‎Peinture cp‎

‎Marcenaro, Caterina‎

‎Pittori Genovesi a Genova Nel '600 e Nel '700‎

‎This is a near fine hardcover copy in illustrated boards with almost no wear. Completely clean inside and out. Text in Italian. This catalog was prepared to accompany the exhibition at the Palazzo Bianco in Genoa during the fall of 1969. Exhibition and catalog supervised by Caterina Marcenaro. The exhibition explored 16th and 17th century Genoese painting. 146 works catalogued and illustrated. Most illustrations in black & white, some in color. Bibliography. 9" high X 7" wide, 367 pages.‎

‎Marchesseau Daniel‎

‎Chagall: The Art of Dreams (New Horizons S.)‎

‎Thames & Hudson Ltd 1998 176 pages 12x1 2x17cm. 1998. Broché. 176 pages.‎

书商的参考编号 : 100110657 ???????? : 500300852

‎Marconi, Clemente (Ed. )‎

‎GREEK VASES: IMAGES, CONTEXTS AND CONTROVERSIES Proceedings of the Conference Sponsored by the Center for the Ancient Mediterranean At Columbia University, 23-24 March 2002‎

‎Very minor shelfwear to book. DJ has light sunning to spine. Includes timetable of conference tipped in. ; This volume deals with Greek painted vases, exploring them from various methodological points of view and moving beyond the traditional focus on connoisseurship and style. The volume, which represents the proceedings of an international conference sponsered by the Center for the Ancient Mediterranean at Columbia University, is an effort to exploit the immense richness of these vases by using them to study general cultural history. ; Columbia Studies in the Classical Tradition XXV; 9.6 X 6.5 X 0.8 inches; 190 pages‎

‎Marden Brice‎

‎Brice Marden‎

‎Testi: Koepplin Dieter. pagg. 90; COL e BN; rileg. brossura. Editore: Kunstmuseum Basel, Basel, 1993.‎

‎MARET Francois‎

‎Les peintres de nus‎

‎Bruxelles, Cercle d'Art 1946 106pp.+ 48 planches hors-texte en n/bl, 25cm., br.orig., jaq. ill., dans la série "L'art en Belgique", bon état, S91859‎

书商的参考编号 : S91859

‎MARET, Francois;‎

‎THEO VAN RYSSELBERGHE, NL‎

‎Anvers, De Sikkel, 1948 Broche, ***zonder stofomslag / couverture papier illustree n/b, 185 x 245mm., 16pp. et 24 planches n/b.‎

‎Serie Monographies de l'Art Belge. Bon etat. ****tekst in het Nederlands‎

书商的参考编号 : 26750

‎Margo Veillon‎

‎Nubia: Sketches, Notes, and Photographs‎

‎No marks or inscriptions. A very clean very tight copy with unmarked dark grey cloth boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with tiny nick to upper front corner and minor traces of storage. 168pp. Before the land of Nubia in Upper Egypt was lost under the waters of Lake Nasser behind the Aswan Dam in the 1960s, the author travelled among the Nubian people from the 1930s onwards. This book is a record of her journeys where she captured the vibrancy, colour and the culture of these people in words, sketches, drawings, photographs and paintings, mostly in colour.‎

‎Maria Grazia Ottolenghi‎

‎l'Opéra Completa Di Mondrian‎

‎Mondrian Rizzoli 50 Couverture rigide 1974 Italie 120 pages ; illustrations en couleur et en noir et blanc‎

‎Bon‎

书商的参考编号 : 004835

‎MARIA KILIÇLIOGLU.‎

‎Pulse of the universe: Retrospective.= Evrenin nabzi: Retrospektif. [Exhibition catalogue].‎

‎New English Paperback. 4to. (30 x 21 cm). In English and Turkish. 147 p., color ills. Pulse of the universe: Retrospective.= Evrenin nabzi: Retrospektif. [Exhibition catalogue]. "This book has been prepared in coordination with 'Maria Kiiliçlioglu Retrospective' Exhibition held at Is Sanat Kibele Gallery between January 9th - February 23rd, 2019.". Kiliçlioglu, who is the daughter of famous Bulgarian sculptor Dimitar Dimov, began creating art at her father's sculpture workshop when she was just 4 years old. Her toys were dough for statues, waxes and bronze. She discovered the miracle of creating 3D objects from a young age. She focused on the West because of her education but then turned her face to Mesopotamia, diverging new searches in her art life. Her first few works, such as "Mother," "Devil," "Angel" and "Kiss," are the representations of the artist's search for a form. She created many works in the Hellenistic style with the statues that were produced with stone, wax and bronze. The works that she created using surrealist and fantastic elements added a different and authentic aspect to her art, in combination with her imaginative power. TURKISH ART Sculpture.‎

‎Maria Vassilaki (ed)‎

‎Hoi eikones tou archontikou Tositsa - Evangelos Averof Collection‎

‎<p><strong>Οι εικόνες του αÏÏ‡Î¿Î½Ï„Î¹ÎºÎ¿Ï Î¤Î¿ÏƒÎ¯Ï„ÏƒÎ± - Η συλλογή του Ευαγγέλου ΑβέÏωφ</strong></p><p><em><strong>The Icons of the Tositsas' Mantion at Metsovo - Evangelos Averof Collection</strong></em></p><p>In Greek. Soft cover 28 cm 316 pp. ill. ISBN: 978-960-93-3497-6. Presents post-Byzantine icons of the Cretan School 15th ce. icons of Epirus Macedonia Ionian Islands and Cyprus as well as Russian icons up to the dawn of the 20th ce. With an appendix on the conservation of icons.</p><p>===========================================================</p><p><strong>IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order.</strong></p> Tositsas Foundation paperback‎

书商的参考编号 : 185937 ???????? : 9609334970 9789609334976

‎Maria Vassilaki (ed)‎

‎Working Drawings of Icon Painters After the Fall of Constantinople - The Andreas Xyngopoulos Portfolio at the Benaki Museum‎

‎<p>Athens: A.G. Leventis Foundation & Benaki Museum 2015. In English also available in Greek. Hard cover 24X29 cm 456 pp. ill.: 720 images; net weight 2740 gr.</p><p>Presents the 452 working drawings that compose the Xyngopoulos portfolio in the Benaki Museum commented upon and illustrated in their entirety; most of them hitherto unpublished. Mainly intended for creating portable icons they comprise pricked and imprinted cartoons painted drawings and sketches which date from the 17th until the early 20th century. They were produced from portable icons and were used for making identical copies. The presentation in this book allows the reader to appreciate the "technology" behind the production of a byzantine style icon. The use of those cartoons became widespread in Venetian Crete during an era of mass production of icons.</p><p><strong>CONTENTS:</strong></p><p>Introduction</p><p><strong>CATALOGUE OF WORKING DRAWINGS:</strong></p><p><em>BIBLIOGRAPHY - INDICES</em></p><p>.</p><p>.</p><p><strong>IMPORTANT - HEAVY VOLUME: The price does NOT include the shipping cost which depends on actual weight and destination. You will receive a message after placing the order with the exact cost and the options available; then you will have to approve / reject this cost; you may also ask about this cost before placing the order at dem.siatras@gmail.com .</strong></p> A.G. Leventis Foundation & Benaki Museum hardcover‎

书商的参考编号 : S6183 ???????? : 9963732097 9789963732098

‎Marie Claude Beaulieu Orna‎

‎'Narrating' the Landscape. British Creativity in Landscape Portrayal 1760-1800‎

‎, Brepols, 2026 Paperback, Pages: x + 366, Size:210 x 297 mm, Illustrations:122 col., Language: English. ISBN 9782503602516.‎

‎Summary At the turn of the nineteenth century, British landscape painting had evolved from the literal or idealised rendering of a view into the expression of a sensitive perception of a scene that would 'tell its story'. To achieve this evolution, certain late eighteenth-century landscape artists synthesized aesthetical, educational, and practical approaches. For many, a sojourn in Italy, where their practice was largely devoted to the exercise of plein-air sketching, became a laboratory to experiment with processes and deal with issues of materiality in a particularly innovative manner. This book investigates the roots of this renewal, explores technical and material innovations, and examines their diffusion through engraving and publishing. TABLE OF CONTENTS Introduction I: A Prospect of Landscape Portrayal II: The Mastery of Landscape Portrayal III: The 'Learned Eye' on Nature IV: 'Capturing Nature': Exploring Sketching from Nature V: 'Conveying an Impression of Nature': Exploring Materiality VI: 'Expressing Nature's Essence': Exploring Colour Techniques VII: Reinventing Modes of Disseminating Skills VIII: Sharing Travel Experiences IX: Sharing Practices: Artistic Emulation on the Grand Tour Conclusion Addendum: Characteristics and Details of Sketchbooks and Albums Sources and Select Bibliography Index‎

书商的参考编号 : 70487

‎Marie-Laure Bernadac; Paule Du Bouchet‎

‎Picasso: Master of the New‎

‎Book in mint condition. 191pp. An intimate portrait of Pablo Picasso which traces his life from the early years in Spain through his long residence in Paris. Very well illustrated with his master works throughout the book.‎

‎MARIEN, MARCEL EDWARD. / Stuyvaert‎

‎VICTOR STUYVAERT. HOUTSNIJDER EN MINIATURIST.‎

‎, Gent, Snoeck - Ducaju, 1942., herbonden in linnen , frontispice (gesigneerd door Stuyvaert), 17x22,5cm, 153pp, geillustreerd z/w.‎

‎met opdracht van Paul Rogghe aan Jo Battor = directeur van uitgeverij Snoeck. De faunreeks: bibliotheek voor literaire, artistieke en cultuurhistorische werken.‎

书商的参考编号 : 52883

‎Mariez Jérémy‎

‎Peinture au numéro - licornes et chevaux - cahier avec palette et pinceau: 2 tableaux avec pinceau et palette de peinture papier‎

‎DEUX COQS D OR 2022 4 pages 19x24 4x1 5cm. 2022. loose_leaf. 4 pages.‎

‎Neuf‎

书商的参考编号 : 500393936

‎Marije Osnabrugge (ed)‎

‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

书商的参考编号 : 65091

‎MARIJNISSEN R.-H. e.a.‎

‎Hieronymus Bosch‎

‎Brussel, Arcade 1972 565pp. rijkelijk geïllustreerd in kleur en zw/w, linnen band met geïll.stofwikkel, in zwart linnen etui, 30cm., mooie staat, [text in dutch], S52253‎

书商的参考编号 : S52253

‎MARIJNISSEN Roger H.‎

‎Jérôme Bosch - Tout l'oeuvre peint et dessiné‎

‎Anvers, Fonds Mercator (& Albin Michel) 1987 513pp., avec de nombreuses illustrations dont la plupart en couleurs, reliure d'éditeur, jaquette illustrée, 34cm., très bon état, poids: 4kg., S107558‎

书商的参考编号 : S107558

‎Marijnissen, R.-H.‎

‎Bruegel the Elder‎

‎300x270, 121pp, hard cover in worn box, plates, numbered copy number 291, else in good+ condition.‎

‎MARIJNISSEN, R.H.‎

‎LAATMIDDELEEUWSE SYMBOLIEK EN DE BEELDENTAAL VAN HIERONYMUS BOSCH.‎

‎, Brussel, Paleis der Academien, 1977., originele uitgeversomslag, 18x26cm, 54pp, geillustreerd z/w.‎

‎Avec un resume Francais. Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie, Klasse der Schone Kunsten. Jaargang 39, nr. 1.‎

书商的参考编号 : 7505

‎MARIJNISSEN, R.H. & HUYS, P.;‎

‎VERDEGEM. MET EEN KATALOOG VAN HET GRAFISCH OEUVRE,‎

‎, Brussel, Arcade. 1977, Gebonden, bruin linnen met goudopdruk op rug, stofomslag, foto - frontispice, 260 x 300mm., 178pp., zeer uitgebreide illustratie in kleur en z/w; z/w catalogus.* IN PRIMA STAAT‎

‎Monografie over deze schilder van rauwe werkelijkheidszin en scherp sarcasme, doch ook van weekheid en tederheid. Boek is in goede staat.‎

书商的参考编号 : 10816

‎MARIJNISSEN, R.H. en RUYFFELAERE, P.‎

‎Hieronimus Bosch. (Jheronimus Bosch). (Edition francaise)‎

‎, ARCADE, 1972 Hardcover Fort in-4 pleine toile noire sous jaquette illustree en couleurs, 561 pages, tres nombreuses illustrations en heliogravure, en noir et en couleurs. Bibliographie, index, dans un manteau solide !!‎

‎Monographie., L'?uvre compl te. Contient un aper u des archives concernant la vie de Bosch, un catalogue critique, un aper u des interpr tations depuis le XVIe si cle.‎

书商的参考编号 : 55482

‎MARIJNISSEN, Roger H.;‎

‎BRUEGEL, Arcade, 1969 NL.‎

‎, Brussel, Arcade, 1969**, Gebonden, vergulde titel en vergulde bandstempel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde stogomslag in kleur, 27x30,5cm, 387pp, geillustreerd z/w en in kleur.‎

‎Biografie. Bruegels Tijd en Werk. Synoptische tabel. Boek is in prima staat.‎

书商的参考编号 : 12042

‎MARINI, Giuseppe Luigi;‎

‎IL VALORE DEI DIPINTI DELL' OTTOCENTO E DEL PRIMO NOVECENTO XV EDIZIONE ( 1997-98 ),‎

‎Milano, Umberto Allemandi, 1997 Bound, green cardboard cover, green dustwrapper illustrated in colour, 210 x 310mm., 684pp., illustration in colour and b/w. . ISBN 9788844207243.‎

‎The celebrated annual of nineteenth- and twentieth-century painting in Italy, with the latest prices for paintings by 1100 artists. Carefully researched, in-depth information about market values and artistic worth for all the most important figurative painters of the nineteenth and twentieth centuries. This is the key guide to the fortunes of each painter among critics and collectors, with evaluations by period, subject, technique and format, and with the results of all the leading international auctions. Complete, top-quality, and up-to-date critical, historical and economic analyses make this work an internationally acclaimed classic trusted by scholars, collectors, dealers and experts. Acknowledged as the essential reference book for all those who need clear, up-to-date, objective, and fully verified information, it includes trends and projections for the future of collecting. Text in Italian. Good condition.‎

书商的参考编号 : 28628

‎MARIO PRASSINOS, (1916-1985).‎

‎Mario Prassinos. In pursuit of an artist: Istanbul - Paris - Istanbul.= Mario Prassinos. Bir sanatçinin izinde: Istanbul - Paris - Istanbul. Curated by Begüm Akkoyunlu Ersöz, Tania Bahar.‎

‎New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 112 p., color and b/w ills. Mario Prassinos. In pursuit of an artist: Istanbul - Paris - Istanbul.= Mario Prassinos. Bir sanatçinin izinde: Istanbul - Paris - Istanbul. Curated by Begüm Akkoyunlu Ersöz, Tania Bahar. The exhibition Mario Prassinos, In Pursuit of an Artist: Istanbul-Paris-Istanbul is centered on the art of Mario Prassinos, born into a Greek family of artists in Istanbul, whose artistic career began among the 20th-century Avant-Gardes in Paris. Curated by Seza Sinanlar Uslu with specialists Catherine Prassinos and Thierry Rye as consultants, the exhibition is accompanied by an exhaustive catalogue. Featuring a range of original and striking works by Mario Prassinos, including paintings, book illustrations, fabric samples, and engravings, the catalogue also contains articles written by the artist's daughter Catherine Prassinos, Enis Batur, and Seza Sinanlar Uslu. Catherine Prassinos focuses on her father's relationship with Istanbul and his memories of the city, whereas Enis Batur seeks, in the artist's works, the traces of the childhood he spent in Istanbul and the art milieu he was a part of during his years in France. Carefully examining the unique and outstanding personality of Prassinos, his style that extends from Surrealism to Realism, and his artistic stance against Fascism during World War II, Uslu particularly concentrates on the relationship the artist establishes with memory: "People do not recognize things (or other people), they remember them" says Prassinos, who reflects traces of the past from memory in his works. He presents to viewers the memories he recorded in memory, but could not access or recall exactly and clearly, as portraits that, in his words, could only be "created by a damaged memory.". This exhibition is centered on the art of Mario Prassinos, who was born in Istanbul into a Greek-Ottoman family and began his artistic career in Paris, among the 20th century avant-gardes. Bringing together a large selection of his works ranging from paintings and book illustrations to tapestries, portraits, and engravings, the exhibition reveals the striking and unique character of Prassinos and his distinctive style shifting from Surrealism to a more realistic approach. Curated by Seza Sinanlar Uslu, the exhibition welcomes back this original 20th-century artist to his birthplace to Pera, Istanbul, on the 100th anniversary of his birth. Mario Prassinos was born in Istanbul in 1916 to a Greek-Italian family that settled in Turkey many years before. In 1922, his family moved to France. He studied at the School of Oriental Languages and the Sorbonne. His first solo exhibition was held in 1938 at the Billiet-Vorms Gallery. Upon his return from the war in which he had fought as a volunteer, he broke away from surrealism and started a figurative period.‎