‎Rostand edmond‎

‎PARIS-SOIR-N°221-MERCREDI 29 JANVIER 1941‎

‎4 PAGES FORMAT 43 CM X 60 CM-P1: L'URSS ET LE JAPON SONT D'ACCORD POUR CONCLURE UN TRAITE POLITIQUE-DANS QUELQUES MOIS NOUS AURONS LES PIECES DE 10 ET 20 FRANCS A L'EFFIGIE DU MARECHAL-LES CONSEILS GENERAUX SERONT REMPLACES PAR DES COMMISSIONS ADMINISTRATIVES-LE PAQUEBOT BRITANNIQUE "EMPRESS OF AUSTRALIA" TORPILLE DANS L'ATLANTIQUE, PHOTO-UN GRAND GALA DE "PARIS-SOIR" TOVARITCH AUX "BOUFFES-PARISIENS" QUELQUES MINUTES AVEC E.POPESCO-DEJA, ILS PREPARENT UN COUP LES TROIS EVADES DE CAEN SONT ARRETES, PHOTO, SUITE P3-QUARANTE ET UN ANS APRES REVERRONS-NOUS BIENTOT "L'AIGLON" SUR UNE SCENE PARISIENNE?, PHOTO, SUITE P3-AU BUREAU D'EMBAUCHE DES OUVRIERS FRANCAIS TRAVAILLANT EN ALLEMAGNE, 2 PHOTOS-PHOTO JENNY MAY AU LIDO-P3: LA RUSSIE RESTERA TOUJOURS L'ALLIEE DU REICH DECLARE M.KERENSKI-LES NOUVELLES PIECES A L'EFFIGIE DU MARECHAL‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-14982610572

‎PARIS DIMANCHE-3e ANNEE-N°133-28 DECEMBRE 1947‎

‎8 PAGES-38 CM X 56-APRES LA CONFERENCE DE LONDRES LES DEUX DESTINS DE L'ASTRE NOIR, SUITE P3-LES PROBLEMES DE L'EST-AFRICAIN OU LA FRANCE SE MONTRE GENEREUSE, PAR JEAN PERRIGAULT, PHOTO, SUITE P5-L'INDUSTRIE ATOMIQUE CE QUE LES ETATS-UNIS ONT FAIT, D'AUTRES PEUVENT LE FAIRE, PHOTO, SUITE P3-CYRANO, A CINQUANTE ANS, EST AUSSI JEUNE QU'EN 1897, PAR EMILE RIPERT, 2 PHOTOS-AUX FOLIES BERGERE: NITA RAYA‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1727281809131

‎Schéhérazade n° 1‎

‎Paris A la Belle Edition 1909 In-4 carré Agrafé Edition originale‎

‎N° 1, 10 novembre (1909). Textes de : Bernouard, Bonnard, Chasseriau, Cocteau, Croisset, Cruppi, Magre, Perrot, Régnier, Rostand ... Illustrations de Chotin, Guérin, Dethomas, Iribe, Jaulmes, Sue... Musique de Massenet. Bon exemplaire 0‎

Riferimento per il libraio : 003688

‎TOUT SAVOIR-N°71-AVRIL 1959-BRIGITTE BARDOT‎

‎130 PAGES-17 CM X 24 CM-EN COUVERTURE "VOICI LES 7 IMAGES INTERDITES AU CINEMA", PHOTOGRAPHIE EN COULEURSDE BRIGITTE BARDOT EN PIEDS-CES IMAGES MAUDITES QUE L'ECRAN NOUS CACHE, 11 PAGES PAR JEAN SODINI-SPLENDEURS ET MISERES DES GEANTS, PAR JEAN DAUVEN,6P-POETE DU "PANACHE" EDMOND ROSTAND, 7P-LANDORRE EST LE PAYS OU L'ON INTERROGE LES MORTS, 7P PAR PIERRE CAUTRAT-PHILOMENE ET SON TONTON, ILE MAURICE, 6P PAR HERVE MASSON-(16D)‎

‎COUVERTURE SOUPLE ETAT BON‎

Riferimento per il libraio : ABE-1587993323483

‎"ROSTAND, EDMOND.‎

‎Cyrano de Bergerac. Comédie héroïque en cinq actes en vers. Représentée à Paris, sur le Théâtre de la Porte Saint-Martin, le 28 décembre 1897. 136e mille. - [""ONE OF THE CENTURY'S GREATEST SMASH HITS""]‎

‎Paris, 1898. 8vo. Contemporary half calf with five raised bands, gilt spine. Single gilt lines to boards. Capitals and corners worn. Inner hinges a bit weak. With Eugen Zabel's book plate to inside of front board, a postcard depicting Edmond Rostand's residense at Cambo, obviously posttamped on verso, pasted on to front free end-paper, contemporary newspaper-clipping about the numerous performances of ""Cyrano von Bergerac"" around the world pasted in to hinge of fly-leaf, where the presentation-inscription (for Eugène Zabel) is written, and finally, the original handwritten address in Rostand's hand, cut out from the envelope in which the book was sent to Zabel, is pased into hinge of half-title. Internally nice and clean.‎

‎First edition, 136th thousand (same year as the first), presentation-copy ""à M. Eugène Zabel/ très cordial envoi, -/ remerciement, -/ et sympathie./ Edmond Rostand/ Octobre 98"" of Rostand's masterpiece, which against all odds became one of the most popular plays of the century and an overnight success throughout Europe.At the end of the 19th century in France, as well as in the rest of Europe, the industrialization was the force that dominated almost all aspects of society, i.e. everything from politics and sociology to science, art, philosophy, etc. And thus, also literature and theatre in this period were products of this new power. This meant that the trend that became prevailing within literature and drama was that of realism, which in France soon developed into naturalism. In the midst of this all-encompassing emphasis on objective documentation of everyday life which rejected romance, idealization and dreaming of any kind, emerged suddenly a work that no one could believe would have any success whatsoever, but which against all odds became the hugest dramaturgical success of the period and a theatrical monument that has been remembered ever since and which still stands as thus: Rostand's ""Cyrano de Bergerac"", the unlikely play about romantic heroes, fairy-tale like maidens, medieval-inspired sword-fights, about poetry, love, and art. The play had been taken on already in 1897, when the manuscript was finished, but the directors of the theatre regretted their decision immediately, not least due to the public reaction to the ""outdated"" romantic comedy-drama, which nobody would want to go see, and thus they severely cut the budget so that Rostand had to pay for all the costumes himself. Even the actor playing the main part, a leading actor at the time, regretted having taken the part, and Rostand is reported to have apologized to him for involving him in this ""disastrous adventure"". ""Therefore, when the curtain rose on ""Cyrano de Bergerac"" for the first time on December 28, 1897, expectations were low. The audience, however, was about to be pleasantly surprised. From the hero's last first majestic entrance to his last farewell, he transfixed his viewers. Theatergoers cheered Cyrano's triumphs, sighed at his suffering, laughed at his witty wordplay, and cried as his fate became known. A full hour after the curtain fell, the audience was still applauding thunderously. It is not easy to explain why Rostand's play confounded everyone by becoming one of the century's greatest smash hits. Perhaps the answer lies in ""Cyrano de Bergerac's"" stark contrast to the grimly realistic plays of its day, which often focused on modern society's darkest problems. The figure of the swashbuckling Cyrano dueling his way across the stage and stunning his compatriots with his verbal cleverness took Paris by storm. In fact, many critics, both of Rostand's time and later, attributed the play's tremendous success to its romanticism, or emphasis on idealism and heroism."" (Glencoe Literature Library, Study Guide for Cyrano de Bergerac).The work immediately became a huge success and within a very short amount of time, it had been translated into almost all European languages and was performed at theatres throughout Europe.Eugen Zabel was a famous literary critic and author, who at the time of ""Cyrano de Bergerac"" was editor of the ""Nationalzeitung"". He was born in Königsberg in 1851 and died in Berlin in 1925. In his youth he wrote poems, and after his move to Berlin, he worked as a journalist, critic, and writer. He did a lot of work on Russian themes, both political, historical, topographical, and literary, and he became closely connected to the country. He was highly respected for his liiterary criticism and his opinions, though often controversial, played an important role in public opiniation.‎

Riferimento per il libraio : 42164

‎(BINDINGS - THE CLUB BINDERY). ROSTAND, EDMOND‎

‎CYRANO DE BERGERAC‎

‎Paris: Armand Magnier 1899. No. 42 OF 500 COPIES this ONE OF 20 ON JAPON WITH ENGRAVINGS IN THREE STATES. 300 x 207 mm. 12 x 8". 4 p.l. <br/> ELEGANT SCARLET CRUSHED MOROCCO GILT AND INLAID BY THE CLUB BINDERY and LEON MAILLARD Finisher both names stamp-signed in gilt on front turn-ins covers framed by curling gilt vines bearing citron morocco blossoms a total of 104 inlays on each cover raised bands spine panels with gilt vine circlets blooming with a total of 20 inlaid citron morocco flowers gilt lettering turns-ins elaborately gilt marbled endpapers top edge gilt other edges untrimmed. Original paper wrappers bound in the pictorial front cover present in three additional states black & white B&W before letters and color. In slightly worn matching morocco-backed jacket. With 54 wood engravings by Romagnol after François Thévenot cover and portrait Adrien Moreau Act I Charles Léandre Act II Albert Laurens Act III François Flameng Act IV and Albert Besnard Act V including five full-page plates all in three states one before letters the full-page plates also in a color state separately furnished to subscribers by the publisher per a notice bound in at the end of the text. Front pastedown with morocco bookplate of Robert Hoe. Lower corners a bit bumped tail edge of lower board with shallow one-inch dent occasional paper flaws or discoloration to edges of leaves but an excellent copy the interior clean and fresh and the binding lustrous.<br/> <br/> This is a luxurious illustrated edition of Rostand's classic work offered in a sumptuous binding done by the Club Bindery for its co-founder and manager Robert Hoe. Rostand's influential and enduringly popular 1897 verse play in five acts--sometimes referred to colloquially as the "Romance of the Nose"--is loosely based upon the real-life story of the French author and duelist Cyrano de Bergerac 1619-55 who was famous for having a prodigious proboscis. A theatrical triumph from its opening night the play focuses on the eloquent Cyrano's unrequited love for the comely Roxanne whom he must court as secret proxy for a friend of handsome visage but wooden tongue. Rostand 1868-1918 wrote a number of successful plays often like "Cyrano" based on figures from French history. The present beautiful large-format copy was originally owned by Robert Hoe a founder of the Grolier Club and one of the world's great book collectors. After Grolier was established in 1884 it soon became apparent that the country's few established hand binders were overtaxed in providing repairs and rebinding for the club members' rapidly accumulating acquisitions. As a consequence in 1895 Grolier members along with Edwin Holden and other wealthy collectors established the Club Bindery in order to attract European craftsmen to provide close to home fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909 with Hoe being its manager and most important client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Leon Maillard who had worked previously for Cuzin Gruel and Marius-Michel and whose precise and intricate finishing is impressively demonstrated on our binding here. It is said by Beverly Chew that Hoe 1839-1911 had a collection that was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. The present volume represents the fine level of aesthetic achievement typical of the bindery and it is especially impressive because of its significant dimensions. Armand Magnier unknown‎

Riferimento per il libraio : ST20804

‎(ROSTAND).‎

‎Carton d'invitation‎

‎Carton d'invitation à la librairie de Chaillot à Paris sous le patronage de Maurice Rostand le mercredi 1er juin 1949, Christiane Carpentier interprétera des poèmes de Marie-Claire Fleury “Recueillements”. 1 carton (10,5 x 14 cm).‎

Riferimento per il libraio : 21204

‎(THEATRE) ROSTAND (Edmond)‎

‎L'aiglon.‎

‎Paris, Librairie Charpentier & Fasquelle, 1900. Petit in-8, fine reliure 1/2 chagrin vert (dos uniformément passé marron), dos lisse orné de motifs dorés. 263 pp.‎

Riferimento per il libraio : 6298

‎(THEATRE) ROSTAND (Edmond)‎

‎Les romanesques.‎

‎Paris, Librairie Charpentier & Fasquelle, 1908. Petit in-8, fine reliure 1/2 chagrin vert (dos uniformément passé marron), dos lisse orné de motifs dorés. 155 pp.‎

Riferimento per il libraio : 6300

‎(to Boris VIAN) - Jean ROSTAND‎

‎Les origines de la biologie expérimentale et l'abbé Spallanzani‎

‎Paris: Fasquelle 1951. Fine. Fasquelle Paris 1951 12.50 x 20 cm broché First edition one of 60 numbered copies on alfa paper the only deluxe copies. Handsome copy. Very precious autograph inscription signed by Jean Rostand to his friend and neighbor Boris Vian: ""Pour Boris dont la curiosité s'étend jusqu'aux origines de la biologie expérimentale. En cordial souvenir. Jean Rostand"" ""For Boris whose curiosity extends to the origins of experimental biology. In cordial remembrance. Jean Rostand"". Jean Rostand who was Boris Vian's neighbor in Ville d'Avray introduced him to Gallimard and made Raymond Queneau discover his works. Fasquelle unknown‎

Riferimento per il libraio : 72741

‎(TREMOIS) MONTHERLANT (Henry de) et ROSTAND (Jean)‎

‎Pierre-Yves Trémois‎

‎Editions Jacques Frapier 1971, grand in-4 (32,5 x 28,5 cm) relié toile grise de l'éditeur, 128 p. (manque la jaquette, une trace sans gravité sur le second plat, sinon très bon état) Première édition, avec envoi de Trémois. Bel album, illustré à toutes les pages de reproductions d'oeuvres de ce grand artiste ; textes de Montherlant et Rostand, préface de Louis Pauwels.‎

Riferimento per il libraio : 51757

‎(à Boris VIAN) - Jean ROSTAND‎

‎Les origines de la biologie expérimentale et l'abbé Spallanzani‎

‎Fasquelle | Paris 1951 | 12.50 x 20 cm | broché‎

‎Edition originale, un des 60 exemplaires numérotés sur alfa, seuls grands papiers. Agréable exemplaire. Très précieux envoi autographe signé de Jean Rostand à son ami et voisin Boris Vian : "Pour Boris dont la curiosité s'étend jusqu'aux origines de la biologie expérimentale. En cordial souvenir. Jean Rostand." Jean Rostand qui fut le voisin de Boris Vian à Ville d'Avray, l'introduisit chez Gallimard et fit découvrir à Raymond Queneau ses oeuvres. - Photographies et détails sur www.Edition-Originale.com -‎

Riferimento per il libraio : 72741

‎- Borchard Adolphe - Rostand Edmond‎

‎Partition de la chanson : Sans toi A Yvonne Printemps Poésie‎

‎Eschig Max 1937‎

‎Très bon état Grand format Piano‎

Riferimento per il libraio : 75292

‎1868-1918, Rostand Edmond‎

‎Cyrano De Bergerac: Comédie Héroïque En Cing Actes En Vers French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 1020995351.G ISBN : 1020995351 9781020995354

‎1868-1918, Rostand Edmond‎

‎Cyrano De Bergerac: Comédie Héroïque En Cing Actes En Vers French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 0353753408.G ISBN : 0353753408 9780353753402

‎1868-1918, Rostand Edmond‎

‎La Princesse Lointaine; pièce en quatre actes en vers French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 1018142096.G ISBN : 1018142096 9781018142098

‎1868-1918, Rostand Edmond‎

‎Les musardises: Edition nouvelle 1887-1893 French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 0274586320.G ISBN : 0274586320 9780274586325

‎1868-1918, Rostand Edmond‎

‎Oeuvres complètes illustrées de Edmond Rostand; Volume 2 French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 1018639209.G ISBN : 1018639209 9781018639208

‎1891-1968, Rostand Maurice‎

‎Le cercueil de cristal; roman French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 1173145915.G ISBN : 1173145915 9781173145910

‎[ALBUM MARIANI].‎

‎FIGURES CONTEMPORAINES. " Quatrième volume ". Préface de Jules Claretie.‎

‎Librairie Henri Floury. 1899. In-4°, reliure percaline bordeaux, titre doré au dos et sur le premier plat, couverture conservée. 75 biographies, notices, autographes et portraits. Bon exemplaire.‎

‎Parmi les 75 célébrités vantant les vertus du Vin tonique Mariani à la coca du Pérou, citons : Jean Aicard, Louis Barthou, William Bouguereau, Edouard Drumont, Abel Hermant, Henrik Ibsen, Lévy-Dhurmer, Octave Mirbeau, Robert de Montesquiou, Mucha, Rachilde, Henri de Régnier, Edmond Rostand, Sully-Prudhomme‎

Riferimento per il libraio : 5462

‎[BERNARD (Claude)] - [ROSTAND (Jean)].-‎

‎Claude Bernard. Morceaux choisis et préfacés par Jean Rostand. Quatrième édition.‎

‎P., Gallimard, NRF, 1938, in 12 broché, 285 pages.‎

‎Exemplaire du Service de Presse. ...................... Photos sur demande ...................‎

Riferimento per il libraio : 34811

‎[BIOLOGIE ] - ROSTAND (Jean) -‎

‎Aux sources de la biologie.‎

‎, Gallimard, 1958 ; in-8, 273 pp., broché, couverture illustr.‎

‎.‎

Riferimento per il libraio : 200615911

‎[BIOLOGIE] - ROSTAND (Jean) -‎

‎Esquisse d'une histoire de la biologie.‎

‎Paris, NRF Gallimard, 1948 ; in-12, 250 pp., br. Broché en très bon état nombreuses planches d"illustrations en noir et blanc hors-texte.‎

‎Broché en très bon état nombreuses planches d"illustrations en noir et blanc hors-texte.‎

Riferimento per il libraio : 201117801

‎[BIBLIOPHILIE] - ROSTAND (Edmond) -‎

‎L'aiglon.‎

‎Paris, Editions du panthéon, 1946 ; in-8, 261 pp., br. Tache de rousseur.‎

‎Tache de rousseur.‎

Riferimento per il libraio : 201415048

‎[BIOLOGIE] - ROSTAND (Jean) -‎

‎L'avenir de la biologie.‎

‎Bruxelels - Paris, Editions du sablon, 1946 ; in-12, 182 pp., br. Broché exemplaire papier bruni.‎

‎Broché exemplaire papier bruni.‎

Riferimento per il libraio : 201214171