|
JOMARD Edme-François & PHELIPPEAUX Antoine
DESCRIPTION DE L'EGYPTE. Denderah (Tentyris). Bas-reliefs du grand temple, de la porte du nord, et de celle de l'enceinte de l'est. (ANTIQUITES, volume IV, planche 25)
Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille.
書籍販売業者の参照番号
: 26510
|
|
JOMARD Edme-François & PHELIPPEAUX Antoine
DESCRIPTION DE L'EGYPTE. Denderah (Tentyris). Bas-reliefs du grand temple, de la porte du nord, et de celle de l'enceinte de l'est. (ANTIQUITES, volume IV, planche 25)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
JOMARD Edme-François & PHELIPPEAUX Antoine & CHABROL Gilbert-Joseph-Gaspard
DESCRIPTION DE L'EGYPTE. Thèbes. Louqsor. Bas-reliefs recueillis sur les murs intérieurs et extérieurs du Palais. (ANTIQUITES, volume III, planche 14)
Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille.
書籍販売業者の参照番号
: 23287
|
|
JOMARD Edme-François & PHELIPPEAUX Antoine & CHABROL Gilbert-Joseph-Gaspard
DESCRIPTION DE L'EGYPTE. Thèbes. Louqsor. Bas-reliefs recueillis sur les murs intérieurs et extérieurs du Palais. (ANTIQUITES, volume III, planche 14)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
JOMARD Edme-François & PROTAIN (delineavit) & BALZAC Charles-Louis & REVILLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Alexandrie. Vue de trois colonnes en granit situées au sud de l'ancienne basilique vulgairement nommée Mosquée de St Athanase, Vue intérieure, plans, coupes et détails d'une tour antique, placée au nord des deux obélisques, et connue sous le nom de Tour des Romains. (ANTIQUITES, volume V, planche 35)
Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille.
書籍販売業者の参照番号
: 26208
|
|
JOMARD Edme-François & PROTAIN (delineavit) & BALZAC Charles-Louis & REVILLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Alexandrie. Vue de trois colonnes en granit situées au sud de l'ancienne basilique vulgairement nommée Mosquée de St Athanase, Vue intérieure, plans, coupes et détails d'une tour antique, placée au nord des deux obélisques, et connue sous le nom de Tour des Romains. (ANTIQUITES, volume V, planche 35)
- Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
JOMARD Edme-François & RAFFENEAU (delineavit) & PHELIPPEAUX (sculpsit) & LEISNIER (sculpsit)
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Sarcophage en forme de momie, trouvé sur le bord du Nil à Boulâq. (ANTIQUITES, volume V, planche 23)
Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille.
書籍販売業者の参照番号
: 26201
|
|
JOMARD Edme-François & RAFFENEAU (delineavit) & PHELIPPEAUX (sculpsit) & LEISNIER (sculpsit)
DESCRIPTION DE L'EGYPTE. Environs de Babylone. Le Kaire [Le Caire]. Sarcophage en forme de momie, trouvé sur le bord du Nil à Boulâq. (ANTIQUITES, volume V, planche 23)
- Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
JOMARD Edme-François & ROUSSEAU (sculpsit)
DESCRIPTION DE L'EGYPTE. Achmouneyn (Hermopolis magna). Plan topographique des ruines. (ANTIQUITES, volume IV, planche 50)
Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille.
書籍販売業者の参照番号
: 23470
|
|
JOMARD Edme-François & ROUSSEAU (sculpsit)
DESCRIPTION DE L'EGYPTE. Achmouneyn (Hermopolis magna). Plan topographique des ruines. (ANTIQUITES, volume IV, planche 50)
- Imprimerie Impériale, Paris 1809-1829, 70x51,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
JOMARD Edme-François & SELLIER FILS (sculpsit)
DESCRIPTION DE L'EGYPTE. Ile d'Eléphantine. Plan, coupe, élévations, détails et bas-reliefs du temple du sud. (ANTIQUITES, volume I, planche 35)
Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille.
書籍販売業者の参照番号
: 25950
|
|
JOMARD Edme-François & SELLIER FILS (sculpsit)
DESCRIPTION DE L'EGYPTE. Ile d'Eléphantine. Plan, coupe, élévations, détails et bas-reliefs du temple du sud. (ANTIQUITES, volume I, planche 35)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
JOMARD Edme-François & SEMEN (sculpsit)
DESCRIPTION DE L'EGYPTE. Antaeopolis (Qâou el Kebyreh). Plan général du temple et des environs. Monolithe. Bas-reliefs du temple. (ANTIQUITES, volume IV, planche 38)
Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille.
書籍販売業者の参照番号
: 35399
|
|
JOMARD Edme-François & SEMEN (sculpsit)
DESCRIPTION DE L'EGYPTE. Antaeopolis (Qâou el Kebyreh). Plan général du temple et des environs. Monolithe. Bas-reliefs du temple. (ANTIQUITES, volume IV, planche 38)
- Imprimerie Impériale, Paris 1809-1829, 71x54cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant le
|
|
JOMARD Edme-François & SMITH Constantin(aqua forti)
DESCRIPTION DE L'EGYPTE. Papyrus. Hiéroglyphes. Inscriptions et médailles. Plan, coupes et détails hiéroglyphiques d'un monolithe égyptien, trouvé à Damiette. (ANTIQUITES, volume V, planche 48)
Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille.
書籍販売業者の参照番号
: 26217
|
|
JOMARD Edme-François & SMITH Constantin(aqua forti)
DESCRIPTION DE L'EGYPTE. Papyrus. Hiéroglyphes. Inscriptions et médailles. Plan, coupes et détails hiéroglyphiques d'un monolithe égyptien, trouvé à Damiette. (ANTIQUITES, volume V, planche 48)
- Imprimerie Impériale, Paris 1809-1829, 71x53,5cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
JOMARD Edme-François & WEXELBERG (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Papyrus. Hiéroglyphes. Inscriptions et médailles. Médailles des nomes d'Égypte. (ANTIQUITES, volume V, planche 58)
Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille.
書籍販売業者の参照番号
: 26221
|
|
JOMARD Edme-François & WEXELBERG (sculpsit) & SMITH
DESCRIPTION DE L'EGYPTE. Papyrus. Hiéroglyphes. Inscriptions et médailles. Médailles des nomes d'Égypte. (ANTIQUITES, volume V, planche 58)
- Imprimerie Impériale, Paris 1809-1829, 53,5x71cm, une feuille. - Original, unshaved, full-page etching from the "Imperial edition" of the Description de l'Égypte, or 'Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'. Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light. Light marginal spotting not touching image, otherwise in very fresh, fine condition. An engraving from the Description de l'Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The 'Egyptian campaign', militarily a disaster, demonstrates, through the engravings of the Description d'Egypte, the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte [Egyptian Institute] who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire as well as numerous artists, engineers, architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants. This edition, the so-called "Imperial" edition of the plates for the Description de l'Egypte was printed in four large formats, two of which were specially created for it and christened "Moyen-Egypte" and "Grand-Egypte". A special press was built to print it, the process extending over 20 years, from 1809 to 1829. The "Imperial" edition proved so popular that a second edition, this time in black and white and without the "Egypte ancienne et moderne" watermark - known as the "Royal Edition" - was published during the Restoration by the printing house of C.-L.-F. Panckoucke (Paris). The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon, illustrator, diplomat, collector and later Director of the Musée Napoléon (the Louvre). His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there, thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte. Denon embarked on this story of archeological exploration at the age of 51, reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte, the Natural History Museum's painter H.J. Redouté (brother of Pierre-Joseph Redouté, author of Roses), the mineralogist Dolomiue, and the draughtsman Joly, Denon then explored the Nile Delta and Lower Egypt. When, however, he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798, he found himself the only civilian. In the very midst of the battle itself, he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed "a country that is, apart from its name, entirely unknown to Europeans, and therefore everything was worth describing" (Voyages dans la Basse et la Haute Egypte pendant
|
|
JOMIER Jacques
Le parler du Caire. Lexique pratique français-arabe
Paris, Institut Français d'Archéologie Orientale, 1990, volume in-8 broché, 219 pages, très bon état
書籍販売業者の参照番号
: 2701
|
|
JOMIER Jacques O.P.
Bible et Coran
Paris, Cerf 1959 148pp., br.orig., 19cm.
書籍販売業者の参照番号
: R56772
|
|
JOMIER Jacques O.P.
Bible et Coran
148pp., br.orig., 19cm.
|
|
JOMIER, Jacques.
Le parler du Caire. Lexique pratique français - arabe. Réimpression de l’édition de 1976.
Paris, Institut français d’archéologie orientale, bibliothèque générale, Tome V 1990, 195x140mm, XI - 219pages, broché. Exemplaire à l'état de neuf.
書籍販売業者の参照番号
: 91505
|
|
JOMIER, Jacques. - KHOUZAM, Jospeh.
Manuel d’arabe égyptien. Parler du Caire.
Paris, Editions Klincksieck 2002, 210x150mm, X - 212pages, broché. Exemplaire à l'état de neuf.
書籍販売業者の参照番号
: 91504
|
|
JOMIER, Jacques. - KHOUZAM, Jospeh.
Manuel d’arabe égyptien. Parler du Caire. Préface de Jean Lecerf. 2e Edition revue et corrigée. Etudes Arabes et Islamiques, première série: manuels.
Paris, Editions Klincksieck 1989, 200x140mm, X - 212pages, broché. Exemplaire à l'état de neuf.
書籍販売業者の参照番号
: 91503
|
|
Jules Sicard
Vocabulaire franco-marocain
Emile Larose, Editeur,1921, PARIS Hardcover Ouvrage relié comprenant une introduction avec correspondance entre les lettres des alphabets français et marocaine et un vocabulaire classé thématiquement, 291 pp.
書籍販売業者の参照番号
: 15948
|
|
Junaydil Hamad al Abd al Rahman
al-Tamalluk fi al-Islam / i'dad Hamad al-Abd al-Rahman al-Junaydil ; ishraf Manna Qattan
al-Riyad: Alam al-Kutub 1971. Text in Arabic. pp. 173. Text is unmarked by underlining or notations. Author's thesis from 1970. First Edition. Soft Cover. Good. 24 cm tall. Alam al-Kutub Paperback
書籍販売業者の参照番号
: 109980
|
|
JURIEN DE LA GRAVIERE Edmond
souvenirs de voyage en Arménie et en Perse. Chiraz et le golfe persique. Extrait de la Revue des Deux Mondes
Extrait de La Revue des deux mondes, s.l. [Paris] s.d.(1851), 15,5x25cm, agrafé.
書籍販売業者の参照番号
: 14166
|
|
JURIEN DE LA GRAVIERE Edmond
souvenirs de voyage en Arménie et en Perse. Chiraz et le golfe persique
- Extrait de la Revue des deux mondes, s.l. (Paris) s.d.(1851), 15,5x25cm, agrafé. - First edition. Plain paper cover. Rare. [FRENCH VERSION FOLLOWS] Edition originale. Sous couverture muette. Rare.
|
|
Jury Members: HASAN ÇELEBI, ALI TOY, UGUR DERMAN et alli.
4. International Calligraphy Competition Exhibition.= 4. Hat Yarismasi Sergisi. [Exhibition catalogue].
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In English and Turkish. 73 p., color ills. 4. International Calligraphy Competition Exhibition.= 4. Hat Yarismasi Sergisi. [Exhibition catalogue].
|
|
Juynboll, Theodoor Willem Johannes
Commentarii in historiam gentis Samaritanae
A PRISTINE LARGE-PAPER COPY OF THE FIRST AND ONLY EDITION. XII, 168 pp. + addenda leaf (often missing, but present here). An introduction to the Chronicon Samaritanum or Liber Josuae. A LARGE-PAPER COPY, beautifully printed (in Latin, with some Hebrew types) with huge margins on extremely fine, thick laid paper (this copy about twice as thick as normal copies). Large 4to. Original unprinted wraps. Uncut and unopened. Some wear and tear to wraps, INTERNALLY FINE AND BRIGHT, COMPLETELY FRESH, LIKE NEW.
|
|
Juynboll, Theodoor Willem Johannes
Commentarii in historiam gentis Samaritanae
A PRISTINE COPY OF THE FIRST AND ONLY EDITION. XII, 168 pp. + addenda leaf (often missing, but present here). An introduction to the Chronicon Samaritanum or Liber Josuae. Beautifully printed (in Latin, with some Hebrew types) with huge margins on extremely fine laid paper. Large 4to. Original unprinted wraps. Uncut and unopened. FINE AND BRIGHT, COMPLETELY FRESH, LIKE NEW.
|
|
Kaddour
Fables et contes en Sabir
Carbonel. Non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 122 pages. Déchirures et rousseurs sur les plats et au dos. Nombreuses illustrations en noir et blanc, dans le texte. Agrafes rouillées. Pliures en coins. Rousseurs dans le texte. Texte en Sabir.. . . . Classification Dewey : 492.7-Arabe
書籍販売業者の参照番号
: RO30329015
|
|
KADDOUR
Fables et contes en Sabir.
Alger, Editions Carbonel, s.d. 13 x 21, 122 pp., broché (agrafé), bon état (couverture défraîchie).
書籍販売業者の参照番号
: 97876
|
|
Kahhalah 'Umar Rida
Mu'jam al-mu'allifin : tarajim musannifi al-kutub al-'Arabiyah 1`5 volumes in 8
Bayrut Beirut: Dar Ihya' al-Turath al-'Arabi 198-. Text in Arabic. Fifteen volumes in eight complete. Text is clean tight and unmarked by underlining or notations. Umar Rida Kahhalah 1905 - 1987 was a historian scholar and writer from Damascus Syria. He published many important works on Arabic history as well as indices of biographies of Arab scholars and intellectuals.Wikipedia. Later Edition. Hard Cover. Very Good/No Jacket. 25 cm tall. Dar Ihya' al-Turath al-'Arabi Hardcover
書籍販売業者の参照番号
: 113440
|
|
Kahill Gibran Translated from Arabic By HM. Nahmad H. M.
A Tear and A Smile
Alfred A Knopf. Used - Good. Shows some signs of wear and may have some markings on the inside. Alfred A Knopf unknown
書籍販売業者の参照番号
: GRP118219956
|
|
Kahill Gibran Translated from Arabic By HM. Nahmad H. M.
A Tear and A Smile
Alfred A Knopf 1976. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks our motto is: Read More Spend Less. Alfred A Knopf hardcover
書籍販売業者の参照番号
: GB005O23L6OI3N01
|
|
Kahill Gibran Translated from Arabic By HM. Nahmad H. M.
A Tear and A Smile
Alfred A Knopf 1976. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Alfred A Knopf hardcover
書籍販売業者の参照番号
: GB005O23L6OI3N00
|
|
Kahill Gibran Translated from Arabic By HM. Nahmad H. M.
A Tear and A Smile
Alfred A Knopf 1976. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Alfred A Knopf hardcover
書籍販売業者の参照番号
: GB005O23L6OI5N00
|
|
Kahill Gibran Translated from Arabic By HM. Nahmad H. M.
A Tear and A Smile
Alfred A Knopf. Used - Good. Ships from Reno NV. Former Library book. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy! Alfred A Knopf unknown
書籍販売業者の参照番号
: GRP106953875
|
|
Kahlil Gibran Author; Anthony Rizcallah Ferris Translated from the Arabic by; Martin L. Wolf Edited by
Spirits Rebellious
New York: The Wisdom Library/A Divison of The Philosophical Library Inc. 1947. Copyright 1947 . Hardcover. Very Good/Good. 8vo or 8� Medium Octavo: 7�" x 9�" tall. 121 pp. Solidly bound copy with minimal external and internal wear. Binding is intact. Dust jacket slightly torn at edges along with some discoloration. Unmarked pages. <br/> <br/> The Wisdom Library/A Divison of The Philosophical Library, Inc. hardcover
書籍販売業者の参照番号
: 5vDd0032
|
|
Kahlil Gibran Author; Anthony Rizcallah Ferris Translated from the Arabic by; Martin L. Wolf Edited by
The Prophet: Gibran's Masterpiece Illustrated with Twelve Full-Page Drawings by the Author
New York: A Borzoi Book/Published by Alfred A. Knopf Inc. Publishers 1986. 115th Printing . Hardcover. Very Good/Good. 8vo or 8� Medium Octavo: 7�" x 9�" tall. Drawings by the Author. 94 pp. Solidly bound copy and dj with minimal external wear crisp pages and clean text. Dust jacket suffers some minor cuts and tears around edges. Top corners slightly bumped. <br/> <br/> A Borzoi Book/Published by Alfred A. Knopf, Inc., Publishers hardcover
書籍販売業者の参照番号
: 3iiiFc0071 ISBN : 0394404289 9780394404288
|
|
Kahlil Gibran Author; Anthony Rizcallah Ferris Translated from the Arabic by; Martin L. Wolf Edited by
The Prophet: Gibran's Masterpiece Illustrated with Twelve Full-Page Drawings by the Author
New York: A Borzoi Book/Published by Alfred A. Knopf Inc. Publishers 1983. 109th Printing July 1983 . Hardcover. Very Good/No Jacket. 8vo or 8� Medium Octavo: 7�" x 9�" tall. Drawings by the Author. 96 pp. Solidly bound copy with moderate external wear crisp pages and clean text. No dj. <br/> <br/> A Borzoi Book/Published by Alfred A. Knopf, Inc., Publishers hardcover
書籍販売業者の参照番号
: 1BislAd0009
|
|
Kahlil Gibran Author; Anthony Rizcallah Ferris Translated from the Arabic by; Martin L. Wolf Edited by
The Prophet: Gibran's Masterpiece Illustrated with Twelve Full-Page Drawings by the Author
New York: A Borzoi Book/Published by Alfred A. Knopf Inc. Publishers 1986. 115th Printing . Hardcover. Very Good/Poor. 8vo or 8� Medium Octavo: 7�" x 9�" tall. Drawings by the Author. 94 pp. Solidly bound copy and dj with moderate external wear crisp pages and clean text. Multiple rips on entire dj. Stains on dj. <br/> <br/> A Borzoi Book/Published by Alfred A. Knopf, Inc., Publishers hardcover
書籍販売業者の参照番号
: 3iDe0018 ISBN : 0394404289 9780394404288
|
|
Kahlil Gibran dust jacket design Graham Bishop translated from Arabic by Anthony R. Ferris
The Voice of the Master
Heinemann London 1960-12-01. Hardcover. Good/good. Binding: Hardback --Publisher: William Heinemann Ltd---Date: 1971 ---Edition: ---Pages: 95 ---Condition: Good ---DJ Condition: Good ---Description: All of the internal pages are unmarked uncreased and tightly bound the dust jacket is unclipped no stamps or inscriptions the only flaws are some scuffs creases and small marks to the dust jacket. MOST OF OUR BOOKS ARE SHIPPED WITHIN 1 WORKING DAY OF PURCHASE. . BUY WITH CONFIDENCE - WE UPLOAD A SELECTION OF HIGH QUALITY PHOTOGRAPHS WITH EACH LISTING HOWEVER IF NOT ALREADY PRESENT PHOTOGRAPHS OF ANY OF OUR TITLES CAN BE PROVIDED BY REQUEST VIA E-MAIL.0434290769 --- LL Heinemann, London hardcover
書籍販売業者の参照番号
: SKU1023178 ISBN : 0434290769 9780434290765
|
|
Kahlil Gibran Translated from the Arabic by Anthony RFerris R. Fe
Thoughts and Meditations: By the Author of the Prophet
Edison: Castle Books/Carol 1993. Beige decorative boards the front in black and gilt to the front. The titles in black to the spine.a tight new copy.There are no marks of any kind. First Thus. Decorative Cloth Hard Cover. New as New /None Given. 8vo - over 7�" - 9�" tall. Castle Books/Carol Hardcover
書籍販売業者の参照番号
: 902576 ISBN : 0785810692 9780785810698
|
|
Kahlil Gibran dust jacket design Shirley Smith translated from Arabic by Anthony R. Ferris minor rub blank endpapers Facsimi
Voice of the Master
Citadel Press NJ 1958. HBDJ PC1958 stated 1st edition minor rub & chip DJ VG/VG AS-IS. First Edition. Hard Cover. Citadel Press, NJ hardcover
書籍販売業者の参照番号
: 5131
|
|
KALISKY Ren?
Le monde arabe ? l'heure actuelle.
Broch?. 398 pages. Format de poche.
|
|
Kaltner, John
The use of Arabic in biblical Hebrew lexicography. [By John Kaltner]. (= The Catholic biblical quarterly. Monograph series, 28).
Washington, D.C: Catholic Biblical Association of America 1996. VI, 122 Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
書籍販売業者の参照番号
: 153895
|
|
KAMINSKY Ctherine-KRUK Simon
LE NATIONALISME ARABE ET LE NATIONALISME JUIF.
PUF "Les chemins de l'histoire", 1983. In-8 broché, 244 pages. Très bon état.
書籍販売業者の参照番号
: 6419
|
|
Kandihlawi al Dihlawi Muhammad Yusuf ibn Muhammad Ilyas; 'Abbas Nayif ed.; Dawlah Muhammad 'Ali ed.
Hayat al-sahabah Volume 3 only
Dimashq Damascus: Dar al-Qalam 1983. Text in Arabic. Volume three only of four volume set. Some light wear along the edges. Text is clean tight and unmarked by underlining or notations. Companions of the Prophet or as-sahabah were followers of Mohammed who "saw or met the prophet during his lifetime and were physically in his presence". Later scholars accepted their testimony of the words and deeds of Muhammed the occasions on which the Quran was revealed and other various important matters of Islamic history and practice. The testimony of the companions as it was passed down through trusted chains of narrators isnads was the basis of the developing Islamic tradition. From the traditions hadith of the life of Muhammad and his companions are drawn the Muslim way of life sunnah the code of conduct sharia it requires and the jurisprudence fiqh by which Muslim communities should be regulated. The two largest Islamic denominations the Sunni and Shia take different approaches in weighing the value of the companions' testimonies have different hadith collections and as a result have different views about the Sahabah.Wikipedia . Second Edition. Hard Cover. Very Good/No Jacket. 25 cm tall. Dar al-Qalam Hardcover
書籍販売業者の参照番号
: 113379
|
|
|