‎Paléographie‎

‎Solmsen, Felix & Ernestus [Ernst] Fraenkel (Eds. )‎

‎INSCRIPTIONES GRAECAE AD INLUSTRADAS DIALECTOS SELECTAE Scholarum in Usum Edidit Felix Solmsen. Editionem Quartam Auctum Et Emendatam Curavit Ernestus Fraenkel‎

‎Former owner's name to ffep. Many notes and underlining in ink. ; Text in Ancient Greek; Preface in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 12mo 7" - 7½" tall; 113 pages‎

‎SOMERS Veronique (ed.)‎

‎Palimpsestes et éditions de textes : les textes littéraires (Actes du colloque tenu à Louvain-la-Neuve, septembre 2003)‎

‎iv + 340pp., brochure originale, 27cm., dans la série "Publications de l'Institut orientaliste de Louvain (PIOL)" volume 56, très bon état (état de neuf, new condition), ISBN 978-90-429-1981-5, X93249‎

‎Soret.‎

‎Carnaval des animaux Camille Saint-Saens. Facsimile Edition of the Autograph Manuscript.‎

‎, Brepols Publishers, 2018 Hardcover, 192 pages., 127 colour ill., 300 x 366 mm, ISBN 9782503581224.‎

‎If there is one work, in all of Saint-Saens musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. The collection De main de maitre showcases the facsimiles of the most prestigious scores of the Music Department of the National Library of France. Camille Saint-Saens? extremely long career as a virtuoso, as a brilliant pianist and organist (no fewer than seventy-six years of concerts) and his daunting catalogue of works (close to six hundred are known) have helped shape the image of him as a tutelary figure, omnipresent in the musical landscape of his time, the uncontested master of French music, showered with honours and glory, yet the champion of what was, in the young 20th century, an outmoded aesthetic. Such an image ignores, however, that from the outset of his career, at the end of the 1850s, until the 1890s, Saint-Saens was, on the contrary, regarded in the artistic world as an agitator, as a propagator of new ideas and as an intermediary between French and Germanic cultures. Republican from his earliest days, he was a major figure in musical life, involved in many concert societies, most notably the Societe nationale de musique, which he founded in 1871. He was also a polemicist, whose quill was much feared and who used the press as his vehicle of choice, to disseminate his ideas, attract public attention, and conquer new audiences. Similarly, if the image of the ?official? Saint-Saens, at home with the stage and the institutions and their etiquette, has endured, that of the ?intimate? Saint-Saens, known by a faithful few for his sparkling conversation, his sharp humour and taste for puns, has been lost. If there is one work, in all of Saint-Saens? musical output that supremely captures the disposition so typical of the composer, it is the Carnival of the Animals. Dedicated to the autograph manuscript of Camille Saint-Saens? famous Carnival of the Animals (1835-1921), this volume sheds a distinctive light on the musician?s personality. Completed in February 1886, The Carnival of the Animals was created for friends and performers close to Saint-Saens and was performed about fifteen times between 1886 and 1894 to a small audience. Because Camille Saint-Saens feared that his ?zoological fantasy? would damage his reputation, the work was published in its entirety only after his death. Since then, its immense popularity has continued to grow, so much so that it is now enjoyed by music lovers and the general public alike. Presented by Marie-Gabrielle Soret, a specialist of Camille Saint-Saens, who provides a detailed description of the work and the context of its creation, the facsimile includes the fourteen pieces of The Carnival of the Animals. It reveals the composer?s handwriting, all the performance directions as he noted them, but also to the playful animal drawings with which he decorated his score ? a fish for ?Aquarium, the skeleton of a dinosaur for ?Fossiles?, the pale blue pencil silhouette of a swan to illustrate the famous Swan. La collection ? De main de maitre ? presente les fac-similes des partitions les plus prestigieuses du departement de la Musique de la Bibliotheque nationale de France. Dedie au manuscrit autographe du celebre Carnaval des animaux, de Camille Saint-Saens (1835-1921), ce volume eclaire la personnalite du musicien sous un jour particulier. Acheve en fevrier 1886, Le Carnaval des animaux fut cree pour des amis et interpretes proches de Saint-Saens et joue a une quinzaine de reprises entre 1886 et 1894 aupres d?un public restreint. Camille Saint-Saens craignant que cette ? fantaisie zoologique ? ne nuise a sa reputation, l?oeuvre ne fut publiee dans son integralite qu?apres la mort du compositeur. Depuis lors, son immense succes n?a cesse de croitre, si bien qu?elle est aujourd?hui appreciee tant par les melomanes que par le grand public. Presente par Marie-Gabrielle Soret, specialiste de Camille Saint-Saens, qui nous livre une description detaillee de l?oeuvre et du contexte de sa creation, le fac-simile comprend les quatorze pieces du Carnaval des animaux. Il permet d'acceder a la graphie du compositeur, a l'ensemble des indications telles qu?il les a notees, mais aussi aux facetieux dessins animaliers dont il emailla sa partition ? un poisson pour ? Aquarium ? , un squelette de dinosaure pour ? Fossiles ? , ou encore la pale silhouette au crayon bleu d'un cygne pour accompagner la celebre piece dediee a cet oiseau. Marie-Gabrielle Soret est conservateur en chef au Departement de la musique a la Bibliotheque nationale de France, responsable de la coordination du traitement des grands fonds d'archives et collections des XIXe et XXe siecles, au Service des collections patrimoniales du Departement de la musique (fonds de compositeurs, interpretes, institutions et societes musicales).‎

书商的参考编号 : 51651

‎SOURGET, Patrick. - SOURGET, Elisabeth.‎

‎Manuscrits et livres précieux. De Saint Louis à l’Impératrice Eugénie.‎

‎Luisant, Imprimerie Durand sans date, vers 1988, 300x225mm, 547pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

书商的参考编号 : 77366

‎SOURGET, Patrick. - SOURGET, Elisabeth.‎

‎Manuscrits et livres précieux. Du Quinzième au Dix-huitième siècle.‎

‎Luisant, Imprimerie Durand sans date, vers 1988, 280x210mm, 410pages, broché. Très bel exemplaire.‎

书商的参考编号 : 77363

‎Sous la direction de Concetta Cavallini. Rivista diretta da Giovanni Dotoli. A cura dell'Istituto di Lingua e Letteratura Francese dell'Università di Bari e dell'Istituto di Lingua e Letteratura Francese e dei Paesi Francofoni dell'Università di Milano‎

‎STUDI DI LETTERATURA FRANCESE Vol. XXXVII-XXXVIII (2012-2013) La langue de la poésie française contemporaine‎

‎STUDI DI LETTERATURA FRANCESE Vol. XXXVII-XXXVIII (2012-2013) La langue de la poésie française contemporaine. cm 17 x 24, 168 pp. Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia‎

‎SPAGNOLO Antonio‎

‎L'EVANGELIARIO PURPUREO VERONESE. Nota. In: Atti della R. acc. d. Scienze di Torino, disp. 12-13, 1898-99.‎

‎Il saggio consta di 16 pp. (da p. 199 a p. 214) del fasc. in-8°, bross. edit., piatto anteriore staccato. Caratteri (onciali), perg., inchiostro, iniziali, abbreviazioni, interpunzione ecc. Il fascicolo contiene inoltre, tra l'altro: 1) onoranze a Tommaso VALLAURI; 2) BRUSA. Correzione straordinaria di condanne penali. 3) Relazione tra i Savoia a Venezia da Amedeo VI a Carlo II (III) 11166 - 1553‎

‎Sparkes, Brian A. & Lucy Talcott‎

‎POTS AND PANS OF CLASSICAL ATHENS‎

‎Scholar's name to ffep (Jenifer Neils). ; Excavations of the Athenian Agora Picture Book No. 1; 32 pages‎

‎SPECK, Josef:‎

‎Geröllstudien in der subalpinen Molasse am Zugersee und Versuch einer paläogeographischen Auswertung.‎

‎Zug, Kalt-Zehnder, 1953, in-8vo, 4 Bl. + 175 S. mit 7 Tab. und 11 Fig. + 12 teils gefalt. Taf., Text mit einigen Anstreichungen, hs. Widmung v. Verf. auf Umschlag an J. Neher, Original-Broschüre, schönes Ex.‎

书商的参考编号 : 48292aaf

‎STERCAL, Claudio.‎

‎Il Medius Adventus. Saggio di lettura delgi scritti di Bernardo di Clairvaux. Bibliotheca Cisterciensis 9.‎

‎Roma, Editiones Cistercienses 1992, 265x185mm, 336pagine, in brossura. Con sovracopperta. Buone condizioni‎

书商的参考编号 : 90000

‎STIENNON, Jacques.‎

‎L’écriture diplomatique dans le diocèse de Liège du XIe au milieu du XIIIe siècle. Reflet d’une civilisation. Bibliothèque de la Faculté de Philosophie et Lettres de l’Université de Liège, série grand in-8° (Jésus). Fascicule V.‎

‎Paris, Société d’Edition Les Belles Lettres 1960, 285x185mm, 428 + 21pages, broché. Petit manque à un coin de la couverture, autrement bon état. Non coupé.‎

书商的参考编号 : 66221

‎Stones, A‎

‎Gothic Manuscripts: 1260-1320. Part One , two volumes. A Survey of Manuscripts Illuminated in France.‎

‎, Brepols - Harvey Miller, 2013 hardback, cloth. with dusjackets, 2 volumes., 1130 pages ., 838 b/w ill. 77 colour ill., 230 x 330 mm, Languages: English, A Survey of Manuscripts Illuminated in France. ISBN 9781872501956.‎

‎This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. The period c. 1260-1320 marks the emergence and the flowering of what has come to be known as the ?courtly style? in French painting, whose dynamic vitality is manifest throughout the region we now call France. By the end of this period French art had assimilated a rich variety of regional works and styles. New texts had been introduced to a range of patrons, and patterns to be played out in the following centuries were in place. This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. While the royal, courtly, academic and ecclesiastical patrons were critical to the cultural and artistic production of the capital, books made in provincial centres manifest an independence and originality that can be attributed to fruitful interaction with neighbouring cultures?the linguistic, literary, and artistic traditions of England in the north and west, Navarre, Aragon, the county of Barcelona and the Kingdom of Majorca in the Pyrenean regions, and the Empire along the eastern borders, from the principalities of North Italy and the Alpine regions to Burgundy, Hainaut and Flanders. Ecclesiastical boundaries cut across political divisions, contributing different sets of allegiances that impacted upon book culture in other ways. The Provinces of Reims and Tarantaise included fiefs of Empire, while Narbonne (to 1317) encompassed dioceses in Aragon, and the Provinces of Bordeaux and Tours lay in part in lands held by the English. The religious orders and the universities offered other sets of governing structures and vehicles of influence and reception. Royal and courtly patrons took their place in this period alongside churchmen and women and layfolk from the burgeoning bourgeois class, many of whom are known from ownership notes or inventories. Yet some of the finest books of the period were made for people whose identity remains obscure. Similarly the names of craftsmen?scribes, decorators, illuminators?are often known from their signatures in the books they made or from payments and other records, yet many distinguished works are the products of anonymous creators. These years witnessed an explosition in the range of texts that were deemed worthy of illustraton, extending far beyond the usual liturgical and devotional material to include works of science, medicine, law, philosophy, history and literature in verse and prose, offering a wealth of material for comparative study which is only beginning to be exploited in modern scholarship. This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited. Alison Stones is Professor of History of Art and Architecture at the University of Pittsburgh, a Fellow of the Society of Antiquaries of London and a membre correspondant etranger of the Societe nationale des antiquaires de France.‎

书商的参考编号 : 42220

‎STORNAJOLO Cosimus‎

‎Codices Urbinates Latini, tomus II: Codices 501-1000 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1902 Volume 2 (out of 3): 750pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 2.8kg., R107220‎

书商的参考编号 : R107220

‎STORNAJOLO Cosimus‎

‎Codices Urbinates Latini, tomus III: Codices 1001-1779 [in: Bibliothecae Apostolicae Vaticanae codices manu scripti recensiti]‎

‎Roma, Typis Polyglottis Vaticanis 1921 Volume 3 (out of 3): XL + LXXI + 835pp., text in Latin, 30cm., solid hardcover binding in black cloth, original softcover preserved and bound in, small stamp on title page, text and interior are clean and bright except for few occasional foxing, in the series "Bibliotheca Apostolica Vaticana Codices Manuscripti recensiti" vol.5, good condition, weight: 3.1kg., R107221‎

书商的参考编号 : R107221

‎STRAUS, Jean-Paul (édité par).‎

‎Sigebert de Gembloux. Fédération Internationale des Instituts d’Etudes Médiévales, TEMA 79, Textes et Etudes du Moyen Âge.‎

‎Turnhout - Barcelona - Madrid, Brepols 2015, 240x165mm, IX - 210pages, broché. Exemplaire à l'état de neuf.‎

‎photos couleurs et n/b,‎

书商的参考编号 : 90386

‎STRUDWICK (Nigel C.)‎

‎Texts from the Pyramid Age. Edited by Ronald J. Leprohon.‎

‎Atlanta, Society of Biblical Literature, 2005. In-8 broché, couv. ill. en coul., XXXVII-522 pp., 7 fig., texte en anglais, bibliographie, glossaire, chronologie, index.‎

‎Collection of Society of Biblical Literature - Writings from the Ancient World, number 16. Comme neuf. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)‎

书商的参考编号 : 595421

‎SULLIVAN Edward‎

‎The Book of Kells. Foreword by J.H. Holden.‎

‎4to. with coloured plates small neat contemporary signature on front free endpaper; ivory cloth patterned in green backstrip lettered in green a very good clean copy in price-clipped dustwrapper.‎

‎SUNOL dom. Gregoire.‎

‎Introduction a la paléographie musicale Gregorienne.‎

‎In-8° gr. pp. XIV-660 con 5 tabelle ripiegate f.t. e varie ill. n.t. Bross. edit. con tracce del tempo.‎

‎SUPINO MARTINI Paola‎

‎"Manuum mearum labores". Nota sulle "CHARTAE RESCRIPTAE" FARFENSI. Estr. orig. da "Scrittura e civiltà", n. 8, 1984.‎

‎In-8°, pp. 21 (da p. 102 a p. 103) + 11 riprod. in TAVOLE fuori testo. Bross. edit.‎

‎Supino Martini, Paola‎

‎Roma e l'area grafica romanesca (secoli X-XII).‎

‎cm. 17 x 24, 438 pp. con 80 tavv. f.t. Biblioteca di ?Scrittura e Civilt? 1040 gr. 438 p.‎

‎TAMANI, Giuliano‎

‎Codici ebraici Pico Grimani nella Biblioteca Arcivescovile di Udine‎

‎25 p.; 22 cm. Brossura editoriale. Buono. Estratto da "Annali di Ca' Foscari"‎

‎Tataki, Argyro B.‎

‎ANCIENT BEROEA: PROSOPOGRAPHY AND SOCIETY‎

‎Signed by author to Elaine Matthews (letter from author to Elaine Matthews tipped in). Light creasing to spine. Light edgewear to wraps (creasing). Minor discoloration to spine and part of front wrap. ; Revised version of the author's thesis (Ph. D. ) -- University of Thessaloniki, 1986.; Meletemata 8; 572 pages; Signed by Author‎

‎TENNERONI A.‎

‎Per la paleografia umbrica. A proposito dell'Archivio paleografico italiano‎

‎In 8, pp. 7 + (1b). Fioriture alla prima pagina. Dedica autogr. dell'A. a p. 1. Esemplare privo di legatura all'origine.‎

‎Theognis; M. L. West (Ed. )‎

‎THEOGNIDIS ET PHOCYLIDIS FRAGMENTA Et Adespota Quaedam Gnomica‎

‎Scholars' bookplate to inner cover else fine. ; Kleine Texte Für Vorlesungen Und Übungen ; 192; 49 pages‎

‎Thompson E. M‎

‎Paleografia greca e latina. A cura di G. C. Bascapè‎

‎<p>15,5 cm rilegatura editoriale con sovracop. illustrata; p. xv, 270 con 97 illustrazioni in b/n e a colori tra cui 9 tavole più volte ripiegate. Qualche strappetto alla sovracop, per il resto ottimo esemplare</p>‎