Hardback. New. Enhances understanding of identity dynamics among Indigenous communities even as it illuminates the unique nature of the Mi'kmaw people hardcover
Riferimento per il libraio : A9780803237711 ISBN : 0803237715 9780803237711
Hardback. New. Enhances understanding of identity dynamics among Indigenous communities even as it illuminates the unique nature of the Mi'kmaw people hardcover
Riferimento per il libraio : B9780803237711 ISBN : 0803237715 9780803237711
Hardback. New. <p><b>Presents an interdisciplinary analysis of the recent developments of Native American nationalism and nationhood in the United States and Canada.</b></p><p>Bringing together perspectives from a variety of disciplines this book provides an interdisciplinary approach to the emerging discussion on Indigenous nationhood. The contributors argue for the centrality of nationhood and nation building in molding and concurrently blending the political social economic and cultural strategies toward Native American self-definitions and self-determination. Included among the common themes is the significance of space-conceived both as traditional territory and colonial reservation-in the current construction of Native national identity. Whether related to historical memory and the narrativization of peoplehood the temporality of indigenous claims to sovereignty or the demarcation of successful financial assets as cultural and social emblems of indigenous space territory constitutes an inalienable and necessary element connecting Native American peoplehood and nationhood. The creation and maintenance of Native American national identity have also overcome structural territorial impediments and may benefit from the inclusivity of citizenship rather than the exclusivity of ethnicity. In all cases the political effectiveness of nationhood in promoting and sustaining sovereignty presupposes Native full participation in and control over economic development the formation of historical narrative and memory the definition of legality and governance.</p><p>SUNY Press has collaborated with Knowledge Unlatched to unlock KU Select titles. The Knowledge Unlatched titles have been made open access through libraries coming together to crowd fund the publication cost. Each monograph has been released as open access making the eBook freely available to readers worldwide. Discover more about the Knowledge Unlatched program here: https://www.knowledgeunlatched.org/ and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/8474.</p> hardcover
Riferimento per il libraio : A9781438460697 ISBN : 1438460694 9781438460697
Florence: Lorenzo Torrentino 1551. 1st Edition. Vellum. Very Good/No Jacket. Octavo Standard 8vo 6 נ9 in 152 נ229 mm . Please email for Photographs or further information. Very Good - Later plain vellum binding. Textblock edges red-stained red-edged. Internally: generally clean and well-printed with scattered age-toning and light spotting/foxing consistent with the period. A solid collectors copy with good margins and strong legibility throughout. Collation: 2 1 1 367 3 Please see Photos as part of condition report. 1551 1st Edition AN HOMO BONUS VEL MALUS VOLENS FIAT Simonis Portii disputatio ad Laelium Taurellum iurisconsultiss. Duci Florentinorum à Secretis. By Simone Porzio Author Bio: Porzio was one of the most important Italian Aristotelians of the mid-sixteenth century associated with the post-Pomponazzi world of Renaissance moral psychology. His work sits at the collision-point of philosophy ethics and theologygrappling with what makes a person morally responsible and what role deliberation plays in the formation of character. Laelius Taurellus Lelio Torelli 14891576. Jurist humanist and a prominent Florentine administrator Torelli served the Medici state in senior roles. Porzios dedication situates this disputation squarely inside the intellectual culture of ducal Florencewhere classical ethics civic virtue and questions of moral agency mattered politically as well as philosophically. Synopsis: First edition of Simone Porzios compact and forceful moral-philosophical disputation on a question at the heart of Renaissance ethics and responsibility: whether man becomes good or bad by his own will. Working within an Aristotelian framework Porzio compares the positions of ancient schoolsexplicitly engaging Stoic and Platonic currentswhile weaving ethical psychological and theological considerations into a systematic argument about deliberation habit and moral agency. Dedicated to Lelio Laelius Torelli jurist and prominent Florentine administrator the treatise reflects the intellectual culture of Medici Florence where classical moral philosophy and the formation of civic virtue were live questions in academic and courtly debate. Format: Vellum Octavo Standard 8vo 6 × 9 in 152 × 229 mm Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Language: Latin Published By: Lorenzo Torrentino Florence Condition Report: Dust Jacket: No Jacket Dust Jacket Condition: No Jacket Very Good - Later plain vellum binding. Textblock edges red-stained red-edged. Internally: generally clean and well-printed with scattered age-toning and light spotting/foxing consistent with the period. A solid collectors copy with good margins and strong legibility throughout. Collation: 2 1 1 367 3 Please see Photos as part of condition report. SKU: BTETM0002693 Shipping Info: Approximate Package Dimensions H: 12.5 L: 30 W: 25 Units: cm W: 2Kg Tracked Shipping Insurance Coverage as per Customer Request Lorenzo Torrentino hardcover
Dietrich Reimer Verlag 1996. pp. 372 rebound in buckram with original cover retained ex library text clean & binding tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Dietrich Reimer Verlag hardcover
Riferimento per il libraio : ZB1006505 ISBN : 3496025743 9783496025740
Paperback / softback. New. Analyses the communication politics stereotypes and genre techniques featured in the television series Scandal while raising key questions about the intersections of race gender sexuality and viewing audiences. paperback
Riferimento per il libraio : A9780815636403 ISBN : 0815636407 9780815636403
Hardback. New. Analyses the communication politics stereotypes and genre techniques featured in the television series Scandal while raising key questions about the intersections of race gender sexuality and viewing audiences. hardcover
Riferimento per il libraio : A9780815636229 ISBN : 0815636229 9780815636229
Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Avril 1914 19 x 24.50 cm une feuille Original color print heightened in gold printed on laid paper signed lower left on the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists during the flourishing of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin typeface adopted in 1946 by Christian Dior. The prints are made using the metal stencil technique heightened in colors and some highlighted in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no truly artistic fashion journal representative of the spirit of its time. I was therefore thinking of creating a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of contemporary fashion. La Gazette du bon ton is a decisive stage in the history of fashion. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had purchased a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; With labour markets across the world and even in social democratic Europe in a state of unprecedented flux this exhaustive study addresses the problem of how to balance job market demands personal career interests and private life bec hardcover
Riferimento per il libraio : ria9789400702332_inp ISBN : 9400702337 9789400702332
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