‎Peinture cp‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES DES XIXE ET XXE SIECLES. [HELLEU. BOURDELLE. BOUDIN. LEBOURG. DELAVALLEE. RODIN. JOURDAN. MONTICELLI. LE SIDANER. HENRI MARTIN. DURENNE. GUILLAUMIN. LOISEAU. DU PUIGAUDEAU. SERUSIER. ROUSSEL. MORET. VALTAT..]. 24/03/1999. (368 grams‎

‎ESTIMATIONS‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES DES XIXE ET XXE SIECLES. [RODIN. VAN RYSSELBERGHE. MOSSA. LEBOURG. MAUFRA. LOISEAU. SISLEY. LE SIDANER. HENRI MARTIN. LEBASQUE. LUCE. CAMOIN. BONNARD. VALTAT. FRIESZ. MAGNELLI. SIGNAC. CHAGALL. CSAKY..]. 24/03/1998. (286 grams)‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES DES XIXE ET XXE SIECLES. COLLECTION D'UN AMATEUR. [ZIEM. SIGNAC. DUFY. UTRILLO. KISLING. PISSARRO. BEAUFRERE. JONGKIND. RENOIR. BUGATTI. MONTEZIN. FILLIGER. DENIS. DELAVALLEE. RANSON. BERNARD. VALTAT. HERBIN...]. 26/03/2003. (293 g‎

‎AVEC LES RESULTATS DE LA VENTE‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES DES XIXe ET XXe SIECLES. OEUVRES SUR PAPIER. 27/03/2002. (254 grams)‎

‎ESTIMATIONS‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES IMPRESSIONNISTES ET MODERNES. [ALPUY. BEAUFRERE. BRAQUE. BRAUNER. BUGATTI. BUZIO. CAILLEBOTTE. CAMOIN. CHAGALL. CHARLOT. CHERRIER. CLAUS. DENIS. DERAIN. DOMINGUEZ. DUFY. FILIGER. FOUJITA. GIACOMETTI. GERZSO. ETC..]. 09/06/2004. (418‎

‎QUELQUES RESULTATS DE LA VENTE‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES IMPRESSIONNISTES ET MODERNES. [ BOUDIN. PUIGAUDEAU. DELAVALLEE. BERNARD. TOULOUSE-LAUTREC. MARTIN. LUCE. BUGATTI. GUILLAUMIN. VALTAT. MARQUET. VLAMINCK. ROUAULT. UTRILLO. DUFY. GLEIZES. MATISSE. LEGER. ORLOFF. KISLING…]. 28/03/2001.‎

‎ESTIMATIONS‎

‎ESPACE TAJAN‎

‎TABLEAUX ET SCULPTURES PROVENANT DES COLLECTIONS LUCIEN ET HELENE MELLERIO, D'UN COLLECTIONNEUR EUROPEEN ET DE DIVERS AMATEURS. DEGAS, RODIN, RENOIR, ETC... 20/06/2001. (484 grams)‎

‎ESTIMATIONS‎

‎ESPACE TAJAN, RUE DES MATHURINS‎

‎ART D'APRES-GUERRE ET CONTEMPORAIN. [RIOPELLE. LANSKOY. JORN. KIRKEBY. ROUAN. VASARELY. MIRO. LALANNE. CRUZ-DIEZ. STAMOS. DAMIAN. KUSAMA. BURY. ROSENQUIST. ARAD. ARMAN. WARHOL. URCULO. DESGRANDCHAMPS. SAURA. MONORY. ARROYO…]. 28/04/2009-29/04/2009. (610 g‎

‎ESTIMATIONS‎

‎ESRA ERSEN.‎

‎Esra Ersen. Face to face.= Yüz yüze. Text by Erden Kosova.‎

‎New English Paperback. Pbo. Small 4to. (27 x 19 cm). In English and Turkish. 136 p., color ills.". Esra Ersen. Face to face.= Yüz yüze. Text by Erden Kosova.‎

‎ESREF ÜREN, (Turkish painter), (1897-1984).‎

‎Four figurative sketches charcoal drawing on paper signed 'Esref'.‎

‎Very Good Turkish, Ottoman (1500-1928) Original four figurative sketches charcoal drawing on paper signed by Turkish painter Esref Üren. (20x12,5 cm.; 19x13,5 cm.; 23x15 cm.; 26x19 cm). One is signed by the painter, some autograph notes on the verso and front of the drawings. Üren was born in 1897 in Istanbul. After graduating from the Agriculture School in Bursa, he continued his education at the Fine Arts Academy. There he studied at Ibrahim Çalli and Hikmet Onat's studios. For a period he attended Andre Lhote and Othon Griesz's studios in Paris. After returning to Turkey he worked as a painting teacher in various cities. He joined "The D Group." His paintings appeared in that groups and Galatasaray exhibitions. He won many awards at State Painting and Sculpture Exhibitions. He also participated in exhibitions at Venice Biennale, Paris (Unesco), San Francisco, and Athens.‎

‎Essei Okawa / Painting Koichi Murakami‎

‎Urashima Taro Once upon a time picture book 20‎

‎Popurasha 1996. Soft Cover. Fine. The book is in fine condition. Popurasha paperback‎

书商的参考编号 : 2083002116411804

‎ESTEVE MAURICE (DORIVAL Bernard, Vorwort)‎

‎Estève 32 Zeichnungen‎

‎[100] pp.of which 33 full-page illustrations, 28cm., exhibition catalogue (Zurich, Galerie Nathan, 189-1990), very good, S81955‎

‎Esther Theiler‎

‎Painters and Sitters in Early-Seventeenth Century Rome. Portraits of the Soul‎

‎, Brepols, 2023 Hardback, 336 pages, Size:220 x 280 mm, Illustrations:6 b/w, 146 col., Language: English. ISBN 9782503590837.‎

‎Summary Significant innovations in portraiture occurred during the transitional period from the end of the sixteenth-century to the early seventeenth-century in Rome. Portraits by Annibale Carracci, Valentin de Boulogne, Anthony van Dyck, Simon Vouet and Gianlorenzo Bernini display a loosening of formality and a trend towards movement. These artists produced a portrait type that was more inclusive of the viewer, more communicative, more revealing of a private face. The portraits in this study were less likely to celebrate achievements, family or social standing, titles, rank or station. Instead they portray individuals who exist apart from their professional personae. They reveal unique and characteristic traits of their subjects captured at a particular moment in time. They used subtle affetti, painting technique and colour to express mood and atmosphere and evoke the presence of the sitter. The sitters include poets, courtiers, buffoons and the artists themselves, and each composition is attentive to the thoughts, emotions and imaginative life of the individuals. TABLE OF CONTENTS Acknowledgements List of Illustrations Introduction The image breathes Rhetorical devices in portraiture The ?motions of the mind?: painting the soul From the Renaissance to the Baroque Chapter One A portrait ?most rarely done full face? of a learned prelate Early seicento portraiture in Rome Venice and colorito Caravaggio and Annibale: ?the new baroque illusionism? The ?proximity and close association of the Monsignore and Annibale? Domenichino and Agucchi Agucchi's imprese: textual expressions of identity Erminia and the Shepherds Venere Dormiente - The Sleeping Venus The portrait of Giovanni Battista Agucchi Annibale Carracci as portraitist Annibale's illness Domenichino and portrait painting Del Mezzo: yearning for the middle Il Trattato della Pittura A portrait by Annibale Carracci or Domenichino? Chapter Two Painting as silent poetry: portraits of Giambattista Marino From decorum to modernit Ut pictura poesis Dicerie Sacre La Galeria Rome: ?with trembling feet, I leave behind myself? Early Roman portraits Caravaggio's portrait: ?another me . . . in two divided? Paris: the portrait by Frans Pourbus ?is very dear to me? Marino's triumphant return to Rome: ?music always, and always poetry, morning and evening? Ottavio Leoni's portraits of writers Maffeo Barberini's circle of poets portraits of the soul ?There are thousands of portraits of me in Rome?: Simon Vouet's lost portrait The ?speaking portrait? in Rome Virginio Cesarini: Fenice degl'ingegni Portrait of a buffoon Chapter Three The upside-down world The parasite The buffoon portrait in the Renaissance: the ?good-natured fool? The sixteenth century: ?the princely tables are cluttered with buffoons? Gabriele Paleotti: ?deformity not deformedly rendered? The seventeenth century: the individual in buffoon portraits Hairy Harry, Mad Peter, and Tiny Amon: court mascots and servants in an urban Arcadia Giangiovetta and the dwarf of the duke of Cr qui Raffaello Menicucci: the buffoon count of Monte San Savino Celeberrimus in utroque Orbe Terrarum: the printed portraits of Raffaello Menicucci Valentin de Boulogne Il Cassero: Rocca del Conte Valentin, il Babuino and Menicucci Tristano Martinelli: from buffoon to actor Bernardino Ricci: Il Tedeschino The ?self? portrait: the life makes the age Chapter Four Artist as virtuoso ?Done with the aid of a mirror? Narcissus: ?as he drank, he chanced to spy the image of his face? The reflection of the Creator Why paint self-portraits? Annibale Carracci's Self-portrait on an Easel Artemisia Gentileschi: ?the soul of this woman? Simon Vouet: absolute absorption Gian Lorenzo Bernini: showing that which does not exist Vel zquez in Rome: brushwork and the blur The expressive power of the brush Conclusion ?Here I am? Appendix I Appendix II Appendix II Bibliography Abbreviations Primary and Secondary Sources Photographic Credits Notes Index Key Subjects and Concepts‎

书商的参考编号 : 63448

‎ESTIENNE, Charles‎

‎GAUGUIN‎

‎Genève Skira 1953 in 12 carré (18,5x16,5) 1 volume reliure toilée de l'éditeur, la jaquette illustrée manque, 115 pages, étui. Nombreuses illustrations en couleurs contrecollées. Etudes biographique et critique par Charles Estienne. Collection ''Le Goût de notre temps'', 1. Bel exemplaire‎

‎Bon Pas de jaquette Reliure‎

书商的参考编号 : 16596

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎ATELIER DE HENRI OLIVE-TAMARI (1898-1980), 1ere PARTIE, 09/05/1992. (108 grams)‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎IMPORTANTS TABLEAUX MODERNES ET SCULPTURES. [BOMBOIS. BONNARD. BOUDIN. CHAGALL. CROSS. DE KERMADEC. DERAIN. DE SAINT-DELIS. DE VLAMINCK. DUFY. FORAIN. GERNEX. GUDIN. GUILLAUMIN. HAMBOURG. LEBOURG. LECOMTE. LUCE. MARQUET. VAN DONGEN. ETC..]. 16/08/2002. (4‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎IMPORTANTS TABLEAUX MODERNES ET SCULPTURES. [HERBO. D'ESPAGNAT. LEBASQUE. MARQUET. COCTEAU. LHOTE. UTRILLO. TOULOUSE LAUTREC. HAMBOURG. DE VLAMINCK. GLEIZES. VOLTI. HELLEU. DALI. BOUDIN. PISSARRO. FORAIN.ATLAN. ZADKINE. GERNEZ. DERAIN..]. 19/08/1994. (34‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎IMPORTANTS TABLEAUX MODERNES. TABLEAUX XIXe ET SCULPTURES. 20/08/1999. (392 grams)‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎TABLEAUX DES XIXE ET XXE SIECLES ET SCULPTURES. [LEBOURG. LHERMITTE. HERBO. SIGNAC. MOUALLA. GEN PAUL. BRANDON. LELOIR. TROYON. LEVY-DHURMER. GIRARDOT. RUDAUX. BINET. VALTON. BARRIAS. BARYE. JANNIOT. MATTON. BOUDIN. BLANCHE. MARQUET. RENOIR..]. 22/08/2003‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎TABLEAUX ET SCULPTURES DU XIXE SIECLE. [ABBEMA. ADRION. ALDINE. ALTMAN. AMEGLIO. APPERT. ARNULL. AUDY. BAUER. BEHRENS. BELAY. BENARD. BENTABOLE. BERCHERE. BERKES. BINET. BLANCHARD. CALS. CARPEAUX. CHRETIEN. CONDAMY. CORTES. COSSON. ETC..]. 20/08/1992. (27‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎TABLEAUX MODERNES ET SCULPTURE. [ COSSON. LUCE. WILL. SOMM. MACLET. SCHUFFENECKER. GUILLAUME. FRECHON. HERBO. RAFFAELLI. LE TRIVIDIC. BRADBERY. DUFY. LHOTE. STEIN. VOLTI. MARQUET. COCTEAU. BEAUFRERE. GERNEZ. VILLON. ZINGG… ]. 19/04/1992. (373 grams)‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎TABLEAUX MODERNES, PISSARRO, DUFY...12/11/1994. (102 grams)‎

‎ESTIMATIONS‎

‎ETABLISSEMENT ELIE DE BRIGNAC‎

‎TABLEAUX XIXe, TABLEAUX MODERNES. 04/04/1999. (218 grams)‎

‎Etaro Ishibashi (also door painting)‎

‎Sea of Etaro‎

‎Kosaido Publishing 1994. Soft Cover. Fine. The book is in fine condition. Kosaido Publishing paperback‎

书商的参考编号 : 2090202118104203

‎ETEL ADNAN, (1925-2021).‎

‎Etel Adnan: Impossible homecoming.= Imkansiz eve dönüs. Edited by Serhan Ada. Curated by Serhan Ada, Simone Fattal. [Exhibition catalogue].‎

‎New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 214 p., color and b/w ills. Impossible Homecoming is a retrospective exhibition of artist and poet Etel Adnan, whose life spanned nearly a century. Curated by Serhan Ada and Simone Fattal, the exhibition includes ceramics, carpets, leporellos, oil paintings, drawings, prints, and a film by the artist who ?has mastered more than one medium.? Visitors can also listen to recorded interviews made with the artist at various points in her life. The publication accompanying the exhibition includes the writings of the curators Serhan Ada and Simone Fattal, as well as a short text written by the artist Etel Adnan for the exhibition and an article titled About the End of the Ottoman Empire. In addition, the publication features Hans Ulrich Obrist's article titled Ever Etel, Jean Fremon's article titled The Worlds of Etel Adnan, Jalal Toufic's preface to Etel Adnan's Arab Apocalypse book, and Theodoros Terzopoulos's text titled The Colour of the Word. The publication also presents a comprehensive biography of the artist with illustrations of the displayed work.‎