‎Esthétique‎

‎CROCE, Benedetto.‎

‎Breviario di estetica. Quattro lezioni.‎

‎8vo; pp. 162; brossura editoriale; cucito.<BR>Note a matita nel testo; copertina con segni d'uso, qualche piccolo strappo,e timbro dell'editore; firma d'appartenza a penna al frontespizio; perdita dell'angolino inf. destro della copertina; piatto anteriore parzialm. staccato.<BR>Terza edizione con due saggi aggiunti. Collana "Piccola Biblioteca Filosofica".‎

‎CROCE, Benedetto.‎

‎BREVIARIO DI ESTETICA.: Quattro lezioni.‎

‎Bari, Gius. Laterza & Figli, 1928. Quarta edizione con aggiunta di due saggi. In 8°, PP 162n. Letteratura tutta tela con titoli in oro al dorso.‎

‎Crocker Lionel And Paul A. Carmack Ed.‎

‎Readings in Rhetoric‎

‎Springfield: Charles C. Thomas 1965. Book. Very Good. Hardcover. VG/VG 1st edn 599pps a few chips f/o name on fep. Charles C. Thomas Hardcover‎

書籍販売業者の参照番号 : 89431

‎Croisille, Jean-Michel & Yves Perrin (Eds. )‎

‎NERONIA VI: ROME À L'ÉPOQUE NÉRONIENNE Institutions Et Vie Politique, Économie Et Société, Vie Intellectuelle, Artistique Et Spirituelle. Actes Du Vie Colloque International De La SIEN (Rome, 19-23 Mai 1999)‎

‎Light bump to base of spine. Light rubbing to wraps. ; PREMIÈRE PARTIE : ARTS, ARCHITECTURE, URBANISME Cl. Perassi, Edifici e monumenti sulla monetazione di Nerone, p.11 – V. M. Strocka, Neros Statuenraub ftir die Domus Aurea. Zeitgenössische Reflexe, p.35 – E. Moormann, P. G. P. Meyboom, L’interpretazione delle scène figurative nelle decorazioni dipinte della Domus Aurea, p.46 – P. Gros, La transfiguration du modèle de la domus dans les palais néroniens de Rome : l’exemple de la «suite du nymphée» de la Domus Aurea, p.54 – J. -P. Morel et F. Villedieu, La Vigna Barberini à l’époque néronienne, p.74 – S. Ensoli, Una nuova ipotesi sul Colosso di Nerone. A proposito dei frammenti bronzei colossali dei Musei Capitolini, p.97 – K. Welch, Nerone e I Flavi : dialoghi fra la Domus Aurea ed il Colosseo, il ritratto di Nerone di quarto tipo e l’immagine di Vespasiano, p.123 DEUXIÈME PARTIE : ROME DANS LA LITTÉRATURE M. Sordi, Nerone e la Roma neroniana nelle Historiae di Plinio il Vecchio, p.143 – J. -M. Croisille, La Rome de Lucain, p.150. – G. Mazzoli, La Roma di Persio, p.161 – J. -M. André, Sénèque et la topographie de Rome, p.170 – A. Malissard, Néron, Tacite et la question de l’espace romain, p.178 – R. Carré, Rome et l’Italie dans les Histoires de Tacite, p.193 TROISIÈME PARTIE : INSTITUTIONS, ADMINISTRATION, VIE POLITIQUE M. Absil, Le rôle des préfets du prétoire pendant les règnes de Néron, Galba, Othon et Vitellius. Aspects politiques, p.229 – F. Marco, Quelques liberti impériaux acteurs et objets de la politique du princeps, p.248 – I. Cogitore, Rome dans la conspiration de Pison, p.261 – M. Bergmann, Hatte Nero ein politisches und/oder kulturelles Programm ? Zur Inschrift von Akraiphia, p.273 – W. Eck, Die Vemichtung der memoria Neros : Inschriften der neronischen Zeit aus Rom, p.285 – 0. Devillers, Le rôle des passages relatifs à Thrasea Paetus dans les Annales de Tacite, p.296 – F. Galtier, L’opposition symbolique des figures de Néron et Thrasea Paetus (Tacite, Annales XVI, 21-35) , p.312 QUATRIÈME PARTIE : ÉCONOMIE ET SOCIÉTÉ M. T. Griffin, Political Thought in thé Age of Nero, p.325 – J. -P. Guilhembet, Les sénateurs et leur domus romaines aux temps néroniens, p.338 – E. Flaig, La fin de la popularité. Néron et la plèbe à la fin du règne 361 – P. Balasa, Sénèque et la femme de la dynastie julio-claudienne, p.375 – Y. Perrin, IVe style, culture et société à Rome. Propositions pour une lecture historique de la peinture murale d’époque néronienne, p.384 – L. Polverini, II sistema spettacolare romano nell’età di Nerone, p.405 – J. -M. Blazquez, Côrdoba, capital de la Bética y los cordobeses en la Roma de Néron, p.417 – D. Foraboschi, Moneta ed economia nella politica di Nerone, p.425 CINQUIÈME PARTIE : VIE INTELLECTUELLE, VIE SPIRITUELLE E. Cizek, La littérature de l’époque de Néron. Un des sommets de la culture à Rome, p.435 – G. Galimberti Biffino, II ruolo del Bellum ciuile nella vita letteraria e intellettuale dell’epoca neroniana : eroismo e antieroismo in Lucano, p.443 – L. Castagna, Le guerre civili ed altri termi della poesia neroniana 455 – A. Wallace Hadrill, Rhetoric and Myth-making at the Court of Nero , p.472 – M. Di Branco, «Eroizzazione» di un imperatore : alle radici del mito di Nerone, p.479 – C. Vout, Nero and Sporus, p.493 – I. E. Ramelli, Seneca in Plinio, Dione, S. Agostino, p. 503 SIXIÈME PARTIE : VIE RELIGIEUSE J. Scheid, La religion publique à Rome sous le règne de Néron, p. 517 – E. Andreoni Fontecedro, Seneca : l’altro aspetto della divinità, p. 535 – G. Firpo, Nerone e I Giudei, p. 547 – E. Grzybek, Les premiers chrétiens et Rome, p. 561 SEPTIÈME PARTIE : LA ROME NÉRONIENNE DANS L’IMAGINAIRE CONTEMPORAIN M. Coccia, «Tra le vie Salaria e Nomentana» : l’ultima notte di Nerone negli abbozzi di una tragedia di Giovanni Pascoli, p. 571 – G. Pucci, Nerone sullo schermo, p.592; Collection Latomus 268; 604 pages‎

‎CROS (Charles)‎

‎Solution générale du problème de la photographie des couleurs.‎

‎Grand in-8 (235 x 154 mm), broché, couverture imprimée, 12 p., sous chemise de demi-chagrin rouge doublé de papier velours et étui (Devauchelle). Paris, Gauthier-Villars, 1869.‎

‎Edition originale du premier livre de l'auteur, le texte pionnier pour l'invention de la photographie en couleurs ("A landmark in the history of colour photography").La plaquette reprend une communication faite à lAcadémie des sciences et un article publié dans la revue "Les Mondes". Cros y adjoint ici une nouveauté essentielle: la synthèse chromatique. La photographie en couleurs est née et ce procédé est à l'origine de la technique actuelle de trichromie.Un autre inventeur, Louis Ducos du Hauron, aboutît indépendamment et au même moment aux mêmes résultats, suscitant une polémique sur l'antériorité de la découverte et privant Charles Cros dune partie de sa gloire. Lié aux impressionnistes, Charles Cros réalisa ses premières épreuves colorées daprès "Le Printemps de Manet" (1882).("En français dans le texte", n° 292).Comme sur la plupart des exemplaires, le prix de vente de "1" franc imprimé sur la couverture est recouvert: ici "2" francs, lédition étant restée invendue chez l'imprimeur Gauthier-Villars pendant des décennies.Légères piqûres sur la couverture.Bel exemplaire, tel que paru, préservé sous chemise et étui (Devauchelle).‎

書籍販売業者の参照番号 : 38673

‎CROUSAZ J. P. DE‎

‎TRATADO DE LO BELLO. INTRODUCCION DE R. DE LA CALLE. TRADUCCION DE M. A. BONET‎

‎VALENCIA: UNIV.DE VALENCIA 2007. 2� edicion. . Encuadernacion original. NUEVO / NEW. CROUSAZ J.-P. DE TRATADO DE LO BELLO. INTRODUCCION DE R. DE LA CALLE. TRADUCCION DE M. A. BONET. VALENCIA 2007 190 p. Encuadernacion original. Nuevo. <br/> <br/> UNIV.DE VALENCIA unknown‎

書籍販売業者の参照番号 : 164913 ISBN : 8437041589 9788437041582

‎CRUCEFIX Dr Robert Thomas .‎

‎The Freemasons' Quarterly Review. Vol. V. 1838 .‎

‎London: Sherwood Gilbert And Piper Paternoster-Row; J. Churchill Princess-Street Soho; Stevenson Cambridge; J. Sutherland Calton-Street Edinburgh: And J. Porter Grafton-Street Dublin. 1838 . 0. A very good original masonic binding. Half leather binding. 8vo. 8.50" x 5.50" x 1.00" . Navy-blue leather spine and corners over rubbed marbled boards. Edges lightly rubbed and bumped. Flat spine with gilt masonic symbols gilt volume number and original maroon leather title label: "Freemason's Quarterly Review". Original green endpapers. Small binder's label to verso of the front board: "M. Burgess Bookbinder Mill Street Macclesfield." Clean free-endpapers. Decorated title page lightly soiled with owner's signature along the top edge. Clear English text throughout just a little light foxing and the odd blemish. 4 separate publications bound together pagination continuous. Vol. V. 1838: 12pp./pp.546 . " Although a �Freemasons Magazine� was published from 1793 to 1798 the continuous history of masonic periodicals in Britain does not begin until with the establishment of the Freemasons� Quarterly Review by Robert Crucefix in 1834. His avowed intention included the hope that it might constitute �an archive where the events most interesting to Brethren may be recorded and regular biographies given of such worthy Masons who by their zeal and industry� have advanced the interests of their art�. In practice however he had an additional agenda to promote his scheme for an Asylum for Aged and Decayed Freemasons and give himself an opportunity for attacks upon those including the Grand Master opposed to the scheme. This magazine included articles about Freemasonry a section of �Masonic Intelligence� which included reports on the proceedings of Grand Lodge� and reports of lodge meetings held in London the Provinces and abroad. Crucifex died in 1850 but his magazine continued albeit going through a number of changes of title until its transformation in 1853 into �The Freemasons quarterly magazine�. In 1855 it changed from a quarterly publication to a monthly now becoming �The freemasons� monthly magazine�. - See Masonic periodicals online. "Dr Robert Thomas Crucefix. Burlington Lodge where he was initiated on 16 April 1829 became Master in 1833. He was Treasurer for a decade from 1839 and simultaneously served as Secretary for 5 years in 1844. He joined Lodge after Lodge he was Master of Lodge of Concord in 1834 the year after he stepped down as Master of Burlington. Exalted into the Royal Arch Naval & Military Royal Arch Chapter in Edinburgh a year after his initiation he joined and progressed through the Chair of several chapters. He was soon involved in all the other Orders so far as they were available in England Scotland and/or Ireland. The Knights Templar Rose Croix and Ne Plus Ultra 1831 the Knight Templar Priest 1832 Ark Mariner 1833 Mark 1839. He was also involved in Freemasonry in France and USA. In between his Lodge Chapter and encampment activities he dedicated himself to what was his love in freemasonry: charitable work. Dr. Crucefix urged Grand Lodge to be more active 0n social issues proposing resolutions against slavery and campaigning for a home for elderly impoverished freemasons. This brought him into conflict with the Duke of Sussex as Grand Master�" - excerpt from Dr Robert Crucefix - A Man And A Mason To Be Proud Of By Yasha Beresiner 2012. . London: Sherwood, Gilbert, And Piper, Paternoster-Row; J. Churchill, Princess-Street, Soho; Stevenson, Cambridge; J. Sutherland hardcover‎

書籍販売業者の参照番号 : 45499

‎CRUCEFIX Dr Robert Thomas .‎

‎The Freemasons' Quarterly Review. Vol. IX. 1842 .‎

‎London: Sherwood Gilbert And Piper Paternoster-Row; J. Churchill Princess-Street Soho; Stevenson Cambridge; J. Sutherland Calton-Street Edinburgh: And J. Porter Grafton-Street Dublin. 1842 . 0. A very good original masonic binding. Half leather binding. 8vo. 8.50" x 5.50" x 1.00" . Navy-blue leather spine and corners over rubbed marbled boards. Edges lightly rubbed and bumped. Flat spine with gilt masonic symbols gilt volume number and original maroon leather title label: "Freemason's Quarterly Review". Original green endpapers. Small binder's label to verso of the front board: "M. Burgess Bookbinder Mill Street Macclesfield." Clean free-endpapers. Decorated title page lightly soiled with owner's signature along the top edge. Clear English text throughout just a little light foxing and the odd blemish. 4 separate publications bound together pagination continuous. Vol. IX. 1842: 12pp./pp.474 . " Although a �Freemasons Magazine� was published from 1793 to 1798 the continuous history of masonic periodicals in Britain does not begin until with the establishment of the Freemasons� Quarterly Review by Robert Crucefix in 1834. His avowed intention included the hope that it might constitute �an archive where the events most interesting to Brethren may be recorded and regular biographies given of such worthy Masons who by their zeal and industry� have advanced the interests of their art�. In practice however he had an additional agenda to promote his scheme for an Asylum for Aged and Decayed Freemasons and give himself an opportunity for attacks upon those including the Grand Master opposed to the scheme. This magazine included articles about Freemasonry a section of �Masonic Intelligence� which included reports on the proceedings of Grand Lodge� and reports of lodge meetings held in London the Provinces and abroad. Crucifex died in 1850 but his magazine continued albeit going through a number of changes of title until its transformation in 1853 into �The Freemasons quarterly magazine�. In 1855 it changed from a quarterly publication to a monthly now becoming �The freemasons� monthly magazine�. - See Masonic periodicals online. "Dr Robert Thomas Crucefix. Burlington Lodge where he was initiated on 16 April 1829 became Master in 1833. He was Treasurer for a decade from 1839 and simultaneously served as Secretary for 5 years in 1844. He joined Lodge after Lodge he was Master of Lodge of Concord in 1834 the year after he stepped down as Master of Burlington. Exalted into the Royal Arch Naval & Military Royal Arch Chapter in Edinburgh a year after his initiation he joined and progressed through the Chair of several chapters. He was soon involved in all the other Orders so far as they were available in England Scotland and/or Ireland. The Knights Templar Rose Croix and Ne Plus Ultra 1831 the Knight Templar Priest 1832 Ark Mariner 1833 Mark 1839. He was also involved in Freemasonry in France and USA. In between his Lodge Chapter and encampment activities he dedicated himself to what was his love in freemasonry: charitable work. Dr. Crucefix urged Grand Lodge to be more active 0n social issues proposing resolutions against slavery and campaigning for a home for elderly impoverished freemasons. This brought him into conflict with the Duke of Sussex as Grand Master�" - excerpt from Dr Robert Crucefix - A Man And A Mason To Be Proud Of By Yasha Beresiner 2012. . London: Sherwood, Gilbert, And Piper, Paternoster-Row; J. Churchill, Princess-Street, Soho; Stevenson, Cambridge; J. Sutherland hardcover‎

書籍販売業者の参照番号 : 45500

‎CRUCEFIX Dr Robert Thomas .‎

‎The Freemasons' Quarterly Review. Vol. IV. 1837 .‎

‎London: Sherwood Gilbert And Piper Paternoster-Row; J. Churchill Princess-Street Soho; Stevenson Cambridge; J. Sutherland Calton-Street Edinburgh: And J. Porter Grafton-Street Dublin. 1837 . 0. A very good original masonic binding. Half leather binding. 8vo. 8.50" x 5.50" x 1.00" . Navy-blue leather spine and corners over rubbed marbled boards. Edges lightly rubbed and bumped. Flat spine with gilt masonic symbols gilt volume number and original maroon leather title label: "Freemason's Quarterly Review". Original green endpapers. Small binder's label to verso of the front board: "M. Burgess Bookbinder Mill Street Macclesfield." Clean free-endpapers. Decorated title page lightly soiled with owner's signature along the top edge. Clear English text throughout just a little light foxing and the odd blemish. 4 separate publications bound together pagination continuous. Vol. IV. 1837: 4pp./pp.556 . " Although a �Freemasons Magazine� was published from 1793 to 1798 the continuous history of masonic periodicals in Britain does not begin until with the establishment of the Freemasons� Quarterly Review by Robert Crucefix in 1834. His avowed intention included the hope that it might constitute �an archive where the events most interesting to Brethren may be recorded and regular biographies given of such worthy Masons who by their zeal and industry� have advanced the interests of their art�. In practice however he had an additional agenda to promote his scheme for an Asylum for Aged and Decayed Freemasons and give himself an opportunity for attacks upon those including the Grand Master opposed to the scheme. This magazine included articles about Freemasonry a section of �Masonic Intelligence� which included reports on the proceedings of Grand Lodge� and reports of lodge meetings held in London the Provinces and abroad. Crucifex died in 1850 but his magazine continued albeit going through a number of changes of title until its transformation in 1853 into �The Freemasons quarterly magazine�. In 1855 it changed from a quarterly publication to a monthly now becoming �The freemasons� monthly magazine�. - See Masonic periodicals online. "Dr Robert Thomas Crucefix. Burlington Lodge where he was initiated on 16 April 1829 became Master in 1833. He was Treasurer for a decade from 1839 and simultaneously served as Secretary for 5 years in 1844. He joined Lodge after Lodge he was Master of Lodge of Concord in 1834 the year after he stepped down as Master of Burlington. Exalted into the Royal Arch Naval & Military Royal Arch Chapter in Edinburgh a year after his initiation he joined and progressed through the Chair of several chapters. He was soon involved in all the other Orders so far as they were available in England Scotland and/or Ireland. The Knights Templar Rose Croix and Ne Plus Ultra 1831 the Knight Templar Priest 1832 Ark Mariner 1833 Mark 1839. He was also involved in Freemasonry in France and USA. In between his Lodge Chapter and encampment activities he dedicated himself to what was his love in freemasonry: charitable work. Dr. Crucefix urged Grand Lodge to be more active 0n social issues proposing resolutions against slavery and campaigning for a home for elderly impoverished freemasons. This brought him into conflict with the Duke of Sussex as Grand Master�" - excerpt from Dr Robert Crucefix - A Man And A Mason To Be Proud Of By Yasha Beresiner 2012. . London: Sherwood, Gilbert, And Piper, Paternoster-Row; J. Churchill, Princess-Street, Soho; Stevenson, Cambridge; J. Sutherland hardcover‎

書籍販売業者の参照番号 : 45498

‎CRUCEFIX Dr Robert Thomas .‎

‎The Freemasons' Quarterly Review. Second Series. Vol. 3. 1845 .‎

‎London: Sherwood Gilbert And Piper Paternoster-Row; Madden And Co. 8 Leadenhall-Street; Stevenson Cambridge; J. Sutherland Calton-Street Edinburgh: And J. Porter Grafton-Street Dublin. 1845 . 0. A very good original masonic binding. Half leather binding. 8vo. 8.50" x 5.50" x 1.00" . Navy-blue leather spine and corners over rubbed marbled boards. Edges lightly rubbed and bumped. Flat spine with gilt masonic symbols gilt volume number and original maroon leather title label: "Freemason's Quarterly Review". Original green endpapers. Small binder's label to verso of the front board: "M. Burgess Bookbinder Mill Street Macclesfield." Clean free-endpapers. Decorated title page lightly soiled with owner's signature along the top edge. Clear English text throughout just a little light foxing and the odd blemish. 4 separate publications bound together pagination continuous. N. S. Vol. 3. 1845: 6pp./pp.513 . " Although a �Freemasons Magazine� was published from 1793 to 1798 the continuous history of masonic periodicals in Britain does not begin until with the establishment of the Freemasons� Quarterly Review by Robert Crucefix in 1834. His avowed intention included the hope that it might constitute �an archive where the events most interesting to Brethren may be recorded and regular biographies given of such worthy Masons who by their zeal and industry� have advanced the interests of their art�. In practice however he had an additional agenda to promote his scheme for an Asylum for Aged and Decayed Freemasons and give himself an opportunity for attacks upon those including the Grand Master opposed to the scheme. This magazine included articles about Freemasonry a section of �Masonic Intelligence� which included reports on the proceedings of Grand Lodge� and reports of lodge meetings held in London the Provinces and abroad. Crucifex died in 1850 but his magazine continued albeit going through a number of changes of title until its transformation in 1853 into �The Freemasons quarterly magazine�. In 1855 it changed from a quarterly publication to a monthly now becoming �The freemasons� monthly magazine�. - See Masonic periodicals online. "Dr Robert Thomas Crucefix. Burlington Lodge where he was initiated on 16 April 1829 became Master in 1833. He was Treasurer for a decade from 1839 and simultaneously served as Secretary for 5 years in 1844. He joined Lodge after Lodge he was Master of Lodge of Concord in 1834 the year after he stepped down as Master of Burlington. Exalted into the Royal Arch Naval & Military Royal Arch Chapter in Edinburgh a year after his initiation he joined and progressed through the Chair of several chapters. He was soon involved in all the other Orders so far as they were available in England Scotland and/or Ireland. The Knights Templar Rose Croix and Ne Plus Ultra 1831 the Knight Templar Priest 1832 Ark Mariner 1833 Mark 1839. He was also involved in Freemasonry in France and USA. In between his Lodge Chapter and encampment activities he dedicated himself to what was his love in freemasonry: charitable work. Dr. Crucefix urged Grand Lodge to be more active 0n social issues proposing resolutions against slavery and campaigning for a home for elderly impoverished freemasons. This brought him into conflict with the Duke of Sussex as Grand Master�" - excerpt from Dr Robert Crucefix - A Man And A Mason To Be Proud Of By Yasha Beresiner 2012. . London: Sherwood, Gilbert, And Piper, Paternoster-Row; Madden And Co., 8 Leadenhall-Street; Stevenson, Cambridge; J. Sutherland hardcover‎

書籍販売業者の参照番号 : 45501

‎CRUCEFIX Dr Robert Thomas .‎

‎The Freemasons' Quarterly Review. 1839. Volume 6 March 30 1839; December 31 1839; October 1 1834; December 31 1834‎

‎London: Sherwood Gilbert And Piper Paternoster-Row; Madden And Co. 8 Leadenhall-Street; Stevenson Cambridge; Thompson Oxford; Sutherland Calton-Street Edinburgh: And J. Porter Grafton-Street Dublin. India; A. Pittar Lattey And Co.1839. A very good half leather binding. 8vo. 8.50" x 5.50" x 1.00" . Brown leather spine and corners over dulled and soiled marbled boards. Edges rubbed and bumped. Flat spine with faded gilt titles: "The Freemasons' Quarterly Review"; "1839" ; and "Presented To the Randle Holme Lodge. No. 3261. By W. Bro. Sam Wynne Jones P.P.G.D. 1909". Endpapers lightly soiled and foxed. Decorated title page lightly soiled. Clear English text throughout just a little light foxing and the odd blemish. 4 separate publications bound together: March 30 1839 - 4pp./pp.116; December 31 1839 - pp.389-554; October 1 1834 - 2pp./pp.237-362; December 31 1834 - 2pp./pp.363-494 . " Although a �Freemasons Magazine� was published from 1793 to 1798 the continuous history of masonic periodicals in Britain does not begin until with the establishment of the Freemasons� Quarterly Review by Robert Crucefix in 1834. His avowed intention included the hope that it might constitute �an archive where the events most interesting to Brethren may be recorded and regular biographies given of such worthy Masons who by their zeal and industry� have advanced the interests of their art�. In practice however he had an additional agenda to promote his scheme for an Asylum for Aged and Decayed Freemasons and give himself an opportunity for attacks upon those including the Grand Master opposed to the scheme. This magazine included articles about Freemasonry a section of �Masonic Intelligence� which included reports on the proceedings of Grand Lodge� and reports of lodge meetings held in London the Provinces and abroad. Crucifex died in 1850 but his magazine continued albeit going through a number of changes of title until its transformation in 1853 into �The Freemasons quarterly magazine�. In 1855 it changed from a quarterly publication to a monthly now becoming �The freemasons� monthly magazine�. - Masonic periodicals online. "Dr Robert Thomas Crucefix. Burlington Lodge where he was initiated on 16 April 1829 became Master in 1833. He was Treasurer for a decade from 1839 and simultaneously served as Secretary for 5 years in 1844. He joined Lodge after Lodge he was Master of Lodge of Concord in 1834 the year after he stepped down as Master of Burlington. Exalted into the Royal Arch Naval & Military Royal Arch Chapter in Edinburgh a year after his initiation he joined and progressed through the Chair of several chapters. He was soon involved in all the other Orders so far as they were available in England Scotland and/or Ireland. The Knights Templar Rose Croix and Ne Plus Ultra 1831 the Knight Templar Priest 1832 Ark Mariner 1833 Mark 1839. He was also involved in Freemasonry in France and USA. In between his Lodge Chapter and encampment activities he dedicated himself to what was his love in freemasonry: charitable work. Dr. Crucefix urged Grand Lodge to be more active 0n social issues proposing resolutions against slavery and campaigning for a home for elderly impoverished freemasons. This brought him into conflict with the Duke of Sussex as Grand Master�" - excerpt from Dr Robert Crucefix - A Man And A Mason To Be Proud Of By Yasha Beresiner 2012. . London: Sherwood, Gilbert, And Piper, Paternoster-Row; Madden And Co., 8, Leadenhall-Street; Stevenson, Cambridge; Thompson, Ox hardcover‎

書籍販売業者の参照番号 : 41929

‎CUARTANGO R. G.‎

‎FILOSOFIA Y EXPERIENCIA CONCEPTUAL‎

‎SANTANDER: UNIV.DE CANTABRIA - S� PUBLICACIONES 2013. Encuadernacion original. NUEVO / NEW. CUARTANGO R. G. FILOSOFIA Y EXPERIENCIA CONCEPTUAL. SANTANDER 2013 238 p. Encuadernacion original. Nuevo. <br/> <br/> UNIV.DE CANTABRIA - S� PUBLICACIONES unknown‎

書籍販売業者の参照番号 : 544915 ISBN : 8481026875 9788481026870

‎Cubells Salvador Castellote:‎

‎Die Anthropologie des Suarez. Beitr�ge zur spanischen Anthropologie des XVI. und XVII. Jahrhunderts.‎

‎Verlag Karl Alber Freiburg 1962. Verlag Karl Alber, Freiburg, 1962. unknown‎

書籍販売業者の参照番号 : 229247

‎Cuenot Claude Adolf Haas Norbert Luyten u. a.:‎

‎Teilhard de Chardin. Philosophische und theologische Probleme seines Denkens 2. Auflage‎

‎Echter Verlag W�rzburg 1967. Echter Verlag W�rzburg, 1967. unknown‎

書籍販売業者の参照番号 : 234798

‎Cuniberto Flavio‎

‎Paesaggi del Regno. Dai luoghi francescani al Luogo Assoluto‎

‎ill., br. Gli antichi non avevano una chiara nozione del paesaggio. La scoperta, l'invenzione, anzi, del paesaggio nella pittura occidentale avviene tra il XIV e il XV secolo secolo fino poi a diventare un genere autonomo nel Seicento. Questa invenzione, per Flavio Cuniberto, è inscindibile dalla diffusione del francescanesimo nel XIII secolo e dalla sua celebrazione della Madre Terra come immagine del Regno di Dio, del Giardino originario. Inventando il paesaggio, i pittori cominciarono ad aggirarsi senza saperlo intorno a questo luogo: a ritrovarlo nel fascino inspiegabile che si sprigiona dai variegati paesaggi della Madre Terra, sulle tracce del primo formidabile «agrimensore» del paesaggio come memoria del Regno: il santo di Assisi, che lo «misura» percorrendo instancabile e come a passo di danza i luoghi dell'Italia Centrale: di quella Italia che diventerà di lì a poco il «giardin de lo Imperio». Analizzando le opere dei grandi paesaggisti, Flavio Cuniberto conduce il lettore dinanzi al fascino di questa idea: il Luogo, il Giardino originario, che ha attratto anche i grandi viaggiatori metafisici del nostro tempo: Martin Heidegger, alla ricerca di quella che chiama la Terra come Tale (e che non è soltanto la Selva Nera o il paesaggio del Reno), e Peter Handke, innamorato dei luoghi come può esserlo solo chi intravede nei luoghi della terra i contorni baluginanti del Regno.‎

‎Cuozzo Gianluca‎

‎Raffigurare l'invisibile. Cusano e l'arte del tempo‎

‎ill., br. In tutta la sua opera, Cusano ricorre a esempi riferiti all'arte e a giochi di carattere sociale - il gioco della palla, quello della trottola e dell'icona del Cristo onniveggente. Nel suo pensiero è presente un momento "immaginale" che lo accosta, del tutto naturalmente, all'arte e alla rappresentazione artistica. Alcuni artisti e tenaci dell'arte, tra cui Alberti e Jan van Eyck, sembrano avergli suggerito esempi e formule feconde a livello filosofico; altri, come Dürer e Leonardo da Vinci, paiono aver ripreso dai suoi scritti dottrine facilmente assimilabili al linguaggio dell'arte. In un caso soltanto questo rapporto risulta documentabile: quello tra Cusano e il pittore Leonardo da Bressanone, autore di un sorprendente affresco del Dio trivultus. Centrale, anche in questo caso, è la raffigurazione pittorica del "non raffigurabile", di quanto supera ogni figura e immagine. In questo episodio, dunque, una pittura mistica - che, a rigore, "non raffigura nulla" - s'incontra con un pensiero filosofico il cui oggetto eccede ogni nome, immagine e concetto.‎

‎CURI U. ED.‎

‎SOCIETA CIVILE E STATO FRA HEGEL E MARX‎

‎PADOVA: CLESP 1980. 1ª edicion. . Encuadernacion original. NUEVO / NEW. CURI U. ED. SOCIETA CIVILE E STATO FRA HEGEL E MARX. PADOVA 1980 v 276 p. Encuadernacion original. Nuevo. <br /><br /> CLESP‎

書籍販売業者の参照番号 : 370713

‎Curi Umberto‎

‎L'immagine-pensiero. Tra Fellini, Wilder e Wenders: un viaggio filosofico‎

‎br. Questo libro è il tentativo di occuparsi non di cinema, ma di film. Senza sentirsi in obbligo di giustificarsi. Senza cautelarsi preventivamente con robuste dosi dell'Estetica di Hegel o del saggio di Heidegger sull'origine dell'opera d'arte. Senza bombardare il malcapitato lettore con il napalm delle citazioni. L'intento è di verificare, nel campo aperto della lettura del testo cinematografico, fino a che punto la filosofia "c'entri" o meno con il cinema, senza preoccuparsi che ciò che si dice, lavorando su un film, abbia la qualità di essere "filosofico". Si vorrebbe insomma considerare una buona volta risolta, o comunque poco interessante, la questione riguardante lo statuto del cinema. E affondare invece - fino a dove si è in grado di farlo, con tutti gli strumenti analitici di cui si dispone - nel vivo dell'opera cinematografica. Per capirla di più, certamente, ma anche e soprattutto per cogliere meglio in essa la presenza di una 'charis' inconfondibile.‎

‎Curtius Rufus und Max Leitschuh:‎

‎Das Bild der Pers�nlichkeit Alexanders d. Gr.‎

‎C.C. Buchners Verlag Bamberg 1962. C.C. Buchners Verlag, Bamberg, 1962. unknown‎

書籍販売業者の参照番号 : 234986

‎CUZZER Otto.‎

‎Saggio di estetica relativistica.‎

‎Roma, A. Stock, 1924, in-8, br., pp. 190.‎

‎Cysarz Herbert:‎

‎Das Sch�pferische. Die nat�rlich-geschichtliche Schaffensordnung der Dinge.‎

‎Max Niemeyer Verlag Halle 1943. Max Niemeyer Verlag, Halle, 1943. unknown‎

書籍販売業者の参照番号 : 209315

‎CZARTORYSKI P. ED.‎

‎ORGANON 24 - 1988‎

‎WROCLAW: OSSOLINEUM ZAKLAD NARODOWY OSSOLINSKICH 1991. 1� edicion. . Encuadernacion original. NUEVO / NEW. CZARTORYSKI P. ED. ORGANON 24 - 1988. WROCLAW 1991 271 p. figuras Encuadernacion original. Nuevo. <br/> <br/> OSSOLINEUM (ZAKLAD NARODOWY OSSOLINSKICH unknown‎

書籍販売業者の参照番号 : 86437

‎D'Aloia Adriano‎

‎La vertigine e il volo. L'esperienza filmica fra estetica e neuroscienze‎

‎brossura Dalla camminata in precario equilibrio di un funambolo alla passeggiata spaziale di un astronauta sospeso nello spazio siderale, questo libro offre un vertiginoso percorso nelle forme con cui il cinema contemporaneo coinvolge e sconvolge lo spettatore intensificando le sue percezioni e le sue emozioni. Per la prima volta nell'ambito degli studi sull'esperienza filmica, il paradigma della cognizione incorporata e l'ipotesi della simulazione incarnata vengono adottati per descrivere la relazione dello spettatore con i personaggi e con i mondi della finzione cinematografica, in un serrato dialogo fra teorie del cinema, estetica e neuroscienze cognitive. Acrobazia, caduta, impatto, capovolgimento, deriva sono le cinque tappe di questa esplorazione - quasi un unico movimento che scaturisce dalla capacità del film di attivare la mente e il corpo dello spettatore e che conduce quest'ultimo verso il senso più profondo e umano dell'atto di partecipare empaticamente alle azioni, alle emozioni e ai desideri del personaggio.‎

‎D'ANCORA Gaetano‎

‎Lezioni pratiche circa l'imitazione dell'antico nelle arti del disegno, per uso della reale Accademia napolitana di disegno, e di pittura di Gaetano d’Ancora Professore di Lingua, ed Erudizione Greca nella Regia Università degli Studi di Napoli.‎

‎In 8° (19,8x12,7 cm); 174, (2) pp. Legatura coeva in mezza pergamena con titolo manoscritto al dorso. Piatti foderati da carta marmorizzata coeva. Leggero alone di sporco al frontespizio. Tagli spruzzati. Prima rara edizione, quattro soli esemplari censiti in ICCU, del celebre Gaetano d'Ancora (Napoli, 8 ottobre 1751 – Napoli, 7 marzo 1816) archeologo, filologo e grecista. Studioso di lingue classiche ed orientali, che insegnò nel Seminario arcivescovile di Napoli, dopo il 1799 ebbe la cattedra di lingua greca all'Università di Napoli. Fece parte delle principali istituzioni culturali e scientifiche del periodo, italiane ed internazionali, quali l'Accademia Ercolanese, l'Accademia Etrusca di Cortona e la Royal Society di Londra. Nel 1803, l'imperatore di Russia volle averlo come docente di letteratura greca nell'ateneo di Vilnius, ma d'Ancora rifiutò la proposta, desiderando rimanere in patria. Ha scritto numerosi saggi e memorie di antichistica, su scavi e ritrovamenti archeologici. Nel 1794 ha fissato, attraverso il confronto filologico di diversi codici, la principale edizione di riferimento del De Alimento ex aquatilibus di Senocrate. In questa famosa opera di estetica il celebre autore analizza il gusto neoclassico della riproduzione del corpo umano e divino raffrontato con quello dell’antichità analizzando minuziosamente capelli, occhi, viso, orecchie, occhi, abiti, modo di rappresentare il redentore, riti nuziali,funebri, libri e strumenti di scrivere. Opera rara ed in buone condizioni di conservazione.‎

‎D'Angelo P. (cur.)‎

‎Introduzione all'estetica analitica‎

‎br. L'Italia più di altri paesi è stata pronta, negli ultimi cinquant'anni, ad accogliere e studiare tutte le principali tendenze estetico-filosofiche che venivano maturando all'estero. Tutte, tranne l'estetica analitica angloamericana. Per lungo tempo da noi non se ne è voluto sapere nulla e i suoi testi, anche quelli più importanti, hanno circolato pochissimo. Nessuno o quasi ha voluto tradurne i testi, nessuno o quasi ha sentito l'esigenza di occuparsene. Eppure, negli ultimi quaranta, cinquant'anni si è molto lavorato, in ambito analitico, su una serie di problemi rilevanti relativi all'arte. Come ad esempio: quelli relativi alla definizione dell'arte e alla identificabilità degli oggetti artistici; le questioni riguardanti l'ontologia dell'arte ovvero i modi di esistenza delle opere d'arte; il tema della rappresentazione e quelli connessi della esemplificazione e della espressione; il problema del valore estetico e le procedure della critica d'arte. I saggi di Paolo D'Angelo, Pietro Kobau, Giovanni Matteucci, Simona Chiodo e Stefano Velotti che compongono questo volume costituiscono la prima introduzione complessiva all'estetica analitica nella nostra lingua, oltre che una guida alle questioni fondamentali che la filosofia incontra quando riflette sull'arte e sulla bellezza in genere.‎