‎Anglais‎

‎Giorgio R. Vannucci‎

‎English by film‎

‎Giorgio R. Vannucci English by film. , Tecnografica C. Corvo 1951, Libro in condizioni mediocri, presenta pagine interne ingiallite, come la copertina Mediocre (Poor) . <br> <br> <br> 82<br>‎

‎Giorgio Vasari, translated into English by Mrs Jonathan Foster‎

‎Lives of the Most Eminent Painters Sculptors and Architects. Vol. IV‎

‎<p>Fourth VOLUME ONLY. London: Henry G. Bohn 1859. VII511 pages. NEARFINE Half Leather Hardcover : Brown Leather spine and corners Marbled boards and all edges no dj. Light wear to the corners.Clean Unmarked throughout. Strong tight binding excellent hinges. 7.1"x4.6"x1.25". be25409.</p> Henry G. Bohn hardcover‎

Riferimento per il libraio : biblio36933

‎GIPE George‎

‎EXPLORERS‎

‎Presses de la Cité. 1985. In-12. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur frais. 217 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R160040175

‎Gipe George‎

‎Gremlins -‎

‎Flamme. 1984. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages. Quelques planches de photographie en couleurs dont 1 désolidarisée.. Avec Jaquette. . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par Martin J. Paul. D'après le scénario de Chris Columbus. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : RO80206544

‎Girard & Dulong & Van Oss & Guinness‎

‎Cassell's new french-english/english-french dictionary.‎

‎Cassell London. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XVI + 762 + 655 pages - textes sur deux colonnes - ouvrage en anglais.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎Ouvrage en anglais. Classification Dewey : 423-Dictionnaire anglais‎

Riferimento per il libraio : R320142487 ISBN : 304929107

‎Girard Anne-Sophie Girard Marie-Aldine‎

‎La femme parfaite est une connasse.Vol.2: Parce que la connasse ne meurt jamais‎

‎Ed. Flammarion Siren 2014 159 pages 11x17 6x1 2cm. 2014. pocket_book. 159 pages.‎

‎Correct‎

Riferimento per il libraio : 500046514

‎Girard Anne-Sophie Girard Marie-Aldine‎

‎La femme parfaite est une connasse.Vol.2: Parce que la connasse ne meurt jamais‎

‎Ed. Flammarion Siren 2014 159 pages 11x17 6x1 2cm. 2014. pocket_book. 159 pages.‎

‎Etat correct‎

Riferimento per il libraio : 500257376

‎Girouard, Mark‎

‎Robert Smythson & the Elizabethan Country House‎

‎Yale University Press, New Haven and London, 1985. In-4, broché sous couverture illustrée en noir,328 pp. Preface - Introduction - I. Longleat. - II. Wardour & Wollaton. - III. Workshop & Related Houses. - IV. Hardwick. - V. Robert Smithson : The Later Houses. - VI. Bolsover Castle & the Revival of Chivalry. - VII. The ...‎

‎Nombreuses illustrations en noir et en couleur.Mention de seconde édition. --- Plus d'informations sur le site archivesdunord.com‎

Riferimento per il libraio : 4283

‎Giraudoux, Jean; Maurice Valency, English adaptation‎

‎The Madwoman of Chaillot‎

‎New York: Random House 1947. Hardcover. Very Good. Hardcover. Second Printing. SIGNED BY 25 CAST MEMBERS FROM THE BROADWAY PRODUCTION. The signers include John Carradine Estelle Winwood Le Roi Operti Martita Hunt Nydia Westman Sandro Giglio and Millicent Brower. The play ran for two years on Broadway and had a revival a few years later. Bound in original dark blue cloth with title and author in gilt to spine. Very good minus with some chipping and bumping. No dust jacket. Signatures are on free front endpaper. half title and title pages. Interior is clean with three black and white photos from the production. DRA/071812. Random House hardcover‎

Riferimento per il libraio : 26094

‎Girling, Richard [ed,]/Graham Rose‎

‎The Making of the English Garden. The Sunday Times.‎

‎London, Macmillan, 1988. 29 cm. 224 pp. With num. coloured photographs, plans, maps and drawings. Original Pappband (Hardcover), Fadenheftung. Gepflegtes Exemplar. Mit zahlr. Anstreichungen. Schutzumschlag etwas angerändert.‎

‎With contributions by John Brookes, Arthur Hellyer, Hugh Johnson, Penelope Hobhouse, Mary Keen, Peter Seabrook and Christopher Thacker and others.‎

Riferimento per il libraio : 14165AB

‎Gisela MA Richter‎

‎Red-figured Athenian Vases in the Metropolitan Museum of Art‎

‎New Haven and London, Yale University Press / Oxford UP, 1936. First edition. One of 500 copies. Two heavy in-folio volumes of 37 x 28 cm, (xlvii) 249 + (viii) 181 pp. Hardbound, no DJ as issued, black and orange cloth binding with Bradel-style hinges. The first volume contains the author's text, with 83 drawings by Lindsley F. Hall, the second volume contains plates including many folding ones. This is NOT an ex-library set! As such, the book is in good condition and exempt from the library markings usually found. The first volume features a table of contents at the beginning.‎

‎A bit of wear and tear on the spines and edges, foxing on the front flyleafs, otherwise in very good condition. Clean, crisp, with sturdy bindings.‎

Riferimento per il libraio : 0039

‎Giulia Iannuzzi‎

‎Futuristic Fiction, Utopia, and Satire in the Age of the Enlightenment. Samuel Madden's 'Memoirs of the Twentieth Century' (1733)‎

‎, Brepols, 2024 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:10 b/w, Language: English. ISBN 9782503606026.‎

‎Summary Published anonymously in 1733, Memoirs of the Twentieth Century is one of the earliest futuristic novels known in Anglophone and Euro-American literature. It foregrounds an acceleration of history brought about by an increasing degree of global interconnectedness, and the exclusion of prophetism and astrology as credible ways to know the future. The work of Samuel Madden, an Irish writer and philanthropist of Whig sympathies, it consists of a collection of diplomatic letters composed in the 1990s, which the narrator claims were brought to him from the time to come by a supernatural entity. Through these correspondences, twentieth-century world scenarios are spread out before the reader, in which British naval power rules the waves and international commerce, while the transnational scheming of the Jesuits threatens the independence of weaker European courts. This book - which includes a study followed by an annotated edition of the text - assesses the cultural significance of this literary work, as an apt observatory on how historical time as a cultural construction was shaped, during the eighteenth century, by new forms of transnational circulation of information, and by the dubious space carved out in European culture by seventeenth- and early eighteenth-century debates on the nature of historical knowledge. Through and by means of the Memoirs case study, this volume aims to contribute to a wider cultural history of the future and speculative fiction. The novel's ironic distancing of beliefs considered to be superstitious and absurd - such as divination techniques and occult and magical disciplines - offers an exceptional testimony to the negotiation of the boundaries of verisimilitude and credibility within a religious enlightenment. TABLE OF CONTENTS Introduction: Knowledge, Power, and Time in the Age of the Enlightenment Part I. Samuel Madden's Eighteenth-Century Memoirs from the Future I. Where was the Future? II. When was the Future? III. An Irish Whig between Philanthropism and Literature IV. An Eighteenth-Century Twentieth Century V. An (Unreliable) Historian of the Future VI. A 'good genius' and the 'scene of things below' VII. Empirical Science, Global Consciousness, and 'the History of Future Times' VIII. Blurring the Dichotomy between History and Fiction IX. Satirising Past Futures X. 'Publishing' the Letters XI. 'This prodigious society': Anti-Jesuit Satire XII. Whose Credulity, whose Credibility XIII. Bookish Mysteries and an 'alternate George VI' XIV. Concluding Remarks Part II. Memoirs of the Twentieth Century A Note on the Text Samuel Madden, Memoirs of the Twentieth Century Notes to the Text Bibliography Index‎

Riferimento per il libraio : 63072

‎Giuseppe Marchiori. Texte en italien, français, anglais et allemand.‎

‎Luigi Spazzapan (Monographie)‎

‎Roma, Mario Gros & Cie , 1960, in-4, relié sous jaquette éditeur, np. Jaquette en état moyen. Bon exemplaire. 33 planches couleurs.‎

‎NB. La librairie est fermée jusqu'à fin septembre. Les questions et commandes seront traitées début octobre.‎

Riferimento per il libraio : 3635

‎GIVERN WILLIAM MC.‎

‎MAIS LA MORT VA PLUS VITE.‎

‎MORGAN.. 1949. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 220 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par ESCOUBE. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R150165380

‎GLADYS HASTY CARROL‎

‎AINSI TOURNE LA TERRE.‎

‎CORREA. 1947. In-12. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Mouillures. 328 pages. Coiffes abîmées.. . . . Classification Dewey : 810-Littérature américaine‎

‎"Traduit de l'américain par J. Biadi. ""As the earth turns"". Classification Dewey : 810-Littérature américaine"‎

Riferimento per il libraio : R260105332

‎GLASER ELIZABETH / PALMER Laura‎

‎EN L'ABSENCE DES ANGES‎

‎PRESSES DE LA RENAISSANCE. 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 376 Pages - Quelques planches photos en noir et blanc. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par K. HOLMES Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R160174764

‎GLASS FRANCKCINA‎

‎J'M'APPELLE TIGRE‎

‎STOCK. 1986. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 271 pages - ACHEVE D'IMPRIMER 20 mai 1986. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduction de Robert Fouque Duparc Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R160192110

‎Glass Frankcina‎

‎J'm'appelle Tigre‎

‎Stock. 1986. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 271 pages. Défaut d'impression : livre imprimé à l'envers par rapport à la couverture. Ne gêne pas la lecture.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par Robert Fouques Duparc. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : RO80249818

‎Glass Julia‎

‎Jours de juin‎

‎Editions des Deux Terres. 2006. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 654 pages. Couverture avec rabats.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduction : Anne Damour. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R200110542

‎GLASCOI GORDON‎

‎L'ETERNITE DES JOURS‎

‎ACROPOLE. 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 446 pages. . . . Classification Dewey : 810-Littérature américaine‎

‎TRADUIT PAR CLAUDNE STORA Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : RO20209419

‎GLASS Leslie‎

‎L'HEURE DU FEU‎

‎PAYOT Suspense. 1998. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 393 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par Edith Ochs. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R160013055

‎Glasco Gordon‎

‎L'éternité des jours‎

‎Acropole. Avril 1985. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 443 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par Claudine Stora. Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R260254991

‎GLASPELL SUSAN‎

‎LE RETOUR DE FUGITIVE‎

‎PHEBUS. 2017. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 277 pages. . . . Classification Dewey : 810-Littérature américaine‎

‎traduit de l americain par Marie Celine // - EPREUVES NON CORRIGEES EN LIBRAIRIE LE 09/02/2017 Classification Dewey : 810-Littérature américaine‎

Riferimento per il libraio : R320098697

‎Glassey Lionel K. J.‎

‎Politics and the Appointment of Justices of the Peace, 1675-1720‎

‎Oxford University Press Oxford Historical Monographs Cartonné avec jaquette 1979 in-8 (14,9 x 22,2 cm), cartonné avec jaquette, 334 pages, texte en anglais ; dos insolé et marques de frottement sur la jaquette, quelques rousseurs sur les gardes, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Riferimento per il libraio : vb2005

‎Gladys Cooper [Dame Gladys Constance Cooper] (1888-1971), English actress, over seven decades a star of stage and screen; Dennis‎

‎Gladys Cooper star of stage and screen. Gelatin silver print of Foulsham & Banfield photograph of Gladys Cooper in the play ‘My Lady’s Dress’ with a second photograph of her embracing Dennis Eadie in the same production.‎

‎Label on reverse dates the solo photograph to 27 February 1914 with the stamp of Foulsham & Banfield 49 Old Bond Street W. London. The photograph of Cooper & Eadie without date or place but from the same production. Edward Knobloch’s play ‘My Lady’s Dress’ ‘in which’ as one newspaper wrote at the time ‘the heroine’s dream takes her to the foreign and London scenes surrounding the manufacture of a costly gown’ premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s. Although neither of these photographs is among the five Foulsham & Banfield portraits of Cooper in the National Portrait Gallery collection the second one Cooper and Eadie embracing is present among the seven unattributed scenes from the 1914 production in the Victoria & Albert Museum collection ‘Given to the Gabrielle Enthoven Collection by L.E. Berman’. Both of the present items are black and white gelatin silver prints. Dimensions are approximate. ONE: Cooper seated on a chair in front of a window and beside a table hands clasped in her lap looking mournfully at the viewer in dotted smock worn over plaid dress with lace collar and crocheted Welsh-style shawl. HEIGHT: 30.5 cm. WIDTH: 21 cm. In fair condition lightly aged with slight wear and chipping at edges and one very small closed tear at head beside ‘5/-’ which appears to be part of the print. Written in pencil on reverse: ‘Miss Cooper as Annette / Act I. Sc 3.’ Also label with ink note: ‘My Lady’s Dress / Royalty / Feb 27 1914’ and the stamp of Foulsham & Banfield 49 New Bond Street. TWO: The Victoria and Albert description reads as follows: ‘Photographic print of Act III Scene 3 of a production of My Lady's Dress at the Royalty Theatre 23rd April 1914. The photograph features a full length image of Miss Cooper as Anne and Mr Eadie as John they are standing together embracing and are gazing towards one another.’ He wears a dressing gown and she is in a rather splendid Pre-Raphaelite-style dress. Height: 26.5 cm. Width: 20.5 cm. Adhering to the reverse are the remains of a grey paper mount and no details are given. In good condition lightly aged. See Image. Label on reverse dates the solo photograph to 27 February 1914, with the stamp of Foulsham & Banfield, 49 Old Bond Street, W. [L unknown‎

Riferimento per il libraio : 25384