LECOCQ Charles 1832 1918
La Fille de Madame Angot Opéra Comique En 3 Actes Paroles de Mrs. Clairville Siraudin & Koning. Partition Chant & Piano Arrangée par Henri Nuyens Prix net 12 F. Piano-vocal score
Paris: Brandus & Cie. PN B. & Cie. 11801 1873. Large octavo. Half dark blue pebbled cloth with marbled boards titling gilt to spine. 1f. recto title illustrated by Barbizet. verso blank 1f. recto notes on first performance named cast list and contents verso blank 1f. dedication 269 i blank pp. Named cast for the first performance in Brussels at the Théâtre des Fantaisie-Pareisiennes on December 4 1872 includes Mario Widmer Jolly Charlier et Chambéry Touzé Ernotte Noé Ometz Durieu Desclauzas Pauline Luigini Delorme Bourgeois Sporas Pauline Carben Malleville Savigny and Camille and for the Paris performance at the Théâtre des Folies-Dramatiques on February 24 1873 Mendasti Ph. Dupin Luco Haymé Legrain Vavasseur Jeault Heuzey Desclauzas Paola Marié Vauthier-Toudouze Julien Minne Alieri Marie Dordan d'Aubigny Fleury and Duvernay. Title incorporates a small oval portrait of Paola Marié the singer who performed the role of Clairette Angot in Paris. Binding slightly worn rubbed and bumped. Mostly minor foxing; dampstaining to upper margins; title slightly trimmed and with small chip to blank lower outer corner; handstamps to title and third leaf; 2" tear to first page of music. First Edition. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 11801] unknown
書籍販売業者の参照番号
: 28618
|
|
LECOCQ Charles 1832 1918
La Petite Mariée Paroles de MM. E. Leterrier & A. Vanloo. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus & Cie. PN B. & Cie. 12078 1876. Large octavo. Quarter black cloth with black boards titling gilt to spine. 1f. recto illustrated title printed in brown verso blank 1f. recto notes on first performance named cast list and contents verso blank 172 189-196 173-188 197-269 i blank pp. Named cast includes Vauthier F. Puget Dailly Caliste Paul Albert Derval Baudin Jeanne Granier Alphonsine Panseron Blanche Miroir and Duchesne. Binding slightly worn rubbed and bumped; lower hinge split. Light to moderate foxing; occasional staining; some signatures split; former owner's signature and handstamps to title. First Edition. La petite mariée to a libretto by Leterrier and Vanloo was first performed in Paris at the Renaissance on December 21 1875. "Settling once again in Paris Lecocq confirmed his international reputation with La petite mariée 1875 and Le petit duc 1878 both of which have remained in the French operetta repertory." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 12078] unknown
書籍販売業者の参照番号
: 28606
|
|
LECOCQ Charles 1832 1918
La Jolie Persane Opéra Comique en 3 Actes Paroles de MMrs. E. Leterrier & A. Vanloo. Théâtre de la Renaissance. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus & Cie PN B et Cie 12563 1879. Large octavo. Original publisher's blue illustrated wrappers. 1f. recto title illustrated by P. Borie in gray sepia and blue verso blank 1f. recto notes on first performance and named cast list verso contents viii 290 pp. Most leaves unopened. With presentation stamp and signed inscription from the publisher to upper inner corner of first page of music. Named cast includes Ismael Vauthier Paul Ginet Lary William Tauffenberger Desclos Perrenot Morand Legrain Veret Jane Hading Desclauzas Gélabert Lilia Herman Norette Lydie Borel Panseron Doriani Davenay Kolb and Ducouret. Wrappers slightly worn and chipped; spine worn and split reinforced with tape. Light to moderate foxing; some signatures partially split; small decorative oval bookseller's handstamp to first three leaves. First Edition. La jolie Persane to a libretto by Leterrier and Vanloo was first performed in Paris at theRenaissance on October 28 1879. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie [PN B et Cie 12563] unknown
書籍販売業者の参照番号
: 28613
|
|
LECOCQ Charles 1832 1918
La Princesse des Canaries Opéra Bouffe en 3 actes. De Duru et Chivot. Theatre des Folies Dramatiques. Partition Chant et Piano transcrite par Léon Roques. Piano-vocal score
Paris: Choudens Fils PN A.C. 5797 1890. Large octavo. Red cloth spine. 1f. recto title printed within architectural border verso blank 1f. recto notes on first performance named cast list and contents verso blank 218 223-224 pp. Some leaves unopened. Named cast includes Simon-Girard Jeanne Andrée Dekernel Delannoy Lepers Simon-Max and Bartel. Wrappers lacking; spine somewhat worn and rubbed. Slightly worn; blank corner of title lacking; title and final leaf stained; several upper outer corners slightly soiled. La princesse des Canaries to a libretto by Duru and Chivot was first performed in Paris at the Folies-Dramatiques on February 9 1883. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 5797] unknown
書籍販売業者の参照番号
: 28423
|
|
LECOCQ Charles 1832 1918
Le Petit Duc Opéra-Comique en Trois Actes Paroles de M.M. Henri Meilhac et Ludovic Halévy. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus et Cie. PN B. et Cie. 12367 1878. Large octavo. Original publisher's decorative orange wrappers printed in silver and black. 1f. recto title within decorative border printed in light purple verso blank 1f. recto dedication to Jeanne Granier verso blank 1f. recto notes on first performance and named cast list verso contents x 301 i blank pp. Lithographed. Named cast includes J. Granier Vauthier Berthelier Urbaoin Caliste Elim Bovet Hervier Deberg Desclos Duchosal Desclauzas Mily Meyer Léa d'Asco Piccolo Panseron Ribe Lasselin Dianie and Davenay. Wrappers somewhat worn with chipping to edges; upper partially detached; shaken. Some minor foxing; handstamp to lower margin of title. First Edition second issue. Le petit duc to a libretto by Meilhac and Halévy was first performed in Paris at the Renaissance on January 25 1878. "Settling once again in Paris Lecocq confirmed his international reputation with La petite mariée 1875 and Le petit duc 1878 both of which have remained in the French operetta repertory." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12367] unknown
書籍販売業者の参照番号
: 28616
|
|
LECOCQ Charles 1832 1918
Le Petit Duc Opéra-Comique en Trois Actes Paroles de M.M. Henri Meilhac et Ludovic Halévy. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus et Cie. PN B. et Cie. 12367 1878. Large octavo. Quarter dark red calf with marbled boards spine with decorative gilt rules titling gilt. 1f. recto title within illustrated border by L. Denis printed in light purple verso blank 1f. recto dedication verso blank 1f. recto notes on first performance and named cast list verso contents x 297 i blank pp. Named cast includes J. Granier Vauthier Berthelier Urbain Caliste Elim Bovet Hervier Deberg Desclos Duchosal Desclauzas Mily Meyer Léa d'Asco Piccolo Panseron Ribe Lasselin Dianie and Davenay. Binding slightly worn rubbed and bumped; former owner's signature "Mde. G. G. Carandine" to front pastedown. Light to moderate foxing; some signatures split; handstamps to title. First Edition of the second version. Le petit duc to a libretto by Meilhac and Halévy was first performed in Paris at the Renaissance on January 25 1878. "Settling once again in Paris Lecocq confirmed his international reputation with La petite mariée 1875 and Le petit duc 1878 both of which have remained in the French operetta repertory." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12367] unknown
書籍販売業者の参照番号
: 28609
|
|
LECOCQ Charles 1832 1918
Le Grand Casimir Opérette en 3 Actes de M.M. J. Préval et A. de Saint-Albin. Théâtre des Variétés. Partition Chant et Piano Arrangée par Marius Boullard. Piano-vocal score
Paris: Brandus et Cie. PN B. et Cie. 12465 1879. Large octavo. Quarter dark brown calf with green marbled marbled upper with Maquaire subscription information gilt pebbled dark brown papder lower titling gilt to spine. 1f. recto title illustrated by G. Fraipont printed in sepia verso blank 1f. recto blank verso notes on first performance named cast list and contents 139 i blank pp. Lithographed. Named cast includes Dupuis Léonce Baron Alex. Guyon Deltombe Germain Angely Gaussins Ambroise Drouin Coste Videix Millaux Le petit Charles Céline Chaumont Baumaine Odette Farna Marguerite Léonie Frank Maria and Renouard. Binding slightly worn rubbed and bumped. Slightly foxed; some signatures partially split; handstamps to title. First Edition. Le grand Casimir to a libretto by Prével and Saint-Albin was first performed in Paris at the Variétés on January 11 1879. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12465] unknown
書籍販売業者の参照番号
: 28612
|
|
LECOCQ Charles 1832 1918
La Roussotte Piéce en 3 Actes et Un Prologue Paroles de M.M. H. Meilhac L. Halévy et A. Millaud Partition Piano & Chant Prix net: 10 f. Piano-vocal score
Paris: C. Joubert PN L. B. 2828 1900. Large octavo. Quarter black cloth with marbled boards. 1f. recto title illustrated by E. Buval verso copyright statement 1f. recto named cast list and contents verso blank 92 pp. Named cast includes Anna Judic Dupuis Léonce Baron Lassouche E. Didier Angély Le Petit Charles Maurel Chalont Marguerite M. Thérèse A. Farna Fillion and Lamarre. Minor damage to upper margin of first page of music; some signatures partially split. La roussotte a "vaudeville-opérette" to a libretto by Meilhac Halévy and A. Millaud was first performed in Paris at the Variétés on January 26 or 28 1881 in collaboration with Hervé Florimond Ronger 1825-1892 and Marius Boullard 1842-1891. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. "For his theatrical career Ronger took the name Hervé gradually gaining recognition through his Don Quichotte et Sancho Pança 1848 and engagements at the Théâtre de l'Odéon and Théâtre du Palais-Royal where he appeared as author composer conductor actor tenor buffo singer and producer as required." Andrew Lamb in Grove Music Online. C. Joubert [PN L. B. 2828] unknown
書籍販売業者の参照番号
: 28350
|
|
LECOCQ Charles 1832 1918
Le Jour et la Nuit Opéra-Bouffe en 3 Actes Paroles de M.M. A. Vanloo et E. Leterrier. Partition Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus et Cie. PN B. et Cie. 12765 1882. Large octavo. Full dark green pebbled flexible cloth boards titling gilt to spine. 1f. recto illustrated title printed in colour verso blank 1f. recto notes on first performance and named cast list verso contents viii 280 pp. Named cast includes Brasseur Berthelier E. Montaubry Scipion Matrat Dacheux Prosper Marguerite Ugalde Juliette Darcourt Piccolo Maurianne Frédéa Lucy-Jane Panot d'Albe Varennes G. d'Oria Jeanne and Charbonnel. Slightly worn; title browned and with handstamps and former owner's signature; second and third leaves detached. First Edition later issue. Le jour et la nuit to a libretto by Vanloo and Leterrier was first performed in Paris at thew Nouveautés on November 5 1881. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus et Cie. [PN B. et Cie. 12765] unknown
書籍販売業者の参照番号
: 28619
|
|
LECOCQ Charles 1832 1918
Giroflé-Girofla Opéra Bouffe en 3 Actes Paroles de M. M. Albert Vanloo & Eugène Leterrier. Droits de reproduction de traduction et de représentation reservés Ent. Sta. Hall. Prix net 10/=. Piano-vocal score
London: Enoch & Sons PN E & S 82 1874. Large octavo. Full dark green cloth titling gilt to spine. 1f. recto title verso printer's note 1f. recto notes on first performance named cast list and contents verso blank 305 i blank pp. Named cast incluces Jolly Mario Widmer Paul Ginet Pauline Luigini Delorme Jeanne d'Alby and Marie Blanche. Binding very slightly worn rubbed and bumped. Former owner's signature "Mrs. Edmund Routledge" to free front endpaper. First English edition. Rare. Giroflé-Girofla to a libretto by Vanloo and Leterrier was first performed in Brussels at the Fantaisies-Parisiennes on March 21 1874. "In Brussels where Lecocq lived for several years from 1870 the popular acclaim accorded his operettas Les cent vierges 1872 La fille de Madame Angot 1872 and Giroflé-Girofla 1874 all of which were later produced with great success in Paris and abroad established him as a natural successor to Offenbach." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Enoch & Sons [PN E & S 82] unknown
書籍販売業者の参照番号
: 28583
|
|
LECOCQ Charles 1832 1918
Janot Opéra Comique en 3 Actes Paroles de M.M. H. Meilhac et Ludovic Halévy. Théâtre de la Renaissance. Partition Chant et Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus & Cie PN B et Cie 12705 1881. Large octavo. Original publisher's dark pink illustrated wrappers. 1f. recto illustrated title printed in colour verso blank 1f. recto notes on first performance and named cast list verso contents xii 286 pp. Some leaves unopened. With an autograph inscription signed by the composer "Ch. Lecocq" to Vauthier who played Latignasse in the premiere of the work. Named cast includes J. Granier Jolly Vauthier Lary Jeannin Libert Deberg Perrenot Williams Crambade Schamyl Desclauzas Mily Meyer Belliard Rouvroy Lydie Borel Ducouret Panseron Doriani Davenay Roger and Boulard. Wrappers worn and chipped at edges; upper detached; spine faded. Occasional minor foxing; first signature partially detached; publisher's facsimile handstamp to blank lower outer corner of title. First Edition. Janot to a libretto by Meilhac and Halévy was first performed at the Renaissance on January 21 1881. "After a lapse of more than a year caused by illness and domestic problems his career resumed with Janot 1881 Le jour et la nuit 1881 and Le coeur et la main 1882 but these were his last real successes." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie [PN B et Cie 12705] unknown
書籍販売業者の参照番号
: 28614
|
|
LECOCQ Charles 1832 1918
Heart and Hand Le Coeur et la Main. Opera Comique in Three Acts. Translated and Adapted by Theodore T. Barker. Piano-vocal score
Boston: Oliver Ditson 1883. Quarto. Original publisher's decorative brown wrappers with titling to spine in black marker. 1 title 2 cast list story and contents 3-280 pp. Wrappers slightly worn and chipped; partially detached; "No. 506" in black ink and small label to upper; lower wrapper slightly defective; spine worn with loss to head; joints partially split. Slightly browned; some minor staining. First American edition. Le coeur et la main to a libretto by Nuitter and Beaumont was first performed in Paris at the Nouveautés on October 19 1882. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases. Oliver Ditson unknown
書籍販売業者の参照番号
: 28374
|
|
LECOCQ Charles 1832 1918
La Marjolaine Opéra-Bouffe en 3 Actes Paroles de MM. A. Vanloo & E. Leterrier. Partition pour Chant & Piano Arrangée par Léon Roques. Piano-vocal score
Paris: Brandus & Cie. PN B. & Cie. 12281 1877. Large octavo. Quarter dark red pebbled cloth with marbled boards titling gilt to spine. 1f. recto title illustrated by L. Denis verso blank 1f. recto notes on first performance and named cast list verso contents 284 pp. Named cast includes Berthelier Vauthier Puget Caliste Hervier Gaussins Valotte Cailloux Robillot Gisors Jeanne Granier Théol Carli Ribe Bied Careine Dianie Andrée Néline Davenay and Dhaucourt. Binding slightly worn rubbed and bumped. Publisher's facsimile signature handstamp to title. First Edition. La marjolaine to a libretto by Vanloo and Leterrier was first performed in Paris at the Renaissance on February 3 1877. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 12281] unknown
書籍販売業者の参照番号
: 28611
|
|
LECOCQ Charles 1832 1918
Rose-Mousse Pièce en Un Acte de MM. André Alexandre et Peter Carin. Répertoire Choudens. Partition Chant et Piano. Piano-vocal score
Paris: Choudens PN A.C. 13120 1950. Large octavo. Original publisher's dark ivory wrappers printed in dark pink and black. 1f. recto title verso blank 1f. recto notes on first performance named cast list and contents verso contents 49 iii blank pp. Unopened. Named cast includes Simon-May Léon Berton Damorès Marguerite Nell Eugénie Noris Blanche Marcel and de Liry. Wrappers slightly worn; music seller's handstamp to upper. Re-issue from plates of the 1904 edition. Rose Mousse to a libretto by Alexandre and Carin was first performed in Paris at the Capucines on January 28 1904. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 13120] unknown
書籍販売業者の参照番号
: 28425
|
|
LECOCQ Charles 1832 1918
L'Oiseau Bleu Opéra-Comique en 3 actes de Duru & Chivot. Théâtre des Nouveautés. Partition Chant & Piano transcrite par Léon Roques. Piano-vocal score
Paris: Choudens Père & Fils PN A.C. 6086 1884. Large octavo. Quarter textured red cloth with marbled boards titling gilt to spine. 1f. recto title within architectural border verso notes 1f. recto notes on first performance named cast list and contents verso blank 203 i blank pp. Named cast includes Marguerite Ugalde Juliette Darcourt Herman Berthelier Vauthier and Albert Brasseur Binding slightly worn rubbed and bumped. Slightly browned; occasional markings in pencil. First Edition later issue. L'oiseau bleu to a libretto by Duru and Chivot was first performed in Paris at the Nouveautés on January 16 1884. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 6086] unknown
書籍販売業者の参照番号
: 28434
|
|
LECOCQ Charles 1832 1918
La Volière Opéra-Comique en 3 actes. De Nuitter et Beaumont. Théâtre des Nouveautés. Partition Chant & Piano transcrite par L. Roque. Piano-vocal score
Paris: Choudens Père & Fils PN A.C. 7823 1890. Large octavo. Quarter red calf with marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within architectural border verso notes decorative title i notes 1f. named cast list andn contents 225 i blank pp. Binding slgihtly worn rubbed and bumped. Browned; small tear to blank outer edge of p. 61 with tape repair. First Edition later issue. La volière to a libretto by Nuitter and Beaumont was first performed in Paris at the Nouveautés on February 11 or 12 1888. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 7823] unknown
書籍販売業者の参照番号
: 28337
|
|
LECOCQ Charles 1832 1918
Le Pompon
Paris: Brandus & Cie B. & Cie. 12050 1875. 3 volumes. Large octavo. Dark brown textured cloth-backed green boards with decorative cut paper labels titled in manuscript to uppers; small manuscript title labels to head of spines. Act I: 128 pp. Act II: 129-258 pp. Act III: 259-326 pp. With notes on cast in pencil to verso of front free endpaper. Heavily annotated in black ink and lead red and blue pencil. With Swedish translation of French text overlaid in pencil and with corrections/alterations to notation and performance annotations in both pencil and ink in the same hand throughout. Manuscript music laid in to end of Act III being an alternative ending. Oval handstamp of the Swedish theatre publisher Arvid Enlind to several pages. Binding slightly worn rubbed and bumped. Occasional small edge chips and tears; annotations tipped into p. 319 partially obscuring music; lacking title and preliminary leaf. Le pompon to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on November 10 1875. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. An interesting performance copy. [Brandus & Cie [B. & Cie. 12050] unknown
書籍販売業者の参照番号
: 28431
|
|
LECOCQ Charles 1832 1918
Yetta Opéra Comique en 3 Actes de Fernand Beisser. Partition Piano et Chant. Piano-vocal score
Paris: Choudens PN A.C. 12861 1903. Large octavo. Original publisher's decorative wrappers printed in light brown and green with titling in blue to upper and spine. 1f. recto title printed within architectural border verso notes 1f. recto notes verso blank 1f. recto notes on first performance and named cast list verso blank 186 pp. Unopened. With a 4-line autograph inscription signed by the composer "Ch. Lecocq" and dated "11 mars 1903" to Bourgeois who performed the role of Van der Boot in the premiere praising his performance. Small tears to edges of upper wrapper; spine worn with some loss. Some signatures split and partially detached; leaf with inscription glued to facing leaf at gutter slightly obscuring several words of the inscription. First Edition. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. An important association copy. Choudens [PN A.C. 12861] unknown
書籍販売業者の参照番号
: 28418
|
|
LECOCQ Charles 1832 1918
La Camargo Opéra-Comique en trois Actes Paroles de M.M. At. Vanloo & Ene. Leterrier. Partition Chant & Piano Arrangèe par Léon Roques - Prix net: 15 f. Piano-vocal score
Paris: Brandus & Cie. PN B. & Cie. 12421 1878. Large octavo. Contemporary dark brown quarter leather with green marbled boards with H. Maquaire subscription information gilt to upper pebbled dark brown paper to lower. 1f. recto title illustrated by G. Fraipont printed in blue verso blank 1f. recto dedication to Zulma Bouffar Camargo in the first performance verso blank 1f. notes on first performance and named cast list verso contents xii 295 i blank pp. Lithographed. Named cast includes Vauthier Berthelier Lary Pacra Libert Deberg Duchosal Tony Urebain Caliste William Desclos Auger Mercier Perrenot Beziat Caillous Z. Bouffar Desclauzas Jily-Meyer Lea d'Asco Piccolo Panseron Ribe Kolb Dianie Vialla Davenay Dortet Z. Bied and G. Piter. Binding worn rubbed scuffed and bumped; front hinge split; small handstamp "152" to lower margin of front free endpaper. Occasional foxing; small publisher's facsimile handstamp to lower margin of title; small tear to upper margin of p. 287 with tape repair. First Edition. La Camargo to a libretto by Vanloo and Leterrier was first performed in Paris at the Renaissance on November 20 1878. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 12421] unknown
書籍販売業者の参照番号
: 28372
|
|
LECOCQ Charles 1832 1918
La Petite Mademoiselle Opéra-Comique en Trois Actes de M. M. H. Meilhac et L. Halévy. Partition Chant et Piano arrangée par Léon Roques. Piano-vocal score
Paris: Brandus et Cie. PN B. et Cie. 12515 1879. Large octavo. Half dark red leather with dark red pebbled paper boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title illustrated by G. Fraipont printed in brown verso blank 1f. recto notes on first performance and named cast list verso contents viii 278 pp. Named cast includes Berthelier Vauthier Urbain Lary Pacra Libret Caliste Tony Deberg Duchosal Tauffenberger Auger Perrenot Desclos William J. Granier Desclauzas Mily Meyer Piccolo Ribe Dianie and Kolb. First Edition. La petite mademoiselle to a libretto by Meilhac and Halévy was first performed in Paris at the Renaissance on April 12 1879. ". Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Bound with: POISE Ferdinand 1828-1892 La Surprise de l'Amour Opéra Comique en 2 Actes de Ch. Monselet d'après la Comédie de Marivaux. Prix net: 8f. Partition Chant et Piano réduite par Ate. Bazille. Piano-vocal score. Paris: Durand Schœnewerk & Cie. D. S. et Cie. 2364 1877. 1f. recto title illustrated by L. Denis in sepia verso blank 1f. recto named cast list and contents verso blank 122 pp. Named cast includes Galli Marié Irma Marié Nicot and Moblet. First Edition. A French composer specializing in opéra comique Poise's La surprise de l'amour to a libretto by Monselet after Marivaux was first performed in Paris at the Opéra-Comique Favart on October 31 1877. Binding somewhat worn; hinges split. Slightly worn browned and foxed throughout; handstamps to title of the Lecocq; minor damage to pp. 101-102 of the Poise. Brandus et Cie. [PN B. et Cie. 12515] unknown
書籍販売業者の参照番号
: 28607
|
|
LECOCQ Charles 1832 1918
Plutus Opéra Comique en trois Actes Poème de M.M. Albert Millaud & Gaston Jollivet. Théâtre National de l'Opéra-Comique. Partition Chant et Piano Réduite par A. Bazille. Piano-vocal score
Paris: Brandus & Cie PN B. et Cie. 13083 1886. Large octavo. Half dark brown calf with brown textured paper boards rules and titling gilt to spine. 1f. recto decorative title by L. Denis verso blank 1f. recto dedication verso blank 1f. recto notes on first performance named cast list and contents verso blank 309 i blank pp. Named cast includes Fugère Soulacroix Mouliérast Grivot Belhomme Balanqué Mauguière Sujol Troy Deschamps Patoret Pierron Dupont and Degrandi. Binding slightly worn rubbed and bumped; head and tail of spine frayed. Minor foxing; annotation in blue pencil to front free endpaper; small publisher's facsimile signature handstamp to lower margin of title; small handstamp "232" to lower margin of last page of music. First Edition. Plutus to a libretto by Millaud and Jollivet was first performed in Paris at the Opéra-Comique Favart on March 31 1886. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie [PN B. et Cie. 13083] unknown
書籍販売業者の参照番号
: 28421
|
|
LECOCQ Charles 1832 1918
La Vie Mondaine Opéra Bouffe en 4 Actes Paroles de M.M. Paul Ferrier et Emile de Najac. Partition Chant & Piano. Piano-vocal score
Paris: Brandus & Cie. PN B. & Cie. 13016 1888. Large octavo. Quarter green calf with green textured paper boards titling gilt to spine. 1f. recto decoratibve title printed in gray-green verso blank 1f. recto named cast list and contents verso blank x 232 pp. Named cast includes Berthelier Alb. Brasseur Jourdan Allart Schmiddt Charvet Dubois Lauret Simon Girard Mily-Meyer Darcourt Ducouret and Norette. Binding somewhat worn and rubbed; edges bumped with minor damage to paper. Browned; some signatures split or partially split; two handstamps to lower margin of title slightly cropped; small tear to blank outer margin of p. 117. First Edition later issue. La vie mondaine to a libretto by Ferrier and de Najac was first performed in Paris at the Nouveautés on February 13 1885. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Brandus & Cie. [PN B. & Cie. 13016] unknown
書籍販売業者の参照番号
: 28335
|
|
LECOCQ Charles 1832 1918
Ali-Baba Opéra-Comique en 3 actes et 8 tableaux de A. Vanloo et W. Busnach. Théâtre de l'Alhambra. Partition Chant & Piano transcrite par Léon Roques. Piano-vocal score
Paris: Choudens Père & Fils PN A.C. 7764 1890. Large octavo. Plain blue wrappers with manuscript titling in blue ink to upper and spine. 1f. recto title within architectural border verso notes 1f. recto notes on first performance named cast list and contents verso blank 307 i blank pp. Many leaves unopened. Named cast includes Simon-Girard Duparc Cannès Maria Thom Hurbain Dechesne Simon-Max Mesmacker Larbaudière and Chalmin. Quite browned throughout scattered foxing; edges worn with occasional small chips and tears; small oval handstamp to lower margin of title. A re-issue of the first edition. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 7764] unknown
書籍販売業者の参照番号
: 28400
|
|
LAVELLO Rodolphe 1842 1914
Marie Stuart Drame Lyrique en 5 Actes Poème de Julien Goujon. Partition chant et piano prix net 20 f. Piano-vocal score
Paris: Louis Gregh PN L. G. 3125 1895. Large octavo. Half dark brown morocco with marbled boards raised bands on spine in ruled compartments gilt titling gilt marbled endpapers original publisher's gray decorative wrappers printed in dark brown bound in. 1f. recto title printed in blue verso blank 1f. recto dedication verso blank 1 notes on first performance and named cast list 2 contents 3-262 pp. Named cast includes Dutrey Labis Boussa Darnaud Lacoume de Doncker Vernet Michelini de Léga and Leavington. Binding slightly worn rubbed and bumped. Uniform light browning; small oval bookseller's handstamp to lower margin of title. First Edition. Louis Gregh [PN L. G. 3125] unknown
書籍販売業者の参照番号
: 28383
|
|
LECOCQ Charles 1832 1918
Le Beau Dunois Opera-Bouffe en un Acte Paroles de MM H. Chivot et A. Duru. Theatre des Variétés. Prix: 7f. net. Partition Piano et Chant Réduite par Léon Roques. Piano-vocal score
Paris: E. Heu PN E.H. 1845 1870. Large octavo. Quarter dark brown calf with patterned maroon paper boards. 1f. recto title illustrated by A. Jannin and printed in brown verso blank 1f. recto notes on first performance named cast list and contents verso blank 99 i blank pp. Named cast includes Dupuis Kopp Léonce Aimée and Lucy-Abel. Boards slightly worn rubbed and bumped; publisher's advertisement laid down to front endpapers with rectangular handstamp to front free endpaper and first two leaves. Occasional minor foxing; facsimile signature handstamp to cast leaf and two additional leaves. First Edition. Le beau Dunois to a libretto by Chivot and Duru was first performed in Paris at the Variétés on April 13 1870. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 1845] unknown
書籍販売業者の参照番号
: 28371
|
|
LECOCQ Charles 1832 1918
I Prati Saint-Gervais Opera Comica in tre Atti Parole dei Signori Vittorino Sardou e Filippo Gille. Piano-vocal score
Milano: Sonzogno PN E. S. 58 1890. Large octavo. Half dark brown pebbled cloth with marbled boards printed titling excerpts laid down to upper and spine. 1f. recto notes on first performance cast list and index verso blank 238 pp. Binding slightly worn rubbed and bumped; small bookseller's label to rear pastedown. Minor to moderate foxing throughout; lacking title; some margins cropped not affecting printed area; cataloguing annotation in pencil to upper margin of first leaf. First Italian edition of the second version. Les prés Saint-Gervaisk to a libretto by Sardou and Gille was first performed in Paris at the Variétés on November 14 1874. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. [Sonzogno] [PN E. S. 58] unknown
書籍販売業者の参照番号
: 28413
|
|
LECOCQ Charles 1832 1918
Le Cœur et la Main Opéra Comique en 3 Actes Paroles de MM. Nuitter & Beaumont. Partition Chant & Piano net 12 f. Arrangée par Léon Roques. Piano-vocal score
Paris: C. Joubert PN B. & Cie. 12823 1890. Large octavo. Quarter red calf with red pebbled paper boards raised bands on spine in ruled compartments titling gilt. 1f. recto title illustrated by E. Buval verso notes on first performance and named cast list 1f. recto contents verso notes x 252 ii 252bis-252ter 253-278 pp. Named cast includes Berthelier Vauthier Scipioin E. Montaubry Charvet Lauret Dubois Prosper Vaillant-Couturier Élise Clary Felcourt Morianne Lucy-Jane Ducouret Norette Varennes and Eymard; Binding slightly worn bumped and scuffed. Slightly browned; some signatures split or partially split; occasional minor edge chips and tears not affecting music; small circular handstamp to lower margin of title. First Edition later issue. Le coeur et la main to a libretto by Nuitter and Beaumont was first performed in Paris at the Nouveautés on October 19 1882. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12823] unknown
書籍販売業者の参照番号
: 28382
|
|
LECOCQ Charles 1832 1918
La Trahison de Pan Opéra-Comique en 1 Acte Poème de Stéphan Bordèse. Partition complète Piano et Chant net: 8 francs. Piano-vocal score
Paris: Max Eschig PN M.E. 725 1912. Folio. Original publisher's peach wrappers illustrated by Clérice Frères and printed in white green and lavender. 1f. recto dedication verso blank 1f. recto title printed in red and black verso blank 1f. recto notes on first performance with named cast list 88 1f. blank pp. Named cast includes Lowelly Tesorone and Ovido. Wrappers slightly worn. First Edition. Le trahison de Pan to a libretto by Bordèse was first performed in Aix-les-Bains at the Casino on September 13 1911. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Max Eschig [PN M.E. 725] unknown
書籍販売業者の参照番号
: 28419
|
|
LECOCQ Charles 1832 1918
Ruse d'amour Saynête en vers de Stéphan Bordèse. Supplément musical de L'Illustration Numéro de Noël 1897-98. Partition pour Chant et Piano. Piano-vocal score
Paris: L'Illustration 1897. Small folio. Original publisher's dark ivory wrappers illustrated by Léon Comerre printed in black and red. 1 title 2 advertisment 3-30 i publisher's advertisement iii advertisement pp. With cast list and contents to verso of upper and advertisement to verso of lower wrapper. Wrappers slightly worn; several small tears; small handstamp to inner margin of upper crossed out in black marker. First Edition. Ruse d'amour to a libretto by Bordèse was first performed in Boulogne at the Casino on June 16 1898. "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. L'Illustration unknown
書籍販売業者の参照番号
: 28426
|
|
LECOCQ Charles 1832 1918
Les Cent Vierges Opéra-Bouffe en 3 Actes Paroles de Clairville Chivot & Duru. Partition Chant & Piano Arrangèe par l'Auteur. Piano-vocal score
Paris: G. Brandus & S. Dufour PN B. et D. 11744 1872. Large octavo. Full red cloth with "Library of Sigmund Romberg" gilt to upper titling gilt to spine. 1f. recto title illustrated title by Jannin & Denis verso blank 1f. recto notes on first performance named cast list and contents verso blank 245 i blank pp. Named cast for the first performance in Brussels on March 16 1872 at the Théâtre des Fantaisies-Parisiennes includes Mario Widmer Jolly Charlier Nardin Durieu Haly Ernotte Rineval Achille Goitte Gentien Delorme Dubouchet Guénin Debeer O. Vallot and Camille; and for the first performance in Paris at the Théâtre des Variétés on May 13 1872 Berthelier Kopp Hittemans Léonce Blondelet Alex. Michel D. Bac Bordier Duval Millaux Van-Ghell G. Gauthier A. Regnault Bessy A. Schneider Argème and Schweska. Ex-library with The Library of The Universioty of California Los Angeles bookplate and "withdrawn" stamp etc. to front pastedown. Binding very slightly rubbed and bumped; spine slightly faded with remnant of label to foot. Minor to moderate foxing; several pages trimmed just touching pagination; small tears to inner margin of title with tape repairs publisher's facsimile signature handstamp to lower margin. First Edition later issue. Les cent vierges to a libretto by Clairville Chivot and Duru was first performed in Brussels at the Fantaisies-Parisiennes on March 16 or 17 1872. "In Brussels where Lecocq lived for several years from 1870 the popular acclaim accorded his operettas Les cent vierges 1872 La fille de Madame Angot 1872 and Giroflé-Girofla 1874 all of which were later produced with great success in Paris and abroad established him as a natural successor to Offenbach." "Much of Lecocq's music is characterized by a light touch but he could also adopt a more lyrical and elevated style than Offenbach and termed several of his operettas opéras comiques. His greatest popular triumph La fille de Madame Angot has remained a classic among operettas and demonstrates Lecocq's abundant flow of pleasing melodies his deft exploitation of rhythm for a lively theatrical effect impressive building up of extended numbers and typically French shaping of phrases." Andrew Lamb in Grove Music Online. Romberg 1887-1951 a Hungarian-born American composer and conductor known particularly for the original operettas he created during the 1920s "worked with such legendary librettists as Oscar Hammerstein II and Dorothy Fields is an important link between Viennese operetta and the mature American musical theatre. Romberg was also an avid collector of musical scores and his personal music library purchased by the University of California after his death contained over 4500 items. Archives of his manuscripts performance materials and orchestral materials are held at the Library of Congress the New York Public Library the Shubert Archive and the University of California." William A. Everett in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11744] unknown
書籍販売業者の参照番号
: 28381
|
|
BURROUGHS William S. 1914 1997
The Naked Lunch
London: John Calder in association with Olympia Press 1964. Modern literature FIRST UK EDITION. Octavo 21 x 15cm pp.4; 251; 1. Publisher's cream cloth gilt titles to spine pictorial dust-jacket priced at 42s. Slight reading lean. Mark to rear board spine ends a little pushed. Dust-jacket creased to top edge very slightly soiled discreet closed tear to rear inner flap marginally toned to spine. Very good. The 'Beat' writer's most controversial work being subject to a court case after it was challenged as being in violation of the American sodomy laws. Described by novelist Herbert Gold as 'the definitive hip book.'. London: John Calder in association with Olympia Press, 1964 unknown
書籍販売業者の参照番号
: 51904
|
|
MASTERS John 1914 1983
Far Far the Mountain Peak
London: Michael Joseph 1957. Modern Literature FIRST EDITION. Octavo 21 x 14cm pp.2 415 1. Publisher's black cloth with gilt titles to spine. With the black and purple dust-jacket titled in red and white designed by Donald Green and priced at 15s. Purple stamp of the Harris Book Company Hong Kong to verso of rear free endpaper. Light toning and spotting to preliminaries. Jacket spine toned with some chipping to head and tail. Very good. London: Michael Joseph, 1957 unknown
書籍販売業者の参照番号
: 51121
|
|
CUI Cesar 1835 1918
Le Flibustier Comédie Lyrique en Trois Actes Poème e Jean Richepin. Théatre National de l'Opéra-Comique. Partition Chant et Piano Prix net : 20 francs. Piano-vocal score
Paris: Au Ménestrel Heugel PN H & Cie 7870 1893. Large octavo. Quarter dark red cloth with marbled boards black leather title label gilt to spine. 1f. dedication 1f. title i premiere information and named cast list ii contents i blank 321 i blank pp. Lithographed. Named cast includes Fugère Taskin Clément Landouzy and Tarquini d'Or. Small rectangular publisher's label to title; tear to outer margin of p. 53. First Edition. Le flibustier to a libretto by Richepin after his play 1888-1889 was first performed in Paris at the Opéra Comique Favart on January 22 1894. Au Ménestrel, Heugel [PN H & Cie 7870] unknown
書籍販売業者の参照番号
: 28279
|
|
Sjoberg Birger 1885 1929. Helen Gunnar 1918 2002
Birger Sj�bergs Kriser och kransar i stilhistorisk belysning
Hugo Gebers F�rlag Stockholm 1946. xvi329 sidor. M�rkr�tt halvfranskt band med marmorerat p�rmpapper f�rgylld ryggtitel �vre f�rgat snitt och b�da h�ftesomslag medbundna. 23x16 cm. F�rsta upplagan i mycket fint skick. - Nordiska texter och unders�kningar nr 16. Akademisk avhandling. unknown
書籍販売業者の参照番号
: 34966
|
|
John 1838 1914 Muir
Stickeen
2016-08-28. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
書籍販売業者の参照番号
: 1372193812n ISBN : 1372193812 9781372193811
|
|
Heyerdahl Thor 1914 2002
Aku-Aku. P�sk�ns hemlighet
Forum Stockholm 1957. 3381 sidor. Illustrerad med 62 f�rgbilder 6 teckningar och 3 kartor. F�rlagets dekorerade klotband. Utan skyddsomslag. 235x16 cm. F�rsta svenska upplagan 40-49:e tusendet. Bra skick. - Norska originalets titel: Aku-aku. �vers�ttning fr�n originalmanuskriptet av expeditionens svenske deltagare Nils Erik B�hrendtz. unknown
書籍販売業者の参照番号
: 37835
|
|
THOMAS Dylan 1914 1953
Twenty-Five Poems
London: J.M. Dent and Sons 1936. Modern Verse FIRST EDITION. Octavo 19 x 13cm pp.48. Publisher's grey paper over boards top edge tinted blue printed dust-wrapper priced at 2/6. Some offset toning from jacket flaps light wear and dustiness to jacket some rubbing and wear to spine chipped to ends of same with some gummed paper and archival tape to reverse side; shows well. An attractive and inexpensive copy of the author's second book of which just 730 copies were published. London: J.M. Dent and Sons, 1936 unknown
書籍販売業者の参照番号
: 51295
|
|
Heyerdahl Thor 1914 2002
I Adams fotsp�r. En minnesresa
Bokf�rlaget DN Stockholm 1999. 294 sidor. Fotoillustrerad i f�rg och s/v kartor. F�rlagsband med skyddsomslag. 23x16 cm. F�rsta svenska upplagan. Mycket fint skick. ISBN: 9175883031 - Norska originalets titel: I Adams fotspor. En erindringsreise. �vers�ttning av Lars Ahlstr�m. unknown
書籍販売業者の参照番号
: 37887 ISBN : 9175883031 9789175883038
|
|
Solsjenitsyn Alexander 1918 2008. Fredrikson Stig
Alexanders kurir. Ett journalistliv i skuggan av det kalla kriget
Carlsson Bokf�rlag Stockholm 2004. 212 sidor. Illustrerad. F�rlagsband med skyddsomslag. 25x17 cm. I skick som ny. ISBN: 9172036060 unknown
書籍販売業者の参照番号
: 37869 ISBN : 9172036060 9789172036062
|
|
Fjodorovna Alexandr kejsarinna av Ryssland 1872 1918. King Greg
Den sista kejsarinnan. Alexandra Fjodorovnas liv och d�d
Natur och Kultur Stockholm 1995. 4741 sidor. Fotoillustrerad. F�rlagsband med skyddsomslag. 235x16 cm. F�rsta svenska upplagan. Fint skick. ISBN: 9127042014 - Originaltitel: The Last Empress. The Life and Time of Alexandra Fjodorovna. �versatt av Hans O Sj�str�m. unknown
書籍販売業者の参照番号
: 37876 ISBN : 9127042014 9789127042018
|
|
Bang Jette 1914 1964
30.000 Kilometer med Sneglefart
Hasselbalchs Forlag K�benhavn 1943. 191 sidor. Fotoillustrerad karta. Ljusbrunt halvfranskt band med pr�glad ryggdekor och r�skurna snitt. 23x16 cm. 2. oplag 1941. Fint skick. - F�rsta upplagan utkom 1941. Jette Bang dansk fotograf. unknown
書籍販売業者の参照番号
: 37638
|
|
Trevor Roper Hugh Redwald 1914 2003
Hitlers sista dagar
Fischer & Co. Stockholm 2010. 3071 sidor. Fotoillustrerad. F�rlagsband med skyddsomslag. 23x16 cm. Ny svenska utg�va 1947. I skick som ny. ISBN: 9789185183845 - Originaltitel: The Last Days of Hitler. �versatt av Hans Dal�n och Nils Holmberg. F�rsta upplagan utkom 1947. unknown
書籍販売業者の参照番号
: 37699 ISBN : 9185183849 9789185183845
|
|
BRANDT Warren 1918 2002 GUEST Barbara poetry
Nudes
New York NY: The Arts Publisher 1986. Art INSCRIBED LIMITED EDITION. Quarto 38 x 34cm Unpaginated with 21 drawings etchings photographs and chromolithographic reproductions of watercolours by Brandt and a poem by Guest printed over four leaves at rear. Number 195 of 750 copies signed by the artist in pencil to limitation page at rear. Also INSCRIBED 'For Seymour with / respect and affection / Warren' in pencil to half-title. Publisher's oatmeal cloth with titles stamped in black to spine and cream paper title labels to upper board. With a colour illustration inset to upper board. Housed in a blue cloth-covered slipcase. A fine copy. New York, NY: The Arts Publisher, 1986 unknown
書籍販売業者の参照番号
: 50488
|
|
I S. 1837 1918 Nechu Levytsky
Mykola Dzheria Ukrainian Edition
2010-05-14. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May be re-issue. Buy with confidence excellent customer service! unknown
書籍販売業者の参照番号
: 1149474750n ISBN : 1149474750 9781149474754
|
|
Parling Nils 1914 2002
Fr�n vildmark och vattudalar
Del 1. En vildmarkss�gen. Del 2. Alvar Storfiskare. Bokf�rlaget Settern �rkelljunga 1995. 158 sidor. Illustrerad med silhuettklipp av Ingegerd Bergdahl-Parling. F�rlagsband med omslagsbild i f�rg. 215x145 cm. F�rsta upplagan. Namnteckning. I skick som ny. ISBN: 9175864452 unknown
書籍販売業者の参照番号
: 37059 ISBN : 9175864452 9789175864457
|
|
Hansegard Nils Erik 1918 2002
Kaksikielisi� vai puolikielisi�
Kielellisi� v�hemmist�j� koskevat luvun kirjoittanut Thomas Lund�n. SKS Helsinki 1979. 141 sidor. H�ftad n�tta omslag. 20x125 cm. Boken har �gts av professor Nils-Erik Hanseg�rd 1918-2002 som 1975 blev den f�rste innehavaren av professuren i samiska vid Ume� universitet och �r f�rsedd med dennes �garnotering samt understrykningar och randnoteringar med blyets och kulspetspenna. ISBN: 517171722 - Tietolipas Nr 81. Svensk originaltitel: Tv�spr�kighet eller halvspr�kighet 1968. Suomentaneet Outi Honkasalo Riitta Matilainen P�ivi Skille. Finsk text. unknown
書籍販売業者の参照番号
: 36636
|
|
HODGSON William Hope 1877 1918 et al.
My House shall be called the House of Prayer" in The Christmas Argosy
London: the Amalgamated Press January 1930. Literary Magazine. FIRST APPEARANCES. Octavo magazine 24 x 17cm pp.viii; 184. With one plate of colour advertisements and colour illustrated paper covers stapled. Some chipping a creases to cover edges. Staples severely oxidised. Good. Also containing 'A Distant Relative' by W. W. Jacobs; 'The Bet' by Anton Chekov; 'A Pair of Hands' by Arthur Quiller-Couch; 'I - Elsie and the Child' by Arnold Bennett; and 'The Phantom of the Opera' by Gaston Leroux. London: the Amalgamated Press, January 1930 unknown
書籍販売業者の参照番号
: 49921
|
|
DUPREE Orlean C. 1918 2001
Social Security No. 438-10-1408
New York NY: A Milestone Book Comet Press Books 1958. Psychological memoir. SIGNED FIRST EDITION. Octavo 21 x 14cm pp.6 73 1. SIGNED by the author in blue ink to title page dated 24th November 1959. In publisher's black cloth with gilt titles to spine. Green endpapers. With original cream dust-jacket. Chips to jacket corners especially head and tail of spine and top corners of the back cover. Jacket lightly browned with some spotting. Very good. Something of a stream-of-consciousness exploration of a Louisiana man's restless early life spent constantly travelling between his home and California including periods spent in the Navy psychiatric ward and living as a hobo. New York, NY: A Milestone Book, Comet Press Books, 1958 unknown
書籍販売業者の参照番号
: 49543
|
|
Jansson Tove 1914 2001
Docksk�pet och andra ber�ttelser
Albert Bonniers F�rlag Stockholm 1978. 1851 sidor. F�rlagsband med skavt skyddsomslag. 215x13 cm. F�rsta svenska upplagan. Namnteckning. ISBN: 9100436488 - Omslag i f�rg av Tove Jansson. unknown
書籍販売業者の参照番号
: 36677 ISBN : 9100436488 9789100436483
|
|
Fries Samuel Andreas 1867 1914
Bibel och Babel
Ett f�redrag med anledning och till kritik af Freidrich Delitzschs Babel und Bibel. Wahlstr�m & Widstrand Stockholm 1903. 645 sidor. Tr�dh�ftad. 195x12 cm. Namnteckning. unknown
書籍販売業者の参照番号
: 36733
|
|