‎Andersen hans christian ‎

‎ANDERSEN, JØRN (RED.).‎

‎Arbejdsretligt tidsskrift 2011‎

‎København, 2012. Orig. omslag. 248 pp.‎

書籍販売業者の参照番号 : 47385

‎ANDERSEN, JØRN (RED.).‎

‎Arbejdsretligt tidsskrift 2010.‎

‎København, 2011. Orig. omslag. 209 pp.‎

書籍販売業者の参照番号 : 47993

‎ANDERSEN, JON.‎

‎Social forvaltningsret.‎

‎København, 2012. Orig. omslag. 474 pp.‎

‎4. udgave.‎

書籍販売業者の参照番号 : 48100

‎ANDERSEN, H.C.‎

‎H.C. Andersens Dagbøger 1825-1875. Udg.under Ledelse of Kåre Olsen og H.Topsøe-Jensen. 12 bd.‎

‎København, Gad, 1971-76. 8vo. 12 volumes in the original half cloth. A fine set.‎

‎Volume I-X: H. C. Andersen's diary 1825-1875. Volume XI: Register of persons. Volume XII: Other registers.‎

書籍販売業者の参照番号 : 48628

‎ANDERSEN, PAUL KRÜGER.‎

‎Aktie- og Anpartsselskabsret.‎

‎København, 2013. Orig. papbind. 700 pp‎

‎12. udgave.‎

書籍販売業者の参照番号 : 49583

‎ANDERSEN, JØRN (RED.).‎

‎Arbejdsretligt Tidsskrift 2013.‎

‎København, 2014. Orig. omslag. 115 pp.‎

書籍販売業者の参照番号 : 50883

‎ANDERSEN, H.C.‎

‎H.C. Andersens Dagbøger 1825-1875. Udg.under Ledelse of Kåre Olsen og H.Topsøe-Jensen. 12 Bd.(incl.registerbd.).‎

‎K., 1971-76. 12 orig.hshirtbd.‎

書籍販売業者の参照番号 : 633

‎ANDERSEN, H.C.‎

‎Tre nye Æventyr og Historier.‎

‎K., 1870. Samt.hldrbd.‎

‎BFN 992. Originaludgave.‎

書籍販売業者の参照番号 : 6935

‎ANDERSEN, H.C.‎

‎Lykke=Peer.‎

‎K., 1870. Smukt nyere hldrbd.(Rigmor Birkedal Kragh) m.rig tidstypisk rygforgyldn. Ubeskåret. Enkelte blade m. få brune pletter.‎

‎BFN 1006. Originaludgave.‎

書籍販売業者の参照番号 : 6938

‎ANDERSEN, H.C.‎

‎I Sverrig.‎

‎K., 1851. Samt helshirtbd. Ryg mgl. Her og der lidt brunplettet. (8), 210 pp.‎

‎BFN 591. Originaludgave.‎

書籍販売業者の参照番号 : 7224

‎"ANDERSEN, H.C.‎

‎""At være eller ikke være"". Roman i tre Dele.‎

‎K., 1857. Samt. hldrbd. med rygforgyldn. Ryg m. lidt brugsspor‎

‎BFN 762. Originaludgave.‎

書籍販売業者の参照番号 : 736

‎FELDBORG, A. ANDERSEN.‎

‎Denmark Delineated or Sketches of the Present State of that Country. Illustrated with Engravings from the Designs of Eminent Danish Artists. 3 Parts.‎

‎Edimbourgh, 1824. Royal8vo. Fine later hmorocco. Engr. title (upper left corner stained), (4),36,104,116,64,74 pp. and 22 engraved plates. - Originaludgaven. Heri bl.a. 3 prospekter stukket af H.G.F. Holm (Fattig-Holm).‎

書籍販売業者の参照番号 : 9352

‎ANDERSEN, H.C.‎

‎- Breve til Hans Christian Andersen. Udg. af C.St.A. Bille og Nikolaj Bøgh.‎

‎K., 1877. Samt. hldrbd. 690 pp.‎

書籍販売業者の参照番号 : 937

‎ANDERSEN, H. C.‎

‎Mulatten. Originalt romantisk Drama i fem Akter.‎

‎Kjøbenhavn, Forfatterens Forlag, 1840. Indbundet i et nydeligt nyere halvmaroquin med blindtrykte dekorationer ved kapitælerne. Forgyldt rygtitel. Håndsyede kapitælbånd og fladstrøgne kapitæler. (Sign. Rigmor Birkedal Kragh). Svage brunpletter.‎

‎Originaludgaven. BFN: 368.‎

書籍販売業者の参照番号 : 57266

‎"ANDERSEN, H. C.‎

‎Tre Digtninger. Lykkens Kalosker. En rigtig Soldat. Det har Zombien gjort. - [ANDERSEN'S FIRST ADULT FAIRY-TALE]‎

‎Kjøbenhavn, C. A. Reitzel, 1838. Indbundet ubeskåret i et nyere marmoreret papbind med forgyldt titelfelt på forpermen. Enkelte brunpletter.Bound uncut in a later marbled paper binding with gilt title to front board. A bit of brownspotting.‎

‎Scarce first edition of Andersen's ""Three Poetical Works"", which contains the first printing on one of his most important fairy tales, ""The Galoches of Fortune"", which is in fact his very first fairy tale for adults, here in the original version (it was later re-written for publication in Andersen's collected fairy tales 1849-50). It appeared while Andersen was still publishing his first fairy tale-collection, namely as early as 1838, and constitutes the 18th fairy tale that he publishes, predating e.g. ""The Steadfast Tin Soldier"". ""The Galoches of Fortune"" is of the utmost importance to the development of Andersen's fairy tale writing and his style of writing. It is not only his first grown-up fairy-tale, it is also the first, in which he works with dividing a fairy tale into chapters, here bound together by the galoche-motive as the red line. This highly important fairy tale was so important that even though it differs in style from the other fairy tales for children that appeared during the same period, it needed to be included in the great collection of Andersen's fairy tales that appeared in 1849-50. But for this publication, the fairy tale needed re-writing, both linguistically and stylistically, and thus it is only in the present publication that we have it in its original version.""The Galoches of Fortune"" was very important to Andersen himself, who mentioned it in several letters while he was working on it. In a letter to Ms. Hanck, dated March 16 1938, he talks about his ""Three new poetical works"""" ""The first (i.e. The Galoches of Fortune"") is a fairy tale and I think the most satirical one I have written as well as some of the most phantastic that our literature holds."" - Clearly showing the importance that Andersen himself bestowed upon the work. In a letter to Henriette Hanck, dated February 10 1838, he emphasized that ""The Galoshes of Fortune"" were ""not for children"". As the fairy-tale is more in line with the ""Hoffmann-like imagination"" that we also see in ""A Walking Tour"" than with the spirit and style of the Fairy Tales for Children, Andersen himself also had some anxieties about it, however, and wrote to Frederik Læssøe on February 23 1938 ""I'm working on a fairy-tale, but now regret these juggling acts with the golden apples of imagination"".His anxieties world prove not to be completely unfounded. The work was widely read, but it also caused quite a bit of controversy. Kierkegaard, for instance, hated the work and harshly criticized its satirical features. As ""The Galoches of Fortune"" appear in May 1838, Kierkegaard's first work, ""From the Papers of one Still Living"", appears in September the same year. That work constitutes his long, sharp critique of Hans Christian Andersen, in which he ridicules Andersen and the genre of fairy tales in general. Kierkegaard furthermore denies that Andersen has any aptitude as a novelist and accuses him of not having ""philosophy of life"". Andersen had already heard rumours of the book on 30th August and felt martyred at the thought of what lay ahead.The dramatic poem ""A Real Soldier"" was submitted to the Royal Theatre in April 1836, but returned in May of the same year. BFN 320.‎

書籍販売業者の参照番号 : 57269

‎ANDERSEN, H. C.‎

‎Billedbog uden Billeder.‎

‎Kjøbenhavn, C. A. Reitzel, 1840. Indbundet i et nyere halvlæderbind med rygforgyldning. Forgyldt titelfelt på forpermen. (Sign. Anker Kyster). Med Eiler Høegs navnetræk på forsatsbladet. De første og sidste blade brunede.‎

‎Originaludgaven. BFN 360.‎

書籍販売業者の参照番号 : 57273

‎ANDERSEN, H. C.‎

‎Phantasier og Skizzer.‎

‎Kjöbenhavn, Forfatterens Forlag, 1831. 12mo. Indbundet i et samtidigt halvlæderbind med rygforgyldning. Forgyldt titeletiket. False en smule slidte. Øvre kapitæl nydeligt restaureret. Tidligere ejeres navnetræk på forsatsbladet. Et lille hul i smudstitlen. Indvendig ren.‎

‎Originaludgaven. BFN 109.‎

書籍販売業者の参照番号 : 57276

‎"ANDERSEN, H.C.‎

‎Nye Eventyr og Historier. Anden Række. (Første)-Fjerde Samling. - [18 FAIRY TALES IN FIRST PRINTING]‎

‎Kjøbenhavn, 1861-66. Four issues, in varying bindings: 1: Very nice later light brown half morocco binding in pastiche-style with lovely gilding to spine. A nice and clean copy.2: Original publisher's blue cloth binding with gilt lettering to spine and front board and blindstamped ornamental border to boards. Spine professionally restored. A very nice copy. 3: Bound with the original printed illustrated wrappers in a lovely later brown half mororcco binding with lovely gilding to spine and lovely gilt borders to boards. Back wrapper with restorations. A bit of brownspotting and an old owner's signature to front wrapper, but all in all an excellent copy. 4: Original publisher's brown cloth binding with gilt title to front board. Lacking 1 cm at top capital. Inner hinges weak. Contemporary owner's presentation-inscription to front free end-paper. Very nice and clean.‎

‎First editions, first issues. An excellent set with three of the issues in various original states. Here, we have the entire second series, all four issues, of Andersen's third fairy-tale collection, which contains some of his most beloved tales and stories, among them ""Tolv med Posten"" (Twelve by the Mail), ""Hvad Fatter gør er altid det Rigtige"" (What the Old Man Does is Always Right ), ""Sneemanden"" (The Snow Man), ""Isjomfruen"" (The Ice Maiden), ""Psychen"" (The Psyche ), ""Gjemt er ikke glemt"" (Kept Secret but not Forgotten), ""Skrubtudsen"" (The Toad), etc., etc.In all, the present four issues contain 18 fairy-tales in their first printing.‎

書籍販売業者の参照番号 : 57385

‎ANDERSEN, H. C.‎

‎Ravnen eller Broderprøven. Trylle-Opera i tre Acter, (efter Gozzis tragicomiske Eventyr). Musikken componeret af J. P. E. Hartmann.‎

‎Kjøbenhavn, Bianco Luno & Schneider, 1832. Originalt bogtrykt kartonnage. Ryg forstærket. Noget brunplettet. Indlagt i en smuk nyere bogæske. (Sign. Rigmor Birkedal Kragh).‎

‎Originaludgaven. BFN 196.‎

書籍販売業者の参照番号 : 57465

‎ANDERSEN, H. C.‎

‎Dryaden. Et Eventyr fra Udstillingstiden i Paris 1867.‎

‎Kjøbenhavn, C. A. Reitzels Forlag, 1868. Indbundet ubeskåret med de originale omslag i et nyere blåt papbind med håndskrevet titeletiket hen over ryggen, på forpermen. Samtidigt ejernavn (Mozart Goldschmidt) på foromslaget. Nydeligt eksemplar.‎

‎Originaludgaven. BFN 978.‎

書籍販売業者の参照番号 : 57472

‎ANDERSEN, H. C.‎

‎Da Spanierne var her. Originalt romantisk Lystspil i tre Acter.‎

‎Kjøbenhavn, C. A. Reitzels Forlag, 1865. Indbundet med de originale omslag i et smukt halvmaroquin med rygforgyldning. Forgyldt titeletiket. Håndsyede kapitælbånd og fladstrøgne kapitæler. (Sign. Rigmor Birkedal Kragh). Foromslag restaureret i hjørnerne. Enkelte spredte brunpletter.‎

‎Originaludgaven. BFN 888.‎

書籍販売業者の参照番号 : 57475

‎"ANDERSEN, H. C.‎

‎De to Baronesser. Roman i tre Dele. Tre Deele.‎

‎Kjøbenhavn, C. A. Reitzel, 1849. Indbundet i tre smukke, ensartede lidt senere røde halvlæderbind med rig rygforgyldning og forgyldte titel- og tome-felter af sort skind på rygge. Uden smudstitelblad i første del, men med alle tre indholdsfortegnelser. Lille stempel på verso af titelbladet til første del ""CAR"". Antageligt udgiveren C. A. Reitzels arkiveksemplar. Særdeles nydeligt sæt.‎

‎Originaludgaven. BFN 539.‎

書籍販売業者の参照番号 : 57477

‎ANDERSEN, H. C.‎

‎I Spanien.‎

‎Kjøbenhavn, C. A. Reitzels Forlag, 1863. Originalt komponeret helshirtbind med rig rygforgyldning og forgyldt arkitektonisk dekoration på forpermen. Blindtrykt dekoration på bagperm. Kapitæler og false en smule slidte. Tidligere ejers navnetræk på forsats- og titel-bladet. Her og der en smule brunplettet. Alt i alt et meget nydeligt eksemplar.‎

‎Originaludgaven. BFN 869.‎

書籍販売業者の参照番号 : 57480

‎"ANDERSEN, H. C.‎

‎Fodreise fra Holmens Canal til Østpynten af Amager i Aarene 1828 og 1829. Andet Oplag. (Forøget af Forfatteren).‎

‎Kjøbenhavn, C. A. Reitzel, 1829. Bound in a contemporary slightly worn half calf with gilt spine. Some wear to hinges and capitals. Previous owner's signature to top of title page. Some brownspotting. Last leaf restored to inner margin.‎

‎The rare second issue of Hans Christian Andersen's debut novel, ""Journey on Foot"", here in the extremely scarce original printed wrappers. Andersen himself considered this book his debut and refers to it as ""my first publication"". It came to play a tremendous role in the development of his writing and constitutes one of his most important works. It is the first piece of Andersen that yields any success and the first work for which he gained any recognition.""It is a well-known fact that Hans Christian Andersen made his début as a writer three times during his youth. The first time he published a book was in 1822, when ""Youthful Attempts"" came out... He was 17 years old, penniless and in need for help, but the main part of the circulation ended up in the paper mill...The second time he made his début was in 1829, when he published ""Journey on Foot from Holmen's Canal to the Eastern Point of Amager"", a book which can hardly be classified as a travel book. To me it seems a subtle and humorous arabesque and a literary satire. This book was published in the year after he had left grammar-school and was qualifying for the entrance examination to academic studies at the university. It can rightly be regarded as a key, which enables us to understand the entire development of his later production...It was Carl Bagger, his friend from the school days, who had instigated him to cultivate his inborn talent for satire, and during the same year he published ""Journey on Foot"" they met regularly together with a third mate in the ""Serapionsclub"" to which Andersen showed up with a piece of paper sticking out of his pocket. As a free writer it was the fantastic arabesque à la E. T. A. Hoffmann, which came into the centre of their poetic endeavour. What he had learned from Bernhard Severin Ingemann, his fatherly friend, talked about to Carl Bagger and read in Hoffmann, Jean Paul and Ludwig Tieck, he laid out in his book, which as a mixture of an autobiography in disguise and an allegorical satire contains all the basic motifs of his poetic world as a raw material."" (Kofoed)In ""The Fairy Tale of My Life"", Andersen writes: ""Having passed my examinations, the multicoloured fantasies and inventions by which I had been haunted on my walking tours back from my coach, flew like a swarm of bees out in the world in my first publication: ""Journey on Foot from Holmen's Canal to the Eastern Point of Amager"", a humours, weird book, a kind of fanciful arabesque, yet perfectly indicating my whole personality and my views at that time.""""""Journey on Foot"" is a grotesque and serious satire foreseeing the deluge of letters in a mass society, and this issue is in my opinion not only superior as a motive in Andersen's first book but also an overall theme in his entire production. A kind of grotesque humour is one of the characteristics of the arabesque, and if we take a look at the collected tales we may easily sort out a series of narratives typical of the same fluttering, self-ironical and even prophetic style."" (Kofoed)See: Kofoed, Niels: ""The Arabesque and the Grotesque - Hans Christian Andersen Decomposing the World of Poetry"" , In: Johan de Mylius, Aage Jørgensen and Viggo Hjørnager Pedersen (ed.): ""Hans Christian Andersen. A Poet in Time. Papers from the Second International Hans Christian Andersen Conference 29 July to 2 August 1996."" The Hans Christian Andersen Center, Odense University, Odense University Press. 576 pages, Odense, Denmark 1999.A good copy with the often missing half title which is not mentioned by Birger Frank Nielsen.BFN 27.‎

書籍販売業者の参照番号 : 57489

‎ANDERSEN, H. C.‎

‎Kun en Spillemand. Original Roman i tre Dele. 1.-3. Deel.‎

‎Kjøbenhavn, C. A. Reitzels Forlag, 1837. Indbundet i et samtidigt halvlæderbind med rygforgyldning. Forgyldt rygtitel. Fire ophøjede bind på ryg. Øverste to centimeter af ryggen mangler. Ryggen falmet. False en smule slidte. Titelblad brunet, med slid i hjørnerne og forstærket i indre margin. Noget brunet i kanterne. Mangler smudstitelbladene.‎

‎Originaludgaven. BFN 308.Eksemplaret har tilhørt Eiler Høeg og bærer hans exlibris samt navnetræk på smudstitelbladet og titelbladet.‎

書籍販売業者の参照番号 : 57495