‎Hokusai‎

‎ARTS-N°541-DU 9 AU 15 NOVEMBRE 1955‎

‎12 PAGES-EN UNE PHOTO NOIR ET BLANC DU PEINTRE UTRILLO 15 CM X 16,5 CM-EN UNE: "UTRILLO MON AMI" PAR EDMOND HEUZE/SUITE P9-EN UNE: "SOUVENIRS D'ENFANCE" PAR MARIE LAURENCIN-AINSI PARLE JULIETTE GRECO: JE REALISE MON PREMIER REVE/PAR MICHELE PERREIN/PHOTO DANS ANASTASIA-"CHIENS PERDUS SANS COLLIER DE JEAN DELANNOY/PHOTO-"LES HEROS SONT FATIGUES" D'YVES CIAMPI/PHOTO-COMMENT ON APPREND LE FRANCAIS AUX POLYTECHNICIENS/PAR JACQUES LAURENT-LES EXPOSITIONS DE LA SEMAINE/VIEIRA DA SILVA/HOKUSAI/GUERRIER-EN DERNIERE PAGE: LE SALON D'AUTOMNE 1955‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-7937149159

‎Children Represented in Ukiyo-e: Japanese Children in the 18th-19th Centuries‎

‎A clean, unmarked book with a tight binding. 113 pages. 8 1/4"w x 11 5/8"h. Exhibition catalog for a show that appeared in Russia, England, France, and Germany. The ukiyo-e prints of the Edo period represented here includes portraits of mother and chld, depecitions of customs and games, children's prints, and omacha-e.‎

‎Collection Huguette Beres. Est, grand in-4, broché, catalogue de très importante vente Sotheby's Paris, 25 novembre 2002, 229 numéros décrits, tous illustrés, 340 pages ( Suzuki Harunobu - Ando Hiroshige - Katsushika Hokusai - Tôshûsai Sharaku -- Kitagawa Utamaro - albums et livres illustrés), très bon état‎

Riferimento per il libraio : WWL-963

‎ETUDES-JUILLET-AOUT 2008‎

‎LA VOIX DES ARBRES DANS L'HISTOIRE DE LA PEINTURE, PAR LAURENT WOLF, 12 PAGES, HOKUSAI, ROUSSEAU, MONDRIAN, 5 ILLUSTRATIONS-LA CORRIDA, 10 PAGES-CINEMA: BIENVENUE CHEZ LES CH'TIS: UNE GEOGRAPHIE DU MEPRIS ET DE L'ACCUEIL, 2 PAGES PAR JACQUES ARENES-TRACES DU SACRE: RIEN.SINON L'ART, 4 PAGES, JACKSON POLLOCK, KANDINSKY, EMIL NOLDE-(22B)‎

‎COUVERTURE SOUPLE ETAT COMME NEUF‎

Riferimento per il libraio : ABE-1650018941710

‎L'EXPRESS-N°504-9 FEVRIER 1961-HABIB BOURGUIBA‎

‎40 PAGES-BOURGUIBA EN UNE-L'EDITORIAL DE J.J.SERVAN SCHREIBER "BOURGUIBA: ATTENTION!"/1P/PHOTO-L'ETRANGE POLITIQUE FRANCAISE AU CONGO/PAR JEAN DANIEL/3P-ARMEE/LE DEPART D'ELY/PAR PAUL MARIE DE LA GORCE/3P/4PHOTOS-LA LONGUE CHASSE/EICHMANN/PAR MOSHE PEARLMAN/3P/5 PHOTOS-PUBLICITE CLUB MEDITERRANEE/DESSIN PLEINE PAGE DE SINE-JOURNALISME/MORTS POUR LES AUDITEURS/PIERRE NICOLI/FRANCIS LAUGA/MATHIEU CONTI/PHOTOS-A LA MANIERE DE BERNARD BUFFET/18 PORTRAITS DE MA FEMME/PAR SINE-ANNABEL VUE PAR BUFFET ET QUELQUES PARISIENS/PAR ANNE GUERIN/PHOTO-"EN LISANT LE JOURNAL" PAR FRANCOISE SAGAN-STEINBERG DANS "LE LABYRINTHE"/PAR HAROLD ROSENBERG/2P/2 PHOTOS/DESSINS SUR 2P-ENQUETE/LE STATUT DE LA SACEM/3 PHOTOS-EXPOSITIONS/HOKUSAI/PAR PIERRE SCHNEIDER/ILLUSTRATION‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-8845351159

‎LE MONDE-N°4164-VENDREDI 13 JUIN 1958‎

‎16 PAGES-35 CM X 50 CM-LE GOUVERNEMENT MET EN CHANTIER LA NOUVELLE CONSTITUTION-LES MIRAGES ORLEANISTES, PAR MAURICE DUVERGER-ESTAMPES ET DESSINS D'HOKUSAI, EXPOSITION HUGUETTE BERES-ANDRE MASSON, GALERIE FURSTENBERG-AU MUSEE D'ART MODERNE JUSTE HOMMAGE A KUPKA-JEAN PIAUBERT, GALERIE CREUZEVAULT-LE CHAMPIONNAT DU MONDE DE FOOTBALL, LA YOUGOSLAVIE ARRACHE A LA FRANCE UNE HEUREUSE VICTOIRE, PAR RAYMOND MARCILLAC-COMPLETCOMPLET‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-1575828112390

‎LES NOUVELLES LITTERAIRES-N°2025-23 JUIN 1966‎

‎14 PAGES-EN UNE: "LA FIN DES MANDARINS OU VA L'ENSEIGNEMENT DE LA PHILOSOPHIE?/SUITE EN P10/SARTRE/PLATON/NIETZSCHE/MARX-ADIEU A BEN/DESSIN-"UN GRAND SAVANT NOUS A QUITTES" PAUL WINTREBERT/PAR JACQUES MOREAU/PHOTO-LES ROSES ROUGES DE JUIN/PAR GERMAINE BEAUMONT-L'ANGLETERRE AUX CHEVEUX LONGS/1P/PHOTO-"HOKUSAI ET LES AUTRES" PAR JEAN A.KEIM/1P/4 ILLUSTRATIONS-"VICTOR HUGO PAR LA CARICATURE" A LA MAISON DU POETE/LA CIBLE ETAIT TROP BELLE!/3 DESSINS-‎

‎COUVERTURE SOUPLE ETAT TRES BON‎

Riferimento per il libraio : ABE-7903288530

‎(Hokusai) Selection of face‎

‎Mr. Motomoto's Family Precepts: Kokugaku Kiseki Tenji Series‎

‎national library 2021. Soft Cover. Fine. The book is in fine condition. national library paperback‎

Riferimento per il libraio : 2081502111906824 ISBN : 7501371660 9787501371662

‎(Okada Mohei / Ikeda Tomo proofreading / Katsushika Daimon (Hokusai) drawing)‎

‎Picture Book Popular Three Kingdoms Magazine 5 Volumes 4 Volumes <Japanese Version>‎

‎Gundamdo Mohei Okada version 1836. Soft Cover. Fine. Volume: 1 (Gundamdo Mohei Okada version) paperback‎

Riferimento per il libraio : 2110502150903351

‎[EHON] Hokusai 北斎, artist‎

‎Wakan EHON SAKIGAKE Shohen 和漢絵本é­åˆç·¨‎

‎1836. EHON Hokusai 北斎 artist. Wakan EHON SAKIGAKE Shohen 和漢絵本é­åˆç·¨. Tempo 7　1836. Hanshihon 22.6 cm x 15.7 cm. Unusually tan covers with a deeply incised blind-stamped cloud pattern on front and rear covers. The paper label is present glued to the inside front cover. Could these be alternative original covers A complete copy with the title page pasted to the inner front cover Hokusai's own two page preface dated 1836 30 sheets of images and 1 sheet of colophon and ads. It has the "77 year old" Hokusai with his "Gakyou Rojin" moniker indicating the book itself was soon to appear followed by 3 sequels. only two were done. It also lists the block carvers. Egawa and Sugita. masters of the craft. Also see Hillier's ART OF THE JAPANESE BOOK for his appreciation of this work. The bookstore list often found at the end appears not to have been bound in or was lost. Very minor soiling throughout. Very good impressions. An early printing of this important and often reprinted work.<br /> The Wakan EHON SAKIGAKE was the first volume of Hokusai's so-called "warrior trilogy". It is a visual epitome of traditional Japanese and Chinese historical heroes from the legendary to the flesh and blood. It is a brilliant example of Hokusai's ability to create visual narrative by capturing the moment which evokes the character most perfectly to the viewer. In an older clasped chitsu case. unknown‎

Riferimento per il libraio : 91194

‎[HOKUSAÏ] BOLLER (Willy) :‎

‎Hokusaï Un Maître de l'Estampe Japonaise.‎

‎Lausanne, La Guilde du Livre 1955. In-4° plein cartonnage crème sous jaquette illustrée en couleurs.‎

‎Edition originale ornée de 86 superbes planches en noir et en couleurs. Edition H.C. réservée aux membres de la Guilde du Livre. Exemplaire numéroté sur offset‎

Riferimento per il libraio : LIQ-4426

‎[Hokusaï] Daniel Le Comte:‎

‎Hokusaï 1760-1849. Le vieillard fou de dessin.‎

‎Paris, éditions du sénevé, 1969. In-8 broché à l'italienne, couverture à rabats. Premier plat illustré du "générique" de l'émission de l'ORTF, "Ombre et lumière". 32 reproductions in-texte en noir.‎

Riferimento per il libraio : 5979

‎[Hokusaï] Henri-Alexis Baatsch:‎

‎Hokusaï.‎

‎Fernand Hazan, 1985. In-12 broché, couverture couleurs. Nombreuses reproductions en noir et en couleurs.‎

Riferimento per il libraio : 22370

‎[HOKUSAI] :‎

‎Le Fou de Peinture Hokusai et son Temps.‎

‎P. Centre Culturel du Marais 1980. Fort in-8° carré broché sous couverture illustrée en couleurs, 494 pages.‎

‎Catalogue d'exposition avec de très nombreuses reproductions en noir et en couleurs de dessins, estampes, livres, peintures, bronzes, kimonos, laques netsuke.‎

Riferimento per il libraio : LIQ-5514

‎[HOKUSAI, Katsushika]‎

‎COLOR WOODBLOCK PRINTED PAGE FROM UNKNOWN E-HON TITLE FAMILY QUARREL‎

‎Tokyo ca. 1800-1840's Ise-Ya Rihei Kinjudo. A single color woodblock printed sheet from an E-hon 17.5 x 1.6 cm. cut out lightly tipped onto a large stiff card: 35 x 25.8 cm. very clean a small feint stain to lower left corner. RARE ! . . . AN ORIGINAL COLOR WOODBLOCK PRINTED PAGE . . . FROM AN UNKNOWN HOKUSAI E-HON . . THE SCENE: Family Quarrel: . A lovely sheet extracted from an unknown color book. The scene shows a Samurai hiding behind a column prepares to draw his Samurai sword. He observes a woman holding an armor helmet while talking to an old Samurai man. . He holds a roll of Washi handmade mulberry paper. It looks like he may begin to offer his life by committing ritual "Harakiri" suicide to pay for his mis-deeds and embarrassment. He only has his Sho short sword in his belt. Typically Samurai always carry "Dai Sho" long & short sword set on their person at all times. . Color photos are posted to our website. . CONDITION: The print is an original color woodblock printed page from an unknown Hokusai E-hon illustrated book. It has been trimmed following the black key block lines. . There are three tiny old worm holes 2 are mended from the back the third is at the top edge where the print is gently tipped on to the stiff card and not mended . . There is a small blemish at the lower right corner it looks like a 'thumb' mark meaning this was the right corner of the bound book where readers 'thumbed' to the next page. It is minor feint but present. . Otherwise the print is without issue. . A lovely original Hokusai item nicely woodblock printed in colors. . . unknown‎

Riferimento per il libraio : 23028301

‎[HOKUSAI, Katsushika]‎

‎NADESHIKO: SWEET WILLIAM FLOWER Dianthus Barbatus. The Poetry Of SHOJO Xiao R.‎

‎Nagoya 1830'sKatano.A single page Hokusai's color print card mounted print size: 24.7 x 19.7 cm. card size:19 x 23 cm. 5 color woodblock printed corners laid down bright clean & excellent registry & impression from a classic.RARE . . . A COLOR WOODBLOCK PRINTED PAGE FROM A HOKUSAI E-HON . . . SHOWS A SCHOLAR SNIFFING A SUMI-BLACK INK STICK . . . A STUNNING IMAGE FROM HOKUSAI'S "SUIKODEN" . . . HIS RENDITION OF THE CHINESE CLASSIC "WATER MARGIN" . . . OR "OUTLAWS OF THE MARSH" "SHUI HU ZHUAN" . . . WRITTEN IN THE NORTHERN SONG AROUND 1120 AD . Extracted page from Hokusai's SUIKO DEN E-HON: . This shows an aristocratic ancient Chinese scholar artist & gentleman calligrapher. He sniffs the "Sumi" ink stick to see if it is made from the most luxurious and fragrant camphor wood. . He is seated before his 'Sumi-zuri" "ink stone" and is preparing to paint. . There are several scrolls in the background in a bamboo basket. . Hokusai followed the Chinese classics of literature and lovingly illustrated them using his imagination. This example is from his book SUIKODEN. His interest & respect for the old classics is reflected in his illustrating several Chinese classics of literature. . Color photos are posted to our website. . KATSUSHIKI HOKUSAI 1760-1849: . He was simply known as Hokusai he was a Japanese Ukiyo-e artist of the Edo period active as a painter and printmaker. . He is best known for the woodblock print series Thirty-Six Views of Mount Fuji which includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing Ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes plants and animals. . Hokusai created the monumental Thirty-Six Views of Mount Fuji as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series specifically The Great Wave off Kanagawa and Fine Wind Clear Morning that secured his fame both in Japan and overseas. . Hokusai was best known for his woodblock Ukiyo-e prints but he worked in a variety of mediums including painting and book illustration. Starting as a young child he continued working and improving his style until his death aged 88. . In a long and successful career Hokusai produced over 30000 paintings sketches woodblock prints and images for picture books in total. Innovative in his compositions and exceptional in his drawing technique Hokusai is considered one of the greatest masters in the history of art. . CONDITION: This has been gently removed from the book borders intact. This is woodblock printed in 5 colors there is some of the usual minor 'thumbing' to the lower right corner otherwise the print is a bit dusty as usual with a superb impression and likewise fine registry. . This is clearly an early print off the blocks with the best image possible fresh and perfect in all aspects. . REFERENCES: . en-wikipedia-org/wiki/Hokusai . . unknown‎

Riferimento per il libraio : 42132801

‎[HOKUSAI] HILLIER, Jack‎

‎The Art of Hokusai in Book Illustration‎

‎Berkeley and Los Angeles: University of California Press 1980. First American Edition. First Printing. Folio 31cm; orange cloth-covered boards with titling stamped in black on spine and front cover; orange topstain; decorative endpapers; dustjacket; 1112-288pp; black-and-white and colorful illustrations to title page and throughout text. This copy is from the library of noted poet translator and anthropologist Nathaniel Tarn 1928-2024 with his pictorial bookplate to front pastedown else a Near Fine copy. Dustwrapper unclipped priced $95.00 for pre-publication and $110.00 thereafter lightly tanned with trivial surface wear; Very Good. Hillier's text expands on his 'Cohn' lecture presented at Ashmolean Museum in Oxford 1976 with attention to works published on Ukiyo-e art and Hokusai. 86464. University of California Press unknown‎

Riferimento per il libraio : 86464

‎Aldovini L. (cur.); Linetti P. (cur.); Weber T. (cur.)‎

‎Hokusai, Hiroshige, Utamaro. Capolavori arte giapponese. Ediz. a colori‎

‎ill., br. "Nella seconda metà dell'Ottocento i porti giapponesi, che fino a quel momento avevano limitato gli scambi commerciali alla sola Cina, si aprono all'America e all'Europa esportando la propria cultura e conoscenza dell'arte. Le stampe e gli oggetti diventano subito motivo di collezionismo e di ispirazione anche per molti artisti: nasce così il fenomeno del "giapponismo". Le scuderie del Castello Visconteo di Pavia ospitano un'esposizione di stampe ukiyo-e provenienti per la maggior parte dalla Johannesburg Art Gallery, in un percorso storico che va dalla metà del XVII fino al XX secolo coinvolgendo artisti giapponesi noti, tra i quali Hokusai, Hiroshige, Utamaro, ed esponenti dell'impressionismo e Nabis che ne subirono l'influenza. L'iniziativa, promossa da ViDi, è anche occasione per valorizzare una parte del patrimonio artistico cittadino: una trentina di stampe di Kunisada Utagawa, allievo di Toyokuni, realizzate intorno al 1856 e particolarmente interessanti per la raffigurazione di scene di teatro kabuki, sono infatti conservate nell'importante raccolta di stampe dei Musei Civici, in parte proveniente dal lascito del marchese Luigi Malaspina. L'incontro di queste due collezioni, quella pavese e quella di Johannesburg, è un segno tangibile dell'apertura e della collaborazione che l'arte e la cultura permettono di instaurare tra luoghi così distanti attraverso la storia di un mondo - quello giapponese - che ancora oggi resta avvolto da un'aura di esotismo e fascino particolari." (Mariangela Singali Calisti, Assessore alla Cultura, Comune di Pavia)‎

‎Ando, Hiroshige; Utagawa, Kunisada; Katsushika, Hokusai; Rauser, Judith; Thomsen, Hans Bjarne‎

‎Made in Japan: Farbholzschnitte von Hiroshige Kunisada und Hokusai‎

‎new. unknown‎

Riferimento per il libraio : 47318575-n ISBN : 3422801839 9783422801837

‎ANONYME - HOKUSAI.‎

‎Hokusai. 1760 - 1849. The work of Hokusai.‎

‎London, 1948, The Trustees of the British Museum, gd. in-8 étroit,cartonnage souple, couv. ill. en noir avec titre en bordeaux éd., 32 pp., 1 illustration en coul. sur vignette colée, nb. reproductions en noir de l'œuvre d'Hokusai, table des tableaux exposés, introduction, in english, en anglais catalogue de l'exposition pour les 100 ans d'Hokusai. Plus de 208 œuvres exposées et détaillées. Pas courant. Bon état‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎

Riferimento per il libraio : 67969

‎Aubert Louis‎

‎Hokusai‎

‎brossura La fama di Hokusai (1760-1849) non ha fatto che crescere negli ultimi decenni. Fra i grandi artisti dell'ukiyo-e, quel «mondo fluttuante» che da oltre un secolo tanto affascina l'Occidente, è certamente il più conosciuto, amato e collezionato. Il suo eccezionale talento gli permise di affrontare tecniche e temi diversi (scene di teatro, soggetti naturalistici, paesaggi...). Alcune serie (Vedute di ponti famosi, Cascate famose in varie province e soprattutto le Trentasei vedute del monte Fuji), insieme alla Grande onda di Kanagawa, sono autentici capisaldi nella storia della xilografia. Il libro che presentiamo è un piccolo, raffinato «breviario» per tutti gli appassionati della sua opera. La prima parte contiene un saggio di Louis Aubert, sottile interprete dei maestri della stampa giapponese nei primi anni del '900. La seconda parte raccoglie invece una serie di riflessioni sull'arte di dipingere dello stesso Hokusai che ci restituiscono tutta la vitalità e la febbrile sensibilità dell'artista.‎

‎BASHO HOKUSAI‎

‎HAIKUS DU TEMPS QUI PASSE‎

‎SEUIL‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782021303162‎

Riferimento per il libraio : SLIVCN-9782021303162

‎Benesch, Otto (Einl.)‎

‎Die Spätmeister des japanischen Holzschnitts. Sharaku, Hokusai, Hiroshige. Einleitender Text von Otto Benesch.‎

‎Wien: Otto Lorenz (1938). XXIIII Seiten, 52 Blätter. Mit 62 Abbildungen auf 58 Tafeln, davon 10 vielfarbig. 4° (25-35 cm). Orig.-Leinenband. [Hardcover / fest gebunden].‎

‎Einband randgebräunt und teils stockfleckig. Papier dezent gebräunt. - Insgesamt gut erhaltenes Exemplar.‎

Riferimento per il libraio : 3116866

‎BIGOT, Georges Ferdinand.‎

‎CROQUIS JAPONAIS. Tokio, 1886. 31 dessins gravés sur cuivre.‎

‎Tokio, 1886. 1 volume in-folio ((46,3 x 31,5 cm), broché cousu à la japonaise le tout sur papier du Japon, couverture illustrée. Album de 31 PLANCHES DE DESSINS GRAVÉS SUR CUIVRE dont 2 gravés sur les plats de la couverture : L'étudiant, écoliers, officier, soldat, matelot, fonctionnaire, jeune garçon lisant, Bonzes, agent de Police, servante, facteur,d eux femmes jouant au volant, une femme coiffant une autre, une lavandière, marchand de remèdes, pêcheur à la ligne, marchand de Puéta, cuisinière, cheval de bât, etc. - NOTICE HISTORIQUE : Georges Bigot (1860-1927) est formé à Paris au moment de l’essor du « Japonisme » dans les arts graphiques. Suite à l’ouverture du Japon au commerce extérieur, les années 1870 voient en effet arriver en France de nombreux objets d’art japonais, en particulier les « Manga » (ou carnets de croquis) d’Hokusai (1760–1849). D’Hokusai, les artistes français copient les scènes de vie gravées sur le vif, très expressives, et le traitement de la faune et la flore à la façon des estampes japonaises. Bigot arrive au Japon en 1882 et s’installe à Tokyo, avec la volonté délibérée de ne pas vivre dans les enclaves étrangères mais au sein du petit peuple de la ville. En 1886, il tire de cette expérience une série intitulée « Croquis Japonais » mettant en scène des personnages aux traits individualisés dans la vie quotidienne de ce début de l’ère Meiji (1868-1912). Il observe cette société japonaise bouillonnante et en publie caricatures et périodiques satiriques. Cette ère nouvelle a transformé le Japon, jusque-là régi par un régime féodal, l'a ouvert aux étrangers et introduit de grands changements. Bigot refusant la vision idéalisée d'un Japon, en marche vers le modernisme, se heurte aux tracasseries d'un gouvernement japonais de plus en plus nationaliste, qui le contraindra à partir en 1899, quelques semaines avant la suppression des concessions étrangères. Ses publications sont finalement interdites à la vente dès 1900, tandis qu'en France il s'est tout simplement fait oublier. Les nombreux albums de caricatures et les différents périodiques qu'il laissera derrière lui vaudront bien des années plus tard d'être reconnu comme le « caricaturiste de l'ère Meiji ». Il est considéré par la jeune génération de dessinateur de Manga, comme un des pères de ce genre. - L'ALBUM : Bigot utilise ici une technique typiquement occidentale, l’eau-forte (façon de graver le métal en y faisant pénétrer de l’acide), qu’il imprime en noir et blanc, à l’opposé des estampes japonaises gravées sur bois et si colorées.‎

‎La couverture de ce célèbre album est ici en très bel état. Le cordon de brochage vert est très bien conservé et le corps de l'ouvrage en excellent état de conservation, immaculé. Complet des 31 compositions originales gravées. L'ensemble est superbe.‎

Riferimento per il libraio : 1886

‎BOLLER ( Willy).‎

‎Hokusai , Un maitre de l' estampe Japonaise.‎

‎Lausanne, la Guilde du Livre, 1955 ; in-4°,broché, couverture rempliée crème illustrée en noir et rouge au 1er plat, titre en noir au dos ;couverture légèrement ondulée ou froissée ( ayant sans doute pris un peu l'humidité mais sans tache, infimes traces jaunes au 2ème plat ) ; 22pp. de texte et 3 feuillets repliés de table.86 reproductions en noir ou en couleurs dont certaines à double page.‎

‎Edition originale numérotée réservée aux Membres de la Guilde du Livre. (GrD)‎

Riferimento per il libraio : c3715