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Branzi, Andrea und Francois Burkhardt [Herausgeber]
Neues europäisches Design. Barcelona, Paris, Mailand, Budapest, London, Berlin, Wien, Neapel, Köln, Düsseldorf.
Berlin., Ernst & Sohn Verlag., 1991. 4°. 196 S. OLeinen mit OUmschlag., 53282B Erste Deutsche Auflage. Name auf Vorsatz, sonst sehr gutes Exemplar.
Riferimento per il libraio : 53282BB ISBN : 343302359
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BRAQUE Georges. Text by Henry R. Hope
Braque: The Museum of Modern Art New York MOMA.
<p>New York / Cleveland: The Museum of Modern Art MOMA / Cleveland Museum of Art 1949. First edition / First Printing. Russet printed wrappers Near fine with light wear around the edges. Square and tight.</p> The Museum of Modern Art [MOMA] / Cleveland Museum of Art, paperback
Riferimento per il libraio : 13861-1
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BRAQUE GEORGES
Der tag und die nacht. Aus den Aufzeichnungen 1917-1952
Z�rich.: Die Arche. 1953. First edition. Hardcover. Good. 12mo. Original boards. B/w plates. A few ink annotataions. Die Arche. hardcover
Riferimento per il libraio : 019902
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BRAQUE GEORGES
La Nature Morte a travers les ages. Orangerie des Tuileries Paris 17 Avril-25 Juin 1952. Poster
Paris: �ditions des Mus�es Nationaux. 1952. First edition. Paperback. Very Good. Original poster for the show. With copies of works by Zurburan and Braque lithographed by Mourlot. 720x510mm. �ditions des Mus�es Nationaux. paperback
Riferimento per il libraio : 019720
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Braque, Georges
Das graphische Gesamtwerk. 1907-1955. Krefeld, Kaiser Wilhelm Museum [und weitere Stationen]. Januar - Juni 1955.
Krefeld., Kaiser Wilhelm Museum., 1955. 4°. 3 Doppelbögen, 2 Blatt. OKarton., 46295AB 1. Auflage. Umschlag etwas angestaubt und nachgedunkelt, vorne ein paar kleine Fleckchen und eine Knickfalte an der unteren Kante. Ordentliches Exemplar.
Riferimento per il libraio : 46295AB
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Braque, Georges
Das graphische Werk. Einleitung von Werner Hofmann.
Stuttgart., Verlag Gerd Hatje., 1961. 32,5 x 27,5 86 S., 1 Blatt. OLeinen mit illustriertem OUmschlag., 58535AB Erste Auflage. Schnitt etwas lichtrandig, leicht angestaubt, Umschlag mit Randläsuren und zwei hinterlegten Einrissen, etwas gebräunt. Ordentliches Exemplar.
Riferimento per il libraio : 58535AB
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Braque, Georges
Das lithographische Werk. Katalog der Ausstellung aufgestellt von Hermann Wünsche. Mit einem Brief von Edwin Engelberts als Vorwort. Ausstellung im Rheinischen Landesmuseum Bonn vom 7.11.-4.12.1971.
Bonn., Galerie Wünsche., 1971. Groß 8°. Ca. 120 unpaginierte S. Kaschierter OKarton. 1. Auflage. Umschlag marginal angestaubt und lichtrandig, sonst gutes Exemplar.
Riferimento per il libraio : 36829AB
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Braque, Georges
Georges Braque: His Graphic Work. Introduction by Werner Hofmann.
New York., Abrams., 1961. 32 x 27,5 cm. XXXIII S., 86 S., 1 Blatt. Geprägtes OLeinen mit illustriertem OUmschlag., 16333D Erste Auflage. Umschlag- und Einbandkanten mit Bereibungen, Umschlag stärker berieben, mit unschön hinterlegtem Einriss auf der Vorderseite. Ordentliches Exemplar.
Riferimento per il libraio : 16333DB
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Braque, Georges
Orangerie des Tuileries. 16 Octobre 1973 - 14 Janvier 1974.
Paris., Ministere des affaires Culturelles. Editions des Musées Nationaux., 1973. kl. 4°. 185 S. 3 Bl. OKarton. Sehr gutes Exemplar.
Riferimento per il libraio : 28012AB
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Braque, Georges
The Museum of Modern Art. By Henry R. Hope. The Museum of Modern Art in collaboration with The Cleveland Museum of Art.
New York., The Museum of Modern Art., 1949. Klein 4°. 169 S. OKarton. First printing. Kurze handschriftliche Widmung auf Vorsatz, Rückenkanten gering berieben. Sonst sehr gutes Exemplar.
Riferimento per il libraio : 47796AB
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Braque, Georges - Elfriede Schulze
Gemälde - Graphik - Plastik.
Stuttgart., Verlag Gerd Hatje., (1948). 8°. 7 S., 12 Tafeln. OBroschur. Erste Auflage. Einband leicht lichtrandig und etwas fleckig, sonst gutes Exemplar.
Riferimento per il libraio : 53059BB
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Braque, Georges - Gotthard Jedlicka
Georges Braque. Festrede zu seinem Gedächtnis gehalten in Mainz 30. Januar 1964 von Gotthard Jedlicka.
Mainz., 1965. 21 x 15 cm. 35 S. Illustrierter OKarton., 13211D Erste Auflage. Einbandkanten etwas nachgedunkelt. Sonst gutes bis sehr gutes Exemplar. Kleine Schriften der Gesellschaft für Bildende Kunst in Mainz. Herausgegeben von Friedrich Gerke. Heft XXV.
Riferimento per il libraio : 13211DB
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Braque, Georges - Maurice Gieure [Herausgeber]
Dessins.
Paris., La Diffusion Francaise., 1955. 18,5 x 13,5 cm. 14 S., 80 S. Abbildungen. Illustrierter OKarton., 2616D Erste Auflage. Einband mit Bereibungen, Schnitt etwas lichtrandig, insgesamt papierbedingt gering gebräunt. Sonst gutes Exemplar. Dessins de grands peintres no. 8.
Riferimento per il libraio : 2616DB
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Braque, Goerges - Jean Leymarie
Braque: les ateliers.
Aix-en-Provence., Edisud., 1995. 37 x 27 cm. 231 S. OLeinen mit illustriertem OUmschlag., 6061D Erste Auflage. Umschlagkanten etwas lichtrandig und mit kleinen Bereibungen, mit mehreren, kleinen hinterlegten Einrissen. Sonst gutes bis sehr gutes Exemplar.
Riferimento per il libraio : 6061DB
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BRAQUEMOND Felix (Parigi 1833 – 1914)
Tramonto (Coucher de soleil)
Acquaforte e puntasecca, 1882, da un soggetto di Théodore Rousseau. Impressione con firma autografa di Bracquemond; in basso a destra, timbro a secco della Printseller Association. Magnifica prova, del sesto stato su sei descritto da Beraldi, impressa su carta Cina, in eccellente stato di conservazione. Il dipinto di Rousseau da cui proviene l'acquaforte è Coucher de soleil : ou, Un abreuvoir ( ca. 1850-55 ), che è apparso all'asta da Sotheby's . New York, 17 febbraio 1993, lotto n. 12, intitolato Coucher de soleil dans les landes prés de Begaar e che oggi si trova in una collezione privata. Il quadro di Rousseau fu il primo dipinto dell'importante maestro acquistato dalla neonata galleria Arnold & Tripp, che aveva aperto nel gennaio 1881: fu acquistato da Georges Petit, esperto di Vente Hartmanna, per 20.000 franchi il 16 maggio 1881, e venduto il giorno seguente per 26.000 franchi al collezionista portoghese Pedro Eugenio Daupias. Arnold & Tripp, dopo aver acquistato e subito venduto il quadro Coucher de soleil, decisero di chiedere a Bracquemond di realizzare una lastra da cui ricavare delle copie da vendere. Questo indica che la galleria aveva mantenuto i diritti di riproduzione del dipinto, o almeno aveva un accordo con il proprietario in tal senso. L'identificazione del quadro da cui proviene l'acquaforte è quindi particolarmente interessante perché Bracquemond non fu incaricato di produrre un'incisione per promuovere la vendita del quadro, che la galleria aveva già venduto a Daupias nel maggio 1881. Piuttosto, come era comune con le incisioni, si rivolgeva al suo particolare mercato di collezionisti, sicuramente interessati ad avere un'incisione da un dipinto che era diventato parte di una famosa collezione di Lisbona, e che non avrebbero più potuto ammirare a Parigi. La scoperta del contratto stipulato tra la galleria parigina Arnold & Tripp e il pittore e incisore Felix Bracquemond è un fatto recente. Il contratto fa parte di un gruppo di sette lettere, contenute nel carteggio Arnold & Tripp, che illustrano tutti gli aspetti dell'affare, dal contratto formale del luglio 1881, alle varie fasi delle prove, fino alla lastra finale da presentare al Salone parigino del 1882. Per un’approfondimento sul tema, si rimanda al saggio di Paolo Serafini, An Inside View of the Print Market in Paris (1881) A Contract between Félix Bracquemond and the Arnold & Tripp Gallery to Realize a Plate after Théodore Rousseau, in “Getty Research Journal”, n. 10 (2018), pp. 207-224). Già nel contratto Bracquemond fa riferimento a sei stati della lastra, poi descritti da Henri Beraldi (cfr. Les Graveurs du XIXe siècle s…, t. 3, pp. 109-110). Etching and drypoint, 1882, inscribed beneath the image lower left B lower Publie par Arnold et Tripp. & Rue St Georges a Paris. In the image, lower right TH. R After a painting by Théodore Rousseau. Example in the sixth finale state, with the signature and the publisher’s address lower centre. Etched by Félix Bracquemond (1833–1914). Impression signed by Bracquemond, in pencil. Printsellers' Association's blind stamp at lower left. The painting from which the etching comes is Coucher de soleil : ou, Un abreuvoir ( ca. 1850-55 ), which appeared at auction at Sotheby's . New York , 17 February 1993 , lot no . 12 , titled Coucher de soleil dans les landes prés de Begaar and which today is held in a private collection. The Rousseau painting was the first painting by the important master purchased by the newborn gallery Arnold & Tripp gallery, which had opened in January 1881. The painting was bought from Georges Petit for 20,000 francs od 16 May 1881, and sold the following day for 26,000 francs to the Portuguese collector Pedro Eugenio Daupias. Arnold & Tripp, after having purchased and immediately sold the painting Coucher de soleil , decided to ask Bracquemond to produce a plate from which to derive copies to sell . This indicates that Arnold & Tripp had retained the reproduction rights for the painting , or at least had an agreement with the owner to that effect. The identification of the painting from which the etching comes is therefore particularly interesting because Bracquemond was not contracted to produce an engraving in order to promote the sale of the painting, which the gallery had already sold to Daupias in May 1881. Rather, as was common with artists' etchings, it was aimed at its own particular market of collector, surely interesting in having an engraving of a painting that had become part of a famous collection in Lisbon, and which they would no longer be able to admire in Paris. Recently, in the archives of the Getty Research Institute was discovered a contract between the Parisian gallery Arnold & Tripp and the painter and etcher Felix Bracquemond (1833-1914) in order to realize a plate after a painting by Théodore Rousseau. The contract is part of a group of seven letters, contained in the Arnold & Tripp correspondance, that illustrate all the aspects of the deal, from the formal contract in July 1881 , to the various phases of the proofs, toward the final plate to be presented at the Parisian Salon of 1882. (cfr. Paolo Serafini, An Inside View of the Print Market in Paris (1881) A Contract between Félix Bracquemond and the Arnold & Tripp Gallery to Realize a Plate after Théodore Rousseau, in Getty Research Journal, n. 10 (2018), pp. 207-224). H. Beraldi, tome 3, pp. 109 - 110; Paolo Serafini, An Inside View of the Print Market in Paris (1881) A Contract between Félix Bracquemond and the Arnold & Tripp Gallery to Realize a Plate after Théodore Rousseau, in “Getty Research Journal”, n. 10 (2018)
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Brasavola (ou Brassavola), Antonio Musa :
Examen omnium simplicium, quorum usus in publicis est officinis : Opus perinsigne, et medicinam facientibus per utile, ab ipso Authore recognitum et auctum. Cum indice locupletissimo.
Lyon, Sub scuto Coloniensi (Joannes et Franciscus Frellonii fratres), 1546 ; in-16 ; vélin souple de l'époque ; 862 pp., (29) ff. d'index, la dernière page "Lugduniexcudebant Ioannes et Franciscus Frellonii fratres 1546".
Riferimento per il libraio : 6335
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BRASS FOUNDRY PATTERN BOOK English 18th century
Early English trade catalogue of brass furniture hardware designs
Birmingham England late 18th century. Oblong quarto. 7 1/2 x 11 inches. 113 engraved plates on laid paper priced throughout in manuscript. Later calf backed marbled paper covered boards flat spine ruled and lettered in gilt. A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts and more. By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. In all over 500 designs are shown on the 113 consecutively numbered plates from rather simple hinges to incredibly ornate pulls. Although no engravers' names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young. Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown
Riferimento per il libraio : 36596
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BRASS FOUNDRY PATTERN BOOK English 18th century
Early English trade catalogue of brass furniture hardware designs
Birmingham England 1797. Oblong 4to. 7 1/2 x 11 inches. 143 engraved plates 13 folding on laid paper priced throughout in manuscript. Period calf-backed marbled paper covered boards Provenance: W. G. & Co. inscription on front endpaper A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts watch stands and more. By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. Although most of the brass foundry trade catalogues of this early period have no indication of the foundry the present pattern book is inscribed W. G. & Co. on the front pastedown. In all nearly 1000 designs are shown on the 143 plates from rather simple hinges and hooks to incredibly ornate pulls knockers watchstands etc. Although no engravers's names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young. Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown
Riferimento per il libraio : 28174
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BRASS FOUNDRY PATTERN BOOK English 18th century
Early English trade catalogue of brass furniture hardware designs
Birmingham England late 18th century. Oblong quarto. 7 1/2 x 11 inches. 113 engraved plates on laid paper priced throughout in manuscript. Later calf backed marbled paper covered boards flat spine ruled and lettered in gilt.<br/> <br/>A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts and more.<br/> <br/>By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. In all over 500 designs are shown on the 113 consecutively numbered plates from rather simple hinges to incredibly ornate pulls. Although no engravers' names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young.<br/> <br/>Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown books
Riferimento per il libraio : 36596
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BRASS FOUNDRY PATTERN BOOK English 18th century
Early English trade catalogue of brass furniture hardware designs
Birmingham England 1797. Oblong quarto. 7 1/2 x 11 inches. 143 engraved plates 13 folding on laid paper priced throughout in manuscript. Period calf-backed marbled paper covered boards<br/> <br/>Provenance: W. G. & Co. inscription on front endpaper<br/> <br/>A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts watch stands and more.<br/> <br/>By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. Although most of the brass foundry trade catalogues of this early period have no indication of the foundry the present pattern book is inscribed W. G. & Co. on the front pastedown. In all nearly 1000 designs are shown on the 143 plates from rather simple hinges and hooks to incredibly ornate pulls knockers watchstands etc. Although no engravers's names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young.<br/> <br/>Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown books
Riferimento per il libraio : 28174
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Brassai
Anthologie de la poesie naturelle.
This is a very good softcover copy in stiff printed card covers, with a scene of very sculptural, perhaps French, architecture with figures in black printed over the sepia background. Inside the text is in French and is illustrated with 8 photographs by Brassai of graffiti, accompanied by short works in prose and poetry. Edited by Camille Bryan & A.Gheerbrant. Cover illustration of fantasy architecture with victorian figures. 8vo, 8" high X 7" wide, 170 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Brassai
Vom Surrealismus zum Informel. 21. Mai - 10. Juli 1994, Rupertinum, Salzburger Landessammlungen [und weitere Stationen].
Barcelona., Fundacio Antoni Tapies., 1994. 31 x 24 cm. 228 S., 1 Blatt. OKarton mit illustriertem OKlappenumschlag., 38445AB 1. Auflage. Unteres Kapital gering gestaucht, Einband an den Stoßkanten etwas gestaucht, sonst gutes Exemplar.
Riferimento per il libraio : 38445AB
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Brassai (d. i. Gyula Halász) - Karolina Ziebinska-Lewandowska
Brassaï. Graffiti. Le Langage du Mur.
Paris., Éditions du Centre Pompidou / Éditions Xavier Barral., 2016. 29 cm. 185 S. Illustrierter OPappband., 67997A 1. Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 67997AB
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Brassai - Alain Sayag and Annick Lionel-Marie (Editors)
Brassai. No Ordinary Eyes. Edited by Alain Sayag and Annick Lionel-Marie. With Contributions by Jean-Jacques Aillagon, Brassai, Gilberte Brassai, Roger Grenier, Henry Miller, Jacques Prevert, Klaus Albrecht Schröder, Werner Spies.
London., Thames & Hudson., 2000. 32 x 25 cm. 319 S. OLeinen mit OUmschlag., 52669A First english edition. Sehr gutes Exemplar.
Riferimento per il libraio : 52669AB
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Brassai [d. i. Gyula Halasz]
BRASSAI The secret Paris of the 30's. Translated from the French by Richard Miller.
London., Thames & Hudson., 1986 [1976]. 26,8 x 20,9 cm. [96] unpaginierte S. Illustrierte, glanzkaschierter OKarton., 68982A Zweite Auflage. Einband minimal berieben und angestaubt. Preisaufkleber verso. Innen wenig lichtschattig, sonst gutes Exemplar.
Riferimento per il libraio : 68982AB
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Brassai [d. i. Gyula Halász] - Agnès de Gouvion Saint-Cyr
Brassaï in America. 1957.
Paris., Flammarion., 2011. 22,5 x 24,2 cm. 167 S. Illustrierter OPappband mit illustriertem OUmschlag., 67875A 1. Englische Ausgabe. Sehr gutes Exemplar.
Riferimento per il libraio : 67875AB
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Brassai [d. i. Gyula Halász] - Henry Miller
Quiet Days in Clichy. Photography by Brassai.
Paris., The Olympia Press., 1956. 17,8 x 10,8 cm. 171 S. Illustrierter OKarton., 67946A 1. Auflage. Umschlag am Rücken und Deckel recto leicht berieben und mit Randläsuren. Etwas schiefgelesen und Rücken etwas aufgehellt. Winzige Knickfalte Stoßkante recto unten. Letzte Doppelseite mit Abbildung rechts oben falsch beschnitten und umgelegt, ohne Bildverl
Riferimento per il libraio : 67946AB
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Brassaï [d. i. Gyula Halász] / Pablo Picasso - Daniel Henry Kahnweiler
Les Sculptures de Picasso. Photographies de Brassaï.
Paris., Les Éditions du Chêne., 1949. 31,9 x 25 cm. [150] unpaginierte S. Illustrierter OPappband mit OLeinenrücken., 68802A Erste Auflage. Einband wenig berieben und minimal angestaubt. Innen papier- und altersbedingt etwas lichtspurig, sonst noch sehr gutes Exemplar.
Riferimento per il libraio : 68802AB
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Braudy Susan
Family Circle: The Boudins and the Aristocracy of the Left
New York: Alfred A Knopf Inc 2003. 460pp. Index Biblio. Notes. Light wear DJ: rubbing wear extremities. 1st. Hb. VG/VG. Alfred A Knopf Inc Hardcover
Riferimento per il libraio : 073302 ISBN : 0679432949 9780679432944
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Braudy Susan
Family Circle : The Boudins and the Aristocracy of the Left
New York NY U.S.A.: New York NY U.S.A.: Alfred A. Knopf Incorporated 2003 2003. Hb. Fine/Fine. 1st. 460pp. Illus.; notes; index. 1st. Hb. Fine/Fine. New York, NY, U.S.A.: Alfred A. Knopf Incorporated, 2003 Hardcover
Riferimento per il libraio : 053643 ISBN : 0679432949 9780679432944
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Braudy Susan
Family Circle: The Boudins and the Aristocracy of the Left
New York: New York: Alfred a Knopf Inc 2003 2003. Hb. VG/VG. 1st. 460pp. Index Notes. Wear boards DJ: wear extremities rubbing. 1st. Hb. VG/VG. New York: Alfred a Knopf Inc, 2003 Hardcover
Riferimento per il libraio : 054871 ISBN : 0679432949 9780679432944
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BRAUER, A
Brauer Bunte Mauer. Varicoloured Wall. Le mur de couleurs. In Bildern von Erich Lessing. (Dreisprachige Ausgabe).
München, Bruckmann, (1975). Gr.-8vo. 89 S. m. zahlr. meist farb. Abb. Farb. illustr. OPp.
Riferimento per il libraio : 1129321
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Brauer, Arik
Arik Brauer.
Deutschland., Polydor., 1971. 31 x 31 cm. OKarton-Klappcover in OAcryl-Schuber., 66696A 1 12" Vinyl Record, 2371 224 Stereo 33 UpM. Schuber gegilbt, sonst sehr gutes Exemplar. Platte und Cover near mint.
Riferimento per il libraio : 66696AB
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Brauer, Arik - 1929 - Wien - 2021
Phantastische Darstellung mit Sitarspieler, Vögeln, Insekten, Bäumen und Blumen.
o.J. Radierung mit leichtem Plattenton, auf festem Velin, in der Platte signiert.16:11,8 cm. Mit schmalem Rändchen um die Plattenkante. [3 Warenabbildungen]
Riferimento per il libraio : 1146-C
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Brauer, David E. - Jim Edwards/ Christopher Finch/ Walter Hopps [Herausgeber/ EDitors]
Pop Art. U.S./ U.K. Connections. 1956 - 1966-
Houston. Ostfildern-Ruit., The Menil Collection. Hatje Cantz., 2001. 29 x 25 cm. 262 S. Illustrierter OKarton., 12357D Erste Auflage. Einbandkanten mit kleinen Bereibungen, unauffälliger Stempel des Vorbesitzers auf dem Vorsatzblatt. Sonst gutes bis sehr gutes Exemplar.
Riferimento per il libraio : 12357DB
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Brauer, Erich
Monographie mit Werkkatalog. [Von Wieland Schmied].
Wien., Jugend und Volg Verlag., 1972. 24,5 x27,5 cm. 273 S., 2 Blatt. Illustriertes OLeinen mit illustriertem OUmschlag in OPapp-Schuber., 35466A.jpg 1. Auflage. Umschlag minimal eingerissen, Schuber gering berieben. Gutes bis sehr gutes Exemplar.
Riferimento per il libraio : 35466AB
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Brauhauser, William
Skulpturen und Zeichnungen. Austtellungen Städtische Galerie im Rathauspark Gladbeck, 16. Juni 1991 - 28. Juli 1991 [und weitere Stationen].
Gladbeck., Stadtdirektor Gladbeck., 1991. 20 x 20,5 cm. 57 S. 1 Bl. Illustrierter OKarton., 28234AB Aflage 450 Exemplare. Einbandkanten mit kleinen Bereibungen. Sonst gutes Exmplar.
Riferimento per il libraio : 28234AB
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Brauhauser, William
Skulpturen und Zeichnungen. Einführungstext Dr. Renate L. Bunk, Dortmund. Städtische Galerie im Park Viersen, Kulturamt der Stadt Viersen, 19. März bis 23. April 1995.
Viersen., Kulturamt der Stadt Viersen., 1995. 24 x 21 cm. 31 S. OKarton., 65195BB 1. Auflage. Einband etwas angestaubt und mit winzigem Fleckchen, sonst gutes Exemplar.
Riferimento per il libraio : 65195BB
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Brauhauser, William
Städtische Kellergalerie Düsseldorf. 6.4.-3.5.1978.
Düsseldorf., Kulturamt., 1978. 8°. 6 unpaginierte S. inklusive Innendeckel. OKarton. Erste Auflage. Gutes Exemplar.
Riferimento per il libraio : 53065BB
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Brauhauser, William
Städtische Kellergalerie Düsseldorf. 6.4.-3.5.1978.
Düsseldorf., Kulturamt., 1978. 8°. 6 unpaginierte S. inklusive Innendeckel. OKarton. Erste Auflage. Gutes Exemplar.
Riferimento per il libraio : 53064BB
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Brauhauser, William - Hagen Hilderhof - Peter Schwickerath - Jun Suzuki
Vier Düsseldorfer Bilderhauer. Ausstellung vom 22. März bis zum 31. Mai 1982 im Skulpturenmuseum Glaskasten Marl.
Marl., Skulpturenmuseum Glaskasten Marl., 1982. 20 x 22 cm. 72 S. Illustrierter OKarton., 50850AB 1. Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 50850AB
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Brauhauser, William [und] Frank Mau
William Brauhauser / Frank Mau. Preisträger der von der Sparkasse gestifteten Ida Gerhardi Preise 1992, Museen der Stadt Lüdenscheid, 10. Dezember 1993 - 17. Januar 1994.
Lüdenscheid., Museen der Stadt., 1993. 21 x 15 cm. 63 S. OKarton., 61199AB 1. Auflage. Adresse des Künstlers Brauhauser an den voredern Umschlag getackert, sonst gutes Exemplar.
Riferimento per il libraio : 61199AB
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Braumüller-Havemann, Margarete - 1877 Grabow/Mecklenburg - um 1955
Müde. Halbfigurenbildnis einer älteren schlafenden Frau in Dreiviertelprofil nach rechts, den Kopf auf die rechte Hand gestützt.
o.J. Linolschnitt in Grün, auf dünnem chamoisfarbenem Japan-Bütten, mit Bleistift signiert und betitelt. Darstellungsgröße 20,4:19 cm, Blattgröße 22,3:20 cm. Vergleichsliteratur: Ausst. Katalog: Wege zu Gabriele Münter und Käthe Kollwitz. Holzschnitte von Künstlerinnen des Jugendstils und des Expressionismus. Reutlingen, 2013, Abb. Ss. 56, 58 und 60.
Riferimento per il libraio : FH-032
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Braun & Schneider a 19th Century Munich Based Publisher
Historic costume in Pictures
New York: Dover Publications 1975. Wraps with some minimal creasing. We carry a wide selection of fashion books so search our online catalogues or email for further information. First Thus. Paperback. Very Good. 4to - over 9�" - 12" tall. Dover Publications Paperback
Riferimento per il libraio : 011689 ISBN : 048623150x 9780486231501
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Braun, Alexander
Aus der Forschung. Search and Research.
Wien., Wiener Secession (Grafisches Kabinett)., 1996. 20 x 15 cm. 39 S., 1 Blatt. OBroschur., 12315D12 Erste Auflage. Einbandkanten mit minimalsten Bereibungen. Sonst sehr gutes Exemplar.
Riferimento per il libraio : 12315DB
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Braun, Alexander
Das Retablo Projekt and other works.
Köln., Salon Verlag., 2007. 24 x 26 cm. 111 S. OPappband., 4942D 1. Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 4942DB
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Braun, Alexander
Life in the Woods. Season A: Innocence. Season B: Destruction. Season C: Referance.
Köln., Salon Verlag., 2006. 15 x 10,5, 64996BB Auflage: Insgesamt 500 Exemplare. Sehr gutes Exemplar.
Riferimento per il libraio : 64996BB
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Braun, Alexander
Manual.
Köln., Salon Verlag., 2001. 28 x 17 cm. 74 unpaginierte Doppelseiten. OKarton mit Klappen., 26273AB 1. Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 26273AB
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Braun, Alexander
Sleeping. Marfa, texas.
Köln., Salon Verlag., 2000. 20 x 15 cm. 52 unpaginierte S. Illustrierte OBroschur., 8724D Erste Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 8724DB
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Braun, Alexander
Walden.
Köln., Salon Verlag., 2007. 31 x 23 cm. 77 S., 1 Blatt. OKarton., 64988BB 1. Auflage. Sehr gutes Exemplar.
Riferimento per il libraio : 64988BB
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