‎Peinture cp‎

‎Ziegler, Charlotte‎

‎Martinus Opifex - Ein Hofminiator Friedrichs III‎

‎Contains many color plates. 29x21.5cm. 119 pages. Hardcover. Cover slightly stained. Cover and spine corners slightly bumped. Rear cover upper edge slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.‎

‎Zille, H‎

‎Berlin aus meiner Bildermappe. M. Versen v. H. Kahlau. Hrsg. v. G. Flügge u. M. Köhler-Zille.‎

‎Rudolstadt, Greifenvlg. (ca. 1985). M. zahlr. (teils farb.) Abb. 255 S. OLwd. in farb. ill. Pp.-Schuber.‎

Referentie van de boekhandelaar : 121646

‎Zille, H‎

‎Hurengespräche. Gehört, geschrieben und gezeichnet v. Heinrich Zille unter dem Pseudonym W. Pfeifer. Mit einer Einführung und einem bibliographischen Kommentar v. Matthias Flügge. 2 Teile.‎

‎Leipzig, Seemann, 1989. Fol. 42 Bl., 36 S. Text. Ill. OBr. m. Kordelbindung in Schuber.‎

‎Dieses Faksimile erschien als einmalige, handnumer. bibliophile Ausgabe in 1000 Ex. - Ex. 244.‎

Referentie van de boekhandelaar : 126927

‎Ziller, G‎

‎Frans Masereel. Einführ. u. Auswahl.‎

‎Dresden, Sachsenvlg. (1949). M. 1 farb. Taf. u. zahlr. Abb. 172 S. OHlwd. M. Rsign. Kanten teils bestoßen.‎

Referentie van de boekhandelaar : 601887

‎Zimmer, Bernd‎

‎Uber-Sicht : Bilder, 1986-1989‎

‎Red quarto; [64] p, color illus; 29 cm. Signed by author. || In German. || Art.‎

‎Zimmermann, H.-J‎

‎Die Ruperto-Carola u. d. British Museum. Die Entschlüsselung eines allegorischen Gemäldes von Guido Schmitt.‎

‎Heidelberg, Winter, 1987. M. 18 Abb. 70 S. Text. OBr. Rücken sehr gering beschabt u. etwas verblichen. (Heidelberg AdW. Abh. d. Phil.-hist. Kl. 1987/3).‎

Referentie van de boekhandelaar : 137152

‎Zinberg, Norman E.; Johnson, Sheila K.; Mullin, Chris; Gussow, Mel; Samuels, G.; Galton, L.; Lukacs, J.; Natchez, G.; Et al‎

‎The New York Times Magazine, December (Dec..) 5, 1971 - Harold Pinter‎

‎164 pages. Features: Funky color-photo ad for Jade East products for men; Many wonderful fashion ads; Lovely one-page color-photo ad for Piaget watches and many other Christmas giftable products; Yashica camera ad features photos of Ira Phillips, John P. Vaughn, Sandra Adams, Shirley Miller, Howard Molofsky and Jolynn Bellavia; Lovel two-page color-photo Chanel ad features Catherine Deneuve; G.I.'s and O.J.'s (Opium Joints) in Vietnam - article on the heroin problem of US troops in Vietnam; The Christmas Card Syndrome; The 8:00 P.M. Train From Moscow to Peking is Dead on Time - photo-illustrated travel article; A Conversation with (pause) Harold Pinter; When Children Collide with the Law; Prostaglandin Research and Dr. Sultan H.M. Karim; ; America May Be in its Last Phase of Adolescence; Grandma Visits Her Hippies - "We Saved the Placenta for You"; Color-photo centerfold ad for Gold Label Cigars; Photos of fashion designs by Hubert de Givenchy; Parents don't take their children to Ophthalmologists as often as they should; Awesome one-page color ad for Abraham & Strauss features the wide and garish tie styles of the day; Lovely color one-page ad for F. Chauvenet Red Cap sparkling wine features wonderful painting "The Wedding" by Breugel; Sad one-page black and white photo ad for Save the Children Federation features large portrait of Apache Indian child Erlinda Cosay; Uncommon one-page ad for the "World-Of-Cheese Club"; Color ad for GAC Properties features traffic scene painting by Paul Davis; Vintage DYMO label maker color-photo ad features Santa's workshop; Fantastic back cover color-photo ad for the Chrysler Imperial; and more. Small library stamp on front cover. Average wear. A sound vintage copy. Book‎

‎Zinovich, Pinhas / Kolodro, Havatzelet [Curation]‎

‎Pinchas Zinovich: Paintings 1989-1993‎

‎280x230 mm. Softcover. Cover slightly stained. Cover edges slightly wrinkled. Pen inscription on first white page. Else in good condition.‎

‎ZIYAETTIN GÖRGÜN.‎

‎Soyut resim.‎

‎Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 48, [1] p., ills. A study on abstract painting. Soyut resim.‎

‎Zlamalik, Vinko‎

‎Katarina Henc. Ulja, pasteli, akvareli, crtezi: 1970-1990.‎

‎Zagreb, Drustvo povjesnicara umjetnosti Hrvatske und München, Galerie Hell & Hell 1990. 4°, 319 S., 1 Bl., mit 261, tls. farb. Abb., OLn. m. farb. OU., fast wie neu. Text in Kroatisch und Deutsch.‎

Referentie van de boekhandelaar : EEzz8587

‎Zondek, Gerda / Cohen, Elisheva [Forward]‎

‎Gerda Zondek: Portraits [SIGHED BY THE OUTHER]‎

‎SIGHED BY THE AUTHOR. 27x21.5 pages. Unpaginated. Soft cover with dust jacket. Dust jacket yellowing and slightly stained. Dust jacket edges slightly torn. Cover faded and slightly stained. Cover corners slightly rubbed. Spine edges slightly rubbed. Pages slightly yellowing. Else in good condition.‎

‎ZUFFI, Stefano;‎

‎PETITE ENCYCLOPEDIE DES PEINTRES DE A a Z,‎

‎Paris , Solar, 2005 Relie, couverture carton illustree, 195 x 220mm., 432pp., illustration abondant en couleurs. ISBN 9782263039270.‎

‎De Botticelli a Vermeer, de Leonard de Vinci a Modigliani, de Bruegel a Picasso, des impressionnistes au Pop Art, cette petite encyclopedie vous presente de A a Z les 350 plus grands peintres du XIIIe siecle a nos jours. Pratique et pedagogique, cet ouvrage vous propose pour chaque peintre une biographie complete et de superbes reproductions des oeuvres les plus significatives, commentees par un specialiste de renom. A travers une magnifique iconographie, parcourez les siecles et les courants artistiques a la decouverte des plus grands maitres de la peinture universelle. Nouveau livre.‎

Referentie van de boekhandelaar : 28079

‎Zurcher, Richard.‎

‎Italienische Wandmalerei. Meisterwerke des Freskos von Mittelalter bis Tiepolo.‎

‎Zurich, Atlantis, 1944 Bound, green cloth with dustjacket, 230pp., 22.5x31cm., 172 b/w and 6 col. ills., good cond., dustjacket discolorated and damaged.‎

Referentie van de boekhandelaar : 30928

‎Zweig, Arnold / Struck, Hermann [Paitings]‎

‎Das Ostjudische Antlitz‎

‎17.5x26.5 cm. 174 pages. Hardcover in dust jacket. In good condition.‎

‎ZÜHRE INDIRKAS.‎

‎Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.‎

‎Fine English Original bdg., Fine., 24 x 17 cm., [10], 151 p., color ills., "Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.", Zühre Indirkas, TC Kültür Bakanligi Yayinlari, Ank., 2001.‎

‎{ PALEIS VOOR SCHONE KUNSTEN };‎

‎Prijs Jonge Belgische Schilderkunst,‎

‎, Mercatorfonds / Fonds Mercator, Paperback, 170 x 240mm., 96pp., 60 illustraties in kleur ISBN 9789061535157.‎

‎Drietalige uitgave Nl, Fr, Eng. Dit boek verschijnt naar aanleiding van de tentoonstelling in het Paleis voor Schone Kunsten in Brussel. In 2005 organiseert de vzw Jonge Belgische Schilderkunst traditiegetrouw in en met het Paleis voor Schone Kunsten een nieuwe editie van de Prijs Jonge Belgische Schilderkunst. 55 jaar na zijn ontstaan is de prestigieuze prijs uitgegroeid tot een van de belangrijkste evenementen voor de actuele beeldende kunst in Belgie. Uit de ingediende dossiers selecteerde een internationale jury eind november 2004 zes kunstenaars: Carlos Aires (Spanje), Olivier Foulon (Belgie), Ivo Provoost (Belgie) & Simona Denicolai (Italie), Sebastien Reuze (Frankrijk), Kris Vleeschouwer (Belgie) en Cindy Wright (Belgie). De werken die de laureaten speciaal voor deze Prijs creeren, zullen worden tentoongesteld in het Paleis voor Schone Kunsten van 22 juni tot 4 september 2005. Nieuw.‎

Referentie van de boekhandelaar : 14939

‎ÂBIDIN ELDEROGLU, (1901-1974).‎

‎Âbidin Elderoglu in the adventure of Turkish abstraction and abstract painting.= Türk resminin soyutlama ve soyut serüveninde Abidin Elderoglu. Text by Ahmet Kamil Gören. Edited by Çiçek Öztek.‎

‎New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 591, [1] p., b/w and color ills. Âbidin Elderoglu in the adventure of Turkish abstraction and abstract painting.= Türk resminin soyutlama ve soyut serüveninde Abidin Elderoglu. Text by Ahmet Kamil Gören. Edited by Çiçek Öztek. Âbidin Elderoglu In The Adventure of Turkish Abstraction and Abstract Painting book published by Dirimart will be launched at the conversation of members of Âbidin Elderoglu family and Ahmet Kamil Gören, the author of the book, taking place at Dirimart Nisantasi.‎

‎ÇETIN ASMA.‎

‎Bartin su tarihçesi ve çesmeleri.‎

‎New Turkish Paperback. Demy 8vo. (22 x 14 cm). In Turkish. 104 p., color and b/w plates. Bartin su tarihçesi ve çesmeleri. Water history and fountains od Bartin City in the Black Sea region.‎

‎ÖMER FEVZI MARDIN [BINBASI], (1878-1953).‎

‎Osmanli ordusunda propaganda. Prep. by Mehmet Mert Çam.‎

‎New Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 120 p. Osmanli ordusunda propaganda. Prep. by Mehmet Mert Çam. Propaganda in the Ottoman army.‎

‎ÖMER ORHUN.‎

‎Inside.= Icerisi. Text by Levent Calikoglu. [Photographic Exhibition catalogue]. 15 May - 21 June 2003. Akbank Sanat.‎

‎New English Paperback. Large 8vo. (24 x 24 cm). In English and Turkish. 45, [1] p., b/w photos. Inside = Icerisi. Text by Levent Calikoglu. [Photographic Exhibition catalogue]. 15 May - 21 June 2003. Akbank Sanat.‎

‎ÖMER ULUÇ.‎

‎Ömer Uluç. Bird of desire circles without end.= Heves kusu durmaz döner. [Exhibition catalogue]. Edited by Mine Haydaroglu.‎

‎New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In English and Turkish. 333, [2] p., color and b/w ills. Ömer Uluç. Bird of desire circles without end.= Heves kusu durmaz döner. [Exhibition catalogue]. Edited by Mine Haydaroglu. In the autumn of 1954 I found myself out of breath on a backstreet in Manhattan. After having managed to get out of those large turnstiles, I was in a street in New York, heading for something new. Then Boston, Beacon Hill, New York again. New freedom, roads, a car, a one-room studio, furnished, rented by the week, by the month, everything was fast. Anyway, my first exhibition in Boston took place in the fantastic venue of that wild black dandy, Earl Pilgrim, who when he was drunk claimed to be white and thought he was a reincarnation of Oscar Wilde. He had tuberculosis, and his little Syrian wife gave him milk to drink when he was sober. At a party in the house of a white man, he tried to turn the house owner out of his house, calling him a dirty nigger, saying 'Dirty nigger, what are you doing here, just a little while ago you went and gobbled food in the kitchen.''Then I read about this in Faulkner. Meanwhile my strange exhibition was held at Earl Pilgrim's, in the mood of that Beat Generation. It was as if we were living in their world. Jack Kerouac's On the Road, Subterranean, Ginsberg's poem 'Howl,' then all the Ferlenghettis, Gregory Corsos, and of course, the strangest of them all, William Burroughs, perhaps one of the weirdest and greatest writers in all America, who when aiming at the apple on his wife's head, accidentally killed her. Going to Miami, Highway Number 1, the migration of mythological, eccentric souls from cold to warm. Then, more journeys and New York. Later on, training in the visual arts, that strange and extremely unique creativity class, large women tearing up coloured paper into tiny pieces making collages, tiny artists endeavouring to put huge masses on top of one another, and so on. The time to return was approaching. Maya Gallery Ö.U.: I returned to Istanbul, and the first place I went to was the Maya Gallery, Adalet Cimcoz and Lambo. Those were the people and places I left behind, and now they were gone. Nuri Iyem had left his old studio and was now in Karaköy. I saw Istanbul as if it were in ruins. One reason was Adnan Menderes' rebuilding programme. He demolished buildings everywhere. The other one was Istanbul itself. After the single party period the left-wing movement began in Turkey, during the last years of Democrat Party rule. Ilhan Koman and Sadi Çalik Ö.U.: It was 1958, and I was 27. Nuri Iyem, Ferruh Basaga, dear Ilhan Koman and Sadi Çalik and I were opening a large and memorable exhibition at the American Consulate. All pieces of work were abstract. They were my friends and at least 10 or 20 years older than me. There in Istanbul, in that circle, I attained a second small fame for myself and in a strange way. But let me tell you about who did the most interesting work. Sadi Çalik put a single stick on a plinth and called it 'minimumism,' that's how he explained it. Minimum energy, minimum form, minimum meaning, and so on. People began to wonder if Istanbul was a small centre of the avant-garde like Moscow and Munich were at one time. Turgut Cansever and Sezer Tansug Ö.U.: But let's get on. I was working at full speed. There was an exhibition and I met Turgut Cansever. He was a very interesting person, one of the most interesting people I have ever known. And then there was Sezer Tansug, the art historian and critic. Both were people who knew the east and the Ottomans in particular, even if they differed on some topics. Those two were very creative people, and broadened my horizons. I think I also expanded their, especially Sezer Tansug's, horizons. Turgut Cansever was doing free drawings of the old city, and they were extraordinary. He suggested that I work on the drawings of the paving of Beyazit Square. Lissabon Gallery Ö.U.: The new paintings, coloured, ac‎

‎ÖMER ULUÇ.‎

‎Ömer Uluç. To and fro in the space in between.= Aralikta gidip-gelmeler. [Exhibition catalogue]. Edited by Mine Haydaroglu.‎

‎New English Paperback. Pbo. 4to. (29 x 23 cm). In English and Turkish. 128 p., color ills. Contents; Foreword; Ömer Uluç; Talks in the space in between; To and Fro in the space in between.‎

‎ÖZDEMIIR ALTAN, (1931-).‎

‎Original print (Ed. 79/100) 1965/2000.‎

‎Very Good Turkish Edition of 79/100. Original print. 50x70 cm. Signed and dated on the lower right, edition number is on the lower left. Born in 1931, lives in Istanbul. In 1956 he graduates from Zeki Faik Izer's atelier in IDGSA Painting Department. Besides the Paris biennials in 1963-1965, he participated in numerous international and national art activities, he opened so many solo exhibitions. His name became famous as a writer and lecturer. He was the first artist who improved and represented some western ideas such as the modernist, avant-garde approach to pop art and especially postmodernism in Turkey. He was also the first curator who attempt to organize an exhibition in Turkey; Avni Lifij's exhibition in 1968 was the first example. As having his own fiction world the artist not only assists Contemporary Turkish Art but also gives shape to its fate and it is seen that he is the one that impress­es almost all artists of his generation and the next generation about today's Turkish Art. About this subject he expresses; "An artist gives references, the effect is inevitable, not the method but the result is important." With his productive natural talent, Altan proves that he has an endless, dynamic, energetic personality. In his creations, he appropriates an art understanding that coincidentally mixed incongruous elements such as; different textures, structure elements, materials, art view, light, etc. With clearer thoughts and ways from 1988, he developed the coincidental mixing method to prove artistic space is made up of different concepts, backgrounds, edifices, and logic that meet at extreme points. He examined spas and has taken them as the main course in his lectures. As a result of his research on spas, rather than the historic way he clearly declared that; "art meets from different ideas, logic, sources, structure and concepts". After this conclusion, he declared his ideas (with the title of space in art) first time, in front of academicians, at an associated professorship lecture in 1970. After that declaration, Altan has improved a new international art feature on that alle­gation. He coincidently made a unity from the different participants' works such as landscapes, plans, maps, and the district sketches, and at the end, participants applied the design with the alien materials. This method has been performed by totally differ­ent participants and it was the first of all in the art history of spas commentary.‎

‎ÖZDEMIR ALTAN.‎

‎Soyagaçlari.= Family-trees. [Exhibition catalogue].‎

‎Fine English Paperback. Pbo. 4to. (29 x 23 cm). In English and Turkish. 32 p., color ills. Soyagaçlari.= Family-trees. [Sergi Katalogu].‎

‎ÖZELM GÜNYOL, MUSTAFA KUNT.‎

‎Özlem Günyol & Mustafa Kunt. [Exhibition catalogue].‎

‎New English Original bdg. HC. 4to. In English and Turkish. 328 p., color ills. Dirimart opens its doors to the second solo exhibition of the Frankfurt-based artist duo Özlem Günyol-Mustafa Kunt at the gallery. The exhibition gathers new works for this show as well as their recent Materialistic Paintings series. Material of Günyol and Kunt s work comprises geographical and architectural measurements, political symbols, language, residue, and found objects. They are in pursuit of an aesthetic with which they dissemble things, isolate them from their physicality and context, and reorder with an assiduous precision and labor. Those transferals and transformations do not only take place in the material but also in their meanings, sometimes very radically. Concepts such as Europe, capital, migration, constitution, equity, belonging/exclusion are transformed and rendered sensible in a different aesthetic experience. Editors: Translator: 328 pages.‎