‎Painting‎

‎Götz, K. O‎

‎Die Monotypien. Herausgegeben von Wolfgang Zemter.‎

‎Bönen., Druckverlag Kettler., 1996. 30 x 24 cm. 136 S. OPappband mit OUmschlag., 61900AB 1. Auflage. Rücken am Kapital gering bestoßen, sonst sehr gutes Exemplar.‎

‎Durchgehend mit Abbildungen versehen. Verso Vortitel mit einer mehrfarbigen figurativen Signaturzeichnung von K.O.Götz über zwei Drittel der Seite versehen, handschriftlich dem Kunstkritiker Heiner Stachelhaus gewidmet, signiert und datiert Juli 19.2.1997. .‎

Bookseller reference : 61900AB

‎GÛmez Rifas, JosÈ ; Aliseris, Carlos W. (illus)‎

‎Aliseris‎

‎Quarto in glossy white wraps; 62 p. : ill., bibliography: p. 46-62.; 25 cm. Includes reproductions of engravings by Aliseris In Spanish. Uncommon. // Fantastical drawings of imaginary creatures in black and white. Aliseris, Carlos W. (1889-1974).‎

‎GÜL IREPOGLU.‎

‎Gül: Askin çiçegi, sanatin çiçegi, sonsuzlugun çiçegi.‎

‎New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In Turkish. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".‎

‎GÜL IREPOGLU.‎

‎The rose: Flower of love, flower of art, flower of eternity.‎

‎New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".‎

‎GÜLSELI INAL.‎

‎Güngör Taner. [Catalogue of the artist]. Foreword: Yahsi Baraz.‎

‎Fine Fine English Original binding with original dust wrapper. 215 p. Color ills. 2000 copies were printed. In Turkish and English. Güngör Taner. [Catalogue of the artist]. Foreword: Yahsi Baraz.‎

‎GÜLTEKIN ELIBOL, (Turkish artist, art historian, translator).‎

‎Printed exhibition pamphlet and typescript price list of paintings with autograph date signed 'Elibol' with an inscription to Bezeyisler [Turkish painter Sadan Bezeyis and his family].‎

‎Very Good Turkish Printed exhibition pamphlet and typescript painting list with autograph date signed 'Elibol' with an inscription to Bezeyisler [Turkish painter Sadan Bezeyis and his family]. 11,5x17 cm; 27x19 cm. Typescript list in 2 pages includes 69 paintings of different Turkish contemporary artists with their prices. 3 p. Signed and inscribed by Elibol as "Galeriler tarihimize katki getiren dost Bezeyisler'i kucaklamaga araci olan bir baslangiçta elbette bekliyor, içtenliklerimizi sunuyorum... Gültekin Elibol, 12.12.1980".‎

‎GÜNDÜZ KARUL. Texts by TÜLIN ONAT.‎

‎Gündüz Karul. 97-05 resimleri. 20 Nisan - 20 Mayis 2005, Moda Sanat Galerisi. [Exhibition catalogue].‎

‎As New English Paperback. Pbo. Mint. 4to. (27 x 22 cm). In English and Turkish. 80 p., Color ills. 2000 copies were printed. Gündüz Karul. 97-05 resimleri. 20 Nisan - 20 Mayis 2005, Moda Sanat Galerisi. [Exhibition catalogue].‎

‎GÜNSEL RENDA.‎

‎A 19th century album of Ottoman Sultans' portraits. Suna and Inan Kiraç Collection.= Osmanli Padisah portreleri. Bir 19. yüzyil albümü. Inan ve Suna Kiraç Koleksiyonu.‎

‎New English Original bdg. HC. In publisher's special box. Folio. (38 x 28 cm). In English and Turkish. A 19th century album of Ottoman Sultans' portraits. Suna and Inan Kiraç Collection.= Osmanli Padisah portreleri. Bir 19. yüzyil albümü. Inan ve Suna Kiraç Koleksiyonu. In the mind of every Turk, there is a set image for Ottoman Sultans that he has acquired from a variety of sources: school books, historical texts, encyclopaedias, etc. The Ottoman royal image is not altogether unknown to the Europeans either. This is due to the fact that there is a pictorial record of the Ottoman Sultans created by the numerous portraits produced through the centuries by Turkish and European artists. It was a great pleasure for me to write the explanatory text to this special album of sultan portraits in Inan and Suna Kirac collection. The absence of an original text in the album itself complicated the study of the portraits in view of their iconography, especially the richly detailed backgrounds and attributes used for each sultan. This necessitated a thorough study of historical sources and a search for comparative albums. Nevertheless 17 similar albums dating from approximately the same period were recorded and listed after the text. The main question was to explore into the realm of the Ottoman artist to discover his approach to portraiture. In Islam, to read a person's character through the study of his physiognomy has been a science. With this in mind, did the Ottoman artist confine himself only to the preset details of each sultan's physiognomy or did he enrich his knowledge about the sultans through other sources? I strongly believe that the artist of the Kirac album did this. Therefore, in the short texts accompanying each portrait, I chose to give a brief record of the sultan's deeds, interests and personality as revealed in historical sources. In this way, it would be easier to comprehend the artist's interpretation. In the main text, I tried to give a comprehensive summary of the history of royal portraiture among the Ottomans and presented the prototypes to this album. Then came a discussion of the Kirac album itself not only in view of its artistic value but also as a significant source of information about imperial attire and certainly the artistic milieu of the Ottoman Empire in the first decades of the 19th century.‎

‎GÜROL SÖZEN.‎

‎60 years in art and them: Gürol Sözen Retrospective.= 60. yil ve onlar: Retrospektif. [Exhibition catalogue].‎

‎New English Paperback. 4to. (30 x 24 cm). In Englih and Turkish. 168 p., color ills. 60 years in art and them: Gürol Sözen Retrospective.= 60. yil ve onlar: Retrospektif. [Exhibition catalogue]. This book has been prepared in coordination with "Gürol Sözen Retrospective" Exhibition held at Is Sanat Kibele Gallery between March 5 April 20, 2019.‎

‎H. Adhemar;‎

‎musee national du Louvre, Paris Volume I,‎

‎Turnhout, Brepols, 1962 Hardback, 144 p., + 204 pl., 230 x 290 mm. ISBN 13010050100.‎

‎French text. Volume 1 of the Louvre series, volume 5 of the series on primitive Flemish paintings. ; Sub-title: I. Corpus de la Peinture des Anciens Pays-Bas Meridionaux au Quinzieme Siecle 5‎

Bookseller reference : 37178

‎H. Vlieghe, A. Balis, C. Van de Velde (eds.);‎

‎Concept, Design and Execution in Flemish Painting (1550-1700),‎

‎Turnhout, Brepols, 2000 Paperback, 296 p., ill., 210 x 297 mm. ISBN 9782503507316.‎

‎This publication on Flemish painting deals with those elements of the social and intellectual context which played a role in the realisation of any work of art, the concrete steps taken within a workshop in preparing for the production of the work, and the production through to completion of the draft. Part One,Concept, deals with those elements of the social and intellectual context which played a role in the realisation of any work of art. This section therefore examines individual motivations and the intellectual background of artists and their patrons, as also their institutional context and working conditions. Part Two,Design, examines the concrete steps taken within a workshop in preparing for the production of a work of art. These include the use of study materials, such as collections of exempla, as well as the stages of work required to make exploratory sketches, the finished draft and thence its transfer to the definitive medium to be used. Part Three,Execution, focuses on the production through to completion of the draft on its support medium. This may be done by the artist himself, or through one or other method of sharing the work, such as the employing of assistants or specialists. Introduction by Frans Baudouin. I. CONCEPT Carl Van de Velde, Status quaestionis; Elisabeth McGrath, Personifying new ideas: the influence of books and humanism on the invention of allegorical figures; Fiona Healy, The satus of mythological painting in sixteenth- and early seventeenth-century Flanders; Jeffrey Muller, The use of art by confraternities in the St.Jacob's church, Antwerp; Christine Van Mulders, Peter Paul Rubens en Jan Breughel I: de drijfveren van hun samenwerking. II. DESIGN Arnout Balis, Status quaestionis; Jeremy Wood, Rubens as thief; Gregory Martin, The preparatory work for the Banqueting Hall ceiling; Anne-Marie Logan, Consistency and change in Rubens's preliminary drawings; Nora De Poorter, Seriewerk en recyclage: doorgedreven efficientie in het geroutineerde bedrijf vanJacob Jordaens. III. EXECUTION Hans Vlieghe, Status quaestionis; Kathelijne Van der Stighelen, Van zelfbeeld tot ezel: kunstenaarsalaam op 16de- en 17de eeuwse (zelf)portretten; Konrad Renger. New book.‎

Bookseller reference : 32436

‎H. Whitehouse;‎

‎Harvey Miller. Ancient Mosaics and Wallpaintings‎

‎Turnhout, Brepols, 2001 Hardback, 447 p., 99 b/w ill. + 156 colour ill., 22 x 28,5. ISBN 9781872501574.‎

‎The 132 drawings catalogued here, many on a large scale and highly coloured, document most of the major examples of ancient Roman pictorial art known to seventeenth-century Rome. The 132 drawings catalogued document most of the major examples of ancient Roman pictorial art known to seventeenth-century Rome. They include early finding such as the "Aldobrandini Wedding", the Nile mosaic from Palestrina, tha marble pictures from the Basilica of Junius Bassus, and later finds such as the Harbour Landscape (found in 1668) and the Tomb of Nasonii (1674). Detailed accounts are given of the discoveries, and a general introduction assesses the significance of the Cassiano assemblage within the wider context of contemporary antiquarian interest in ancient painting, its collectors and copyists. Cataogue entries describe and discuss the drawings in graet detail, relating them to the original mosaics and wallpaintings as they survive in their present state of preservation. All drawings catalogued are reproduced, mostly on a large scale and mostly in full colour. They are frequently accompanied by illustrations, also in colour, of the ancient originals. Languages : English.‎

Bookseller reference : 40476

‎Haack, F‎

‎Das Tierstück. Farbige Meisterbilder.‎

‎Bielefeld/Leipzig, Velhagen & Klasing, o.J. M. 32 farb. Taf. 4 S. Text. OHlwd. Ecken leicht beschabt.‎

Bookseller reference : 128152

‎Haas, Roland‎

‎Landschaftssequenzen. [Vorzugsausgabe mit Original-Aquarell]. Mit einem Text von Ingo Springenschmid.‎

‎Vandans, Roland Haas, 1995. Quer-4°. 23,5 × 28,5 cm. 14 Seiten und 6 Blatt. Original-Pappband. [5 Warenabbildungen]‎

‎Nummer 6 von 50 (gesamt 900) nummerierten Exemplaren der Vorzugsausgabe mit einem auf Vortitel sauber eingeklebten Original-Aquarell von Roland Haas, unterhalb des Aquarells in Tinte von Roland Haas signiert. Blattgröße 9,5 x 9 cm. Von Roland Haas zusätzlich auf Vorsatz mit 2-zeiliger Widmung in schwarzer Tinte signiert, datiert Juli 1999. Katalog zur Ausstellung in der Villa allerArt, Bludenz, November 1995. Mit zahlreichen Abbildungen. Einband an den Kanten leicht berieben, ansonsten sehr gutes Exemplar. Number 6 of 50 copies of the limited edition, 900 copies in total. With an original watercolor painting by Roland Haas, size 9,5 x 9 cm, attached to the half-title, additionally signed by Roland Haas in black ink. Fly-leaf with a signed 2-ligned dedication by Roland Haas in black ink, dated July 1999. German language edition. Hardcover. Exhibition catalogue, Villa allerArt, Bludenz, November 1995. With many illustrations in color. Cover at margins slightly rubbed. Fine condition.‎

Bookseller reference : 1006EB

‎Haas, Willibrord‎

‎Farbhorizonte. Mit Texten von Angelika Stepken, Jürgen Beckelmann, Curt Grützmacher, Hans-Günther Sperlich, Willibrord Haas und einem Werkverzeichnis der Radierungen 1972 - 1985 von Reinhard W. Eckardt.‎

‎Schloß Mochental, Galerie und Verlag Schrade, 1986. 4°. 28 cm. 178 Seiten. Original-Leinenband mit Original-Schutzumschlag.‎

‎1. Auflage. Mit zahlreichen Abbildungen. Sehr gutes Exemplar.‎

Bookseller reference : 55831CB

‎Hacohen, Shimon‎

‎A Symphony of Captivity. 96 Sketches by Shimon Hacohen (Palestine Port Operating Royal Engineers).‎

‎RARE collection of b&w sketches by one of the three Jewish officers who during WW2 were taken prisoners in Greece - Shimon Hacohen, the son of the acclaimed Hebrew writer and Zionist Mordechai ben Hillel Hacohen (1856-1936). 320x230mm. 62 pages [+4]. Illustrated Softcover with spiral binding. Cover and spine yellowing and stained. Cover edges near spine, spine and spine hinges water-stained. Cover corners and edges bumped and worn. Spine tattered. Small pieces of spine missing. Stamp on page 37 verso - NO damage to plate. Some pages bottom edge and bottom left corner water-stained - NO damage to plates. Some pages bottom left corner water-stained - NO damage to plates. Several pages slightly age-stained. [SUMMARY]: This extremely rare album of war sketches is otherwise in good condition.‎

‎Hadany, Israel; Tolkovsy, Zvi; Shemesh, Hedva [Eds.]‎

‎Jerusalem Surface Fractures‎

‎Contains color and b&w plates. 280x210 mm. 117 pages. Softcover with dust-jacket. Few page edges slightly torn - no damage to text. Else in good condition.‎

‎Haendcke, Berthold‎

‎Die schweizerische Malerei im XVI.Jahrhundert diesseits der Alpen und unter Berücksichtigung der Glasmalerei, des Formschnittes und des Kupferstiches.‎

‎Aarau, Sauerländer & Co. 1893. Gr.8°. V,416(2) S. Mit 30 (tls. gef. oder doppelblattgr.) Taf. u. 8 Abb. im Text. Leinenbd. m. goldgepr. Titel auf mont. led. Rückenschildchen. Einbd. gut, Name v. alter Hand auf Tit., papierbed. durchgeh. etw. gebräunt.‎

Bookseller reference : EEzz6225c

‎HAESAERTS Paul‎

‎Sint-Martens-Latem, gezegend oord van de Vlaamse kunst‎

‎543pp. rijkelijk geïllustreerd in zw/w en met ingekleefde kleurplaten, 30cm., groen linnen uitgeversband, geïllustreeerde stofwikkel, in foedraal, mooie staat, S83762‎

‎HAESAERTS Paul‎

‎Sint-Martens-Latem, gezegend oord van de Vlaamse kunst‎

‎Antwerpen, Mercatorfonds 1982 543pp. rijkelijk geïllustreerd in zw/w en met ingekleefde kleurplaten, 30cm., groen linnen uitgeversband, geïllustreeerde stofwikkel, in foedraal, mooie staat, S83762‎

Bookseller reference : S83762

‎HAESAERTS Paul [Jacob SMITS]‎

‎Jacob Smits‎

‎16pp.(texte) + 25 ills.hors-texte, cart., dans la série "Monographies de l'art belge", [texte en français]‎

‎Haesaerts, Paul‎

‎Histoire de la Peinture Moderne en Flandre‎

‎This is a very good hardcover copy in light brown paper-covered boards with gilt church vignette on front board. Vellum spine, gilt letters. This is the deluxe edition, not the trade edition. Signed by both authors on the colophon. Text in French. Many tipped-in color plates. Bibliography. List of galleries (1850-1950) in Belgium, that showed modern art. Biographical sketches of the artists. 12" high X 10" wide, 272 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.‎

‎Haesaerts, Paul‎

‎Laethem-Saint-Martin. Le village élu de l'art flamand. 4. edition.‎

‎Bruxelles, Edition Arcade, 1968. 4°. 30 cm. 520 Seiten. Original-Leinenband mit Original-Schutzumschlag.‎

‎4. Auflage. Französischsprachige Ausgabe. Mit zahlreichen Abbildungen. Umschlag mit winzigem Einriss. Sehr gutes Exemplar. Fourth edition. French language edition. Original cloth binding with dust jacket. With many illustrations. Nearly fine condition.‎

Bookseller reference : 54297BB

‎HAESAERTS, Paul.‎

‎EIGHT CENTURIES EUROPEAN PAINTING.‎

‎, Brussel, Arcade, 1976., Gebonden in linnen met originele uitgeversomslag, 270 + 300mm, 400pp.‎

‎Goede staat. Art collections in Belgian museum. Met losse ingeplakte afbeeldingen.Meer dan 1000 afbeeldingen. Black and white illustrations and insert plates. More than 1000 illustrations. Art collections in Belgian museum. very good copy,‎

Bookseller reference : 4372

‎HAESAERTS, Paul;‎

‎HISTOIRE DE LA PEINTURE MODERNE EN FLANDRE,‎

‎, Bruxelles, Arcade, 1960, Relie, toile sous jacquette d'editeur, 270 x 305mm., 275 pp., nombreuses illustrations en couleur, bon etat (jaquette endommage, qq dechirures).‎

‎Preface de Herman Teirlinck. Ce volume reunit tout ce qui doit etre connu au sujet de la peinture moderne flamande, . cassette carton‎

Bookseller reference : 43578