‎Franco‎

‎[Rencontre]‎

‎RENCONTRE - N° 8 - Juin 1962‎

‎"Revue mensuelle de l'essentiel" : 120 pages, format 150 x 210 mm, illustrée, brochée, bon état‎

‎Au sommaire : Le nouveau théorème de M. Kennedy ; L'Allemagne face au mur ; Le Général Franco ; Le Parti communiste chinois ; Un jour au bord du lac Balaton ; Hassi R'Mel, réserve mondiale de gaz ; Comment fut découverte La Mecque ; Félinités : l'égalité dans le couple ; Une œuvre, un portrait : Thomas Mann ; Les Tablettes de la Girafe ; Lamartine ; Le cinéma malade du roman ; Les Demoiselles d'Avignon ; Il n'y a pas de faussaires de génie ! ; Vénus ; L'énergie des marées ; Les médicaments, etc.‎

书商的参考编号 : LFA-126734911

‎[RUSSOLI, Franco]‎

‎Riopelle 'Derriere Le Miroir' No. 185 Avril 1970‎

‎Paris: Maeght Editeur 1970 1970. folio. pp. 2 29 2. 5 original colour lithographs by Riopelle incl. wrs. & 2 triple-page. 24 illus. & 3 diagrams. loose signatures as issued in lithographed wrs. laid into portfolio & slipcase slipcase scuffed & edges bit worn. Edition limited to 150 numbered copies on velin de Lana signed by the artist. Hould & Laramee 247. Signed by Authors. [Paris]: Maeght Editeur, 1970 unknown‎

书商的参考编号 : ABE-189079582

‎[TESTA Franco] SCHIAFFINO Mariarosa et Michel CLUIZEL.‎

‎La route du chocolat.‎

‎Paris, Gentleman, 1988. In-8, cartonné, illustrations, jaquette.‎

‎[10133]‎

书商的参考编号 : 10133

‎[TIBET] RICCA, Franco & Erberto Lo Bue‎

‎The Great Stupa of Gyantse. A Complete Tibetan Pantheon of the Fifteenth Century‎

‎London: Serindia Publications 1993. First Edition. First impression. Quarto. Red cloth hardcover; dustjacket; 319pp; illustrations in color and b/w. A fine unworn copy. In the original dustwrapper similarly Fine. From the library of noted poet / translator / Buddhist scholar Nathaniel Tarn with his printed bookplate inside front cover. Serindia Publications unknown‎

书商的参考编号 : 85837

‎[Typographie]. MARGERIE Anne de. [RICCI Franco Maria].‎

‎J. B. BODONI, TYPOGRAPHE ITALIEN (1740-1813). Préface de Franco Maria Ricci.‎

‎Jacques Damase, éditeur. Collection " Les Grandes familles typographiques ". 1985. In-8° à l'italienne, broché. Couverture illustrée. Nombreuses illustrations. 118 pages. E.O. Très propre.‎

书商的参考编号 : 4222

‎[Vacheron Constantin], Cologni (Franco), ss la dir. de‎

‎Collectors' Island. N° 1 à 5.‎

‎Milan Mestieri d'Arte 2011-2015 Cinq volumes in-folio brochés, couverture blanche, sous emboitage noir, tranches dorées, 112, 112, 120, 120 et env. 120 pp., illustrations en couleurs, nombreux documents en fac-similés. Edition française numérotée (193/256 pour le n°1, 193/500 pour le n°2, 265/500 pour le n°3, 207/500 pour le n°4 et 494/500 pour le n°5), très bon état.‎

‎La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.‎

书商的参考编号 : 12398

‎[VENISE]. FRANCO, Giacomo‎

‎Habiti d’Huomeni et Donne Venetiane con la Processione della Ser ma Signoria et altri Particolari cioè Trionfi Feste et Cerimonie Publiche della nobilissima città di Venetia.‎

‎<p>Venice Giacomo Franco Forma in Frezzaria al Insegna del Sole con privilegio s.d. 1610.</p><p>Small folio volume.</p><p>"<i>1 . title engraved with same view of Venice than the one for "Habiti delle Donne" 1 l. not numbered dedication to Vincent de Gonzague de Mantoue dated 1st January 1610 and printed in roman characters 25 plates out of pagination and not numbered.</i></p><p><i>Those plates represent 34 figures of men and women in very rich Venitian costumes life scenes </i></p><p><i>festivities.</i>" Colas n° 1108.</p><p>360 x 260 mm. Dimensions of the engravings: 258 x 190 mm.</p><p><b>Very rare first edition of one of the most famous books on Venice its festivities costumes and activities around 1600.</b></p><p>Colas <i>Bibliographie Générale du Costume</i> n°1108 col. 384-5; <i>Katalog Der Freiherrlich Von Lipperheide'schen Kostümbibliothek</i> repr. 1963 n°1324 p. 527.</p><p>"This collection offers great interest in the costumes of Venice during its greatness. It is sought after today especially as it has become extremely rare ". Vinet Bibliographie méthodique des Beaux-Arts.<br /><br /><b>This collection is so rare that Brunet never found a complete copy and only described an incomplete one</b> Brunet II 1378. As for Vinet he doubts the number of plates following the number 24 with a "" Vinet col 283 n° 2291.<br /></p><p>The copy of the <i>British Museum </i>only contains 20 plates out of 25 and one title leaf is missing. <br /></p><p><b>Title engraved with a birds 'eye view of Venice on an architectural frame with a view of the Rialto bridge and 24 extremely fine engravings.</b><br /><br /><b>The book shows in an extraordinary detailed way the various festivities processions and past times of the city as well as great moments in its history.</b><br /><br />"Assimilated to the genre of the costume book the work by Giacomo Franco 1556 - 1620 drawer and engraver born in Venice also shows engravings of a strong interest for the history of manners and customs of the Serenissima in the 16th and 17th centuries: festivals entertainment maritime games regattas… and carnival. The 1610 edition is probably the first. The number and order of the engravings vary greatly from one edition to another and between copies of the same edition.<br /></p><p>The copy is composed of 26 copper plates including one double plate all except one signed by Giacomo Franco. The engraving named Feste che si sogliono fare per la città della caccia del toro amazzar la Gata col capo raso pigliar l'anadre pigliar l'occa nell'acqua et altro features games with animals: a bear fighting with dogs a tied up cat a goose being plunged into water a duck hanging from a mast and a chased bull. Attested since the Middle Ages bull hunting is a traditional carnival game in the Renaissance particularly in Rome and Venice". Virtual exhibition organized by the Mazarine Library<i> Libri italiani lecteurs français</i> "Balls festivals and banquets".</p><p>"This book of engravings depicts the costumes festivals and social life of early seventeenth-century Venetians. There is no text other than a short descriptive sentence at the bottom of each engraving. Major Venetian landmarks are easily recognizable <b>and the small ovoid map on the title-page is regarded by some scholars as an important example of early Venetian cartography.</b></p><p>Very little is known about the Venetian engraver Giacomo Franco. The son of painter Giovanni-Battista Franco 1510-1561 with whom he began his artistic training at the age of eleven he worked as a painter engraver woodcutter and dealer in graphics and books. For a while he studied in Bologna with Agostino Carracci 1557-1602. In the early 1580s they opened a private teaching academy that soon became a center for progressive art. In their teaching they laid special emphasis on drawing from life and clear draughtsmanship became a quality particularly associated with their school. </p><p>In 1595 Franco took over his father's workshop and eventually became a well-known publisher. Although he was not documented as belonging to the booksellers' or printers' guilds he is recorded in 1606 and again in 1619 as belonging to the painters' guild. Franco's determination to be recognized as an artist is reflected in his will in which he refers to himself as a "designer."</p><p>The <i>Habiti d'huomini</i> is a potpourri of depictions of Venetian costumes processions and celebrations. Citizens are seen watching regattas fighting on bridges conversing in the Piazza San Marco and on the Rialto Bridge and marching in ceremonial procession into the Doge's Palace with flags flying and horns and flutes playing. Even the ubiquitous laundry is seen hanging on the line in the background. Men with rifles hunt ducks in the lagoon. The Doge's mighty Bucintoro warship returns from battle escorted by gondolas and saluted by cannon explosions. Carnival of course has a page of its own which depicts citizens in masks some of whom seem to be making best use of the cover of darkness to contact a prospective lover. The appropriately dressed widow is pictured heavily veiled and a married gentlewoman has two outfits from which to choose one for inside the house another for outside. The men are almost as ornately dressed as the women. The Doge in his palace wearing fine brocade and a crown moves his hand in a sort of blessing as – through a window behind him – life in the Piazza San Marco goes on". The Boston Athenaeum Museum</p><p><i>"From the middle of the 15th century the Venetian institutions came to maturity which allows Venice to parade every week in the fullness of its myth under the eyes of the Venetians and the whole world Urbi et orbi - including the Turks and the Chinese. Venice then shows itself united eternal strong and indestructible</i>. "<br /><br />One of the great moments of this frenzied proclamation of the political perfection of Venice is the rite of the <i>trionfo </i>- or ducal procession - where hierarchy order harmony and collective respect are the characteristics of this state liturgy.<br /><br />This urban rite we could even say ritual is a great moment in the political life - and in the life itself - of Venice. Indeed the ducal procession is intended to be a proclamation of the cohesion of the State and its strong structure in the eyes of the Venetians as in the eyes of foreigners who will necessarily receive echoes. The Milanese Pietro Casolo passing through Venice at the end of the 16th century was impressed by the unchanging - and disciplined - ordering of these Venetian processions:<br /><br /><i>In my opinion one man seemed to rule all things and he was obeyed by all without resistance. It filled me with admiration as I have never seen such a discipline at similar shows.</i><br /><i>They walk two by two behind the doge in a completely different order from what I have seen in many religious or secular courts where as soon as the prince has passed everything goes in all directions and in disorder. Here in front and behind everything is as in a perfect order as possible.</i><br /><br />The ordering and place of each are not the result of chance but the result of a rigorously thought out and unchanging ceremony. This immutability is demonstrated by the existence of commented engravings that is to say that the artists note the order of the succession of the characters as an element as perennial as the architectures that frame this ceremony. An example the engraving of Giacomo Franco which shows us the beginning of the procession which enters the basilica. The frieze arrangement evokes the Roman triumphs of the Ara Pacis or Trajan's Column." Marie-Viallon The Ducal procession in Venice.<br /></p><b>Precious and beautiful copy coming from the library of the 19th century </b><i><b>A. Brölemann</b></i><b> with ex-libris.</b><p><b><br /></b></p><p><u>Français :</u><br /></p><p>Venice Giacomo Franco Forma in Frezzaria al Insegna del Sole con privilegio s.d. 1610.</p><p>Petit in-folio.</p><p>" <i>1 f. titre gravé avec la même vue de Venise que pour " Habiti delle Donne " 1 f. non chiffr. dédicace à Vincent de Gonzague de Mantoue datée du 1er janvier 1610 et imprimée en caractères romains 25 planches h. t. gr. non chiffr.</i></p><p><i>Ces planches portent 34 figures d'hommes et de dames dans de très riches costumes vénitiens des scènes de mœurs des réjouissances.</i> " Colas n° 1108.</p><p>Le présent exemplaire compte 1 titre gravé avec vue de Venise et 24 planches portant 30 figures d'hommes et de dames ; manquent le feuillet de dédicace et une planche portant 4 figures mais le nombre et l'ordonnancement des gravures sont très variables entre les exemplaires d'une même édition " this fine collection of detailed views and scenes of Venetian life and costume was issued with varying numbers of plates ". Qq. rousseurs en marge du frontispice. Le tout monté sur grand papier et relié vers 1850 par <i>Duru</i> en demi-maroquin rouge à coins. </p><p>360 x 260 mm. Dimensions des gravures : 258 x 190 mm.</p><p><b>Edition originale rarissime de l'un des livres les plus célèbres sur Venise ses fêtes costumes et activités vers l'année 1600.</b></p><p>Colas <i>Bibliographie Générale du Costume</i> n°1108 col. 384-5; <i>Katalog Der Freiherrlich Von Lipperheide'schen Kostümbibliothek</i> repr. 1963 n°1324 p. 527.</p><p>" <i>Ce recueil offre un grand intérêt pour les costumes de Venise pendant sa grandeur. On le recherche aujourd'hui d'autant plus qu'il est devenu d'une extrême rareté</i> ". Vinet <i>Bibliographie méthodique des Beaux-Arts</i>.</p><p><b>Ce recueil est si rare que Brunet n'a jamais rencontré d'exemplaire complet et ne décrit qu'un exemplaire incomplet</b> Brunet II 1378. Quant à Vinet il doute du nombre de planches faisant suivre le chiffre 24 d'un " " Vinet col 283 n° 2291.</p><p>L'exemplaire du <i>British Museum</i> ne contient que 20 planches sur 25 et il manque le feuillet de titre. </p><p><b>Titre gravé avec vue à vol d'oiseau de Venise dans un cartouche architectural surmonté d'une vue sur le pont du Rialto et 24 gravures extrêmement fines. </b></p><p><b>Le livre montre avec un détail extraordinaire les différentes festivités processions et temps passés de la ville ainsi que de grands moments de son histoire.</b></p><p>" Assimilé au genre du livre de costumes l'ouvrage de Giacomo Franco 1556 - 1620 dessinateur et graveur né à Venise montre également des gravures d'un fort intérêt pour l'histoire des mœurs et coutumes de la Sérénissime aux XVIe et XVIIe siècles : fêtes divertissements joutes maritimes régates… et carnaval. L'édition de 1610 est probablement la première. Le nombre et l'ordonnancement des gravures sont très variables d'une édition à l'autre et entre les exemplaires d'une même édition.</p><p>L'exemplaire exposé comporte 26 planches gravées sur cuivre dont une double planche toutes sauf une signées de Giacomo Franco. La gravure intitulée Feste che si sogliono fare per la città della caccia del toro amazzar la Gata col capo raso pigliar l'anadre pigliar l'occa nell'acqua et altro met en scène des jeux avec des animaux : un ours se battant avec des chiens un chat ligoté une oie que l'on plonge dans l'eau un canard accroché à un mât et un taureau pourchassé. Attestée depuis le Moyen Âge la chasse au taureau est un jeu traditionnel du carnaval à la Renaissance en particulier à Rome et à Venise ". Exposition virtuelle organisée par la Bibliothèque Mazarine <i>Libri italiani lecteurs français</i> " Bals fêtes et banquets ".</p><p>"This book of engravings depicts the costumes festivals and social life of early seventeenth-century Venetians. There is no text other than a short descriptive sentence at the bottom of each engraving. Major Venetian landmarks are easily recognizable and <b>the small ovoid map on the title-page is regarded by some scholars as an important example of early Venetian cartography</b>.</p><p>Very little is known about the Venetian engraver Giacomo Franco. The son of painter Giovanni-Battista Franco 1510-1561 with whom he began his artistic training at the age of eleven he worked as a painter engraver woodcutter and dealer in graphics and books. For a while he studied in Bologna with Agostino Carracci 1557-1602. In the early 1580s they opened a private teaching academy that soon became a center for progressive art. In their teaching they laid special emphasis on drawing from life and clear draughtsmanship became a quality particularly associated with their school. </p><p>In 1595 Franco took over his father's workshop and eventually became a well-known publisher. Although he was not documented as belonging to the booksellers' or printers' guilds he is recorded in 1606 and again in 1619 as belonging to the painters' guild. Franco's determination to be recognized as an artist is reflected in his will in which he refers to himself as a "designer."</p><p>The <i>Habiti d'huomini</i> is a potpourri of depictions of Venetian costumes processions and celebrations. Citizens are seen watching regattas fighting on bridges conversing in the Piazza San Marco and on the Rialto Bridge and marching in ceremonial procession into the Doge's Palace with flags flying and horns and flutes playing. Even the ubiquitous laundry is seen hanging on the line in the background. Men with rifles hunt ducks in the lagoon. The Doge's mighty Bucintoro warship returns from battle escorted by gondolas and saluted by cannon explosions. Carnival of course has a page of its own which depicts citizens in masks some of whom seem to be making best use of the cover of darkness to contact a prospective lover. The appropriately dressed widow is pictured heavily veiled and a married gentlewoman has two outfits from which to choose one for inside the house another for outside. The men are almost as ornately dressed as the women. The Doge in his palace wearing fine brocade and a crown moves his hand in a sort of blessing as – through a window behind him – life in the Piazza San Marco goes on". The Boston Athenaeum Museum</p><p><i>" Dès le milieu du XVe siècle les institutions vénitiennes sont parvenues à maturité ce qui permet à Venise de parader chaque semaine dans la plénitude de son mythe sous les yeux des Vénitiens et du monde entier </i><i>Urbi et orbi</i><i> - y compris les Turcs et les Chinois. Venise se montre alors unie forte éternelle et indestructible.</i>"</p><p>Un des grands moments de cette proclamation forcenée de la perfection politique de Venise est le rite du<i> trionfo</i> - ou procession ducale - où hiérarchie ordre harmonie et respect collectif se veulent les caractéristiques de cette liturgie d'État.</p><p>Ce rite voire rituel urbain est un grand moment de la vie politique - et de la vie tout court - de Venise. En effet la procession ducale se veut une proclamation de la cohésion de l'État et de sa forte structuration aux yeux des Vénitiens comme aux yeux des étrangers qui en recevront nécessairement des échos. Le milanais Pietro Casolo de passage à Venise à la fin du XVIe siècle a été impressionné par l'ordonnancement immuable - et discipliné - de ces processions vénitiennes : </p><p><i>Selon moi un seul homme semblait ordonner toutes choses et il était obéi de tous sans résistance. Cela m'a rempli d'admiration car je n'ai jamais assisté à une telle discipline lors de spectacles similaires. Ils marchent deux par deux derrière le doge dans un ordre tout différent de ce que j'ai vu dans de nombreuses cours religieuses ou profanes où dès que le prince est passé tout part dans tous les sens et en désordre. Ici devant et derrière tout est aussi parfaitement en ordre que possible.</i></p><p>L'ordonnancement et la place de chacun ne sont pas le fruit du hasard mais le résultat d'un cérémonial rigoureusement pensé et immuable. Cette immuabilité est démontrée par l'existence de gravures commentées c'est-à-dire que les artistes notent l'ordre de la succession des personnages comme un élément aussi pérenne que les architectures qui encadrent cette cérémonie. Un exemple la gravure de Giacomo Franco qui nous montre le début de la procession qui entre dans la basilique. L'ordonnancement en frise évoque les triomphes romains de <i>l'Ara pacis</i> ou de la colonne Trajane. " Marie-Viallon La procession ducale à Venise.</p><p><b>Précieux et bel exemplaire provenant de la bibliothèque du </b><b>XIXe siècle </b><i><b>A. Brölemann</b></i><b> avec ex-libris. </b></p> hardcover‎

书商的参考编号 : NY24

‎A cura di Delio Cantinori, Luigi Firpo, Giorgio Spini, Franco Venturi, Valdo Vinay‎

‎GINEVRA E L'ITALIA.‎

‎Firenze: Sansoni 1959. Raccolta di studi promossa dalla Facoltà Valdese di Teologia di Roma. Un volume 24 cm di X-769 pagine. A fogli ancora chiusi. Brossura editoriale con sovracoperta illustrata. Qualche strappo ai margini della sovracoperta; peraltro ottime condizioni. Sansoni unknown‎

书商的参考编号 : 031192

‎a cura di Franco Cajani‎

‎Harry Rosenthal Catalogo Generale 1947-2000‎

‎2000 blue hardcover in very good condition some wear to covers good binding. US media mail for shipping. Text in Italian. GR Edizioni, Besana Brianza hardcover‎

书商的参考编号 : 7671poco

‎A cura di Franco Ferraresi‎

‎LA DESTRA RADICALE.‎

‎Milano: Feltrinelli 1984. Un volume 22 cm di 288 pagine. Una ricerca di F. Ferraresi A.E. Galeotti A. Jellamo M. Revelli. Brossura editoriale con titolo alla copertina dorso un po' brunito nella collana Presenza. Timbro di campione gratuito alla pagina di titolo peraltro ottime condizioni. Feltrinelli unknown‎

书商的参考编号 : 027379

‎A cura di Enzo Santese - Opere di Franco Durante‎

‎Franco Durante‎

‎Collana Eidola, luglio 1996. Brossura con alette. Ordinarie tracce d'uso. 30 tavole a colori. 80 pagine. cm 24 x 22. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in good conditions, no inscriptions or markings inside. Worldwide delivery.‎

‎A cura di Franco Batacchi - Opere di Bonizza e Michela Modolo‎

‎Una Famiglia di Artisti, i Modolo‎

‎Catalogo mostra, ottobre 2009. Presentato in occasione della mostra del 2009 nella Galleria Perl'A di Venezia. Brossura con alette. Numerose tavole a colori. Pagine 47, cm 15 x 18. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.‎

‎A cura di G. Barbarisi e P. Pellegrini.‎

‎Bibliografia degli scritti di Franco Antonicelli.‎

‎cm. 17 x 24, xxiv-124 pp. con 1 tav. f.t. 307 gr. xxiv-124 p.‎

‎A CURA DI GIANNI GUADALUPI - TESTI DI JEAN CLAUDE BAUDOT E YVES HERSANT‎

‎SLOT MACHINES‎

‎LEGATURA EDITORIALE RIGIDA IN TUTTA SETA NERA CON APPLICATA ILLUSTRAZIONE, NON SO SE ERA PRESENTE IL COFANETTO. TESTO IN LINGUA ITALIANA ED INGLESE. BELLISSIME LE IMMAGINI numero pagine: 117 formato: 30.5X30.6 stato conservazione: BUONO, SEGNO LIEVE DI PRESSIONE AL DORSO edizione: PRIMA‎

‎A cura di L. Guerci e G. Ricuperati.‎

‎Coraggio (Il) della ragione. Franco Venturi intellettuale e storico cosmopolita. Atti del convegno internazionale di studi (Torino, 12-14 dicembre 1996).‎

‎cm. 16,5 x 24, iv-500 pp. con 2 tavv. f.t. Fondazione Luigi Einaudi. Torino - Studi 740 gr. iv-500 p.‎

‎A. Lettieri‎

‎Ripensare il sindacato. Democrazia e rappresentatività, lavoro pubblico e lavoro privato‎

‎A. Lettieri Ripensare il sindacato. Democrazia e rappresentatività, lavoro pubblico e lavoro privato. , Franco Angeli 1989, Dorso e piatti leggermente bruniti. Taglio di testa con gore. Interno ingiallito ma in ottimo stato. Buono (Good) . <br> <br> <br> 255<br> 9788820434359‎

‎A.A.V.V.‎

‎Microprovincia 39‎

‎In 8 (22x15) Brossura illustrata; pp. 272; Ottimo‎

‎A.A.V.V.‎

‎Microprovincia 41‎

‎In 8 (22x15) Brossura illustrata; pp. 379; Ottimo‎

‎Aa Vv.‎

‎Arresto Di Un Principe Russo, Ritenuto Anarchico, a Roma. L'imperatore Guglielmo Arringa Il Popolo Della città Russa Di wyschtiten La Tribuna Illustrata Della Domenica N. 40‎

‎Mm 290x415 Fascicolo in folio di 8 pp. con prima e ultima carta illustrate a colori, illustrazioni in nero nel testo. Fioriture ai margini. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎Aa Vv.‎

‎L'illustrazione Italiana Anno 88 (1961) Dicembre N. 12‎

‎Mm 240x310 Brossura editoriale di pp. 92, con belle immagini in bianco e nero e a colori, anche a piena pagina. In buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎AA. VV.‎

‎APOCALYPSE.‎

‎4°, SETA NERA EDITORIALE CON TITOLO IN ORO AL DORSO E AL PIATTO ANTERIORE RECANTE ILL. A COLORI APPLICATA, CUSTODIA IN TELA E CARTONATO NERI, LOGO EDITORIALE AI RISGUARDI, PG. 191 (9), XILOGRAPHIQUES IV^ EDITION (AD.5.22) BIBLIOTECA ESTENSE DE MODENE, ANALYSE ICONOGRAPHIQUE DE SERGIO SAMEK LUDOVICI, TEXTE LATIN DANS L'EDITION CRITIQUE D'OXFORD ETABLIE PAR J. WORDSWORTH ET H. WHITE, TEXTE FRANCAIS DE JACQUES-BENIGNE BOSSUET AVEC UNE INTRODUCTION D'YVES HERSANT, NUMEROSE ILL. A COLORI APPLICATE P. PG. N.T., EDIZIONE A TIRATURA LIMITATA DI 5.000 ESEMPLARI (NS. 896) SU CARTA AZZURRINA DELLE CARTIERE MILIANI DI FABRIANO, FIRMA DELL'EDITORE AL COLOPHON. PRIMA EDIZIONE.‎

‎AA. VV.‎

‎CRIMINI DI PACE‎

‎BUONO‎

‎AA. VV.‎

‎Franco Miele Scelta antologica‎

‎Volume brossurato in cartoncino flessibile lucido, dalla copertina illustrata. Ritratto fotografico di Miele in antiporta. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di riproduzioni di opere pittoriche, a colori e in nero, nel testo. Numero pagine 100. USATO‎

‎Aa. Vv.‎

‎La taverna di Auerbach. Rivista internazionale di poetiche intermediali - N. 5-6-7-8‎

‎Mm 145x240 Anno IV - Inverno 1989-Inverno 1990. 5-6-7-8 -- Brossura editoriale di 260 pagine. Selezione dall'indice: intervista a Lamberto Pignotti; "Maizum goin", inedito di Antonin Artaud; poesie di Alison Knowles, Michael Mc. Clure, Richard Martel, Franco Cavallo; "Sul cinema. La lettera dimenticata" di Felix Guattari e Sarenco; due poesie visive al computer di Harry Polkinhorn. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎

‎Aa. Vv.‎

‎Letteratura - anno XXIX, n. 78: Poeti nuovi 1945-1965‎

‎Mm 215x255 Rivista Bimestrale di Lettere e di Arte Contemporanea. Anno XXIX, n. 78, Nuova serie, novembre-dicembre 1965 - Brossura editoriale, 191 pagine. Poesie, tra gli altri, di Guido Ballo, Franco Fortini, Eugenio Miccini, Lamberto Pignotti, Maria Luisa Spaziani, Paolo Volponi, Andrea Zanzotto; con una nota di Romeo Lucchese. Tracce di umidità e un segno a penna alla copertina, fioriture ai fogli di guardia, peraltro esemplare in buono-ottimo stato complessivo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.‎