Torino: Tipografia Chirio e Mina 1838. Print. An etching by Cav. Lasinio after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 10 x 24 cm. Plate measures 32 x 52 cm. Scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Francesco Rosaspina after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Paolo Toschi after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 15 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Near fine.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Cav. Lasinio after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 18 x 20 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Samuele Geniani after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 16 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Cav. Lasinio after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 10 x 24 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Giovanni Ballero after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 10 x 13 cm. Plate measures 32 x 52 cm. Light scattered foxing to the edges not affecting the image. Near fine.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Antonio Dalc� after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 17 cm. Plate measures 32 x 52 cm. Some scattered foxing to edges diagonal crease to lower right edge three creases to upped edge. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Paolo Toschi and Gaetano Silvani after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 25.5 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Near fine.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Francesco Clerici after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 14 x 18 cm. Plate measures 32 x 52 cm. Light scattered foxing to the edges not affecting the image. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Cav. Lasinio after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 12 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by D. Chiossone after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 14 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Near fine.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Carlo Raimondi after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 17 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Francesco Rosaspina after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 16 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Antonio Perfetti and S. P. Lorenzi after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 12 x 15 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Ludovico Gruner after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 14 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Antonio Perfetti and Vincenzo Della Bruna after a drawing by Lorenzo Ceresa from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 15 x 21 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Tommaso Raggio after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 13 x 16 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Antonio Perfetti and Gustavo Sanguinetti after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 12 x 16 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Torino: Tipografia Chirio e Mina 1838. Print. An etching by Gerolamo Nardini and Paolo Toschi after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 28 x 18 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good.; Folio. <br/><br/> Tipografia Chirio e Mina unknown
Ballantine Books. Used; Very Good. Now they are apaches--a renegade unit working on their own. <br /><br />With this novel the author of the stunning #1 bestseller Sleepers returns to the mean streets he knows so well. And in doing so he has written his most explosive electrifying and startling book yet. It is the early 1980s. Crack cocaine has made its devastating appearance. Violence is escalating and so is an unnerving lack of morality. Things are happening that have never happened before. <br /><br />One of those things is the brutal kidnapping of an innocent 12-year-old girl. But the kidnapper has made a deadly mistake. He has brought Boomer Frontierie back to life back to the streets. And back into action. A New York City detective forced to retire after being wounded in a drug bust Boomer thirsts to return to the life he loved--the life of a cop. When an old friend turns to him for help Boomer has the excuse he needs. And when the simple kidnapping turns into something more something much more evil even more horrifying Boomer realizes that he can once again find a way to serve justice. <br /><br />There are others like Boomer. Cops who can no longer be cops. He brings them together bringing them back to life as well. Even as they face almost certain death. <br /><br />Apaches is the story of an extraordinary band of cops. Some might call them criminals. Some might call them heroes. But theirs is a world where good is always shadowed by bad where right is almost indecipherable from wrong and where the living can within mere moments cross over to the world of the dead. <br /><br />Lorenzo Carcaterra has written the most exciting novel of the year. Like Sleepers it is a book that will never be forgotten. . 1997. HARDCOVER. Ballantine Books hardcover
Ballantine Books. Used; Very Good. leepers is the extraordinary true story of four men who take the law into their own hands. Brilliantly written it is a searing portrait of a system gone awry and of the people--some innocent some not so innocent--who must suffer the consequences. At the heart of Sleepers is a sensational murder trial that ultimately gives devastating yet exhilarating proof of street justice and truly defines the meaning of loyalty and love between friends. Told with great humor and compassion even at its most harrowing Sleepers is an unforgettable reading experience. It will leave you breathless. . 1995. HARDCOVER. Ballantine Books hardcover
Oscar Grandi Classici. Used - Very Good. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Your purchase also supports literacy charities. Oscar Grandi Classici unknown
Modena: Panini Comics 2017. First Edition. Hardcover. 170pp. Pictorial boards. Includes a complete story in full color and a gallery of sketches with notes on the characters. A fine copy. In the Italian language. ; 21 x 32 cm. <br/><br/> Panini Comics hardcover
Macchione Editore. Used - Very Good. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Your purchase also supports literacy charities. Macchione Editore unknown
Milano: Sergio Bonelli Editore 2004. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2002. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2003. First Edition. Softcover. A fine copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Maccarese: Editoriale Aurea 2011. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 98 pages. <br/><br/> Editoriale Aurea paperback
Maccarese: Editoriale Aurea 2011. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 98 pages. <br/><br/> Editoriale Aurea paperback
Roma: Eura Editoriale 2003. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 98 pages. <br/><br/> Eura Editoriale paperback
Roma: Eura Editoriale 2003. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 98 pages. <br/><br/> Eura Editoriale paperback
Milano: Sergio Bonelli Editore 2003. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2003. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Roma: ADN Kronos Libri 1992. First Edition. Hardcover. Published to celebrate the Ferrovie dello Stato Italian Railroads. Unpaginated. Blue silk stamped in gold on the front panel and the spine panel blue endpapers. Printed on slick paper. Includes five stories in color and b&w by Hugo Pratt Guido Crepax Cinzia Leone Lorenzo Mattotti Jos� Antonio Munoz and several introductory essays on the history of the railways in Italy but with notes also on trains such as the Orient Express from their inception to modern times. Light wear to cloth. A very good copy in very good dustjacket with some shelf wear and a small faint stain to the lower edge of the rear panel. Internally clean. In the Italian language. ; Folio. <br/><br/> ADN Kronos Libri hardcover
Milano: Sergio Bonelli Editore 2006. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2006. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2005. First Edition. Softcover. A good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2005. First Edition. Softcover. A good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Sergio Bonelli Editore 2005. First Edition. Softcover. A very good copy. In the Italian language.; 16 x 21 cm; 132 pages. <br/><br/> Sergio Bonelli Editore paperback
Milano: Panini Comics 2014. First Edition. Softcover. Includes several complete stories in full color. Also includes a short introductory essay. A fine copy. In the Italian language. ; 17 x 24 cm; 114 pages. <br/><br/> Panini Comics paperback
Venezia: Presso Francesco Pitteri 1770. Second Edition. Hardcover. Second edition in Italian. Two volumes. xx 447pp; 400pp. There are several misnumbered pages. Recent half mottled calf over marbled boards spine with raised bands decorated and lettered in gold edges sprinkled red. Engraved frontispiece twenty copper-engraved foldout plates initials and tail-pieces in volume one; title vignette eighteen copper-engraved foldout plates initials and tail-pieces in volume two. A massive treaty that covers every aspect of surgery from tending to wounds to performing complex procedures. Garrison and Morton states: "Heister is the founder of scientific surgery in Germany. This was the most popular surgical text of the 18th century; it underwent numerous editions and translations". The plates show numerous surgical instruments and their application. Old dampstains affecting the edges scattered foxing throughout. Short tears not affecting text to four of the leaves some old mends to five of the leaves and one of the plates. There was a third separate volume with a different title and only two plates dedicated to the eye which is not included here. Garrison-Morton 5576. ; Octavo. <br/><br/> Presso Francesco Pitteri hardcover
Bologna: ANAF 1974. First Edition. Pictorial wrappers. The magazine of the Associazione Nazionale Amici del Fumetto. Light cover wear. A near fine copy. Includes articles on Lucca Giuseppe Perego Manos Kelly Alex Raymond and more. Also includes a section of comic strips featuring Garth. In the Italian language.; Quarto. <br/><br/> ANAF unknown
London: Paperview Europe Ltd N.D. First British Edition. Hardcover. First edition in English. Pictorial boards. A fine copy. Reprints an Italian Disney parody loosely based on The Three Musketeers by Alexander Dumas. In full color. Also includes the translations of the short introductory essays that appeared originally in the Italian edition. ; 20 x 25 cm; 76 pages. <br/><br/> Paperview Europe Ltd hardcover
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