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[SCHOENDORFF Max]. FOUCHE-SAILLENFEST Philippe.
Clématites.
5 lithographies originales de Max Schoendorff. Sans nom d'éditeur [Villeurbanne, imprimerie Daru]. 1981. In-8°, reliure pleine toile sous étui assorti. 34 pp. (non paginées). E.O. tirée à 500 exemplaires. I/XL de tête sur fort vélin d'Arches et sous étui. Envoi autographe de l'auteur. Signature de Max Schoendorff au colophon.
書籍販売業者の参照番号
: 64
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[SCHOENDORFF Max]. FOUCHE-SAILLENFEST Philippe.
SONNETS.
Avec une lithographie de Max Schoendorff. Librairie Le Pont de l'Epée. 1987. In-8° broché, sous étui. 47 pp. E.O. 1/50 sur vélin (seul grand papier) avec un triptyque lithographique de Max Schoendorff.
書籍販売業者の参照番号
: 65
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[SEUPHOR] CAERS, A.
Seuphor et Alice Nahon.
in-8, 94 pp., broche, couv. Très bel exemplaire. [NV-28]
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[SEUPHOR] GRENIER, A.
MICHEL SEUPHOR, UN SIECLE DE LIBERTES entretiens avec Alexandre Grenier.
in-8, 384 pages, nombreuses photos n&b, broché, couverture illustrée. Très bel exemplaire, complet de la bande pub. [WE-1] Mondrian, Marinetti, Delaunay, Kandinsky, Arp, Delaunay, Kertész figurent parmi ses amis et confidents.
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[SIMENON (Georges)].
[Photographie originale figurant Georges Simenon conversant avec un homme].
Dimensions : 304 x 208 mm.
書籍販売業者の参照番号
: 14583
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[SOCIETE ARCHEOLOGIQUE, HISTORIQUE, LITTERAIRE ET SCIENTIFIQUE DU GERS]
BULLETIN DE LA SOCIETE ARCHEOLOGIQUE, HISTORIQUE, LITTERAIRE ET SCIENTIFIQUE DU GERS
CIe année - 2e Trimestre 2000 : 122 pages, format 185 x 230 mm, broché, illustré, bon état
書籍販売業者の参照番号
: LFA-126719593
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[SOLEIL NOIR]
Liberté de parole : 36 heures daction poétique permanente
Paris, Editions du Soleil Noir, mai 1969.
書籍販売業者の参照番号
: 23610
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[SPENGLER (Huguette)] PACADIS (Alain) & IONESCO (Irina).
Il est interdit d'assassiner Huguette Spengler.
Catalogue biographique édité par maître Binoche à l'occasion de la vente qu'il organisa à Drouot le 12 juin 1974 pour venir en aide à l'artiste surréaliste Huguette Spengler. Plaquette 13,5 x 9,5 cm. de 48 pages agrafées. Préface d'Alain Pacadis, reporter de l'Underground. Photographies d'Irina Ionesco, Bernard Faucon, Michel Berger. Divers textes dont un entretien d'Huguette Spengler avec Alain Pacadis. E.O.
書籍販売業者の参照番号
: L13450
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[STAEL (Nicolas de)].-
Fondation Maeght. 2 juillet - 22 septembre 1991. NICOLAS de STAËL. rétrospective de l'oeuvre peint.
Saint-Paul, Fondation Maeght, 1991, grand in 8° carré broché, 207 pages ; très nombreuses reproductions, la plupart en couleurs ; bibliographie sommaire in-fine ; couverture à rabats illustrée en couleurs (minuscule tache au plat inférieur) ; signature sur la première garde blanche, raturée au marqueur.
書籍販売業者の参照番号
: 56577
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[STAËL (Nicolas de)] - GREILSAMER (Laurent).-
Le Prince foudroyé. La vie de Nicolas de Staël.
P., Fayard, 2003, in 8° broché, 335 pages ; index in-fine ; illustrations hors-texte ; couverture illustrée.
書籍販売業者の参照番号
: 27266
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[SURREALISM] BRETON, Andre
Arcane 17 Enté d'ajours
Paris: Sagittaire 1947. First French Edition. First Impression regular issue. Octavo 18.5cm; original printed card wrappes; 67-2226pp. From the library of noted poet translator and anthropologist Nathaniel Tarn 1928-2024 with 7 lines of penciled notes on rear wrapper and some light pencil markings in text. Light wear to extremities gentle sunning to spine mild dust-soil to wrappers with some of the usual tanning to text edges; Very Good. A significant surrealist text about the discovery of love through loss written while Breton and his third wife Elisa were self-exiled in Canada. Portions of the work were originally published in New York. 88266. Sagittaire unknown
書籍販売業者の参照番号
: 88266
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[Surrealism Anarchism] Van Newkirk, Allen
Broadsheet Guerrilla free newspaper of the streets Volume 2 Number 2 Surrealists 1925 – Artists & Writers Militia 1968 Revolution. Poetry
New York 1968. First edition. A very good cop a few corner tape marks and pin pricks folds. 17x 22 inches. Published by Allen Van Newkirk later arrested for holding up a Toys-R-Us store in 2005 and who in the 1960s charged the stage during a Kenneth Koch reading firing a pistol loaded with blanks declaring "death to bourgeois poets" the free newspaper of the streets was an important if short lived publication helping to shape the counterculture’s understanding of surrealism’s relationship to contemporary social movements and is perhaps best summed up by the subtitle of this issue taken from the surrealists' open letter in 1925: “Art matters little to us we profoundly hope that revolutions wars and the colonial insurrections will annihilate this Western civilization whose vermin you defend even in the Orient and we call upon this destruction as the least unacceptable state of things for the mind…We assert that we have found treason and whatever else can harm the security of the State more reconcilable with poetry than the sale of ‘large quantities of lard’ to a nation of pigs and dogs."<br /> <br /> Includes poetry and quotes from Ed Dorn LeRoi Jones Surrealists Rimbaud Smohalla Nez Perce tribe Diane Di Prima Sam Abrams Robert Kelly Margaret Randall Victor Hernandez Cruz and others. And an illustration attributed to “CHE†of a modified weapon designed to launch Molotov cocktails.<br /> <br /> Scarce. OCLC locates only six copies of this issue: NYU Yale Univ. Kansas Univ. Indiana Northern Illinois Univ. While we could locate a few auction and sales records for other issues we could find none for this issue. unknown
書籍販売業者の参照番号
: 46364
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[SURREALISM] ABELLIO, Raymond [Pseud: SOULES, Georges]
Cercle D'Etudes Metaphysiques: Journal Interieur with Dialectique De L'Initiation
France: Cercle D'Etude Metaphysiques 1953-1955. Archival Materials. A collection of privately printed/reproduced booklets and newsletters issued by the Cercle D'Etudes Metaphysiques between 1954-1955. 27 pieces in total. All components typewritten and mimeo'd on multicolored paper. Some light wear and toning in places to the staple bound pieces all very good or better.<br /> <br /> Comprising:<br /> <br /> 1. Dialectique De L'Initiation: Premiere Partie Fasicules I-VI; Deuxieme Partie Fasicules I-IV; Troisième Partie Fasicules I-III.<br /> 2. Circulaire Janvier 1955 single orange mimeo'd paper sheet printed recto only<br /> 3. Lettre Circulaire No. I-IV staple-bound reproduced on irregularly sized and colored paper sheets. 9pp. <br /> 4. Travaux des Membres; La Constitution de L'Objective Selon La Critique de Kant et Selon La Phenomenologie de Husserl.par Jean Largeault. 16pp. staple-bound. Dated 15 Mars 1955.<br /> 5. Cercle D'Etudes Metaphysiques "Journal Interieur" Nos. 1-8 with the final issue dated Juin-Septembre 1955 being a double issue. <br /> <br /> The very privately printed and distributed output of the short-lived and incendiary "Cercle D'Etudes Metaphysiques" formed in 1953 by the self-styled visionary Raymond Abiello actually a pseudonym of the eclectic and confounding Georges Soulès.<br /> <br /> Soulès was born in Toulouse in 1907 studied at the local Polytechnique and in his early 20's discovered and joined the post-1929 crash youth movement known as "X-Crise" a technocratically inclined group who believed that classical liberalism had failed as a means of socio-economic control and should be replaced with strict economic planning. Members included Soulès Louis Vallon Jules Moch and Alfred Sauvy.<br /> <br /> Their theories and reconstructivist drive have been directly linked to the creation of the collaborationist Vichy government in France during WW2. Sauvy in particular rose to post-war prominence as the Head of the Institute for Demographic Studies the INED and is remembered as the man who coined and popularized the term "Third World" in application to developing non-white nations. Abellio/Soules was among the numerous Vichy/Nazi sympathizers who went into exile in Switzerland to avoid imprisonment.<br /> <br /> Inspired by Gurdjieff the I-Ching Gnostic Mysticism Qabbalism Jungian theory Biblical Gematria early Surrealists and all points in between Abiello formed the Cercle D'Etudes Metaphysiques in 1953 with fellow travellers Jean Largeault and Bernard Noel both of whom feature heavily in the "Journal Interieur" contributing articles and manifestos on diverse subjects such as "Kafka and the Terrible Father" and "The Problem of Homosexuality" in tandem with the openly gay Raymond De Becker's "L'Homosexuel et la Magna Mater". <br /> <br /> Other contributors or collaborators included Jean Cocteau; Irene Tateossian; Raymond De Becker the Belgian journalist and writer who espoused the idea of "Intellectual Collaboration" during the war and edited the Nazi sanctioned newspaper "Le Soir"; Henry Lhong a rather incendiary figure in the Toulouse art scene of the 1950's who founded the aggressively disruptive L'Atelier Gallery and created the "Art Presente" shows in direct conflict with Toulouse's more traditionalist "Art Occitans" and "Artistes Méridionaux" events; Olivier de Carfort who made contributions to the avant-garde journal "Bizarre" alongside Jean Paulhan Eugene Ionesco Rene Magritte and others<br /> <br /> Abellio's C.E.M. seems to have been the industrious loom for a number of interconnecting threads; avant-garde artistic sensibilities crypto-fascist societal reform homosexuality and esoteric and occult researches for the furtherance not necessarily of mankind in general but certainly for those who were found strong and intellectual enough to handle the rigours of enlightenment. Jungian Psychoanalysis is woven in alongside Huserlian philosophy the symbolic incomprehensibility of surrealism knotted in with the arcane complexities of Eastern transcendentalism all laid across a ground preoccupied with one shared belief among all the other whirling beliefs; that art and intellectual thought if not western society in general was in the midst of what Cercle member Henri Lhong described as "La crise metaphysique du siecle" the idea that 20th century humanity had lost its way and must seek deep in the metaphysical and esoteric realm to find it again.<br /> <br /> A dense and as far as can be ascertained substantially complete collection of the main elements of the Cercle's internal publications; necessarily only printed for a small number of members and comprising a combination of newsletter manifesto and conceptual primer of their inner workings. No trace can be found in commerce a couple of references in the art world where the C.E.M. intersected with the mainstream avant-garde and no holdings in institutional libraries except for one 1954 issue of the Journal in the National Library of France. Cercle D'Etude Metaphysiques unknown
書籍販売業者の参照番号
: 86611
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[SURREALISM] CHAR, Rene
Claire. Thèatre de Verdure
Paris: Gallimard 1949. Second edition in same year as first. 12mo 16.5cm. Original printed wrappers; 1082pp. A very fresh copy with just a bit of toning to spine; text entirely unopened pages uncut; Near Fine and unusual thus. Text entirely in French. Gallimard unknown
書籍販売業者の参照番号
: 87656
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[Surrealism]
Electeurs electrices
Paris: Pour l'Unite 1952. A French election poster from ca. 1951 with a connection to the Surrealists from three printed emblems reading "Bulletin NOIR Les Surealistes." Your cataloger's knowledge of French and French politics after the Second World War is not sufficient to offer an analysis of the poster. One suspects it mostly means the opposite of what it says or that it is a sort of word salad of election-style statements without meaning but draw your own conclusions:<br /> <br /> Pas de paix! Car la voie est ouverte à l'orgueil la cupidité la violence et le mensonge No peace! Because the way is open to pride greed violence and lies.<br /> <br /> Écartez le candidat qui préconise la lutte de classe. L'amour seul est constructif! Reject the candidate who advocates class struggle. Love alone is constructive!<br /> <br /> Published as a supplement to l'homme nouveau no. 97.<br /> <br /> 17-3/16 by 23-3/4 inches. Good only apparently removed from a wall with some loss to the margins repaired with infill paper. Linenbacked. Pour l'Unite unknown
書籍販売業者の参照番号
: 362568
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[Surrealism] Breton, Andre
Free Rein: Essays.
<p>Surrealism Breton Andre. Free Rein: Essays. Lincoln: University of Nebraska Press 1995. First Printing of the First US Edition. ISBN: 0803212410. A Near Fine copy faint remainder stamp in a Fine dust jacket. Free Rein is a gathering of seminal essays by André Breton the foremost figure among the French surrealists. Written between 1936 and 1952 they include addresses manifestoes prefaces exhibition pamphlets and theoretical polemical and lyrical essays. Together they display the full span of Breton's preoccupations his abiding faith in the early principles of surrealism and the changing orientations in light of crucial events of those years of the surrealist movement within which he remained the leading force.Having broken decisively with Marxism in the mid-1930s Breton repeatedly addresses the horrors of the Stalinist regime which denounced him during the Moscow trials of 1936. He argues for the autonomy of art and poetry and condemns the subservience to "revolutionary" aims exemplified by socialist realism. Other articles reflect on aesthetic issues cinema music and education and provide detailed meditations on the literary artistic and philosophical topics for which he is best known. Free Rein will prove indispensable for students of Breton surrealism and modern French and European culture. </p> University of Nebraska Press, hardcover
書籍販売業者の参照番号
: 27755 ISBN : 0803212410 9780803212411
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[SURREALISM].
International Surrealist Bulletin No. 4.
London: The Surrealist Group in England 1936. September. Small 4to. 18 pp. Near fine in glossy illustrated wrappers. Texts in English and French. Issued shortly after the International Surrealist Exhibition held in London from 11 June to 14 July 1936. Ten b&w reproductions. London: The Surrealist Group in England, unknown
書籍販売業者の参照番号
: 87495
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[SURREALISM] BRETON, Andre (ed)
La Brêche: Action Surréaliste complete run of 8 issues
Paris: Le Terrain Vague 1961-65. Eight octavo digest-size issues. Pictorial wrappers printed in colors; each issue ca. 124-132pp; illus; ads. Gentle rubbing and soil to most issues but in all a complete attractive and perfectly sound run easily Very Good. Text entirely in French. <br /> <br /> Breton's final periodical venture a continuation of sorts of his long succession of Surrealist journals that included La Révolution Surréaliste 1924-1929 Surréalisme au Service de la Revolution 1930-1933 and Minotaure 1933-1939. La Brêche is the definitive journal of late-period Surrealism very much pointing the way towards the movements - Pop Art Situationism Abstract Expressionism etc - that would soon supplant it. The journal ceased publication in November 1965 presumably due to Breton's declining health; he would die in September 1966. Beyond Breton himself who contributes at least one article to every issue the list of contributors to La Brêche is impressive including Radovan Asvic Jean-Claude Barbé Robert Benayoun Alain Joubert J.-F. Revel Pierre Alechinsky Joyce Mansour Annie Lebrun and many others. GERSHMAN p.48. Le Terrain Vague unknown
書籍販売業者の参照番号
: 89467
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[SURREALISM; DADAISM]. ROCHE, JULIETTE
La Minéralisation de Dudley Craving Mac'Adam
Paris: Imprimerie Croutzet et Depost 1924. First edition. Original wrappers. Very Good. FIRST EDITION of Roche's surreal dadaist roman à clef exposing the misogynistic world of the French avant-garde. With annotations likely in Roche's hand. Like too many women artists of the early twentieth century French writer and artist Juliette Roche 1884 - 1980 has been long overshadowed by her male contemporaries. Roche came of age amidst leading artistic and literary salons of early 20th century Paris. She studied at Académie Ranson then considered the absolute best art school in Paris and was an early adopter of Cubism. However she is most closely associated with Dadaism. Despite Dada being a movement of absolute rebellion it harbored the normalized misogyny of the early twentieth century. Roche's most explicit critique of this discrepancy of rebellion vs repression can be found in La Minéralisation de Dudley Craving Mac Adam her groundbreaking novella.<br /> <br /> Part satire and part Dada nonsense the thinly veiled roman à clef is a prime example of the daring poetic style that Roche developed while living in New York during World War I. Having watched artistic vanguards come and go in Paris' salons and exhibitions Roche observed the New York City hijinks of Francis Picabia French 1879 - 1953 and Marcel Duchamp 1887 - 1968 with a level of detachment that alluded their American peers. She had close access to Picabia perhaps too close: in 1917 he and his wife Gabrielle Buffet-Picabia moved into an apartment directly beneath one Roche shared with her husband Albert Gleizes a French artist and philosopher who helped popularize Cubism on the Upper West Side. While Roche admired Picabia's iconoclasm she was disturbed by the misogyny she saw in works like his manometres where woman as 'la machine' was at best a manipulable object at worst the butt of a private joke. If taking Roche's ambivalence towards and her neighborly proximity to Picabia into consideration the novella could be inspired in part by an age-old story: pure contempt of one's neighbor.<br /> <br /> The novella is an indirect indictment of certain illicit behaviors Roche found annoying and dangerous. She synthesizes her fellow expatriates' personalities and physical traits to create the decadent Mac'Adam and the men he encounters on the day of his demise. Picabia becomes Mac'Adam. Swiss writer and boxer Arthur Craven 1887 - 1918 lends his name to the protagonist while becoming Lloyd Willow. Juliette Roche herself appears as Juliette Granite a play on words since roche means rock in French. Roche spins the narrative in poetic and surreal fragments at turns absurd and others told in a stream-of-consciousness style. La Minéralisation moves beyond conventional storytelling to allow readers into the minds of her characters through rich interior monologues revealing in each case her estimation of the particular model's idiosyncrasies. Roche seemed to find the antics of the all-male world of the Dadaists to be too limited and they're wickedly satirized among these pages.<br /> <br /> Written in ink on the first page is "Publié dans 'La Vie des Lettres' en 1921 / New York 1918" and there are a few words written on page 20 in the same hand. It appears to be Roche's handwriting from the few samples we've seen but we can't guarantee it.<br /> <br /> Paris: Imprimerie Croutzet et Depost 1924. Thin octavo 33pp terminal blank original printed wrappers stapled as issued; custom box. Small tear and split at top of spine; a near-fine extremely well-preserved copy.<br /> <br /> EXCEEDINGLY RARE: We can find records of no other copies that have been on the market.<br /> <br /> References:<br /> <br /> Burke Carolyn "Recollecting Dada: Juliette Roche." Women in Dada: Essays on Sex Gender and Identity edited by Naomi Sawelson-Gorse MIT Press 1998 557. Imprimerie Croutzet et Depost unknown
書籍販売業者の参照番号
: 2729
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[SURREALISM] NAVILLE, Pierre; PERET, Benjamin; BRETON, Andre (editors).
La Révolution Surréaliste. Nos. 1-12 all published.
Paris Librairie Gallimard 1924-1929. . Periodical 12 issues in 11 vols.; 293 x 202 mm 11½ x 8 in; illustrated with halftone reproductions of photographs and artwork; wire-stitched photo-illustrated wrappers with black text nos. 1-5 are red and 6-12 are white occasional light handling light wear to spines occasional light marking and minor foxing oxidation to staples no.12 with more foxing and marking to lower side along spine a very good set in a custom chemise and slipcase; various paginations.<br /> A scarce complete set of the first and most famous surrealist journal whose first issue marks the official birth of the movement.<br /><br />Contributors include Louis Aragon André Breton René Char René Crevel Giorgio de Chirico Robert Desnos Paul Éluard Max Ernst Man Ray André Masson Joan Miró Francis Picabia Pablo Picasso and Yves Tanguy.<br /> Paris, Librairie Gallimard, 1924-1929. unknown
書籍販売業者の参照番号
: 117780
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[SURREALISM] DI DIO, Francois & Charles Autrand (eds)
Le Soleil Noir - Positions no. 1 "La Revolte en Question
Paris: Soleil Noir / Presses du Livre Français 1952. First Edition. Trade issue after 50 copies on Alfa. 12mo. Original printed wrappers; 1271pp; illus frontispiece and five unnumbered leaves of plates. Slight toning to spine else a tight Near Fine copy; the text is completely unopened i.e. pages are uncut clean and supple with practically no toning to the margins. Prospectus and order form laid-in. Text entirely in French. <br /> <br /> Premier issue of Di Dio's short-lived surrealist quarterly which ended after the double issue 3/4 in early 1953. Contributors include Antonin Artaud Aimé Cesaire Julien Gracq Philippe Dechartre others. Illustrations by Max Ernst Paul Klee Vasily Kandinsky etc. Uncommon especially in this condition. Soleil Noir / Presses du Livre Français unknown
書籍販売業者の参照番号
: 87538
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[SURREALISME]
Les Surréalistes à Garry Davis.
Paris FeÌvrier 1949. 1 f. 270 x 350 mm. Impression noire sur papier blanc. . Lettre ouverte sous forme de tract. L'exemplaire de Gaston Ferdière. . Les surréalistes se portent solidaires du mouvement « Citoyens du monde » et de son initiateur Garry Davis qui se rendit ceÌleÌ€bre en interrompant une seÌance de l'ONU au Palais de Chaillot en novembre 1948. Davis sera soutenu par le mouvement Front humain auquel Breton collabore depuis le printemps. Le poète participe aÌ€ plusieurs meetings mondialistes et le groupe tout entier adresse en février 1949 son soutien au jeune activiste à travers ce tract intituleÌ Â« Les surréalistes aÌ€ Garry Davis ». Notre exemplaire a été plié affranchi et adressé à Gaston Ferdière : l'adresse « Médecin chef de l'Asile de Rodez Aveyron » a été biffée et le courrier fait suivre à cette adresse : « Villa Ugarte aÌ€ Anglet B. Py. Basses-PyreÌneÌes ». Plusieurs eÌchanges de lettres au moment du meeting du 30 avril 1949 organiseÌ par Breton « Pour Gary Davis » attestent de contacts récurrents entre les deux hommes à cette époque. Paris, FeÌvrier 1949. 1 f. (270 x 350 mm). Impression noire sur papier blanc. unknown
書籍販売業者の参照番号
: 16274
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[SURREALISM] BRETON, Andre
Les Vases Communicants
Paris: Gallimard 1955. First Edition Thus. First Impression regular issue. Octavo 18.75cm; original printed card wrappers; 910-2071 8pp black & white plates. Light wear to extremities some trivial dust-soil subtle tanning to text edges; Near Fine. New edition of this key Surrealist work originally published in 1932 in which Breton explores the connection between the dream world and the waking world and how the techniques of surrealism could lead to recovery from despondency. 88267. Gallimard unknown
書籍販売業者の参照番号
: 88267
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[Surrealism]. Breton, Andre
Les Vases Communicants
Paris: Editions des Cahiers Libres 1932. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. Pictorial warppers. Archivally rebacked with new unprinted spine. Few tiny closed edge tears on front cover text evenly browned due to acidic paper else a very good copy. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. "Andre Breton is undeniably the outstanding representative of literary Surrealism in France. his books of critical discussion of the new theories-- as for instance. Les Vases communicants. have established his reputation as the most fully qualified exponent of the 'orthodox' Surrealist doctrine" Lemaitre. 'From Cubism to Surrealism in French Literature' p. 209. <br/><br/> Editions des Cahiers Libres unknown
書籍販売業者の参照番号
: 338037
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[SURREALISM] BRETON, Andre; Andre Masson (illus)
Martinique charmeuse de serpents. Avec textes et illustrations d'Andre Masson
Paris: Éditions du Sagittaire 1948. First Edition. Trade issue after 587 numbered copies in various limitations. 12mo. Printed glossy-paper wrappers; 1125pp. A clean tight well-preserved copy in the original wrappers with expected toning to text; Very Good. The full-page lithographic illustrations by Masson being on better paper are clean and free of marginal darkening. Text entirely in Frenc; the text includes Breton's preace to Aimée Césaire's "Cahier d'un retour au pays natal." GERSHMAN p.9. Éditions du Sagittaire unknown
書籍販売業者の参照番号
: 87424
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[SURREALISME] SCHUSTER (Jean)
Medium. Informations surréalistes
Paris novembre 1952 - juin 1953. 8 f. 430 x 280 mm recto impression en noir sur papier de couleurs. . Collection complète de la première série de cette revue dirigée par Jean Schuster imprimée sur divers papiers de couleur vert rouge crème blanc ocre violine et orangé. Textes de Breton Alleau Duprey Legrand Meret Oppenheim etc. . Avant qu'elle ne devienne une revue à part entière cette publication parut sous forme de feuillets recto revêtant plus l'aspect d'un journal. Elle était surtout destinée à jouer le rôle d'un « organe d'informations » au sein du groupe. Le titre dessiné rappelle le sens géométrique de médium : module d'architecture. Dirigé par Jean Schuster cette publication aura comme collaborateurs autour d'André Breton soit des surréalistes de fraîche date soit d'anciens compagnons de route comme Péret. Bel exemplaire de cette série extrêmement fragile et rarement complète. Paris, novembre 1952 - juin 1953. 8 f. (430 x 280 mm) recto, impression en noir sur papier de couleurs. unknown
書籍販売業者の参照番号
: 14136
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[SURREALISM] ALQUIE, Ferdinand
Philosophie du Surréalisme
Paris: Flammarion 1955. First Edition. First printing. 12mo 19cm. Printed card wrappers; 2344pp. Bright well-preserved copy with little indication of use - the wrappers remain vividly colored; the text is unopened pages uncut but does exhibit some of the expected toning to paper at margins; Very Good or better. Laid in is an announcement for a lecture by Alquié undated "La Conception Surréaliste de L'Amour". GERSHMAN p.1. Flammarion unknown
書籍販売業者の参照番号
: 87650
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[SURREALISM] BRETON, Andre [FONG, Monique; TARN, Nathaniel]
Point Du Jour
Paris: Gallimard 1934. First French Edition. Octavo. 19cm. Publisher's cream colored card wraps titled in black and red to spine and front cover. Glassine dustjacket. 251pp.;1. Strong and tight a little soiling and marginal wear to the wraps and some staining and discoloration to the glassine jacket; internally clean ownership signatures of Monique Fong and Michel Tavriger to the front flyleaf dated 1949 and 1950 numerous collage additions to the text throughout. A very good copy with some fascinating artistic additions from the early surrealist movement.<br /> <br /> From the library of Nathaniel Tarn noted poet translator and anthropologist who during the period 1945-1950 was resident in Paris living and working under the name Michel Tavriger before adopting the name Nathaniel Tarn Tarn being the name of a French river. He was intimate with a large swath of Parisian artistic intelligentsia including Breton Octavio Paz photographer Serge Jacques and surrealist muse and intellectual powerhouse Monique Fong. In all probability he was most likely also a member of the surrealist ex-Vichy collaborationist "Cercle D'Etudes Metaphysiques" presided over by Raymond Abellio Bernard Noel Raymond De Becker and the like who numbered Cocteau and Jean Paulhan among their friends and contributors. Improvised collage is a factor of several branches of Fong's correspondence with friends like John Cage so it is most probably that the photographic collage elements inserted into the volume are the work of Fong. They are mostly black and white clippings from fashion or art magazines mostly occupied with nudes with several pages devoted simply to naked breasts they range in complexity from a simple uneven clipping to a rather more complex arrangement of vertically sliced elements arranged together covering a whole page to the rear of the volume. <br /> <br /> Fong stated in an interview before her death: "I'm a very rare person at this point. Not because I'm 95 but because I think there are only three people left in this world who have known both Breton and Octavio Paz. I was a member of the Surrealist group as was Nathaniel Tarn - under another name at the time - when we were 23 24 something like that. And all of our contemporaries died before the age of 70 which is really not old. There are very few survivors. If you knew Octavio Paz you did not necessarily live in France. People knew him in Mexico in India in the States. I'm pretty sure that the only people to know both Paz and Breton are at this point Jean-Clarence Lambert Nathaniel Tarn and me." https://caesuramag.org/posts/interview-with-monique-fong-surrealism. Gallimard unknown
書籍販売業者の参照番号
: 88369
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[Surrealism] Thirion, Andre
Revolutionaries Without Revolution.
<p>New York:: Macmillan 1975. First Printing of the First US Edition. A Fine copy in a Fine uinclipped dust jacket. Thirion a French revolutionary was a prominent member of the French avant-garde involved in the Marxist-surrealist movement in Paris after World War I. His fellow "revolutionaries" included the likes of Breton Aragon Dali Miro and Giacometti. Thiron joined the Communist party in 1925 and he joined the surrealist movement in 1928. He was a friend of Louis Aragon and Georges Sadoul and was active with the surrealists between 1928 and 1934. During the Second World War he joined the Gaullist resistance. Thiron's autobiography captures the lost period between the wars and the rise in ideological disputes that followed; it is the journal of one man's devotion and disillusionment when the world was changing in revolutionary ways.</p> Macmillan, hardcover
書籍販売業者の参照番号
: 27168 ISBN : 0026174006 9780026174008
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[SURREALISM - FRANCE] PASTOUREAU, Henri; Sarane Alexadrian (et al)
Rupture Inaugurale. Déclaration adoptée le 21 Juin 1947 par le groupe en France pour définir son attitude préjudicielle a l'égard de toute politique partisane
Paris: Éditions Surréalistes 1947. First Edition. Octavo. Staple-bound wrappers; 14pp; photographic frontispiece and terminal ad leaf on glossy paper; overprinted in red on front cover and title page. Covers toned as usual; text mildly aged but remains supple and free of soil. Very Good. The frontispiece photograph is attributed to Man Ray from his series of photographs of the ruins of De Sade's chateau in Provence.<br /> <br /> Important post-war manifesto of the "Cause" group breaking the Surrealists' connection to all political parties and especially denouncing the Stalinization of the Communists. According to Gershman the text was written by Henri Pastoureau. Signed in type at conclusion of text by 48 members including Breton Alexandrian Bellmer Baskine and others. GERSHMAN Bibliography of the Surrealist Movement in France p.56. Éditions Surréalistes unknown
書籍販売業者の参照番号
: 86427
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[SURREALISME]
Surrealism / The Octopussy Typewriter.
Chicago Black Swann Press octobre 1978. 16 p. 290 x 435 mm impression en noir. . Numéro unique de cette publication surréaliste américaine sous forme de tabloïd. Organe du groupe de Chicago dirigé par Franklin Rosemont ; on y trouve le tract 'Voluptuous magnet embraceable dawn' et des textes de Rachel Blackwell Bogartte Green Jablonski Lamantia Ribitch F. Rosemont P. Rosemont Taub Tristan Meinecke Lane Ellwanger Jaguer Rikki El Janabi Mado Peters Redmond Booth. Des artistes du mouvement viennent en illustrer les textes: Bogartte El Janabi Erben Granell Rube Goldberg F. Rosemont P. Rosemont Green Ribitch José Argemi Nelson Algren Peters Rammel Schlechter Duvall Taub Welson Haïfa Zangana. Parfait état. Chicago, Black Swann Press, (octobre) 1978. 16 p. (290 x 435 mm), impression en noir. unknown
書籍販売業者の参照番号
: 30671
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[SURREALISME] BRETON (Andre)
Tir de barrage.
Paris 28 mai 1960. 4 p. en 1 f. 250 x 320 mm plié impression en noir sur papier de couleur saumon. . Tract illustré d’un dessin d’Alfred Kubin et signé conjointement par le mouvement surréaliste et le mouvement Phases rédigé par Legrand et Jaguer en mai 1960. . L'un des tout derniers tracts surréalistes Tir de barrage vise l'exposition « Anti-procès » organisée par Alain Jouffroy et Jean-Jacques Lebel à la galerie des Quatre-Saisons. Il existe pour ce tract un tirage à 20 exemplaires signés et imprimés sur beau papier. Ancienne trace de trombone. [Paris], 28 mai 1960. 4 p. en 1 f. (250 x 320 mm) plié, impression en noir sur papier de couleur (saumon). unknown
書籍販売業者の参照番号
: 28668
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[Surrealism] Matthews, JH J H
Toward the Poetics of Surrealism.
Syracuse::: Syracuse University Press 1976. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. The author examines the emergence of surrealism through the nineteenth century heritage of romanticism and naturalism and assesses the works of Apollinaire and analyzes Andre Breton's 1924 Manifestoe of Surrealism. Matthew's study of Breton's Anthology of Black Humor and the writings of the leading Belgian surrealist Paul Nouge reflects the use of surrealism as a language of revolt. Matthew' also investigates the subversive poetics of surrealism by examining surrealist attitudes toward the Marquis de Sade and commenting on their political position. Syracuse University Press,, unknown
書籍販売業者の参照番号
: 27500 ISBN : 0815601204 9780815601203
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[SURREALISME SERBE].BOR (Vane) & RISTIC (Marko).
Anti-Zid. Prilog za pravilnije shvatanje nadrealizma.
Belgrade, Nadrealisticka Izdanja, 1932, in-8, 54 p., couverture imprimée de papier rouge. Édition originale. Ouvrage théorique sur le surréalisme serbe et ses précurseurs par deux membres fondateurs du groupe de Belgrade dont les activités furent sur le point de se tarir. Le titre se traduit par Anti-Mur ou Anti-Blocage.Catalogue des éditions surréalistes (Nadrealisticka Izdanja) à la fin. Bel exemplaire de ce livre rare et fragile. Signature sur le titre au crayon.
書籍販売業者の参照番号
: 23655
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[SURREALISME-COLLECTIF]
A couteau tiré. Surréalisme & Avatars.
Bruxelles. Quadri Gallery, 1997. In-4 étroit br. Jaquette photo. Catalogue de l'exposition A couteau tiré qui a eu lieu du 26 mars au 26 avril 1997. Conception et notices de Ben Durant. Artistes exposés : R. Baes, P. Colinet, Ed. Jaguer, J. Lacomblez, J. Lefrancq, R. Magritte, M. Mariën, M. Oppenheim, A. Simon, etc. Reproductions. Textes de P. Demarne et Edouard Jaguer sur André Breton. E.O. 1/50 ex. num. Carton d'invitation joint. Signature autographe de Pierre Demarne et du photographe Jean-Pol Stercq.
書籍販売業者の参照番号
: L8991
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[SURREALISME; REVUE]:
Coupure. n°3 mai 1970.
Paris, Le Terrain vague, 1971. In-folio en feuille de 8 pages, abondamment illustré.
書籍販売業者の参照番号
: 15774
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[SURREALISME; REVUE]:
Coupure. n°5 novembre 1970.
Paris, Le Terrain vague, 1971. In-folio en feuille de 8 pages, abondamment illustré.
書籍販売業者の参照番号
: 15773
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[SURREALISME; REVUE]:
Coupure. n°6 avril 1971.
Paris, Le Terrain vague, 1971. In-folio en feuille de 8 pages, abondamment illustré.
書籍販売業者の参照番号
: 15771
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[SURREALISME; REVUE]:
Coupure. n°7 janvier 1972.
Paris, Le Terrain vague, 1971. In-folio en feuille de 8 pages, abondamment illustré.
書籍販売業者の参照番号
: 15772
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[SURREALISME]
Adhérer au Parti communiste ? Septembre-décembre 1926. Présenté et annoté par Marguerite Bonnet.
Paris, Gallimard, 1992. 1 vol. in-8° br., 119 pp., (2) ff.[G10]
書籍販売業者の参照番号
: 21938
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[SURREALISME]
Aux grands oublieurs, salut! Tract surraliste.
Paris le 13 fvrier 1969 1 page (H: 268mm x L: 202mm), sur papier rouge brique.Tract surraliste sign par Philippe Audoin, Claude Courtot, Grard Legrand, Jos Pierre, Jean-Claude Silbermann. Conseils " tous ceux qui ignorent que la vie se court imprudemment de s'en tenir des cadences prouves".
書籍販売業者の参照番号
: 22774
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[SURREALISME]
Comptes rendus des réunions tenues pour déséquivoquer le surréalisme français.
Paris, 1947. 21 x 27 cm. 9 feuillets ronéotypées en noir sous chemise cartonnée restaurée. Circulaire du 24 mai 1947 et Comptes rendus de la réunion tenue le 31 mai, secrétaire de séance : Yves Battistini. Présents : N. Arnaud, Battistini, Jaguer, Trouille, Labisse, Aline Gagnaire, etc. E.O.
書籍販売業者の参照番号
: L13611
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[SURREALISME]
Dictionnaire abrégé du surréalisme
Couverture souple illustrée par Yves Tanguy. Avec de nombreuses reproductions photographiques de tableaux et de documents surréalistes.
書籍販売業者の参照番号
: 83706
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[SURREALISME]
L'objet surréaliste. 1931-937 André Breton, Hans Bellmer, Salvador Dali, Oscar Dominguez, Max Ernst, Valentine Hugo, Marcel Jean, Roland Penrose, Man Ray.
Galerie du Dragon 1979 In-8 (h. 20 cm.) couverture souple. 19 objets décrits dont 13 reproduits.
書籍販売業者の参照番号
: 5382
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[SURREALISME]
La Révolution surréaliste (1924-1929). Collection complète.
In-4, non paginé. Fac-similé de la collection complète de cetter célébrissime revue surréaliste. Dos de la jaquette uniformément décoloré, sinon bel exemplaire.
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[SURREALISME]
La Révolution surréaliste. Collection complète du n°1 à 12 du 1er décembre 1924 au 15 décembre 1929. Postface de Marie-Claire Bancquart intitulée 1924-1929 : une année mentale.
Paris Jean-Michel Place 1975 In-4 (h. 30 cm.) env. 250 pp. reliure cartonnée, jaquette orange.
書籍販売業者の参照番号
: 4695
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[SURREALISME]
Le Surréalisme - Sources - Histoire - Affinités.
Catalogue d'exposition Galerie Charpentier. 1964. In-8° agrafé sous jaquette illustrée d'une composition originale de Max Ernst. 50 planches hors texte. 104 pp. Quelques annotations manuscrites sur la face muette de la jaquette. Coupures de presse jointes. Propre.
書籍販売業者の参照番号
: 26
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[SURREALISME]
Le Surréalisme 1922-1942.
Paris, Musée des Arts Décoratifs, 1972. 1 vol. in-8° br., couv. illustrée en couleurs.[G10]
書籍販売業者の参照番号
: 21943
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[SURREALISME]
Les Souvenirs determinants.- Avant-propos de P. Dewolf.
in-8°, 130 pp., broche, couv. a rabats.— E.O. collective. Etat proche du neuf. [109B-3] Temoignages de R. Daumal, M. Lecomte, M. Marien, J. Paulhan, R. Magritte, A. Souris, etc.
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[SURREALISME]
MINOTAURE
Albert Skira 1981 In-4 (h. 33 cm.) reliure cartonnée, jaquette illustrée, étui.
書籍販売業者の参照番号
: 4989
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