‎Apollinaire guillaume ‎

‎VERS et PROSE. Tome 5 mars avril mai 1906‎

‎Paris Figuière 1906 In-8 Broché‎

‎Revue trimestrielle de haute littérature. Directeur Paul Fort. Textes de Jean Moréas, Henri de Régnier, Pierre Louÿs, Emile Verhaeren, Maurice Barrès, Jean de Gourmont, Louis Le Cardonnel, Paul Claudel, Saint-Pol-Roux, Alfred Jarry -La Dragonne : Omne viro soli -, Guiseppe Carducci, Gabriele D'Annunzio, Paul Leclercq, Raymond de la Tailhède, Henry Delormel, John-Antoine Nau, Edmond Jaloux, Albert Dreyfus, Tancrède de Visan, Isi Collin, Paul Fort. >>>Un des rares exemplaires numérotés sur Hollande et présentés sous couverture blanche. Bon 0‎

Bookseller reference : 015291

‎VERS et PROSE. Tome 20 janvier février mars 1910‎

‎Paris Figuière 1910 In-8 Broché‎

‎Revue trimestrielle de haute littérature. Directeur Paul Fort. Textes de Jules Renard, Emile Verhaeren, Henri de Régnier, Jean Moréas, Jean Viollis, Julien Ochsé, Edmond Gojon, Fernand Ochsé, Emile Bernard, Paul Leclercq, A.- Fredinand Herold, Gabriel Mourey, Louise Breslau, François Fosca, Albert Saint-Paul, Charlette Adrianne, André Salmon, Paul Fort. >>>Un des rares exemplaires numérotés sur Hollande et présentés sous couverture blanche ici un peu marquée. Bon 0‎

Bookseller reference : 015293

‎"APOLLINAIRE, GUILLAUME - PICASSO (ILLUSTR.) - JEAN COCTEAU - LÉON BAKST - SERGE DIAGHILEV.‎

‎BALLETS RUSSES. PROGRAMME. PARIS 1917. Les Ballets Russes a Paris. Représentations Exceptionelles avec le gracieux Concours des Artistes de M. Serge de Diaghilew. - Programme des Ballets Russes. Les Ballets Russes à Paris. Saison - Mai 1917. [Guillau... - [HAND-PAINTED BY PICASSO - COINING ""SURREALISM""]‎

‎Paris, Mai 1917. Folio. Original illustrated extra wrappers (with a picture by Picasso on the front and the décor for ""Baba Iaga"" on the back)"" original illustrated wrappers for ""Théatre du Chatelet"" (drawing by André Marty on front, and advertisements on back) in grey and red"" original illustrated coloured wrappers for ""Programme des Ballets Russes"" (front wrapper illustrated by Picasso with the Chinaman-costume from ""Parade""). A bit of soiling to the extra-wrappers and small professional restorations to upper front cover and top of spine (this barely noticeable) as well as to blank margin of back wrapper. Apart from that, an excellent and very well perserved copy with only slight browning to some leaves. Apart from the described wrappers and extra-wrappers, there are, in all, 24 leaves with -mostly photographic- illustrations (four of them with original hand-colouring on top) and 6 leaves of text.With the original errata-leaf laid in loose, stating also that the illustrations ""Femmes de bonne humeaur"" and ""Parade"" have been hand-painted by Carlos Socrate, after the designs of Bakst and Picasso, and that the front wrapper for ""Parade"" (the Chinaman) has been handpainted by Picasso himself.‎

‎Scarce original printing of this seminal avantgarde-publication, the May 1917 ""Théatre du Chatelet""- publication that presents Diaghilev's ""Ballets Russes"" in Paris - here containing the entire separate publication mainly devoted to Jean Cocteau's groundbreaking ballet ""Parade"" - being one of the most important publications in the history of modern art. It is here, in his presentation-article to ""Parade"" that Apollinaire coins the term ""surrealism"" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore, the ballet ""Parade"" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the ""Parade""-programme, which depicts the ""Costume de Chinois du ballet ""PARADE""/ Aquarelle de Picasso"", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself!).It is the 1917 ballet ""Parade"" - the first of the modern ballets - originally presented for the first time in the present publication, that marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time. The present publication constitutes an outright revolution in the history of art, theatre, and ballet.Several variants of this spectacular publication exist, but the one we have here is as original and complete as it comes, containing the entire contents of the different variants. We not only have the extremely scarce and fragile dust-wrapper and the equally scarce illustrated coloured double-wrappers (front: ""Peinture de Picasso"""" back: Décor de Larionow pour le ballet ""BABA IAGA""""), but also the entire 1917 ""Théatre du Chatelet""-programme (in original illustrated wrappers) with the entire separate ""parade""-issue -also entitled ""Programme des Ballets Russes""- (also in original illustrated wrappers), with more than 20 leaves of photographic illustrations containing pictures of the actors and actresses, also in their spectacular avant-garde-costumes, Bakst's portrait of Leonide Massine, Picasso's portrait of Stavinski, Bakst's portrait of Picasso, Picasso and Massine in the ruins of Pompei, Picasso's drawings of a scene from ""Parade"" and of Massine, as well as several (mostly humorous) advertisements. But more importantly, we have, apart from the above-mentioned famous Chinaman by Picasso, in original pochoir-colouring, the other famous etching by Picasso ""Costume d'acrobate du ballet ""Parade""/ Aquarelle de Picasso"", also in original pochoir-colouring (bright blue), the seminal presentation-article by Apollinaire, which coins the term ""surrealism"" (see bottom of description for full translation of this groundbreaking preface), the two ""Les Femmes de Bonne Humeur""-figures by Bakst, Constanza and Battista, printed and heightened in gold (pochoir), the printed costume by Larionow, ""Les contes russes"", which is with original bright red and blue pochoir-colouring, and the ""Le Mendiant""-costume by Bakst for ""Parade"", and, of course, the texts by Bakst (on choreography and décor), Georges-Michel (Ballets Russes after the War), as well as the texts for the various ballets (listing the actors and their rôles as well as a resume of the plot). "" ""Tact in audacity consists in knowing how far we may go too far."" Jean Cocteau, poet, writer, and arts advocate, made this statement in his 1918 manifesto, The Cock and Harlequin. Cocteau, in collaboration with Erik Satie and Pablo Picasso, discovered ""how far"" to ""go too far"" in the circus-like ballet Parade-one of the most revolutionary works of the twentieth century. Parade incorporates elements of popular entertainment and uses extra-musical sounds, such as the typewriter, lottery wheel, and pistol, combining them with the art of ballet. Cocteau wrote the scenario for the one-act ballet and contracted the other artists. Satie wrote the score to the ballet, first in a piano four-hands version and then in full orchestration, while Picasso designed the curtain, set, and costumes. Later, Léonide Massine, a dancer with the Ballet Russes, was brought in as the choreographer. Serge Diaghilev's Ballet Russes premiered the ballet Parade on May 18, 1917. The program notes for the ballet were written by the poet Apollinaire. They became a manifesto of l'esprit nouveau or ""the new spirit"" which was taking hold in Paris during the early twentieth-century. Apollinaire described the ballet Parade as ""surrealistic,"" and in doing so created a term which would develop into an important artistic school."" (Tracy A. Doyle, Erik Satie's ballet PARADE, p. 1).When the French poet and army officer Guillaume Apollinaire wrote the program notes For ""Parade"", he created the manifesto of the ""l'esprit nouveau"" - ""the new spirit"". Cocteau had called the ballet ""realistic"", but Apollinaire took it an important step further and described it as ""surrealistic"", thus coining a term that would soon develop into an important artistic movement. With Picasso, Apollinaire had established the aesthetic principals of Cubism and was considered a leader in the European avant-garde. ENGLISH TRANSLATION OF APOLLINAIRE'S PROGRAMME NOTES TO ""PARADE"": ""Definitions of Parade are blossoming everywhere, like the lilac bushes of this tardy spring...It is a scenic poem transposed by the innovative musician Erik Satie into astonishingly expressive music, so clear and simple that it seems to reflect the marvelously lucid spirit of France. The cubist painter Picasso and the most daring of today's choreographers, Léonide Massine, have here consummately achieved, for the first time, that alliance between painting and dance, between the plastic and mimetic arts, that is a herald of the more comprehensive art to come. There is nothing paradoxical about this. The Ancients, in whose lives music played such an important role, were totally unaware of harmony, which constitutes the very basis of modern music. This new alliance - I say new, because until now scenery and costumes were linked only by factitious bonds - has given rise, in Parade, to a kind of surrealism, which I consider to be the point of departure for a whole series of Manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. Having broken with the choreographic tradition cherished by those who used to be known, in Russia, under the strange name 'balletomanes', Massine has been careful not to yield to the temptation of pantomime. He has produced something totally new-a marvelously appealing kind of dance, so true, so lyrical, so human, and so joyful that it would even be capable (if it were worth the trouble) of illuminating the terrible black sun of Dürer's Melancholy. Jean Cocteau has called this a realistic ballet. Picasso's cubist costumes and scenery bear witness to the realism of his art. This realism - or this cubism, if you will - is the influence that has most stirred the arts over the past ten years. The costumes and scenery in Parade show clearly that its chief aim has been to draw the greatest possible amount of aesthetic emotion from objects. Attempts have often been made to return painting to its barest elements. In most of the Dutch painters, in Chardin, in the impressionists, one finds hardly anything but painting. Picasso goes further than any of them. This is clearly evident in Parade, a work in which one's initial astonishment is soon replaced by admiration. Here the aim is, above all, to express reality. However, the motif is not reproduced but represented-more precisely, it is not represented but rather suggested by means of an analytic synthesis that embraces all the visible elements of an object and, if possible, something else as well: an integral schematization that aims to reconcile contradictions by deliberately renouncing any attempt to render the immediate appearance of an object. Massine has Adapted himself astonishingly well to the discipline of Picasso's art. He has identified himself with it, and his art has become enriched with delightful inventions, such as the realistic steps of the horse in Parade, Formed by two dancers, one of whom does the steps of the forelegs and the other those of the hind legs. The fantastic constructions representing the gigantic and surprising features of The Managers, far from presenting an obstacle to Massine's imagination, have, one might say, served to give it a liberating impetus. All in all, Parade will change the ideas of a great many spectators. They will be surprised, that is certain" but in a most agreeable way, and charmed as well Parade will reveal to them all the gracefulness of the Modern movements, a gracefulness they never suspected. A magnificent vaudeville Chinaman will make their imaginations soar" the American Girl cranking up her imaginary car will express the magic of their daily lives, whose wordless rites are celebrated with exquisite and astonishing agility by the acrobatin blue and white tights.""‎

Bookseller reference : 60103

‎"APOLLINAIRE, Guillaume;"‎

‎Le Poète assassiné.‎

‎Paris, Bibliothèque des Curieux, 1916 In-12, broché sous couvertures illustrées par Cappiello.‎

‎Edition originale. Pas de grands papiers. Couverture illustrée en couleurs par Cappiello, portrait-frontispice d'Apollinaire par Rouveyre. Le Poète assassiné fut publié en octobre 1916. Ce second recueil de contes, projeté à l'automne de 1913, avait été remis à l'éditeur en juillet 1914. Mais la guerre ainsi que la blessure d'Apollinaire en retardèrent la publication. Sa convalescence lui permit tout de même d'y ajouter quelques pages intitulées Cas du brigadier masqué, c'est-à-dire le poète ressuscité. Très bel exemplaire broché en parfait état de préservation. Petites rousseurs aux premiers feuillets.‎

Bookseller reference : CLL-661

‎"Delaunay, Robert, Jacques Damase Galerie Apollinaire, aragon, arp, andré breton, cendrars, rené crevel, delteil, soupault, tzara. Poèmes inédits. Préface de Jean Cassou."‎

‎Les Tours Eiffel de Robert Delaunay‎

‎Paris; Bruxelles: Jacques Damasse Gallery, (1974)‎

‎Cartonné, sous rhodoid illustré, comme neuf‎

Bookseller reference : lc_57642

‎( DELICADO Francisco ) / APOLLINAIRE Guillaume ( introduction, essai bibliographique & notes par )‎

‎DIALOGUE DE ZOPPINO Devenu Frère, et Ludovico, putassier, où sont contenues la vie et la généalogie de toutes les courtisanes de Rome. Attribué à Francisco Delicado Auteur de la Lozana Andaluza‎

‎Paris Bibliothèque des Curieux 1911 in 16 (15,5x9,5) 1 volume broché, couverture rempliée illustrée (papier parcheminé), XXIV et 141 pages [1], non rogné, étui. Collection ''Le coffret du bibliophile''. Edition réservée aux souscripteurs. Tirage à 510 exemplaires numérotés, celui-ci un des 500 exemplaires numérotés sur Arches (6 à 500). Première traduction entièrement conforme au texte italien placé en regard. Introduction, essai bibliographique & notes par Guillaume Apollinaire. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )‎

‎Très bon Broché Ed. numérotée‎

Bookseller reference : 21104

‎(APOLLINAIRE). REVUE Le Flaneur des Deux Rives.‎

‎36e anniversaire de la mort de Guillaume Apollinaire 1918-1954.‎

‎Bulletin d’études Apollinariennes n° 4. Dir. : P.-M. Adéma. P., déc. 1954, in-8, agrafé, 56 p. 20 lettres inédites d’Apollinaire, textes de P. Albert-Birot, L. de Gonzague-Frick, G. Picard, A. Salmon, L. Survage,, M. Adéma, M. Decaudin, etc.‎

Bookseller reference : 19195

‎(Apollinaire)‎

‎Apollinaire à Nîmes‎

‎Nîmes, 1981. Format 15x24 cm, non paginé. Jaquette largement fendue (voir la photo). Bon état.‎

‎Ref 532. Hommage à Guillaume Apollinaire à l'occasion de la naissance du poète en souvenir de son séjour à Nîmes du 6 décembre1914 au 4 avril 1915.‎

Bookseller reference : 50045

‎(APOLLINAIRE). PAUVERT (Jean-Jacques).‎

‎Apollinaire et Monaco.‎

‎Monaco, Editions du Rocher, 1999, in-4, br., 123 p. Couverture illustrée. Edition originale. 1/150 ex. num. sur papier Arcole ivoire. Nombreuses illustrations en noir.‎

Bookseller reference : 22678

‎(Apollinaire, Guillaume).‎

‎Cahiers du Musée National d'Art Moderne. Numéro spécial Guillaume Apollinaire.‎

‎Paris, Centre Georges Pompidou 1981, 300x210mm, 167pages, broché.‎

‎photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 112829

‎(APOLLINAIRE) CADOU (René-Guy).‎

‎Guillaume Apollinaire ou l'artilleur de Metz.‎

‎Avec un portrait inédit par Roger Toulouse. Nantes, S. Chiffoleau, 1948, in-12, br., 150 p. Edition originale. S.P. Bel envoi a.s. à Robert Kanters.‎

Bookseller reference : 19904

‎(APOLLINAIRE, Guillaume).‎

‎La Nouvelle Revue Française Juin 2009. N° 590.Guillaume Apollinaire. Correspondance avec les artistes de san temps.‎

‎Paris, NRF 2009, 225x140mm, broché. Exemplaire à l'état de neuf.‎

‎Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

Bookseller reference : 82440

‎(APOLLINAIRE). REVUE Livres de France.‎

‎N° spécial Guillaume Apollinaire.‎

‎P., Livres de France, 1954, in-8, br., 30 p. Lettres inédites de Max Jacob à Guillaume Apollinaire commentées par André Billy. Picasso. La disparition d'Honoré Subrac par Apollinaire.‎

Bookseller reference : 3030

‎(Apollinaire, Guillaume):‎

‎Exceptionnel ensemble provenant de l'ancienne collection de Guillaume Apollinaire. Manuscrits - Poemes - Dessins - Livres de lui .‎

‎-Etude Couturier Nicolay 1986-. Auction catalogue. First edition 1986. Text in French. Illustrated mainly in black and white. Paperback. Small closed tear front cover otherwise very good indeed. We are specialists in Catalogues: Exhibitions Auctions Collections etc. with a picture of the cover available on request. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience you may order with confidence. Exceptionnel ensemble provenant de l'ancienne collection de Guillaume Apollinaire. Manuscrits - Poemes - Dessins - Livres de lui . -Etude Couturier Nicolay (1986)- paperback‎

Bookseller reference : 28489

‎(APOLLINAIRE).‎

‎Les Mémoires d’une Chanteuse Allemande.- Prefaces de G. Apollinaire presentees par J. Losfeld.‎

‎in-8°, 221 pages, broche, couv. plast. à rabats. Bel exemplaire [CA30-4]‎

‎(Beckett, Samuel) ; Apollinaire, Guillaume‎

‎Zone by Guillaume Apollinaire with an English translation by Samuel Beckett‎

‎Dublin: The Dolmen Press 1972. First edition. 23 p. 24 cm. Blind-stamped cloth leather spine slightly rubbed else fine in publisher's slipcase. One of 250 signed by Beckett. English and French on facing pages. The Dolmen Press unknown‎

Bookseller reference : 27424

‎(Curiosa) JOUY (Victor-Joseph-Etienne de).‎

‎LA GALERIE DES FEMMES collection incomplète de huit tableaux recueillis par un amateur. Introduction, essai bibliographique par Guillaume Appolinaire. Relié à la suite: LA PHILOSOPHIE DES COURTISANES ouvrage imité de l'italien. Introduction, essai bibliographique par Guillaume Apollinaire.‎

‎Paris, Bibliothèque des Curieux, collection "Le coffret du bibliophile", 1912, 1913. 1 demi basane, dos à nerfs, couvertures en parchemin conservées. in-12 de (4)-167 pages, exemplaire numéroté, un des 750 sur papier d'Arches et (4)-220 pages, exemplaire numéroté, un des 750 sur papier d'Arches, tirage réservé au souscripteurs.‎

‎Réunion de 2 ouvrages érotiques publiés avec des notes de Guillaume apollinaire (introduction et essai bibliographique). Le premier, écrit par Victor-Joseph-Etienne Jouy, paraitra anonymement en 1799, devenu célèbre quelques années plus tard, il regrettera cette publication. Le deuxième ouvrage intitulé "La Philosophie des Courtisanes" est une imitation du célèbre ouvrage de Ferrante Pallavicini: "La Retorica delle Puttane". Ces dialogues entre courtisanes sont spirituels, pleins d'historiettes curieuses, dont plusieurs sont intéressantes à un point de vue véritablement historique. Cette "Philosophie des Courtisanes" est un ancêtre des "physiologies" qui eurent tant de vogue au temps de Balzac.‎

Bookseller reference : 4939

‎(DELLION), Apollinaire & MANDROT, A(lphonse) de:‎

‎Armorial historique du canton de Fribourg. Incomplèt. Vendu par planche.‎

‎Neuchâtel, Lith. de H. Furrer, 1865, in-4to, titre lithographié + planches en lith. couleurs / 10 / 11 / 12 / 13 / 14 / 16 / 17 / 18 / 19 / 20 / 21 / 22 / 23. Vendu par Planche‎

‎Bibl. du Ct. de Fribourg 1393 (sous Dellion, nom qui ne figure point dans l'ouvrage même où l'auteur signe P. Apollinaire, Capucin; ce nom ne se trouve pas dans l'index de ladite bibliographie!). Image disp.‎

Bookseller reference : 129052aaf

‎(Guillaume APOLLINAIRE) - Tristan TZARA - Paul DERMEE‎

‎Apollinaire‎

‎Paris: In l'Esprit nouveau 1924. Fine. In l'Esprit nouveau Paris 1924 16.50 x 25.50 cm agrafé First edition of this issue entirely devoted to Guillaume Apollinaire. With numerous contributions including those by Guillaume Apollinaire Tristan Tzara Pierre Albert-Birot Paul Dermée André Salmon and Roche Grey. Iconography illustrations facsimiles; a complete copy including the portrait of Guillaume Apollinaire by Marcoussis. Two small tears at the head and foot of the spine a well-preserved copy.Front cover illustrated with a portrait of Guillaume Apollinaire by Pablo Picasso. In l'Esprit nouveau unknown‎

Bookseller reference : 89360

‎(Guillaume APOLLINAIRE) - COLLECTIF‎

‎Guillaume Apollinaire souvenirs et témoignages inédits‎

‎Albi: Editions de la tête noire 1946. Fine. Editions de la tête noire Albi 1946 14.50 x 19 cm broché First edition. Numerous contributions to this special issue of 'Rimes et raisons' devoted to Guillaume Apollinaire. Poetic supplement with René Guy Cadiou among others. Editions de la tête noire unknown‎

Bookseller reference : 8306

‎(TEIGE) Apollinaire, Guillaume‎

‎Sedící Zena Femme assise.‎

‎Praha Odeon 1925. 142 2pp. Lrg. 8vo. Dec. wraps. printed in yellow red and blue with a design by Karel Teige and Otakar Mrvicka. With a very handsome cover design by Karel Teige and Otakar Mrkvicka printed in red yellow and blue. Front cover neatly detached; slight chipping at spine and edges of covers. Praha (Odeon), 1925. paperback‎

Bookseller reference : B83915-1

‎- Guillaume Apollinaire - Pierre Mac Orlan - Caylus - Louis Stévenard‎

‎L'ECRIN SECRET DU BIBLIOPHILE La fée paillardine ou princesse ratée par le comte de Caylus - Le cortège priapique suivie de Julie, ou la rose - La semaine secrète de Vénus - La porte de l'âne. N°21 à 24.‎

‎Paris, Cercle du Livre Précieux, 1962, in-8, en feuilles sous chemise illustrée et double emboitage, Très bon état. Tirage justifié à 1500 ex. sur vélin blanc. Exemplaires non coupés. Légère insolation au dos de l'emboitage. Ouvrages ornés de gravures.‎

Bookseller reference : 78640

‎- Bessières Louis - Apollinaire Guillaume‎

‎Partition de la chanson : Saltimbanques Retirage / Quatre voix mixtes La couverture peut-être différente‎

‎Caravelle 1952 approx.‎

‎Bon état Format Coquille‎

Bookseller reference : 25003

‎- Honegger Arthur - Apollinaire Guillaume‎

‎Partition de la chanson : A la santé Extraits de "Alcools" six poèmes de Guillaume Apollinaire : - Clotilde - Automne Saltimbanques (Les) Poème‎

‎Salabert 1946‎

‎Bon état Grand format Piano‎

Bookseller reference : 30655

‎... Butor Baudelaire Vogelweith Powys Byron Apollinaire Prieur Martinon Mérimée Pouchkine Backes Blok Delcourt Boyer Gautier Didier Schumacher Lista Ellmann Gangiullo Richard Decock Trakl Sicard Scherrer Bataille Leiris Nacher ; ills hors-texte de Masson Bellmer‎

‎Don Juan analyse d'un mythe volume 2‎

‎1974. Paris Éditions Obliques n°5 1974 - Broché 21 cm x 27 cm 160 pages ills noir et blanc in et hors-text - Textes de Butor Baudelaire Vogelweith Powys Byron Apollinaire Prieur Martinon Mérimée Pouchkine Backes Blok Delcourt Boyer Gautier Didier Schumacher Lista Ellmann Gangiullo Richard Decock Trakl Sicard Scherrer Bataille Leiris Nacher ; ills hors-texte de Masson Bellmer ... - Très bon état‎

Bookseller reference : 14696