
PUBLII TERENTII AFRI COMOEDIAE.
364p. Uncut and unopened. Foxed. 4to. [304 x 235 mm.] Contemporary binding of paper boards backed in morocco tooled in gold gilt. John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he became printer to Cambridge University. All of his books show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries' It is worth emphasising how remarkable it is to find an uncut and unopened Baskerville quarto. Gaskell 46; Brunet V:718. EXTREMELY RARE AND UNUSUAL. **PRICE JUST REDUCED! W113
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Terence. Publius Terentius Afer (Ca. 190-159 B.C.).
PUBLII TERENTII AFRI COMOEDIAE.
364p. Slight foxing. 4to. [304 x 235 mm.] Contemporary straight grained plum morocco leather binding. Boards tooled in gold with a wide Greek key design, and in blind with an archway roll. Engraved bookplate showing a shield (Arms Barry of six Supporters); two unicorns; ermine Coronet of an Earl ; and the Motto A MA PUISSANCE. This is likely the plate of Charles Grey, 2nd Earl Grey (1764-1845) Whig Prime Minister of Great Britain (1830-1834). There is also a manuscript inscription: "With B. Drury's Best Wishes, Eton, March 20 , 1820." John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he be came printer to Cambridge University. All of his books bear show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries'. Gaskell 46; Brunet V:71 8. A really handsomely bound copy of a beautifully printed book. **PRICE JUST REDUCED! W113
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Terence. Publius Terentius Afer (Ca. 190-159 B.C.)
PUBLIUS TERENTIUS AFER.
Well preserved in the original publisher's cloth. Virtually uncut. Curiously, this copy was apparently issued without the engraved title an d frontis. Pickering was the first in England to use cloth in publisher's bindings. SMALL BOX 2
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Terence. Publius Terentius Afer; Baskerville
PUBLII TERENTII AFRI COMOEDIAE
pp. (4), 308. The edition without the cancellans at G2. 12mo. [176 x 105 mm.] Foxed. It is very unusual to find in a Baskerville that some leaves (in two gatherings of this copy) were smudged during printing, and permitted to pass. Contemporary full sprinkled calf binding. Gilt tulip roll on the boards. Spine ornamented with gold crossed arrows. Joints tender. Printed ExLibris of John Rayner. Gaskell 47. Terence (Ca. 190-159 B.C.), the great Latin comic poet, was born in Carthage. He came to Rome as the slave of a senator, Terentius Lucanus. In the house of Lucanus he was educated like a free man and soon emancipated. His successful first play, 'Andria' introduced him to Roman society, and the circle of Scipio, Philus, and Laelius. His surviving six comedies are drawn from Athenian sources, especially from lost plays by Menander. Terence has been read for over two thousand years, and his influence on European literature cannot be overestimated. He imparted to Latin the sense of artistic elegance, consistency and moderation which made it a model for all literary epochs. In him we find a meeting-point for three great civilizations - the decaying Greece; Carthage, soon to pass away into oblivion; and nascent Italy, poised to absorb the world. John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he be came printer to Cambridge University. All of his books bear show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries' "Quot homines tot sentensiae; suo quoiqu e mos " So many men, so many opinions; a law of his own to each -- Terence. ** PRICE JUST REDUCED!! W154
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Terence; Betty Radice
TERENCE: THE COMEDIES
Minor Shelfwear. Minor creasing to spine. ; Penguin Classics; 7.0 X 4.3 X 0.9 inches; 400 pages
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Terence; C. E. Freeman & Rev. A. Sloman
P. TERENTI [TERENCE]: ANDRIA With Notes and Introductions Intended for the Higher Forms of Public Schools
Light edgewear to boards. Some pencil notes to greek text with a bit of inking. Endpapers tanned. ; Extensive English introduction and notes with latin text. ; Clarendon Press Series; 128 pages
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Terence; Charles Mercier
TERENCE: BROTHERS
Scholar's name to ffep (Robert Brown). Else book is fine. ; Focus Classical Library; 100 pages
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Terence; Commentary by A. Donatus, et al.
P. TERENTIA AFRI POET LEPIDISSIMI COMOEDIAE:
Full Title: P. TERENTIA AFRI POET LEPIDISSIMI COMOEDIAE: Andria, Eunuchus, Heavtontimorvmenos, Adelphi, Hecyra, Phormio, ex emendatissimis ac fide dignissimis codicibus summa diligentia castigat, metris in suum ordinem recte restitutis, ac uarijs lectionibus in margine appositis ex collatione prostremarum editionum Aldini & Gryphiani exemplaris. Elenchum interpretum, qui in had comoedias docte simul & erudite scripserunt, proxima subinde pagina demonstrabit. Eorum qu in his interpretum commentarijs annotata sunt, index amplissimus. pp. [22], 154 [i.e. 308], 117 [i.e. 234, [8]. Lacks two leaves of front matter (*2 & *3). Various errors in pagination as recorded in other examples. Folio. 320 mm. Old full vellum binding. Double and triple column Latin text in Italic and Roman. Great many bold woodcut illustrations of the scenes appear throughout the volume, and add to its charm. The various early paper 'repairs' to the title probably cover up old ownerships. Written some time after these repairs is an ink manuscript notation: Della Libreria de S(an) Vincenzo (in Tuscany). CEdit Iniquos - which seems to identify the text and/or editing as unjust, evil, and/or wicked. not too unusual for pagan works. On the front flyleaf is the 18th or 19th century autograph ownership of A. Wallis (unidentified). Publius Terentius Afer (195/185-159 BC), better known in English as Terence, was a playwright of the Roman Republic, of North African descent. His comedies were performed for the first time around 170-160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. Terence apparently died young, probably in Greece or on his way back to Rome. He only wrote six plays. All survived, and are printed here. In this famous 1545 edition of Terence, Scoto, provided three summaries for the action of each scene by different humanist scholars of note. The innovation was immediately popular. The basic layout problem in the case of Terence was that the text consists of short scenes with much back-and-forth badinage while the apparatus was typically very lengthy. Early printers of these texts arranged the commentary for each scene all around the base text, creating a window or windows for the words of Terence. The resulting window-and-frame layouts are visually very lively, with each spread slightly different from the last, depending on the length of the commentary with respect to the text. As the sixteenth century progressed, however, it became more usual to employ a simple two-column format that placed the base text of each scene first and the commentary afterwards, alternating but running continuously from column to column. The four columns on a spread owned variety and visual interest because the text of Terence was set in larger type and more generously leaded than the commentary, but the result was rarely as handsome as the older layouts. This two-column format took over because it was much easier to set, correct, revise, and reprint than a window-and-frame. Similarly, fewer and fewer options were exercised in ornamenting and illustrating the folio text as the century wore on. Virtually the only ambitious editions from this point of view are this 1545 Scoto and the 1553 Cesano. These books preserve something of the grace of earlier folios, with scene-by-scene illustrations that characterized some folio editions in the fourteen nineties. Illustrations of individual scenes disappeared entirely after the 1555. The wonderful woodcuts are valued mainly for what they tell us of the Italian stage in the 15th and 16th century. BM STC Italian p. 664. ADD1 Safe
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Terence; Daniel Heinsius; Charles Cocquelines
P. TERENTII AFRI [TERENCE]: COMOEDIAE. [VOL. II] Ex Recensione Danielis Heinsii Collata Ad Antiquissimos Mss. Codices Bibliothecae Vaticanae... Et Italica Versione. Recensuit, Notasque Antiquam Artem Comicam, Et Nonnulla Antiquitatum Romanarum Monumenta Illustrantes Addidit Carolus Cocquelines. Tomus II
Ex-university private library, no exterior markings. 1/2 vellum, boards. Spine chipped with a bit of loss to base, binding edgeworn at extremities with some flecking. Fading and browning to boards. Minor moisture stain to rear endpaper and rear inner cover. Former owner's name to titlepage (from 1772) Still Attractive. A beautiful and very large book. ; 252pp, wonderfully illustrated. Contains Adelphi, Phormio, Hecyra. ; Elephant Folio - over 15" - 23" tall; 252 pages
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Terence; Elaine M. Coury (Ed. )
TERENCE BEMBINE PHORMIO A Palaeographic Examination
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). ; This unique book features a reproduction of the Phormio of the Bembinus Manuscript, with each of the 50 pages faced with a description to enable the students to experience the novelty and pleasure of reading a fourth-century manuscript. The text contains an edited version of the play, notes, and vocabulary. ; 4to 11" - 13" tall; 150 pages
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Terence; Frank O. Copley (translator)
TERENCE'S PHORMIO Translated with an Introduction
Small sticker stain to front wrap. Browning to edges of wraps. Minor pencil writing to a few pages. ; English translation. ; The Library of Liberal Arts; 61 pages
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Terence; Frank O. Copley (translator)
TERENCE'S PHORMIO Translated with an Introduction
Small sticker stain to front wrap. Former owner's bookplate to half-title. Browning to edges of wraps. Crease to lower corner of pages. ; English translation. ; The Library of Liberal Arts; 61 pages
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Terence; G. P. Shipp (Ed. )
P. TERENTI AFRI [TERENCE]: ANDRIA With Introduction and Commentary
Minor shelfwear to boards. DJ is price-clipped. DJ spine is browned. DJ has a few small tears. ; 212 pages; Latin text with extensive English commentary and introduction.
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Terence; H. R. Fairclough
P. TERENTI AFRI [TERENCE]: ANDRIA With Introduction and Notes. [Fairclough's Andria of Terence]
A few ink notes to Latin text. Spine a bit sunned. Endpapers tanned. Minor rubbing to boards. Else VG. ; English Commentary and Introduction with Latin Text and index at back. Lxxxi, 186 pp ; Allyn and Bacon`s College Latin Series; 186 pages
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Terence; H. R. Fairclough
P. TERENTI AFRI [TERENCE]: ANDRIA With Introduction and Notes. [Fairclough's Andria of Terence]
Some pencil notes to Latin text. Rubbing to boards. Front hinge starting to crack. Former owner's name to ffep. ; English Commentary and Introduction with Latin Text and index at back. Lxxxi, 186 pp ; Allyn and Bacon`s College Latin Series; 186 pages
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Terence; J. H. Gray (Ed. )
P. TERENTI [TERENCE]: HAUTON TIMORUMENOS With an Introduction and Notes
Fraying and small tears to joints and ends of spine. Some ink marginalia to about 30 pages. Scholar's name to ffep (G. V. Sumner) with other name deleted (J. W. Clarke). Corners have some edgewear. ; Latin Text with English Commentary and Introduction. ; Pitt Press Series; 200 pages
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Terence; Jonathan Adair Phillips
THE COMEDIES OF TERENCE: (PUBLII TERENTII AFRI COMOEDIAE SEX.) With Text Metrically Arranged Throughout, and Copious English Notes, Original, and Selected from the Best Commentators, Ancient and Modern; with Prolegomena, Etc.
Former owners name to titlepage. Book has been rebound in 1/4 green cloth spine (spine a bit sunned) with cream colored boards. Some chipping to edges of a few pages. Some foxing. Else VG and attractive copy; Latin text with English introduction and notes and commentary. Xxiii, 554 pp; 554 pages
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Terence; Palmer Bovie, Constance Carrier, Douglass Parker (translators)
THE COMPLETE COMEDIES OF TERENCE Modern Verse Translations. Edited and with a Foreword
Light pencilling to a couple of pages. Scholar's name to ffep (Robert Brown). Minor shelfwear to book. DJ has chipping, rubbing and 1 open tear near head of spine. ; 398 pages
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Terence; Palmer Bovie, Constance Carrier, Douglass Parker (translators)
THE COMPLETE COMEDIES OF TERENCE Modern Verse Translations. Edited and with a Foreword
Crease to spine. Small chip to foreedge of front wrap. Minor shelfwear. ; 398 pages
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Terence; Rev. A. Sloman
P. TERENTI [TERENCE]: ANDRIA With Notes and Introductions Intended for the Higher Forms of Public Schools
Light rubbing to boards. Very minor shelfwear. ; English Introduction and Commentary with Latin Text. ; 128 pages
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Terence; Sidney G. Ashmore (Ed. )
THE COMEDIES OF TERENCE (P. TERENTI AFRI COMOEDIAE) Edited with Introduction and Notes
Small tears to first 3 pages. Pages tanned. Corners a little edgeworn. Spine ends are a little frayed and chipped. ; Latin text with English introduction and notes. ; P. Terenti Afri Comoediae; 340 pages
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Terence; T. F. Carney (Ed. )
P. TERENTI AFRI [TERENCE]: HECYRA Edited with a Commentary
Minor browning to wraps. Scholar's bookplate to inner cover (G. P. Goold). Small tears to spine ends. Light wear to corners. ; Proceedings of the African Classical Associations Supplement Number 2; 160 pages
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Terentii, P
Andria
1622. Full calf binding raised banding to spine blind stamped decoration to front and back boards rectangular centrepiece excentuated by line detail thistles to corners 4.25 x 2.00 inches approx. small sepia inscription to front endpaper and a single set of faded initials in ink 249 pages text in latin contents mostly very good some background staining and a few corners a very good and sound copy of this work. . 1622 hardcover
書籍販売業者の参照番号
: 9288
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Terentius, Publius und Terenz
Publii Terentii Afri Comoediae Sex. His accedunt Notae atque obseruationes ad modum Johannis Minellii, planae intellectuque faciles. Editio Secunda.
Leipzig, Gleditsch & Weidmann, 1713. 5 Bll., 616 S., 65 Bll., mit gestochenen Frontispiz, Kl.-8° OPergament, umlaufender Farbschnitt
書籍販売業者の参照番号
: 166667
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Terentius, Publius und Terenz
Publii Terentii Afri Comoediae Sex. His accedunt Notae atque obseruationes ad modum Johannis Minellii, planae intellectuque faciles. Editio Nova.
Aachen, Leipzig, Weidmann, 1726. 5 Bll., 616 S., 65 Bll., mit gestochenen Frontispiz, Kl.-8° OPergament, umlaufender Farbschnitt, mit handgeschriebenen montierten Rückentitel
書籍販売業者の参照番号
: 166680
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Terenz
Publii Terentii Afri comoediae sex. Ad optimum exemplarium fidem recensitae. Tomus I.
Paris, Lutetiae Parisiorum, 1753. kl. 8°, 362 (254 falsch) S. m. gest. Titelvign. u. mehrer. Vign. im Text. Original-Lederband d. Zt. Bd. 1 (v. 2). (Einband berieben u. bestoßen, Gelenk mittig angepl., sonst gut).
書籍販売業者の参照番号
: 305394AB
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Terhorst, Christel und Peter Handke
Peter Handke : die Entstehung literarischen Ruhms ; die Bedeutung der literarischen Tageskritik für die Rezeption des frühen Peter Handke. Europäische Hochschulschriften / Reihe 1 / Deutsche Sprache und Literatur ; Bd. 1206
Frankfurt am Main ; Bern ; New York ; Paris : Lang 1990. XI, 382 S. ; 21 cm kart., Softcover/Paperback, Exemplar in sehr gutem Erhaltungszustand
書籍販売業者の参照番号
: 55413
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Tethong, Gyurme, Tenzin Thuthob Tsarong Tencho Gyalpo u. a
Kundun
Arthaus, 2007. DVD DVD
書籍販売業者の参照番号
: 53774
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Thalmann, William G.
DRAMATIC ART IN AESCHYLUS'S SEVEN AGAINST THEBES
Slight edgewear. Slight fading to cover gilt. ; Professor Thalmann researches Greek epic and drama. In particular, he studies how performances of ancient texts were the occasion for the convergence of class and gender discourses and the role of these texts within contemporary social and political processes. He is also interested in approaches to ancient cultures through anthropology and political theory. ; Yale Classical Monographs; 0.79 x 9.47 x 6.38 Inches; 193 pages
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Thalmann, William G.
DRAMATIC ART IN AESCHYLUS'S SEVEN AGAINST THEBES
Edgewear to corners. Minor shelfwear. Former owner's name on inner cover. ; Professor Thalmann researches Greek epic and drama. In particular, he studies how performances of ancient texts were the occasion for the convergence of class and gender discourses and the role of these texts within contemporary social and political processes. He is also interested in approaches to ancient cultures through anthropology and political theory. ; Yale Classical Monographs; 0.79 x 9.47 x 6.38 Inches; 193 pages
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Thalmann, William G.
DRAMATIC ART IN AESCHYLUS'S SEVEN AGAINST THEBES
Slight edgewear. Scholar's bookplate to inner cover (G. P. Goold). Faint foxing. ; Professor Thalmann researches Greek epic and drama. In particular, he studies how performances of ancient texts were the occasion for the convergence of class and gender discourses and the role of these texts within contemporary social and political processes. He is also interested in approaches to ancient cultures through anthropology and political theory. ; Yale Classical Monographs; 0.79 x 9.47 x 6.38 Inches; 193 pages
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