|
DUHAYON Henri; ROMAINS Jules; BOFA Gus RAYON d'OR/LIBRAIRIE GALLIMARD
Les Coupains
Paris: Le Rayon d'Or/Librairie Gallimard 1952. A Spectacular Copy in a Stunning Binding<br/>Signed by the Author with an ALs by the Artist<br/><br/><br/>DUHAYON Henri binder. BOFA Gus illustrator. ROMAINS Jules. Les Coupains. Avec douze aquarelles par Gus Bofa. N.p. Paris: Le Rayon d'Or 1952. <br/><br/>First edition illustrated by Bofa limited to 3500 numbered copies sur vélin blanc des Papeteries de Lana this being copy 3152. Octavo 8 1/4 x 6 1/8 in; 208 x 153 mm. 200 1 1 blank 3 table 1 blank 1 colophon 1 blank pp. Twelve aquarelle plates one of which has been inscribed by the artist to the owner.<br/><br/>In a stunning contemporary binding by Henri Duhayon of Nice stamp signed in gilt to inside front turn in in full crushed cordovan morocco with large hand painted panel to upper and lower sides. Gilt lettered spine. Top edge gilt. Custom endpapers. A flawless copy in binder's leather edged slipcase.<br/><br/>Signed and dated Nov. 1958 by the author with a tipped in ALs by the artist an inscription by French novelist and playwright Georges Duhamel dated Septembre 1958 and a TLs by the owner Jean Francesche with his blindstamped signed ex libris on inside front cover turn in.<br/><br/>The eighth volume in Librairie Galimard's illustrated collection Le Rayon d'or a reissue of Romain's celebrated novel of 1913.<br/><br/>Renowned artist Gus Bofa b. Gustave Blanchot 1883-1968 was an illustrator for Rire and Sourire a costume and set designer a celebrated poster artist and illustrator for the literary journal Crapouillot. He soon became one of the most in demand illustrators of editions of Swift La Fontaine Cervantes etc. ultimately with one hundred and seventeen volumes to his credit. Ref. gusbofa.com.<br/><br/>French novelist poet dramatist and essayist Jules Romains pseud. of Louis Farigoule 1885-1972 was "early in his career.associated with a short-lived artistic community the Groupe de 'Abbaye which published his poems La Vie unanime in 1908. These poems wnad much of his later verse and prose were influence by Unanimist theories of social groups and collective psychology. Before the war in 1914 he published more collections of poetry a verse play.and two novels Mort de quelqu'un 1911 and the farcial Les Copains The Pals" New Oxford Companion to Literature in French p. 707.<br/><br/>Georges Duhamel's 1884-1966 experience as a surgeon during World War I produced Vie des martyrs 1917 tr. The New Book of Martyrs 1918 and Civilisation 1918 tr. 1919. These collections of sketches are noted for their compassionate accounts of human suffering. He was successful as a dramatist; his Dans l'ombre des statues was performed in 1912 tr. In the Shadow of Statues 1914 and L'oeuvre des athlètes in 1920. His fiction includes two cycles of novels—Cycle de Salavin 1920-32 tr. 1936 about a sensitive eccentric and Chronique des Pasquiers 1933-45 tr. 1937-46 about a bourgeois Parisian family. Essays in Scènes de la vie future 1930 tr. America: the Menace 1931 and other collections reflect Duhamel's aversion to overindustrialization" Columbia Enclyclopedia. He wrote passionately against war and its atrocities and against the rise of Naziism. He was elected to the Académie Français in 1935. Though now largely forgotten he is perhaps best remembered for his timeless epigram: "It is always brave to say what everyone thinks"<br/><br/>The TLs by owner Jean Francesche reads:<br/><br/> "The owner of this copy had read a book by Jules Romains edited in 1958 by the Fayard Publishing House. It was the fourth book from the collection 'The Forty: MEMORIES AND SECRETS OF A WRITER.' <br/><br/> "Page 128: 'In THE PALS what part of the book is autobiographical and contains actual events'<br/><br/> "Page 129: 'It is not impossible to find a resemblance between the cheeks and glasses of Huchon with those of Duhamel just as it is not impossible to find a certain pretentiousness in the future author of DESERT OF BIEVRES when Huchon prepares the veal stew as no one else can to be more precise it was more like something between a stew and a roast'<br/><br/> "This revelation has led me to question the author's childhood friend on this detail and Georges Duhamel who like the author has been made a member of the French Academy was kind enough to write his answer on the half-title of this edition which is illustrated by Gus Bofa.<br/><br/> "I was also intrigued by the drawing where the artist had brought together 'THE PALS' and in which I told him it appeared that one of the characters had lost his head or at least his cranium.<br/><br/> "I asked him to please complete the drawing with a skillful stroke of his pencil.<br/> <br/> "He returned the drawing to me with an inscription as well as a curious letter which follows:.<br/> "I think that all of this adds to the interest of this charming volume<br/><br/> signed Jean Franceche"<br/>Bofa's ALs response reads:<br/><br/>Mr. N.D. des Champs<br/> Lundi 24 Novembre 88<br/><br/>Cher Monsieur<br/>Votre lettre soulève un cas de conscience ! Votre «copain sans visage » n'a pas perdu la tête - il n'en a jamais eu - Jules Romain l'a voulu ainsi - lui dans le même temps mettait hors des soins a une grande tendresse a portraiturer les autres copains. <br/>Bien loin de vouloir ajouter a ce bonhomme le coup de crayon que vous me demandez je devrais plutôt regretter de lui déjà supposé un peu de menton de bouche et de crâne sans y être autorisé par le contexte.<br/> <br/> Avec mes deux mains bien sympatiques<br/><br/> signature Gus Bofa<br/><br/>Mr. N.D. des Champs<br/> Monday November 24 ‘88<br/><br/>Dear Sir<br/>Your letter stirs up a question of conscience! Your "pal without a face" has not lost his head - he never had one - Jules Romain wanted it like this and at the same time he got a lot of tenderness into the process of drawing the other friends. Far from wanting to add the stroke of pencil to this man that you have asked me to I regret that I cannot give him the supposed bit of chin mouth and head not being authorized to do so in this context.<br/><br/> "With my two sympathetic hands<br/><br/> signature Gus Bofa<br/><br/>Duhamel's inscription reads:<br/><br/>LES COPAINS<br/><br/>Je n'ai aucune qualité pour poser ma signature sur le livre d'un ami de ma jeunesse; mais je dois dire que ma spécialité culinaire était alors le ragoût de moutons & non le ragoût de veau.<br/><br/> -signature G Duhamel<br/><br/> Septembre 1958<br/>THE PALS<br/><br/>I have no authority to put my signature on the book of my childhood friend; but I must say that my culinary specialty was lamb stew not veal stew. <br/> <br/> -signature G. Duhamel<br/> <br/> September 1958<br/>Monod 9851. Paris: Le Rayon d'Or/Librairie Gallimard, 1952 unknown books
Referentie van de boekhandelaar : 01079
|
|
|
DUHAYON, Henri; ROMAINS, Jules; BOFA, Gus [RAYON d'OR/LIBRAIRIE GALLIMARD]
Les Coupains
Paris: Le Rayon d'Or/Librairie Gallimard 1952. A Spectacular Copy in a Unique Artist's Binding<br /> Inscribed by Jules Romains with Inscriptions by Georges Duhamel and Gus Bofa <br /> With an Original Drawing Autograph Letter and Provenance Note<br /> A Singular Enriched Association Copy of Les Copains<br /> <br /> DUHAYON Henri binder. BOFA Gus illustrator. ROMAINS Jules. Les Copains. Avec douze aquarelles par Gus Bofa. N.p. Paris: Le Rayon d'Or 1952. <br /> <br /> First edition illustrated by Bofa limited to 3500 numbered copies sur vélin blanc des Papeteries de Lana this being copy 3152. <br /> <br /> Octavo 8 1/4 x 6 1/8 in; 208 x 153 mm. 200 1 1 blank 3 table 1 blank 1 colophon 1 blank pp. Twelve full-page aquarelle illustrations one of which has been inscribed by the artist to the owner.<br /> <br /> A striking abstract painted binding by Henri Duhayon of Nice signed in gilt on the inside front turn-in: "Relié H. Duhayon Nice." Full crushed cordovan morocco spine lettered in gilt with vividly hand-painted lacquered paper boards in a modernist all-over composition of black yellow orange blue and red brushstrokes and grid patterns reflecting the anarchic spirit of the text. Top edge gilt. Custom painted endpapers. A superb and very fine copy in a matching leather-edged slipcase.<br /> <br /> With the following additions:<br /> An original ink and watercolor drawing by Gus Bofa showing the riotous group of copains with their characteristic red cheeks - annotated and inscribed to the owner at foot: "Mr. Jean Francesche cordialement Gus Bofa."<br /> <br /> An autograph letter signed ALS by Bofa dated 24 November 1958 addressed to the owner Jean Francesche explaining the curious omission of a head in one of the illustrated characters: "Votre 'copain sans visage' n'a pas perdu la tête - il n'en a jamais eu. Jules Romains l'a voulu ainsi."<br /> <br /> A tipped-in typed letter signed TLS by the owner Jean Francesche explaining how he assembled this copy after reading Romains's Souvenirs et confidences d'un écrivain tracing the culinary reference to Duhamel contacting him for clarification and engaging Bofa in a whimsical debate over the incomplete drawing. Francesche's commentary includes typed quotes from Souvenirs and his note concludes: "Je pense que tout cela augmente l'intérêt de ce charmant volume." Francesche's signed ex-libris is blindstamped to the inside front cover turn-in.<br /> <br /> A remarkable object of literary friendship bibliophilic playfulness and aesthetic invention.<br /> <br /> First published in 1913 Les Copains is a comic and subversive novel about a group of friends - eccentric idealistic and absurd - who form a loosely anarchic brotherhood and perform theatrical stunts and pranks across provincial France. It stands as an early literary expression of unanimism a theory of collective consciousness developed by Romains in the 1900s. As the New Oxford Companion to French Literature notes: "Before the war in 1914 Romains published. two novels Mort de quelqu'un 1911 and the farcical Les Copains influenced by Unanimist theories of social groups and collective psychology." This edition published nearly 40 years later by Le Rayon d'Or Gallimard's deluxe illustrated imprint pairs Romains's youthful anti-establishment text with twelve brilliant plates by Gus Bofa one of France's most original illustrators and caricaturists. Bofa celebrated for his sardonic wit and visual improvisation was a regular contributor to Le Rire and Crapouillot and illustrated classic texts by Swift Cervantes and La Fontaine.<br /> <br /> Renowned artist Gus Bofa b. Gustave Blanchot 1883-1968 was an illustrator for Rire and Sourire a costume and set designer a celebrated poster artist and illustrator for the literary journal Crapouillot. He soon became one of the most in demand illustrators of editions of Swift La Fontaine Cervantes etc. ultimately with one hundred and seventeen volumes to his credit. <br /> <br /> French novelist poet dramatist and essayist Jules Romains pseud. of Louis Farigoule 1885-1972 was "early in his career.associated with a short-lived artistic community the Groupe de 'Abbaye which published his poems La Vie unanime in 1908. These poems and much of his later verse and prose were influenced by Unanimist theories of social groups and collective psychology. Before the war in 1914 he published more collections of poetry a verse play.and two novels Mort de quelqu'un 1911 and the farcial Les Copains The Pals" New Oxford Companion to Literature in French p. 707.<br /> <br /> Georges Duhamel's 1884-1966 experience as a surgeon during World War I produced Vie des martyrs 1917 tr. The New Book of Martyrs 1918 and Civilisation 1918 tr. 1919. These collections of sketches are noted for their compassionate accounts of human suffering. He was successful as a dramatist; his Dans l'ombre des statues was performed in 1912 tr. In the Shadow of Statues 1914 and L'oeuvre des athlètes in 1920. His fiction includes two cycles of novels-Cycle de Salavin 1920-32 tr. 1936 about a sensitive eccentric and Chronique des Pasquiers 1933-45 tr. 1937-46 about a bourgeois Parisian family. Essays in Scènes de la vie future 1930 tr. America: the Menace 1931 and other collections reflect Duhamel's aversion to overindustrialization" Columbia Enclyclopedia. He wrote passionately against war and its atrocities and against the rise of Naziism. He was elected to the Académie Français in 1935. Though now largely forgotten he is perhaps best remembered for his timeless epigram: "It is always brave to say what everyone thinks"<br /> <br /> Monod 9851. Paris: Le Rayon d'Or/Librairie Gallimard, 1952 unknown
Referentie van de boekhandelaar : 01079
|
|
|
DUMARTIN (Serge).
Le Beau hasard.
Paris, Gallimard, 1951. In-12, broché, 270 pp. Edition originale. Un des 55 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier avec 3 hors-commerce. N° 1 état neuf.
|
|
|
DUMARTIN (Serge).
Le Beau hasard.
Paris, Gallimard, 1951. In-12, broché, 270 pp.
Referentie van de boekhandelaar : 9997
|
|
|
DUMARTIN Serge.
Dialogue de la solitude.
Paris, Gallimard, 1954. In-12, broché, 300 pp. Edition originale. Un des 45 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier.
|
|
|
DUMARTIN Serge.
Dialogue de la solitude.
Paris, Gallimard, 1954. In-12, broché, 300 pp.
Referentie van de boekhandelaar : 10407
|
|
|
DUMEZIL (Georges)
Mythe et épopée, 1 : L'idéologie des trois fonctions dans les épopées des peuples indo-européens.
1989 P., Gallimard, 1989. Important in-8 broché, 653 pp., index.
Referentie van de boekhandelaar : 5663
|
|
|
DUMUR Louis.
Le boucher de Verdun !.
Paris, Albin Michel, 1921. In-12, demi basane marron foncé, couvertures conservées, 448 pp. Premier tirage.
|
|
|
DUNCAN Isadora
Ma Vie par Isadora Duncan
Paris Librairie Gallimard - Collection "Les Documents bleus" n° 42 1931 in-12° Broché
Referentie van de boekhandelaar : 016017
|
|
|
DUNOYER (Jean-Marie).
Les Lions végétariens.
Paris, Gallimard, Mars 1952. In-12, broché, 331 pp. Edition originale. Un des 60 exemplaires numérotés sur vélin pur fil Lafuma-Navarre. N° 1, seul tirage en grand papier avec 5 hors-commerce. En parfait état.
|
|
|
DUNOYER (Jean-Marie).
Les Lions végétariens.
Paris, Gallimard, Mars 1952. In-12, broché, 331 pp.
Referentie van de boekhandelaar : 9425
|
|
|
DUPERRAY Jean.
Harengs frits au sang. Suivi de ce que pesait cette aventure.
Paris, Gallimard, 1954. In-12, broché, 252 pp. Edition originale. Un des 30 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier avec 5 hors-commerce.
|
|
|
DUPERRAY Jean.
Harengs frits au sang. Suivi de ce que pesait cette aventure.
Paris, Gallimard, 1954. In-12, broché, 252 pp.
Referentie van de boekhandelaar : 19777
|
|
|
DURAS (Marguerite).
Dix heures et demi du soir en été.
Paris, Gallimard, 29 juin 1960. In-12, broché, 184 pp. Édition originale. UN DES 45 EX N° SUR VÉLIN PUR FIL SEUL TIRAGE EN GRAND PAPIER, n° 13. En parfait état.
|
|
|
DURAS (Marguerite).
Dix heures et demi du soir en été.
Paris, Gallimard, 29 juin 1960. Un volume in-12, broché, non coupé, 184 pp.
Referentie van de boekhandelaar : 26000
|
|
|
Duras Marguerite
Amant de la chine du nord (L')
Libri Copertina morbida; Normali segni del tempo; Ottime condizioni
|
|
|
Duriez, Louis-Marie-Joseph (Gallimard et Fournel, c-p)
ANTIQUARIAN BIBLIOGRAPHY / WOMAN PRINTER. Catalogue des livres imprimes et manuscrits composant la bibliotheque de feu m. L.M.J. Duriez de Lille. Sale dates: 22 janvier 1828 et seq
Paris: Mme Huzard for J.-S. Merlin 1828. First Edition. Very good. 8vo. x 530 pp. 1 f. advertisement 5245 lots described. Bound by Kohler in contemporary smooth quarter calf marbled boards front cover bumped at fore-edge flat spine divided by gilt fillets into six compartments title and date lettered direct marbled pastedowns and endpapers. Unidentified monogram on first blank leaf "F.J." not in Lugt. PRICED COPY of the sale catalogue of the library belonging to the late Louis-Marie-Joseph Duriez 1753-1825 comprising at least 46 illuminated Books of Hours together with an illuminated 15th-century "Mirroir de l'humaine salvation" 2860 FF early French vernacular prose a 1497 Bible once in the possession of Mary Stuart some finely bound Aldines. Lot 5 is a mid-13th century illuminated English Oxford Bible; lot 2230 is an illuminated La Pelerinage de Vie Humaine ca. 1470. The entries record noteworthy binders' names such as Bozérian Derome and their contemporaries as well as important provenance illumination and copies on vellum. The Prince d'Essling bought heavily at this sale. <br /> <br /> From p. vii: "To announce the catalogue of the library of a Member of the Society of French Bibliophiles is to grant the public the right to expect a collection that is remarkable -- whether for the beauty of its editions and the luxury of its bindings or for that assemblage -- always so difficult to form -- of those bibliographical curiosities whose vein seems to grow ever more depleted with each passing day" translation ours. <br /> <br /> PRINTED BY MADAME HUZARD born 1766 as Marie-Rosalie Vallat-la-Chapelle who formed one third of a dynasty of women printers on the rue de l'Éperon Paris. She was the daughter of Marie-Catherine and Pierre Vallat-la-Chappelle. In 1792 she married Jean-Baptiste Huzard who interestingly was not printer-publisher but a professor of veterinary studies and inspector general. They combined their talents to become one of the foremost publishers of works on veterinary medicine and agriculture. "Her choice to use both her husband's and her mother's name demonstrates how she drew on both sets of connections to build a strong business and hints at her long involvement in the trade from before her marriage" Scott Ellwood "One Dynasty Three Names" blog on the Grolier Club wordpress site 2019. Marie-Rosalie died in 1842 a wealthy woman well respected by her peers. <br /> <br /> North Grolier Club 597. Lugt Repertoire 11616. [Mme Huzard for] J.-S. Merlin unknown
Referentie van de boekhandelaar : 4538
|
|
|
DURRELL (Lawrence).
Livia ou Enterrée vive. Roman raduit de l'anglais par Henri Robillot.
Paris, Gallimard, Collection Du Monde Entier, 1980. In-8, broché, non coupé, 284 pp. Edition originale française. Un des 21 exemplaires numérotés sur vélin d'Arches Armori-Prioux, seul tirage en grand papier. N° 4. Bel exemplaire à l'état de neuf.
|
|
|
DURRELL (Lawrence).
Livia ou Enterrée vive. Roman traduit de l'anglais par Henri Robillot.
Paris, Gallimard, Collection Du Monde Entier, 1980. In-8, broché, non coupé, 284 pp.
Referentie van de boekhandelaar : 27051
|
|
|
DURRELL (Lawrence).
Sappho. Traduit de l'anglais par Roger Giroux.
Paris, Gallimard, Collection Du Monde Entier, 1962. In-8, broché, 266 pp. Edition originale française. Un des 46 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. N° 11. En parfait état, neuf.
|
|
|
DURRELL (Lawrence).
Sappho. Traduit de l'anglais par Roger Giroux.
Paris, Gallimard, Collection Du Monde Entier, 1962. In-8, broché, 266 pp.
Referentie van de boekhandelaar : 22184
|
|
|
DURRELL (Lawrence).
Tung. Traduit de l'anglais par Roger Giroux.
Paris, Gallimard, Collection Du Monde Entier, 1969. In-8, broché, couverture à rabats, 375 pp. Edition originale française. Un des 56 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. Bel exemplaire.
|
|
|
DURRELL (Lawrence).
Tung. Traduit de l'anglais par Roger Giroux.
Paris, Gallimard, Collection Du Monde Entier, 1969. In-8, broché, couverture à rabats, 375 pp.
Referentie van de boekhandelaar : 23677
|
|
|
DURTAIN (Luc).
Douze cent mille.
Paris, Gallimard, 1922. In-quarto tellière, broché, 266 pp. Edition originale. Un des 108 exemplaires réimposé au format in-quarto tellière numéroté sur papier vergé Lafuma-Navarrre (tirage de tête N° VI). Envoi autographe de l'auteur au Dc Lucien Graux.
|
|
|
DURTAIN (Luc).
Douze cent mille.
Paris, Gallimard, 1922. In-quarto tellière, broché, 266 pp.
Referentie van de boekhandelaar : 29035
|
|
|
DURTAIN Luc.
L'autre Europe. Moscou et sa foi.
Paris, Gallimard, 1928. In-12, broché, non coupé, 350 pp. Edition originale. Un des 796 exemplaires numérotés sur vélin pur fil Lafuma.
|
|
|
DURTAIN Luc.
L'autre Europe. Moscou et sa foi.
Paris, Gallimard, 1928. In-12, broché, non coupé, 350 pp.
Referentie van de boekhandelaar : 15361
|
|
|
DUTOURD (Jean).
Doucin. Confession.
Paris, Gallimard, 1955. In-12, broché, 251 pp. Edition originale. Un des 10 exemplaires H.C sur vélin pur fil Lafuma, deuxième papier après 15 vergé de Hollande. Bel exemplaire.
|
|
|
DUTOURD (Jean).
Doucin. Confession.
Paris, Gallimard, 1955. In-12, broché, 251 pp.
Referentie van de boekhandelaar : 14912
|
|
|
DUTOURD (Jean).
La Fin des Peaux-Rouges.
Paris, Gallimard, avril 1964. In-12, broché, couverture à rabats, 202 pp. Edition originale sur papier d'édition exemplaire enrichi d'un envoi autographe de l'auteur.
|
|
|
DUTOURD (Jean).
La Fin des Peaux-Rouges.
Paris, Gallimard, avril 1964. In-12, broché, couverture à rabats, 202 pp.
Referentie van de boekhandelaar : 27875
|
|
|
DUTOURD (Jean).
Le Fond et la forme. I- II. III. Essai alphabétique sur la morale et le style.
Paris, Gallimard, 23 avril 1958-1960 et 1965. 3 volumes in-8, brochés, non coupés, couv. à rabat, 282, 254 et 315 pp. Edition originale. Un des 56 exemplaires numérotés sur vélin pur fil Lafuma, deuxième papier après 20 exemplaires sur Hollande pour les trois volumes. En parfait état.
|
|
|
DUTOURD (Jean).
Le Fond et la forme. I- II. III. Essai alphabétique sur la morale et le style.
Paris, Gallimard, 23 avril 1958-1960 et 1965. 3 volumes in-8, brochés, non coupés, couv. à rabat, 282, 254 et 315 pp.
Referentie van de boekhandelaar : 12206
|
|
|
DUTOURD (Jean).
Les Horreurs de l'amour.
Paris, Gallimard, 27 mars 1963. Fort in-8, broché, 743 pp. Edition originale. Tirage à 100 exemplaires. Un des 75 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, deuxième papier après 25 ex sur vélin de Hollande. Bel exemplaire.
|
|
|
DUTOURD (Jean).
Les Horreurs de l'amour.
Paris, Gallimard, 27 mars 1963. Fort in-8, broché, 743 pp.
Referentie van de boekhandelaar : 9672
|
|
|
DUTOURD Jean.
Les Taxis de la Marne.
Paris, Gallimard, 1956. In-12, broché, 275 pp. Bande annonce conservée " .. Et les tractions de 40 ".
Referentie van de boekhandelaar : 23914
|
|
|
DUTREIL (Nicole).
Lieu d'asile.
Paris, Gallimard, 1951. In-12, broché, 245 pp. Edition originale. Un des 55 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier avec 3 hors-commerce, N° 9. Etat neuf.
|
|
|
DUTREIL (Nicole).
Lieu d'asile.
Paris, Gallimard, 1951. In-12, broché, 245 pp.
Referentie van de boekhandelaar : 9437
|
|
|
DUTREIL (Nicole).
Tout finit au port.
Paris, Gallimard, 1951. In-12, broché, non coupé, 231 pp. Edition originale. Un des 40 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier avec 3 hors-commerce, N° 1. Etat neuf.
|
|
|
DUTREIL (Nicole).
Tout finit au port.
Paris, Gallimard, 1951. In-12, broché, non coupé, 231 pp.
Referentie van de boekhandelaar : 9431
|
|
|
DUVIGNAUD (Jean).
L'Or de la République.
Paris, Gallimard, 1957. In-8, broché, 432 pp. Edition originale. Un des 20 numérotés sur vélin pur fil Lafuma-Navarre, N° 1, seul tirage en grand papier avec 5 h.c.
|
|
|
DUVIGNAUD (Jean).
L'Or de la République.
Paris, Gallimard, 1957. In-8, broché, 432 pp.
Referentie van de boekhandelaar : 10199
|
|
|
DUVIGNAUD (Jean).
La Chasse à l'aigle.
Paris, Gallimard, 1960. In-8, broché, 289 pp. Edition originale. Un des 20 numérotés sur vélin pur fil Lafuma-Navarre, N° 1, seul tirage en grand papier avec 5 h.c.
|
|
|
DUVIGNAUD (Jean).
La Chasse à l'aigle.
Paris, Gallimard, 1960. In-8, broché, 289 pp.
Referentie van de boekhandelaar : 10109
|
|
|
DUVIGNAUD (Jean).
Les Idoles sacrifiées.
Paris, Gallimard., 1951. In-12, broché, 254 pp. Edition originale. Un des 55 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier avec 3 hors-commerce. Bel exemplaire. N° 1.
|
|
|
DUVIGNAUD (Jean).
Les Idoles sacrifiées.
Paris, Gallimard., 1951. In-12, broché, 254 pp.
Referentie van de boekhandelaar : 10178
|
|
|
DUVIGNAUD Jean.
Le Piège.
Paris, Gallimard, 1er février 1954. In-12, broché, non coupé, 230 pp. (dos légèrement jauni). Edition originale. Un des 35 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul tirage en grand papier. N° 23. Bel exemplaire.
|
|
|
DUVIGNAUD Jean.
Les Idoles sacrifiées.
Paris, Gallimard, 26 sept 1951. In-12, broché, non coupé, 254 pp. Edition originale. Tirage à 58 ex. Un des 3 exemplaires H.C numérotés sur vélin pur fil Lafuma-Navarre, seul grand papier. Bel ex.
|
|
|
DÉDÉYAN Christian.
Le Violon et la Croix.
Paris, Gallimard, Juin 1952. In-12, broché, 249 pp.
Referentie van de boekhandelaar : 9432
|
|
|
DÉON (Miche)l.
Un Souvenir.
Paris, Gallimard, 1990. In-8, 150 pp. Plein box brun, dos lisse, titre doré en long, tranches dorées sur témoins, couvertures et dos conservés, étui gainé et bordé de même (reliure signée de Jacqueline Liekens). Paris, Gallimard, 1990. In-8, 150 pp. Plein box brun, dos lisse, titre doré en long, tranches dorées sur témoins, couvertures et dos conservés, étui gainé et bordé de même (reliure signée de Jacqueline Liekens).
Referentie van de boekhandelaar : 25182
|
|
De zoekresultaten per email ontvangen
Zoekresultaten downloaden als PDF
RSS feed
Permanente link
