‎Painting‎

‎FUCHS, Rudi; FREMON, Jean en GACHNANG, Johannes;‎

‎Karel Appel, pastorale chiaroscuro,‎

‎, Rotterdam, NAi Uitgevers, 2001**, Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 24,5x30,5cm, 148pp, geillustreerd in kleur en z/w.‎

‎Deze uitgave, ter gelegenheid van de 80ste verjaardag van de kunstenaar, biedt een fraai overzicht van de laatste 2 decennia van Appels indrukwekkende oeuvre en toont een kunstenaar die onverminderd vitaal en productief is/ This volume, in honor of Appel?? s 80th birthday, provides a handsomely compiled survey of Appel?? s impressive work from the past two decades and shows an artist who remains vigorous and higly productive. Tekst Nederlands/ English. Good condition.‎

Bookseller reference : 12553

‎Fugel, Gebhard (1863 Oberklöcken bei Oberzell Ravensburg - 1939 München)‎

‎'Die beiden Bäume' : zweigeteilte Darstellung: links am Baum die Sünden, rechts die Tugenden.‎

‎Ende 19. Jh. Ölgemälde auf Malpappe, oben monogrammiert, rückseitig signiert und montierte Erklärung nebst Bibelstellen. in braunem matt getünchtem Holzrahmen, Aussenmasse 50 x 60 cm, [6 Warenabbildungen] Rahmen kopfseitig bestossen,‎

‎Provenienz: Dachbodenfund aus Weingartener Sammlerhaushalt.- die flächige pastose und flüchtige Malerei zeugt nicht für eine Auftragsarbeit, sondern eher für eine Studie oder ein Frühwerk.- die Zuschreibung erfolgt durch die Signatur auf der Rückseite mit Vergleich von Fugel-Autographen.-‎

Bookseller reference : 1000356AG

‎Fuller William cover painting by Mitchell Hooks‎

‎THE PACE THAT KILLS‎

‎New York: Dell 1956. Fair. 1956. First Edition. Mass Market Paperback. First edition. Dell First Edition 105 with 25 cents cover price. "An all night juke joint.A woman with time on her hands.A kid going nowhere fast.lland looking for company." Hubin 1984 Crime Fiction page 155. Pictorial wrappers 190 pages plus ads at the rear. Fair to Good only copy cover creasing dampstaining to the upper portion of the front part of the book remainder-like mark to the top edge near the spine cheap text paper tanned. . Dell [1956] paperback‎

Bookseller reference : 71623

‎Fuller William cover painting by Victor Kalin‎

‎TIGHT SQUEEZE A BRAD DOLAN MYSTERY‎

‎New York: A Dell First Edition 1956. Good. 1956. First Edition. Mass Market Paperback. First edition. Dell First Edition A189 with 25 cents cover price. "Brad Dolan didn't know which was more trouble---the strongboys who were after him or the honeyhaired blonde named Sheila". Hubin 1984 Crime Fiction page 155. Pictorial wrappers 160 pages. Good copy spine slightly cocked cover creasing light dampstaining to/around the spine heel letter "L" to the top of the first page cheap text paper tanning. . A Dell First Edition [1956] paperback‎

Bookseller reference : 71643

‎Furtwängler, F.M‎

‎Erneuerte Völkerfreundschaft u. andere Folgen. M. Essays v. A. Strobl.‎

‎München, Deloitte, 2007. 67 S., 2 Bl. m. zahlr. farb. Abb. 4°, Broschiert‎

‎Buch in sehr gutem Zustand‎

Bookseller reference : 123580

‎Fußmann, Klaus‎

‎Der Blick auf die Dinge. [Signiertes Widmungsexemplar.] 44 Stilleben. 1972 - 2001.‎

‎Münster, Edition Galerie Steinrötter, 2002. 4°. 28 cm. 53 Seiten. Original-Klappenbroschur. Als Blockbuch gebunden.‎

‎1. Auflage. Mit signierter Widmung von Klaus Fußmann auf Vortitel, datiert [28.4.2002]. Katalog anlässlich der Ausstellung vom 28. April 2002 bis 23. Juni 2002. Mit zahlreichen Abbildungen. Sehr gutes Exemplar.‎

Bookseller reference : 6657EB

‎Fußmann, Klaus‎

‎Klaus Fußmann im Museum Schloß Hardenberg, aus der Sammlung Großhaus.‎

‎Velbert, Museum Schloß-Hardenberg, 1998. Groß-8°. 24 x 20 cm. 144 Seiten. Original-Klappenbroschur.‎

‎Eins von 2000 Exemplaren. Katalog anlässlich der Ausstellung im Museum Schloß-Hardenberg vom 6. September bis 8. November 1998 . Mit zahlreichen Abbildungen. Sehr gutes Exemplar. One of 2000 copies. German language edition. Exhibition catalogue. With many illustrations. Original softcover. Fine copy.‎

Bookseller reference : 60829CB

‎Fäh, A‎

‎Murillo.‎

‎München, Gesellschaft f. christl. Kunst, 1912. M. 83 Abb. 74 S. (Die Kunst dem Volke 10/11).‎

Bookseller reference : 300624

‎Förg, Günther‎

‎Stations of the cross.‎

‎New York, Edition Julie Sylvester, 1990. 4°. 30,5 x 23,5 cm. Unpaginiert. Original-Leinenband.‎

‎1. Auflage. Zweisprachige Ausgabe in Deutsch und Englisch. Katalog anlässlich der Ausstellung der Galerie Max Hetzler Köln und der Renaissance Society at the University of Chicago, 1989-1990. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. Bilingual edition in German and English. Exhibition catalogue. With many illustrations. Original cloth binding. Fine copy.‎

Bookseller reference : 8644EB ISBN : 962260509

‎FÜREYA KORAL, (Important pioneering ceramics female artists in Turkey), (1910-1997).‎

‎Typescript letter signed 'Füreya Koral' sent to Turkish female painter 'Tiraje Dikmen' with original 'Amnesty International' letterheaded envelope.‎

‎Very Good Turkish Original typescript letter with autograph signature by Füreya Koral. Recipient is Turkish female painter 'Tiraje Dikmen'. 28x21,5 cm. In Turkish. 1 p. 22 lines. Including Koral's request the donation of a painting from painter Tiraje Dikmen for an exhibition which is organized by the Amnesty International Istanbul Section in the Bedri Rahmi Gallery between the dates of December 6-17, 1979. Füreya Koral is one of the pioneering ceramics artists in Turkey. Known for her wall panels, Koral worked in a variety of media such as tiles, statuettes, plates, and also created household items. She started working on ceramics after she was diagnosed with tuberculosis, while receiving treatment at a sanatorium in Switzerland. She was a self-taught artist and her works were mostly ignored during her lifetime. Seeking to push the limits of ceramics beyond its function, she was inspired by the art of ancient civilizations of Turkey, Mexico and East Asia-Japan in particular. Her work is commonly known to carry a mix of Western and Eastern artistic elements. Tiraje Dikmen was born in Istanbul in 1923. After finishing at Isik High School in 1940, she graduated from the Faculty of Economics at Istanbul University in 1946. She continued her study in the workshop of Leopold Levy at the State Academy of Fine Arts. In 1947, Dikmen went to Paris to pursue her doctoral degree in Economics at the Faculty of Law and Economics. She continued painting at Leopold Levy's studio, and studied History of Art and Museology at the Ecole du Louvre. In 1956, she had her first solo exhibition at Galerie Edouard Loeb. In 1964, she was invited to "The Origins, History and Relationships of Surrealism" exhibition, viewed today as one of the most important exhibitions of the history of Surrealism. Dikmen had her first solo exhibition in Turkey at the Gallery I in Istanbul in 1970. She has also participated in many group exhibitions in Paris and Ankara. In 2002, her book "Zamanlarin Hafizasi" (Les Traces memoriales) was published by Norgunk Publications in Istanbul.‎

‎G rard De Wallens ; Vincent Pomar de‎

‎COROT.‎

‎, Paris, Editions du Chene, 1996 relie en toile rouge sous jacquette d'editeur illustre, 310 x 275 x 20 mm.,FR. edition, 144pp., illustrations en couleur et materiel biographique en b/n. ISBN 9782851089434.‎

‎Pr curseur de l'impressionnisme, consid r comme le plus grand paysagiste fran ais du XIXe si cle, passionn de lumi re et de couleur, Corot est galement un fervent du paysage historique et un magnifique portraitiste.‎

Bookseller reference : 14747

‎G. Antzoulatos‎

‎Technes acroteta - Ho Photes Kontoglou hagiographei ton Hiero Nao Hagiou Nicolaou Kato Patesion‎

‎<p><em><strong>Art at the Limits - Photes Kontoglous' Murals and Portable Icons at the Church of Saint Nicolaus Kato Patessia Athens</strong></em></p><p>Athens 2017. In Greek with English summary. Hard cover 32 cm 300 pp. ill. ISBN: 978-618-83446-0-0.</p><p>In the Church of Saint Nicholaus one can admire the most representative icons and murals of Kontoglous the great master of post-Byzantine painting. All the portable icons 1947-1960 and frescoes 1957-1965 belong to the more mature artistic period of his life.</p><p>.</p><p>.</p><p>==============================================================</p><p><strong>IMPORTANT: The price does NOT include the shipping cost which depends on actual weight and destination. You will receive a message after placing the order with the exact cost and the options available; then you will have to approve / reject this cost; you may also ask about this cost before placing the order at dem.siatras@gmail.com .</strong></p> Self-publication hardcover‎

Bookseller reference : S9413 ISBN : 6188344603 9786188344600

‎G. de Wallens;‎

‎peintres Belges actifs a Paris au XVIIIe siecle a l'exemple de Jacques Francois Delyen, peintre ordinaire du Roi (Gand, 1684- Paris, 1761),‎

‎Turnhout, Brepols, 2010 Paperback, 562 pages ., 232 b/w ill., 190 x 255 mm. ISBN 9789074461726.‎

‎Jacques-Francois Delyen est un peintre ne en 1684 a Gand ou il apprend son metier, et decede en 1761, a Paris. Eleve de Nicolas de Largillierre (son egal dans ses meilleures toiles), il y est elu a l'Academie Royale de Peinture et de Sculpture en 1725 et accompli toute sa carriere a Paris, apres un passage de trois ans a l'Academie de France a Rome. Cette these reconstitue sa vie, le catalogue de son oeuvre et le milieu des 130 peintres belges actifs a Paris au XVIIIe siecle. Ces recherches demontrent que l'on peut esperer mieux connaitre les 732 peintres belges du XVIIIe siecle, tant sous-estimes, par un retour aux sources ainsi qu'une analyse approfondie de la bibliographie et des oeuvres. Cinq domaines connexes ont egalement profites d'apports nouveaux.‎

Bookseller reference : 32434

‎G. RONCHETTI‎

‎MANUALE PER I DILETTANTI DI PITTURA A OLIO, ACQUARELLO, MINIATURA, GUAZZO, TEMPERA, ENCAUSTO, PASTELLO, FOTOPITTURA ECC... (PAESAGGIO, FIGURA, FIORI, CARTELLI RECLAME ECC...)‎

‎In 16. Dim. 17x12,5 cm. Pp. XXIV+475+(38). Edizione del 1980 di questo manuale Hoepli per i dilettanti di pittura scritto dal pittore Ronchetti. All'interno: Pittura a olio (paesaggio, colore, corredo del pittore, composizione delle tinte, Processi nella pittura a olio e cose utili che la riguardano), Figura (disegno, anatomia, ritratto dal vero), Acquarello (paesaggio, corredo, pratiche indispensabili, colorito), Figura ritratto, Miniature (corredo, tecnica), Miscellanea, Materiali: uso e preparazione ecc... All'interno sono presenti 38 illustrazioni nel testo e 38 planches fuori testo delle quali 14 a colori. Segni manoscritti. In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Edition of 1980 of this Hoepli for painting beginners written by the painter Ronchetti. Inside: Oil painting (views, colours, materials, composition of colours, Processes in oil paintings and useful things), Carachters (drawing, anatomy, portrait), Watercolour paintings (views, materials, techniques, colours), Portraits, Miniatures(materials, techniques), Materials: usage and preparations ecc.. Inside there are 38 illustrations in the text and 38 out of the text planches of which 14 are coloured. Manuscripted signs. In good conditions. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in very good conditions with occasional foxings.‎

‎GA. Storey G. A.‎

‎Theory and Practice of Perspective Dover Art Instruction‎

‎U.S.A.: Dover Publications pp. 272 ""Leonardo da Vinci declared that the first lessons for all aspiring artists should involve perspective and this authoritative guide assists artists at all levels in following the master's advice. Its scores of concise chapters cover a vast range of subjects offering a comprehensive view of one of art's most difficult challenges: the accurate… 2006. Paperback. Very Good/No Dj. 8vo. Dover Publications paperback‎

Bookseller reference : 185558

‎Gabler, K‎

‎Das graphische Werk v. Fritz Winter. Hrsg. v. Frankfurter Kunstkabinett Hanna Bekker vom Rath.‎

‎Frankfurt/M. 1968. M. 71 Abb. a. Taf. 3 Texts. OBr. Lichtrandig.‎

‎Katalog zur ersten Gesamtaustellung seines graph. Werkes.‎

Bookseller reference : 632625

‎Gabo, Naum; Herbert Read; Leslie Martin‎

‎Naum Gabo: Constructions, Sculptures, Peinture, Dessins, Gravure‎

‎A clean, unmarked book with a tight binding. Full gray cloth boards. Previous owner's name inside. Text in French. 9 3/8"w x 12"h. 202 pages. Includes plastic glasses in their own special compartment on inside of rear cover.‎

‎GABOR A. NAGY, ADAM BOTA, JESSICA BUHLMANN, KONSTANTIN DERY, DEENESH GHYCZY, SIMONE HAACK, RENE HOLM, FRANZISCA KLOTZ, ALEJANDRO RODRIGUEZ GONZALEZ, STEFFI STANGL, ANNE WÖLK.‎

‎Technology won't save us. International Young Art from Berlin. On the Occasion of the 12th Istanbul Biennial 2011.= Teknoloji bizi kurtarmayacak. Berlin'den Uluslararasi Genç Sanat. 12. Istanbul Bienali Paralel Etkinlikleri 2011. September 15 - October 15, 2001. Curator: Uwe Goldenstein.‎

‎New English Paperback. Pbo. Mint. Oblong large 8vo. (20 x 21 cm). In English, German, and Turkish. Color ills. 48, [5] p. "This exhibition Technology Won't Save Us: International Young Art From Berlin, running concurrently with the 12th Istanbul Biennial, bears a title whose pessimism reflects the philosophical underpinnings of many of the works in the show. Inspired by the theories of Vilém Flusser, who in 1978 predicted a "crisis of values" in a world ruled by images rather than ideas, this exhibition consists mostly of paintings depicting a bleak, dehumanized technological world. One could instance Gábor A. Nagy's collapsing of foreground and background on his canvases - suggesting that all images are ultimately, so to speak, two-dimensional - or Adam Bota's blurring of individual and group identity in his painting of dancers in a techno club. The artists in the show are all German artists of roughly the same generation - born in the 70s or later - and their visions of the world we live in now are bracing and eye-opening".‎

‎Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-Francois Rauzier;‎

‎Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918,‎

‎Brussels, Fonds Mercator, 2010 Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414.‎

‎Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011.‎

Bookseller reference : 26356

‎Gabrieli, M.‎

‎Jerusalem: Drawings by M. Gabrieli [EIGHT PLATES IN PORTFOLIO]‎

‎EIGHT PLATES IN PORTFOLIO. 395x285 mm. Unpaginated. Hardcover with gilt lettering. Title page slightly wrinkled. Else in good condition.‎

‎GABRIELS Juliane‎

‎Een Kempisch schildersgeslacht : De Francken's. Bijdrage tot de studie van het Nederlandsch romanisme‎

‎139pp. + 12 platen buiten tekst, 24cm., in de reeks "Studiën over Herenthals" nr.2, moderne gecart. band met titel in goudopdruk op rug, originele omslag mee ingebonden, goede staat, S108479‎

‎GABRIELS Juliane‎

‎Een Kempisch schildersgeslacht : De Francken's. Bijdrage tot de studie van het Nederlandsch romanisme‎

‎Hoogstraten, J. Haseldonckx 1930 139pp. + 12 platen buiten tekst, 24cm., in de reeks "Studiën over Herenthals" nr.2, moderne gecart. band met titel in goudopdruk op rug, originele omslag mee ingebonden, goede staat, S108479‎

Bookseller reference : S108479

‎GADESMANN Heinrich-Detlev‎

‎Beschreibender Werkkatalog der ölbilder von Ernst Thoms‎

‎194pp. + 9 bl/w plates out of text, 29cm., text in German, Doctoral Dissertation (Dissertation zur Erlangung der Würde des Doktors der Philosophie der Universität Hamburg), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.1kg., S113165‎

‎GAEDERTZ Theodor‎

‎Hans Memling und dessen Altarschrein im Dom zu Lübeck‎

‎50pp.+ 1 folding plate, 24cm., front cover is missing, text in German, text and interior in good condition, rare, added: handwritten letter by the author adressed to Julius Sabbe, S92385‎

‎Gaertner, Eduard - Bartmann, Dominik [Hrsg]‎

‎Eduard Gaertner. 1801 - 1877. Mit Beiträgen von Gundula Ancke, Dominik Bartmann, Gerd Bartoschek u.v.a.‎

‎Berlin, Stiftung Stadtmuseum Berlin, 2001. 4°. 31 x 24,5 cm. 464 Seiten. Original-Pappband mit Original-Schutzumschlag.‎

‎1. Auflage. Katalog anlässlich der Ausstellung der Stiftung Stadtmuseum Berlin, Museum Ephraim-Palais 23. März - 4. Juni 2001. Mit zahlreichen Abbildungen. Sehr gutes Exemplar.‎

Bookseller reference : 45410AB