‎Musées‎

‎Museums Association‎

‎Report of Proceedings with the Papers Read at The First Annual General Meeting‎

‎BiblioLife 2008-08-21. Lrg. Paperback. Used:Good. BiblioLife paperback‎

書籍販売業者の参照番号 : DADAX0554416816 ISBN : 0554416816 9780554416816

‎Museums Association‎

‎Report of Proceedings with the Papers Read at The First Annual General Meeting‎

‎BiblioLife 2008-08-21. Paperback. Good. BiblioLife paperback‎

書籍販売業者の参照番号 : SONG0554416816 ISBN : 0554416816 9780554416816

‎Museums Association‎

‎The Museums Journal: The Organ of the Museums Association‎

‎London 1931-1937 passim. Price HAS BEEN REDUCED by 10% until Monday June 29 sale item volumes 31 nos. 1-8 10-12; 32 nos. 1-7 10-11; 34 nos. 1-12; 35 nos. 1-12; 36 nos. 1-12; illustrated; original paper wrappers minor ownership markings else near very good; sold as a lot London unknown‎

書籍販売業者の参照番号 : ZB573242

‎Museums At Stony Brook‎

‎19th Century American Carriages Their Manufacture Decoration And Use‎

‎Stony Brook NY: The Museums at Stony Brook. Poor with no dust jacket. 1987. Ex-library. Hardcover. 0943924103 . Half-title page through page 10 are detached but present. Ex-museum library copy with label on front endpaper and pocket removed from rear endpaper. ; 9.90 X 8 X 0.50 inches . The Museums at Stony Brook hardcover‎

書籍販売業者の参照番号 : 262541 ISBN : 0943924103 9780943924106

‎Museums at Stony Brook‎

‎Coach Painter -- 1880 -- Reprint‎

‎Museums at Stony Brook 1984. Trade Paperback - VG - Book is clean and tight with light wear - Illustrated. Trade Paperback. Very Good. Museums at Stony Brook Paperback‎

書籍販売業者の参照番号 : 246262 ISBN : 0943924073 9780943924076

‎MUSEUMS AT STONY BROOK‎

‎The Carriage Collection‎

‎Stony Brook: Museums at Stony Brook 1986. paperback. very good-. Many photo Illus. several in color. 127pp. 4to pr. wrs. many pages slightly wavy in right margins otherwise very good. Stony Brook: Museums at Stony Brook 1986. Museums at Stony Brook unknown‎

書籍販売業者の参照番号 : 274473 ISBN : 094392409X 9780943924090

‎Museums at Stony Brook Staff‎

‎The Carriage Collection‎

‎Univ Publ Assn 2000-10-31. Textbook Binding. Good. Univ Publ Assn unknown‎

書籍販売業者の参照番号 : SONG094392409X ISBN : 094392409X 9780943924090

‎Museums at Stony Brook‎

‎William Sidney Mount annotated bibliography and listings of archival holdings of the Museums at Stony Brook‎

‎The Museums 1983. Paperback. Good. The Museums paperback‎

書籍販売業者の参照番号 : SONG0943924057 ISBN : 0943924057 9780943924052

‎MUSEUMS AT STONY BROOK‎

‎The Carriage Collection‎

‎Stony Brook: Museums at Stony Brook 1986. paperback. very good-. Many photo Illus. several in color. 127pp. 4to pr. wrs. many pages slightly wavy in right margins otherwise very good. Stony Brook: Museums at Stony Brook 1986.<br/><br/> Museums at Stony Brook unknown books‎

書籍販売業者の参照番号 : 274473 ISBN : 094392409X 9780943924090

‎Museums Department‎

‎Cultural Gallery A Brief Guide‎

‎Kuala Lumpur: Muzium Negara 1973. 2nd Ed. paperback. Good. 12mo. Slight rusting to staples. Light soiling to covers. Muzium Negara unknown‎

書籍販売業者の参照番号 : 500010215

‎Museums des 20 Jahrhunderts‎

‎Die Wahrheit is Unteilbar. Oskar Kokoschka‎

‎Vienna: Museums des 20 Jahrhunderts 1966. Monograph. Wraps. 60 pp. 11.5 x 22 cm. Illustrated. Vienna: Museums des 20 Jahrhunderts, 1966 paperback‎

書籍販売業者の参照番号 : 55-0554

‎Museums New York‎

‎Museums New York Spring 2001 Volume 7 Number 2‎

‎Museums New York 2001. Paperback. Very Good. Unmarked text. Well illustrated. Sticker on spine. Includes Mies van der Rohe exhibition at the MoMA and Whitney the Jacqueline Kennedy exhibition at the Met and the Marc Chagall show at the Jewish Museum. 144p. Cover image of Jackie Kennedy. Discount tickets intact in binding. Museums New York paperback‎

書籍販売業者の参照番号 : 26556

‎Museums of Stony Brook‎

‎19th Century American Carriages: Their Manufacture Decoration and Use‎

‎Museums at Stony Brook 1987. Softcover. As New. As new unused example. Illustrated oversized softcovers. 174 pp. Profusely illustrated throughout with color and black and white photographs and with reproductions. <br/><br/> Museums at Stony Brook paperback‎

書籍販売業者の参照番号 : E19449 ISBN : 0943924103 9780943924106

‎Museums of the USSR‎

‎Masterpieces of Painting in the c Vol. 2‎

‎<p>Masterpieces of Painting in the Museums of the USSR Vol. 2: West European Art ot the 17th-18th Centuries and Russian Art of the 18th Century. Hardcover clothbound; 159 pg. Dust jacket is moderately worn with surface and edge wear chipping at top and bottom edges and along folds. Text is clean and unmarked. Language is primarily Russian with illustration captions for the art in English also.</p> Goznak hardcover‎

書籍販売業者の参照番号 : 2980

‎Museums of Chicago‎

‎The Museums of Chicago‎

‎Chicago Ill.: Museums of Chicago ca. 1940s. 9 x 22 cm. Tri-fold brochure with map and information about the Adler Planetarium and Astronomical Museum the Art Institute of Chicago the Chicago Academy of Sciences the Chicago Historical Society Field Museum of Natural History Museum of Science and Industry The Oriental Institute and the John G. Shedd Aquarium. Very good. Chicago, Ill.: Museums of Chicago, ca. 1940s unknown‎

書籍販売業者の参照番号 : 07-0426

‎Museums West‎

‎Powerful Images: Portrayals of Native America. Sarah E. Boehme Gerald T. Conaty Clifford Crane Bear Emma I. Hansen Mike Leslie James H. Nottage‎

‎Seattle and London: Museums West in association with the University of Washington Press 1998. Paper. Good. Good paper copy catalog 144 pp 2 pp foreword by Peter Hassrick 5 pp introduction by Dave Warren text throughout illus. throughout in 4/C with some B/W illustrations Museums West in association with the University of Washington Press unknown‎

書籍販売業者の参照番号 : 1108846

‎MUSEUMS. Bianchi Giuseppe b. ca. 1727‎

‎Ragguaglio delle Antichità e Rarità che si conservano nella Galleria Mediceo-Imperiale di Firenze. Parte I all published Opera Di Giuseppe Bianchi Custode Della Medesima…‎

‎<p>Florence: Nella stamperia Imperiale 1759</p><p>Octavo: 19 x 14.3 cm. p. xiii i 236 1 errata; Collation: a8 -a8 blank A-P8 -P8 blank Complete.<br /></p><p>FIRST EDITION.</p><p>A crisp bright copy in original three-quarter calf and speckled paper over boards spine with floral ornaments. The text is adorned with attractive woodcut initials and headpieces.</p><p>First edition of the first guide to one of the world's most important museums. This guide to the Medici collections of the Uffizi Gallery was written by the museum's first custodian who had been appointed after the gallery's conversion to a public institution under the terms established by the last of the Medici the Palatine Electrix Anna Maria Ludovica in 1737. The custodian Giuseppe Bianchi is a notorious figure. He was later found to have robbed the Uffizi of works of precious metal which he melted down and sold. He was condemned to exile for his perfidy. See Barrochi and Bertelà "Danni e furti di Giuseppe Bianchi in Galleria Labyrinthos 13/16 1988-89 321-336.</p><p>Bianchi's guide published in the same year that the British Museum opened to the public is an important record of the disposition and scope of the newly "public" collections in the period prior to their dramatic reorganization by Grand Duke Pietro Leopoldo of Lorraine 1780-82. In some instances the notices in the guide are the earliest extant record for some works in the collections. The portable and scholarly guide is similar in format and composition to Pasquale Massi's 1792 guide to the Vatican Museums which Bianchi's guide predates by a generation.</p><p>Bianchi prefaces his tour with a history of the construction of the Uffizi palace designed and begun by Vasari in 1560 and completed –following Vasari's design- by Alfonso Parigi and Bernardo Buontalenti in 1581. This is followed by a description of the various elements that make up the entire palace complex. </p><p>The formal guide to the galleries begins with a detailed description of the decorative program of the frescoed ceilings and the series of portraits that line the walls beneath them. This is followed by descriptions and commentaries on each of the 62 statues and 92 busts housed in the galleries in this period. Francesco I was the first Medici to add ancient marbles to the newly completed Uffizi and these ancient sculptures were juxtaposed with contemporary Renaissance masterpieces. Thus we find in Bianchi's guide the famous Medici Venus the Niobe group Bandonelli's Laocöon and Michelangelo's Bacchus. The sarcophagus of Hippolytus is absent since it was still in the Palazzo Medici Riccardi in 1759.</p><p>Next Bianchi takes us into the Camera dei Pittori. Yet here he is unable to give a comprehensive discussion. This is due in large part to the sheer size of the collection but also to the fact that the painting collection has changed so much over the years some of the paintings having been transferred to the Pitti Palace others that formerly hung in the Palace having come to the Gallery and others still having been given as gifts to great lords or used to decorate villas. Moreover the paintings are in many media: oil tempera fresco and encaustic. Bianchi decides to focus on the collection of artist self-portraits which are divided into the three principal schools arrived at by the consensus of the most famous scholars of the art of painting: Romana Lombarda and Oltramontana. Here we find the famous self-portrait of Raphael.</p><p>From here we pause briefly in the Camera delle Porcellane before entering the Camera degl' Idoli with its collection of 300 Greek Roman Etruscan and Egyptian bronzes which Bianchi considers in detail. Next we enter the Camera delle Arti where we find paintings by Raphael Andrea del Sarto Leonardo Botticelli Mantegna and Fra Angelico. In the Camera de' Fiamminghi are housed 140 paintings by northern European artists: Albrecht Dürer Lucas Cranach Van Dyck Brueghel and Callot among others. </p><p>The German Cabinet:</p><p>The center of the Camera delle Arti is occupied by a wondrous machine for which Bianchi provides a two-page description. It is a magnificent octagonal cabinet over nine feet tall incorporating a clock a pneumatic organ and moving figures in silver. The architectural details are all composed of granatiglia an ebony-like luxury hardwood and the surfaces of the cabinet are inlaid with precious stone including lapis jasper and verde antico. The cabinet is adorned with painted scenes of the Old and New Testaments which are rendered so minutely and with such fine skill that they are believed to be by the school of Brueghel. Within the cabinet is a machine that rotates showing four scenes: birds and arabesques executed in stone-inlay; a wax relief of the deposition "the work of the immortal Buonarroti"; an amber relief of Jesus and the Apostles; and an amber crucifixion scene. The final ornament of the machine is a mirror box that produces an infinite number of reflections. Bianchi tells us that the cabinet was made in Germany "around a century ago" and was purchased by Grand Duke Ferdinando II 1610-1670.</p><p>The sixth camera houses mathematical instruments and a pair of celestial and terrestrial globes. Among the marvels here are an enormous magnet and a huge burning mirror. It was with the addition of the mathematical and scientific collections that the Uffizi began to take on the aspect of a wunderkammer.</p><p>Next we enter the heart of the museum the Tribuna the octagonal room that houses the most important treasures of the Uffizi. Bianchi begins with individual descriptions of the 14 marble statues among them the Medici Venus the Wrestlers the Dancing Satyr the Arrotino and the infant Hercules. After a brief description of the room itself designed by Bernardo Buontalenti for Ferdinando III Bianchi lists the artists whose paintings adorn the room: Correggio Titian Veronese Parmigianino and above all Raphael. There is also a detailed description of the famous table of pietre dure. </p><p>Leaving the Tribuna we come to the Camera dell' Ermafrodita the focal point of which is the hermaphrodite in Parian marble acquired by Ferdinando II from the Ludovisi Collection. Our tour concludes with brief visits to the room of medals the arsenal and the room of the ciborium with the incomplete parts of that structure created by Buontalenti for the Medici mausoleum in San Lorenzo.</p><p>Cicognara 4202; Murray Museums: their history and their use I 241; Schlosser 516. Literature: Florida Forestieri in Galleria: visitatori direttori e custodi agli Uffizi dal 1769 al 1785</p> Nella stamperia Imperiale, books‎

書籍販売業者の参照番号 : 4188

‎MUSEUMS. CABINETS OF CURIOSITY. MINERALS. Rome de Lisle Jean Baptiste Louis de 1736 1790; Davila Pedro Francisco 1713 1785‎

‎Catalogue systématique et raisonné des curiosités de la nature et de l’art qui composent le cabinet de M. Davila avec figures en taille-douce.‎

‎Paris:: M. Lambert for Briasson 1767. SOLE EDITION. Three tall octavo volumes:. 19.5 x 12.8 cm. Vol I: xxxvi 571 pages.; Vol II: vj 656 pages; Vol III: vi 290 286 1 pp. Collation: I. a-b8 c2 A-Z8 Aa-Mm8 Nn6 plus 22 plates; II. a3 A-Z8 Aa-Ss8; III. a3 A-S8 T4 a-s8 plus 8 plates Bound in contemporary mottled calf spines gilt with morocco labels light wear small imperfections. Internally all three volumes are in excellent condition. All 30 plates are crisp and in fine impressions. First and sole edition of this comprehensive catalogue of the collection of Pedro Francisco Dávila. The Dávila catalog as it has become known describes 8096 mineral specimens that encompass a large range of localities including a suite of specimens from Potosí in Spanish America as well as many items from Canada Mexico and Paraguay. In addition the catalog lists 5253 shells 600 preserved animals 101 plants 3915 fossils 154 bezoars and calculi and 402 books. Over 12000 prints and engravings 1741 original artworks 441 maps as well as various scientific instruments and precious stones are also described. "Pedro Francisco Dávila possessor of the largest collection of natural history specimens in Paris and wishing to establish an institution in Spain to preserve it approached King Carlos III of Spain. But political difficulties and an approaching war with England distracted the king who declined the purchase. Because of debts incurred building the collection creditors forced Dávila to put the accumulation up for auction in Paris. For this purpose a detailed collection catalog was required. Dávila had already written many descriptions but it was his introduction through Balthasar Sage to the young Romé de l'Isle that created this remarkable record of the collection. "Romé de l'Isle took the existing material added considerably to the mineralogical descriptions and put the catalog into publishable form. In this task he was assisted by Abbé Duguat who helped with the mineralogical descriptions and Abbé Gua de Malves 1712-1786 who described the shells. Through their efforts two volumes describing natural history specimens were produced one of which was entirely devoted to minerals. In addition a third volume written by Romé de l'Isle probably with assistance from Pierre Remy describes the fossils artwork and books. The published catalog provides a detailed insight into his collection his special tastes and preferences. The major value of the collection lay in its superb mineral specimens many of which were finely crystallized examples. Romé de l'Isle fully described the many fine mineralogical specimens which included examples of native silver from Norway cassiterite from the Dutch East Indies crocoite from Siberia pyrite from Columbia and calcite from Saxony etc. Dávila had been a collector for over 20 years when his accumulation was auctioned. In that time he or his agents had acquired specimens at other auctions including those that liquidated the collections of Albertus Seba in 1752 the Abbé Joly de Fleury in 1755 Claude Geoffroy in 1753 and others. Dávila's catalog received wide distribution in Paris London Amsterdam Rotterdam and Basle. This helped push the total realized by Dávila to over 800000 Spanish reales more than enough to pay of his creditors and to finance a second collection which he immediately began to build. Within two or three years he had again amassed a sizable collection specializing in minerals and selected with more knowledge and experience than his first collection had been. Once again he dreamed of establishing the cabinet in Madrid. In October 1771 this became reality when King Carlos III agreed to take over his collections with Dávila serving as director for life. This enormous collection eventually passed into the National Museum of Natural Sciences in Madrid where Dávila's specimens are still preserved today."The Mineralogical Record Conlon 67:1238; Nissen ZBI 1050; Sinkankas 1594; Wilson History of Mineral Collecting 1994: 136-40 166 & 209 provides a detailed history of the collections M. Lambert for Briasson, unknown books‎

書籍販売業者の参照番号 : 3939

‎Museums; Et Al‎

‎America & Europe: a Century of Modern Masters from the Thyssen-Bornemisza Collection‎

‎NAG. As New. 1980. Paperback. 0937014036 . FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 182 pp. With 116 text ills. 6 col. and 104 col. Pls. 26 x 31 cm. NAG paperback‎

書籍販売業者の参照番号 : 64883 ISBN : 0937014036 9780937014035

‎Museums; Et Al‎

‎BARROCO HISPANOAMERICANO EN CHILE: VIDA DE SAN FRANCISCO DE ASIS . . . Spanish-American Baroque in Chile: the Life of Saint Francis of Asisi. . . EXHIBITION CATALOGUE‎

‎Madrid: Corporacion Cultural 3C El Arte. New. Hardcover. 8460752143 . FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 192 pp. With 109 ills. 92 col. . 29 x 29 cm. Corporacion Cultural 3C El Arte hardcover‎

書籍販売業者の参照番号 : 60069 ISBN : 8460752143 9788460752141

‎Museums; Et Al‎

‎Chinese Paintings from the Shanghai Museum 1851-1911‎

‎Museums; Et Al. New. 2000. Paperback. 1901663485 . FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. With 110 ills. 104 col. . 20 x 21 cm. Museums; Et Al paperback‎

書籍販売業者の参照番号 : 61192 ISBN : 1901663485 9781901663488

‎Museums; Et Al‎

‎DESSINS FLAMANDS ET HOLLANDAIS DU DIX-SEPTIEME SIECLE: COLLECTIONS DE L'ERMITAGE LENINGRAD ET DU MUSEE POUCHKINE MOSCOU Flemish and Dutch Drawings of the Seventeenth Century: Collections of the Hermitage Leningrad and the Pushkin Museum Moscow‎

‎Museums; Et Al. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 210 pp. With 112 ills. 26 x 19 cm. Museums; Et Al paperback‎

書籍販売業者の参照番号 : 62840

‎Museums; Et Al‎

‎JEANNE D'ARC: LES TABLEAUX DE L'HISTOIRE 1820-1920 Joan of Arc: the History Paintings 1820-1920‎

‎RMN. New. 2003. Hardcover. 2711846822 . FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 192 pp. With 229 ills. 151 col. . 29 x 23 cm RMN hardcover‎

書籍販売業者の参照番号 : 62600 ISBN : 2711846822 9782711846825

‎Museums; Et Al‎

‎LA VIE QUOTIDIENNE CHEZ LES ARTISANS DE PHARAON Daily Life Among the Artisans of the Pharaoh‎

‎Museums; Et Al. As New. 1978. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 108 pp. With 107 ills. 22 x 19 cm. Museums; Et Al paperback‎

書籍販売業者の参照番号 : 64865

‎Museums; Et Al‎

‎LEHMBRUCK ITALIEN: ZEICHNUNG -- GRAPHIK -- PLASTIK Lehmbruck Italy: Drawing -- Graphics -- Sculpture‎

‎Museum. As New. 1978. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request � � IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 80 pp. With 101 ills. 24 x 16 cm. Museum paperback‎

書籍販売業者の参照番号 : 64782